Historical Architectural Engravings

A collection of intricate line engravings and etchings depicting historical architecture, bridges, and pastoral scenes with figures, evoking a sense of nostalgia.

Brewery on the Riverbank Small Scenes (series title), print maker: Esaias van de Velde, Esaias van de Velde, Haarlem, 1614, paper, etching, h 68 mm × w 90 mm

Robert Wallis, 1794-1878, British, St. Germain-en-Laye, 1831. Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle.

Hovel at the Bridge. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Gabriel Moreau.

Softwood on the Tiber (Hollstein 5) Both, Jan Dirksz. The soft laying on the Tiber (Hollstein 5). Etching.

Architectuurcapriccio Met Figures, Johann Ferdinand Hetzendorff von Hohenberg, c. 1742 - c. 1816 print Architecture capriccio with figures. Rear Romulus and Remus suckled by the Wolvin. paper etching Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. fantastic architecture, unrealistic architectural fantasies. ruin of a building ~ architecture

Brewery on the Riverbank Small Scenes (series title), print maker: Esaias van de Velde, Esaias van de Velde, Haarlem, 1614, paper, etching, h 68 mm × w 90 mm

Winter landscape with ice grade. Several figures skating and sling at a city wall. On the right a lapse building. Front right is a man on the edge of a rowing boat.

REMINISCENCE OF THE RHINE, BY R.P. LEITCH, IN THE EXHIBITION OF THE SOCIETY OF BRITISH ARTISTS

Fountain of Saint Francis of Assisi. at La Verna. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.

Italianate landscape with car at inn, Karel Dujardin, 1652 - 1659

Sacrofaag shipped het mausoleum van Helena, Giovanni Battista Piranesi, c. 1756 - c. 1757 print A large porphier sarcophagus from the Mausoleum of Helena, the later sanctuary of Constantijn the Great, on the Via Labicana outside of Rome. Title and list of explanatory letters in STUDMARGE. Numbered above: Tom. III. / XIX. Rome paper etching grave, tomb. mausoleum. sarcophagus Rome. Mausoleum van Helena. Via Labicana

Inn at the cave of Egeria. Design for a print.

'Composition with a Statue of a Vestal Virgin'. From the Album No 1 "Souveni d'Italie". 1785. Dimensions: 27,4x37,6 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

View of the coast of Italy, Stefano della Bella, 1647 print A coastal landscape with a tower on the right. In the foreground four card playing men. On the left a ship that is on its side. print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ships (in general). harbour. tower, clock tower ~ monumental adornment Italy

Black and red chalk with brown and gray lavated watercolor by Roelant Savery showing a dilapidated courtyard with a beggar around 1608.

A Stone Bridge. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Amor als brandstichter.Amor with a burning torch walks away from a house that goes on in flames. In the background a figure with a torch on a tower and a swimmer in the sea (Hero and Leander).

W. R. Smith, active 1819-1851, Entrance to Fowey Harbour, Cornwall, 1827-1838. Line engraving, engraver's proof.

Under a tent canvas some drinking farmers are sitting at a table. Next to it an open fire with a pot above it. On the other side of a ditch an inn. On the water a boat with barrels. Eighth print of a series of 36 prints of landscapes, divided into six parts, figures under a tent canvas at an inn Playsante lanscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

Bril, Paul, Nieulandt, Willem van (II), Italian landscape with an inn, recto lower right - handwritten, In an Italian landscape is an inn with a sign and on the side a staircase on which a man and a dog climb up. On the left in the foreground two men., print, prints, verso - stamped, 14, height 245 mm, width 318 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, etching, engraving, engraving (printing process), brush, Work conception, 1554 - 1626-10-07

Stacking cork bark after its arrival from the forest, cork stopper workshop, France, illustration by Henri Valentin from L'Illustration, Journal Universel, No 651, Volume XXVI, August 18, 1855.

Landscape with the Pilgrim at Prayer, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 140 x 209 mm (image); 145 x 212 mm (plate); 436 x 587 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Landscape with ruins and shepherd with sheep, Esaias van de Velde, print maker: anonymous, publisher: Johannes Pietersz. Berendrecht, Haarlem, 1610 - 1617, paper, etching, h 58 mm × w 97 mm

Arrival in Brindisi after crossing the Adriatic Sea; Passage de la mer and arrivant à brindisi; Voyage and Italy, and Sicile et à Malte - 1778. Sketches of figures are on the verso. Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778.

