Historical and Landscape Etchings

Etchings illustrating biblical scenes, landscapes, and historical sites, highlighting detailed compositions and natural settings from the 16th to 18th centuries.

1612 etching of small landscapes by Meister der kleinen Landschaften depicting detailed rural and natural topography in precise engraved lines.

An etching by Paolo Pietro Bonzi depicting the young Tobias and the baptism of Christ. Created between 1580 and 1636, it illustrates biblical narratives in a detailed composition.

Etching by Adélaide Allou from 1771 showing a view of an old castle on the road from Rome to Naples near Piperno and Terracina, and the tomb of Virgil located above a cave entrance, depicting buildings, landscape, and historical sites in 18th-century European style.

Anne Philiberte Coulets copper engraving and etching from 1767-1797 showing people casting nets in a scene.

Etching by Pierre Charles Canot from 1759 depicting a noon scene, showing landscape, light, shadows, sky, and environmental details.

Etchings by an unidentified monogrammist, created between 1729 and 1755, depicting a series of varied landscapes.

1612 etching of small landscapes by Meister der kleinen Landschaften depicting detailed rural and natural topography in precise engraved lines.

Etching by Jan Miel showing a pregnant woman and a man removing a thorn from his foot, created between 1619 and 1663, highlighting human figures and daily activities.

Etching by Marie Rosalie Bertaud from 1758-1789 depicting Italian fishermen at moonlight, showing boats, figures, water, and night landscape.

Copper engraving and etching landscapes attributed to Aegidius Sadeler the Younger, showing natural scenery and detailed topography, created between 1590 and 1629.

Etching by Richard Saint-Non from 1756 depicting part of the ancient Via Appia, showing road, ruins, and surrounding landscape.

This monotype by Giovanni Benedetto Castiglione depicts the biblical flight into Egypt, created between 1630 and 1664. The work shows figures traveling through a landscape, emphasizing movement and narrative.

Etching by Johann Elias Ridinger showing a bird trapper using shoes and glue pellets, created between 1750 and 1780, depicting bird capture techniques.

This etching by Wenzel Hollar, created between 1627 and 1677, depicts the city of Antwerp, showing streets, buildings, and urban layout.

Copper engraving by Johan Barra (1605) titled 'Summer,' representing the season with symbolic imagery. The print features detailed linework and typical early 17th-century engraving style.

An etching by Jean Moyreau depicting the Bacchus fountain, created in 1736 using copper engraving techniques. The artwork illustrates a fountain associated with Bacchus, the Roman god of wine, and includes detailed figures and water elements.

Etching by Robert van den Hoecke depicting a village street (Dorfstraße) within a landscape, 1640-1679.

Richard Earlom's 1775 etching depicts a Roman-style landscape with a herd of animals, showing rivers, trees, and pastoral activity typical of 18th-century European prints.

Copper engraving and etching by Yves Marie le Gouaz between 1762 and 1816 depicting the fleet at the Isle de Ré following the Aullan course, showing ships, sails, and maritime navigation.

Painting by Martin von Molitor depicting a family near a waterfall with large oak trees, executed with paintbrush, bister, and white and blue decks between 1780 and 1812.

Etching by Jacques-Philippe Le Bas produced between 1725 and 1783 depicting three fishermen in a Flemish landscape, showing figures, water, and 18th-century engraving techniques.

Etching by Giovanni Francesco Grimaldi depicting a landscape with a traveler and a boy playing cards, produced between 1630 and 1680.

Etching by Jan van de Velde II depicting figures engaged in folly on the water and anglers in a bay, produced between 1620-1641, showing leisure activities.

Etching by S. Le Mazurier, 18th to mid-19th century, showing a rider speaking to a farmer lying on the ground and travelers with farmers in front of an inn, including architecture and landscape.

Etching by Georg Andreas Wolfgang from the 17th-18th century depicting mythological representations, showing gods, goddesses, and symbolic narrative elements.