Pissarro, Lucien, Landscape with a large tree, recto lower right - stamped, Landscape with path to a house and a large tree ., print, prints, verso center - stamped, height 149 mm, width 110 mm, French, English, 1863-02-20 - 1944-07-10, print maker, printmaker, 1873 - 1944, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, second quarter 20st century, second quarter 20th century, paper, papier, etching, etchings, aquatint

Waterval in Tivoli, Giovanni Battista Piranesi, 1766 print View of the waterfall in Tivoli. Title on block at the bottom right. Rome paper etching waterfall. city-view, and landscape with man-made constructions Tivoli

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia61. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alphonse Legros, The Cooper (Le tonnelier) The Cooper (Le tonnelier)

Josi, Christiaan, Ploos van Amstel, Cornelis, Wijck, Thomas, Brouwer, Gate with traveller and mule, verso cardboard and verso print - stamped, A man and a mule are standing at a gate. On the right a water source., print, prints, height 147 mm, width 228 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1781 - 1782, paper, print drawing, etching, throughprint, 1624 - 1677-08-19, intermediary draughtsman, after a drawing by, 1726-01-04 - 1798-12-20, supervision, etchings, transfer, Dutch, 1768 - 1828-11

Exotic Landscape 1845-1885 France. Pen and black ink on tan tracing paper (both sides), laid down on cream wove paper, tipped on cream laid paper . Rodolphe Bresdin

Plate 45, Volume II of Antiquités de la Grande-Grèce ca. 1807 Francesco Piranesi Italian. Plate 45, Volume II of Antiquités de la Grande-Grèce 363482

Frontispiece Vedute di Roma disgnate ed incise da Giambattista Piranesi architetto Veneziano. (Le Magnificenze di Roma), Additional, Frontispiece Fantasy of ruins in the center foreground., 1748 - 1751, Architecture, Italy, Rome, Antiquities, Etchings., 1 print etching; plate mark 19 7/8 x 25 3/16 in. (50.5 x 64 cm.), on sheet 21 1/16 x 29 3/8 in. (53.5 x 74.6 cm.)

Photo collection Government information service. Floods, historic, Amsterdam. March 5, 1651. Amsterdam, Noord-Holland

Rozinante started at the dreadful sound. Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

Two farmers with a dog on a country road, Jan Lauwryn Krafft (I) (Possible), After David Teniers (II), 1704 - 1765 print Landscape with two farmers and a dog on a country road. On the left a house with a man on a staircase. On a hill on a hill on a gallows. Southern Netherlands paper etching dog. landscapes in the temperate zone

Jupiter views the damage caused by Phaeton's Val, c. 1547 - c. 1550 print Landscape with a destroyed dome temple on the right and a column in the distance. On the left, Jupiter descends from heaven on an eagle, covered by clouds. whole: Paper etching (story of) Callisto. landscape with ruins

Print, Bords du Ruisseau à Rossillon; France; etching on paper; Bequest of George Campbell Cooper; 1896-3-382

Etching by Pierre Charles Canot depicting activity in the courtyard of a farm. Created in 1769, illustrating rural life and domestic agricultural environment.

Thomas Wyck, Piazza by Moonlight, 1650s Thomas Wyck (Dutch, c. 1616 - 1677 ), Piazza by Moonlight, 1650s, pen and brown ink with brown wash, heightened with white gouache, on blue prepared laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art 1991.150.44

Hengelaars in boten bij een molen en een baken; Figuren in landschappen.River landscape with anglers in boats. On the left on the shore two figures at a mill. A wooden bridge connects the shore with a river island on which a gatehouse with a beacon. Left under numbered: 2. The numbered prints are as a series of ten spend.

The Sawhorse, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. The Sawhorse, from Carceri d'invenzione (Imaginary Prisons) 362796

Boys playing the game of marbles called la fossette, wherein they try to throw as many marbles into a hole as possible. From an engraving by Augustin de Saint-Aubin, 19th century. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

Turbulent water in Haarlemmermeer, 1755; Unusual water movement in the Haarlemmer lake, on Nov. 1 1755. Unusually turbulent water, during quiet weather, in Haarlemmermeer on November 1, 1755. On the water boats in need, on the shore a man looks.

Drawing reproductions: Feliks Brzozowski (1836-1892), Adam Mickiewicz's family nest. Zaosie - Nowogródek; Z: "Biesiada Literacka" No. 1, p. 17; Literary Biesiada (Warsaw; magazine; 1876-1917); after 1894 (1896-00-00-1896-00-00);

View of the Ancient Port of Phaleron, Athens. Dated: 1758. Dimensions: overall: 30.4 x 46.4 cm (11 15/16 x 18 1/4 in.). Medium: etching on laid paper proof. Museum: National Gallery of Art, Washington DC. Author: Jacques Philippe LeBas after Julien David Le Roy.

Smederij, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In a forge, the blacksmith refers to the anvil. There are different tools on the ground. On the left is a boy next to a small child. On the right on the side is a large bladder ball. There are parts of a harness in the foreground. Antwerp paper etching smith, blacksmith (+ place ~ crafts, industries, agriculture)

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia74. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Colos of the Apennines in the garden of the Villa Pratolino, Stefano della Bella, after Giammologna, 1620 - 1664 print The sculpture The colossus of the Apennines (Colosso dell'Appennino) by Giambologna, in the garden of Villa Pratolino. A sculpture from an old man with a beard that breaks loose from a cave. He bends forward to a dog's head. Water comes from the dog's head. A pond for the sculpture. Different figures in the foreground near the pond. A pine forest in the background. Italy paper etching garden. piece of sculpture, reproduction of a piece of sculpture. giants, colossi Villa Pratolino

Auguste Lepère, The Seine near the Austerlitz Bridge, 1888 The Seine near the Austerlitz Bridge

The Disparagers. Lyonel Feininger; American, 1871-1956. Date: 1911. Dimensions: 217 x 267 mm (image); 238 x 361 mm (sheet). Etching on zinc plate on machine-made cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Interior of a Farm with Lovers. Artist: Anonymous, French, early 19th century; After Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 6 1/16 × 8 1/16 in. (15.4 × 20.4 cm). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Interior of an Inn. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: sheet: 7 3/16 x 10 1/16 in. (18.2 x 25.5 cm)plate: 5 x 6 5/16 in. (12.7 x 16 cm)image: 4 x 5 1/2 in. (10.2 x 14 cm). Series/Portfolio: Voyage en bateau, 1862. Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Le Tonnelier (TheCooper). Artist: Alphonse Legros, French, 1837-1911

Landscape with a Farmhouse. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Dutch 17th Century, formerly Jacques de Gheyn II.

. At the open double doors of a fence there are a man and a girl to talk to clogs. The man holds a long bar.

Winter, Jan van Ossenbeeck, in or after 1660

Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with a watermill and the Good Samaritan, verso - stamped, On the road in an Italian landscape, in front of a watermill, the Good Samaritan walks with the donkey in his hand, on which he transports the wounded traveler to an inn. After the Bible story in Luke 10: 25-37. Print from a series of Italian landscapes., print, prints, height 237 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, Work conception, 1554 - 1626-10-07

Shooting and skinfilling a polar bear, 1597. Shooting and skating a polar bear at retaining Huys, 12 February 1597. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on The island of Nova Zembla, no. 18.

Meleager by atalating.

A group of prisoners performing labor by the sea, from a broadside entitled "Ultimas noticias de Gerardo Nevraumont y compañeros' 1892 José Guadalupe Posada. A group of prisoners performing labor by the sea, from a broadside entitled "Ultimas noticias de Gerardo Nevraumont y compañeros'. José Guadalupe Posada (Mexican, 1851-1913). 1892. Etching on zinc. Prints

Two Sketches of Figures on the Dunes near Scheveningen. Mensen in de duinen te Scheveningen. Draughtsman: Jan de Bisschop. Dating: 2-Jun-1660. Measurements: h 96 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