Aquatint and etching by Frederick Christian Lewis depicting a landscape inspired by Claude Lorrain, created 1837-1840, showing natural scenery and architecture.

Etching by Isidore Stanislas Henri Helman showing the emperor visiting the tombs of his ancestors, created in 1788 using copper engraving.

Etching by Louis Simon Lempereur from 1755, showing rural landscapes including a farmhouse and a mill.

Copper engraving published by Johann Sadeler d. Ä. depicting landscapes with mythological scenes, created between 1570 and 1600. The work shows nature, figures, and composition.

Etching by Wenzel Hollar from 1649 showing a group of people dancing in front of a small inn, depicting social interaction and attire.

Etching and copper engraving by Jacob Coelemans depicting Bruno of Cologne in an Arcadian landscape. Created between 1674 and 1735, illustrating pastoral scenery and religious subject matter.

Madrid W: Oskar Ludwig Bernhard Wolff New elegant conversation lexicon for educated from all stands Tom 3 Art Verlag Creuzbauer in Carlsruhe, Kollmann, Carl Ivanovitch (1788 1846)

Etching by Willem van Nieulandt depicting a forest landscape with travelers and another landscape featuring a watermill, created between 1594 and 1635.

Etching by Constant Bourgeois showing scenic views of Italian cities and natural landscapes, created between 1785 and 1841.

Etching by Matthäus Merian the Elder showing village landscapes with houses, fields, roads, and natural surroundings in 1620.

Copper engraving depicting the season of Summer, showing lush landscapes, trees, human figures, and outdoor activity. Produced in 1618, emphasizing seasonal scenery and composition.

Etching by Étienne Fessard between 1780 and 1786 representing Chillon Castle in Montreux on the shore of Lake Geneva.

"Etching by Charles de Lacroix de Marseilles depicting a port view, showing ships, harbor structures, and surrounding coastal landscape. Created in the 18th century, illustrating maritime scene composition and detailed engraving."

A 1679 copper engraving by Johann Jakob von Sandrart depicting a river god, showing mythological figure, water attributes, and symbolic elements.

Etching by Jan van de Velde II depicting the months of April, May, and June. Produced between 1613 and 1618, it shows spring landscapes, agricultural activities, and rural scenery.

Copper engraving by John Boydell showing a landscape with ice skaters, produced in 1753 with detailed figures and winter scenery.

Two horsemen with dogs at a fordable place, Charles Courtry, After John Constable, 1881 print Paris paper etching / drypoint ford. riding a horse, ass, or mule; rider, horseman

Etching by Jan Both showing a mule driver on Via Appia, created between 1636 and 1652.

Reinier Vinkeles etched scenes between 1760 and 1816 depicting the biblical stories of Agar and Abraham, and Boas and Ruth.

Copper engraving and etching by Magdalena de Passe from 1620-1630 depicting landscapes with biblical scenes of Elijah. The print illustrates natural features, figures, and narrative elements.

Etching and copper engraving by Louis Surugue depicting David Teniers interacting with his wife, created in 1750, showing two figures in a domestic or social setting.

Etching by Johann Christian Klengel from 1773-1774 depicting rural landscapes, fields, farmers, and animals in natural settings.

Etching and copper engraving by Philipp van Gunst depicting Telemach standing before a king, created after 1734. The print shows the two figures, gestures, posture, and setting.

Etching by Reinier Zeeman showing a title leaf featuring port cities and ships, created in 1656.

Etching by Albert Meyering showing a landscape with a tomb and a landscape with a stone bridge, created around 1695.

Etching by Matthäus Merian the Elder from 1620-1622 depicting the months September to December with verses, showing seasonal activities, landscapes, and symbolic elements.

Aquatint by Antoine-Jean Gros from 1775-1832 depicting a chariot race, showing chariots, horses, drivers, and racetrack in motion.

Copper engraving by Claes Pouwelszoon, created between 1613 and 1641, depicting the biblical scene of the escape to Egypt with detailed human figures and landscape.