Dresden, Dietrich, Christian Wilhelm Ernst, Landscape with ruins and a pyramid, verso - stamped, print, prints, height 258 mm, width 348 mm, German, 1712-10-30 - 1774-04-23, print maker, printmaker, 1769 - 1769, paper, watercolor (paint), watercolour, etching, etchings, brush, Borstel

At the Papentorenvest in Haarlem, draughtsman: Hendrik Savrij, 1833 - 1907, paper, brush, pen, h 240 mm × w 307 mm

Salon of 1882. Waterloo. Drawing by Mr. Eugene Chaperon, according to his painting. (IT)

Castle with two riders, Bernard Willem Wierink, 1866 - 1924 print paper castle. riding a horse, ass, or mule; rider, horseman

Title page, Tiepolo, Giovanni Domenico, 1726-1804, Wagner, G., active 18th century, 1723-1797, Etchings, 5 5/16 x 3 3/4 in. (13.5 x 9.5 cm), Paper / Sheet 5 5/16 x 3 3/4 in. (13.5 x 9.5 cm), Cream laid

Hagenpreek van de Huguenoten, Charles Billoin, After Edouard Hamman, 1850 print paper etching Protestant service

Auguste Lepère, French (1849-1918), Watering-place behind Notre-Dame (L'abreuvoirderriere Notre-Dame), 1897, wood engraving

Ruïnes onderweg voor aankomst in Terracina. Ruïnes avant d'arriver à Terracina (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 182 mm × w 254 mm. Museum: Rijksmuseum, Amsterdam.

Water well. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 79 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

An engraving depicting the guide of the Grotto de Cane, demonstrating the dangers of suffocating in the grotto. The guide would hold his dog in the fumes until it was almost unconscious. He would then throw it into the lake and revive it. Dated 18th century

Beach face. Draughtsman: Gerard ter Borch (II). Draughtsman: Pieter de Molijn (rejected attribution). Dating: 1634. Place: Haarlem. Measurements: h 210 mm × w 313 mm. Museum: Rijksmuseum, Amsterdam.

The Barn. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 7/16 x 7 3/4 in. (16.4 x 19.7 cm). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Street face with wife sanding a boiler, Adrien Joseph Verhoeven-Ball, 1847 print View on a rise behind a house with a woman sanding a kettle. On the floor a lying boy who plays with a dog. paper etching / drypoint kitchen-utensils (with NAME). street

Hunters resting in a forest at night. Artist: Kilian Christoffer Zoll (Swedish, Hyllie 1818-1860 Stärnap). Dimensions: sheet: 3 7/16 x 4 15/16 in. (8.8 x 12.5 cm). Date: 1830-60. Museum: Metropolitan Museum of Art, New York, USA.

Alphonse Legros, Village of Saint Pierre during a Storm (Village de Saint Pierre; Effet d'orage) Village of Saint-Pierre during a Storm (Village de Saint-Pierre; Effet d'orage)

Les voyageurs' by Édouard Manet, created between 1860 and 1874, is an etching and aquatint depicting themes of walking and travel

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Rising Moon, 1857. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé.

Chalk drawing by Erzherzogin Marie Christine Habsburg-Lothringen showing Roman ruins with herds of animals, from the second half of the 18th century.

Tobias and the Angel, Hercules Segers, after Adam Elsheimer, after Hendrick Goudt, c. 1630 - c. 1633 print Tobias, a fish with it, walking along with an angel on a hill through a landscape. Amsterdam (possibly) paper etching Tobias and the angel Raphael continue their journey; usually Tobias carrying the fish

The Arch with a Shell Ornament, from Carceri d'invenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm)Plate: 15 15/16 x 21 7/16 in. (40.5 x 54.5 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Carceri d'invenzione. Date: ca. 1749-50. Museum: Metropolitan Museum of Art, New York, USA.