Copper engraving and etching by Richard Saint-Non from 1781 illustrating urban and rural scenes across Naples and Sicily, including landmarks, landscapes, and cultural features.

Jacques Callot (1592-1635). "The great miseries of war, discovery of criminals. Ninth number of a series of 18 pieces" (Lieure 1347, Meaume 572). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-11 Etching, engraving

Etching by Georg Leopold Hertel, created around 1770, showing landscapes with a house, a bridge, and a smaller bridge.

Etchings by Adam Perelle from 1650-1661 depicting various landscapes, showing natural scenery, topography, and architectural elements.

Copper engraving by Campion from the 17th century depicting a son represented as a swine, showing figures, symbolic elements, and allegorical composition.

Scene U La Gerusalem Messa is Free, Infra Baldel ,FRE AREN Giovanni Battista Piazzetta, 1745 print Ornament edge with flowers, plants, cupidos and a fountain. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. fruits and vegetables ~ ornament. armorial bearing, heraldry

Etching by Herman van Swanevelt depicting Maria Magdalena and St. Antonius in a wasteland landscape, created around 1650.

Etching and copper engraving by Louis Jacques Cathelin created between 1758 and 1804 depicting an allegorical scene of morning.

Etching by Marco Ricci depicting a riverbank landscape with a herd of cattle, created in 1730, showing animals, pastoral scenery, and natural features in eighteenth-century Italian style.

Un tombeau Kirghize. Zaleski, Bronisław (1820-1880), graphic artist, Beillet (Paryż ; wydawnictwo ; ca 1850-ca 1875), publishing house

Copper engraving and etching by Aegidius Sadeler the Younger depicting anglers fishing at night in a landscape, created between 1590 and 1660, showing water, figures, and natural scenery.

Etching by Giovanni Volpato from 1750-1803 depicting the biblical Flight into Egypt with figures resting in a landscape scene.

Etching by Stefano Mulinari from 1760-1796 depicting women in a living room with a fire altar, showing interior architecture, figures, and furnishings.

Facsimile bardzo rzadkiej ryciny (Panorama Wilna). Barousse, Ch. (Paryż ; zakład litograficzny ; fl. ca 1860), lithography atelier, Makowski, Tomasz (1562-1630), graphic artist, Piliński, Adam (1810-1887), graphic artist

Lithograph by Horace Vernet titled 'Tod of This Tancy,' created around 1818. The artwork illustrates a specific event or narrative scene with human figures in action.

Etching by Pierre Laurent from 1760-1809 depicting shepherds resting in a rural setting, showing figures, posture, attire, and landscape elements.

A lithograph by Johannes Lingelbach from 1801-1832 depicting a landscape with people, showing terrain, vegetation, and human figures engaged in daily activity.

Etching by Jean Le Pautre between 1625 and 1686 depicting a river god with nymphs, showing figures in dynamic poses and classical mythological elements.

Sea with warships, William Baillie, 1757 The print is part of an album. paper etching The print is part of an album. paper etching

Copper engraving and etching by Meynert Jelissen from 1612 showing ships navigating high seas, emphasizing rigging, sails, and ocean waves.

Etching by Abraham Genoels depicting Italian landscapes, produced between 1655 and 1723.

Figures in ruin on river bank, Adam Perelle, 1650 - 1695 print Numbered in the bottom right: 47. paper etching landscape with ruins

A copper engraving and etching by Louis Joseph Masquelier between 1756 and 1788 depicting a maritime scene titled The discharge of the sinking.

Etching and copper engraving by Claudine Bouzonnet-Stella from 1667 depicting a bird hunt and grain harvest, showing rural work and seasonal activities.

Etching by Claude-Joseph Vernet depicting a coastal landscape during a storm, created between mid-18th and mid-19th century, showing waves, cliffs, and atmospheric effects.

Etching and copper engraving by Abraham Girardet in 1817 depicting a bacchanal scene with figures and festivities.

An etching by Johann Heinrich Tischbein II from 1762-1808 depicting a witches' sabbath and a boules player, using dotted technique with flat tonal areas.

An etching by Jakob Gauermann showing a quarry and a view of a monument on the promenade in Stuttgart, created between 1790 and 1843.

Copper engraving and etching by an unknown engraver created between 1762 and 1794 depicting an Egyptian landscape, showing desert, Nile, architecture, and figures.

A copper engraving and etching by Antoine Michel Filhol, created between 1779 and 1817, depicting the biblical scene of finding the infant Moses, showing figures, landscape, and narrative details.

Copper engraving by Jan van Londerseel showing Abraham visited by three angels within a landscape, created in 1614, featuring figures and natural scenery.

Etching by Joseph Rebell, 1800-1826, showing landscapes featuring antique ruins with surrounding natural elements and terrain on paper.

Children with Tol and Vlieger, Pierre Charles Canot, After Jean Baptiste Pillement, 1759 print Above: Three Chinese children play with a toll and whips. Below: three Chinese children play with a kite. Around both performances a frame with trees and leaves. London paper etching children's games and plays. whipping a top. (flying a) kite

This monotype by Giovanni Benedetto Castiglione depicts three shepherds gathered around a campfire, created between 1630 and 1664. The scene emphasizes rural life and nighttime activity.

An etching by Carl von Vittinghoff from 1790-1826 depicting a landscape with temple ruins and shepherds, showing figures, terrain, and vegetation.

Circus Maximus; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Circus Maximus, seen from the via Appia Antica. Figures and animals in the foreground. In the underwear two lines text in Italian. The print is part of an album.

Etching by Pierre Charles Canot from 1759 depicting chinoiserie with children shown in playful activity.

Veduta degli avanzi delle camere sepolcrali de' liberti e servi, ec. della Famiglia di Augusto , Archaeological sites, Tombs & sepulchral monuments, Augustus, Emperor of Rome, 63 B.C.-14 A.D.. The Antonio Cardinal Tosti Collection

This 1814 aquatint and etching by Benedikt Piringer depicts a landscape with three men and two dogs, combining human figures with natural surroundings in a rural setting.

Ferdinand, Archduke of Austria-Este Duke of Modena.

Edmond Morin (1824-1882). "The fruits". Bois, 1865. Museum of Fine Arts of the city of Paris, Petit Palais. Abundance, arrival, drink, buffet, woman, labor, route, quai, recolte, fruit, engraving

Drawing, Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules; Giovanni Paolo Panini (Italian, 1691 - 1765); Italy; pen and brown ink, brush and gray wash, graphite on cream laid paper, lined; 14.1 x 26 cm (5 9/16 x 10 1/4 in.)

Etching by Cornelis Visscher depicting a large lime kiln with a worker stirring the oven fire and others on the roof, showing figures, tools, building, and fire, created between 1628 and 1658.

Copper engraving and etching by Adriaen Collaert around 1582 depicting hunting scenes with hunters, dogs, weapons, and wildlife in a landscape.

Three children pick apples from a tree, François-Louis Français, After Camille Corot, 1842 print Paris paper trees: apple-tree. picking fruit

Bliżej Kultury Artistic and Literary Circle Publishing House

Print, Architectural Fantasy with Tomb and Ruins, Plate from "Rovine Inventione de Giovan. Loren, Legeay Architet. Intagliate da lui stesso in Luce 1768"; Architect: Jean-Laurent Legeay (French, ca. 1710-86); France; etching; Plate mark: 16 x 20.5 cm (6 5/16 x 8 1/16 in.) Overall: 22 x 30 cm (8 11/16 x 11 13/16 in.)

Seven Areas from Salzburg and Berchtesgaden. Arranged according to the seven days of the week, connected by two allegorical sheets: Wednesday. Footpath on the Mönchsberg near Salzburg, 1818-23. Ferdinand Olivier (German, 1785-1841). Lithograph; sheet: 19.5 x 27.5 cm (7 11/16 x 10 13/16 in.).

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