People gathered in a Spanish inn.. Engraving. Madrid, national library. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Two figures at an open fence, Johannes Mock, 1824 print With the open double doors of a fence open, a man and a girl are talking to clogs. The man holds a long bar. Netherlands paper etching fence, wall, paling. speaking. wooden shoes, clogs

Breaking through the Sint-Antoniesdijk, 1651, Pieter Nolpe, After Willem Schellinks, 1651 print Dike breach of the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on March 5, 1651, caused by the high water flood and the strong Northwester Storm. The water flows through the hole in the dike, spectators on either side of the hole in panic. In the background the towers of Amsterdam. Bottom left the first part of the legend A-C. See the corresponding plate (FMH 2020). print maker: Northern Netherlandsprinter: Amsterdam paper etching / engraving Dike-Break Sint-Antoniesdijk

. Landscape in which Europe is taken away by Jupiter in the form of a bull over the water. On the left side of the shore, two service stations watch. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Rome, Piranesi, Giovanni Battista, Varie Vedute di Roma Antica e Moderna, Various views of ancient and modern Rome, Veduta delle Terme di Tito Vespasiano dette volgarm(en)te le Sette Sale, Baths of Trajan in Rome, verso - stamped, View of the remains of the Baths of Trajan in Rome (called the Baths of Titus on the print). Title in the bottom margin., print, prints, height 132 mm, width 177 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1745 - 1745, paper, papier, etching, etchings

The Barn Made 1647 Holland. Etching in black on ivory laid paper . Adriaen van Ostade

Winter, Johann Sadeler (I), after Jacopo Bassano, 1587 - 1595 print A winter landscape with winter activities. In the foreground, wood is cut and collected. A donkey transports the branch forests on the back. Right a farm for which a pig is slaughtered. A woman is spinning under a shelter. The print has a Latin caption and is part of a four -part series with the four seasons the subject. Germany paper engraving winter ~ human activities (the four seasons of the year). butcher, slaughterman. woodcutting, woodcutter ~ forestry. transport of timber, timber-trailer. slaughtered ox or pig. woodgathering, woodgatherer

Count William IV is giving the canals of Utrecht.

The Ancient Gallery. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Gustave Doré (1832-1883), designer and Charles Jattiot (19th century), engraver. "Facher Meeting." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-12 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Umbria Perugia Corciano santuario della Madonna del Soccorso8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Roof of Europe, Valentin Lefèbvre, After Titian, 1680 - 1749 print A landscape in which Europe is taken over the water by Jupiter in the form of a bull. On the left on the bank, two service stations watch. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Anonymous drawing titled 'The Flood,' executed with feather and washes, highlighted with white.

Ruins on the Rapenburg in Leiden after the disaster, 1807. Face from the Nieuwsteeg bridge on the destroyed area after the gunpowder disaster on the Rapenburg (stone shed) in Leiden on January 12, 1807. Cleanlements after the disaster, Central De Sauaihal, left in the distance Pieterskerk. In the foreground the body of a victim is carried out. In the margin a vignette with the Leiden city mawn raised by hope.

Amsterdam, Visscher, Nicolaes (I), Hooghe, Romeyn de, Discovered and destroyed Mine of the Turks under the Imperial Castle, Habsburgers drive out Turkish besiegers from the tunnel system under the imperial castle, Habsburgers drive out Turkish besiegers from the tunnel system under the imperial castle. This print is no. 6 in the series of prints for 'Relation succinte et veritable de tout ce qui s'est passé pendant le Siege de Vienne etc.', print, prints, height 173 mm, width 201 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1684 - 1684, fourth quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, Northern Dutch, after own design of, Publication (Event), Publication, 1618-01-25 - 1679, publisher

Vlieger, Simon de, work, Markets, (1000 - 2000), etching, graphics, 18.5 cm x 27.5 cm

Hérakléa. Dated: 1896. Dimensions: sheet: 32.8 x 50.3 cm (12 15/16 x 19 13/16 in.). Medium: zincograph in red-brown on light brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Paul Serusier.

The inclusion of a village, Gerardus Emaus de Micault, 1799 - 1863 drawing Design for a print. paper. ink. pencil pen / brush battle (+ land forces). breaking into city or fortress ~ siege

February: fast evening scene on an Italian square. .

Simson destroys the columns of the temple, 1643 print Simson destroys the columns of the temple with his last forces and thus kills himself and the Philistines present. Under the show a reference in Latin to the Bible text in Ri. 16:25. This print is part of an album. Amsterdam paper engraving Samson breaks the pillars; the temple of Dagon collapses, killing all that are in it

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