Historical Art Illustrations

Engravings depicting various historical scenes and narratives, featuring characters, horses, and daily life in dynamic compositions.

Haarlem, Emrik & Binger, Bombled, Karel Frederik, Netherlands, Battle of Castricum, 1799, verso - stamped, Battles at Castricum between the French-Batavian army and the British-Russian invasion force on 6 October 1799. Numbered top right: LXXVIII., print, history print, prints, Frederik Muller History plates, height 161 mm, width 238 mm, print maker, printmaker, 1853 - 1861, paper, tone lithography, Work conception, 1822 - 1902-01-04, after a design by, printer

1868 edition of Miguel de Cervantes' Don Quixote with illustrations by Gustave Doré

August in the Country--The Seashore. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1859. Dimensions: 232 x 350 mm (image); 278 x 398 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

News from Lexington - Putnam leaving the plough. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Juliusz Kossak (1824-1899), Uhlans before the cottage; Unknown, Scherer, Nabholz et Cie. (Moscow; Photographic Plant; Fl. Ca 1858-1901); 1901 (1901-00-00-1901-00-00);

Jakob returns from Mesopetamia, Charles Macé (attributed to), after Giovanni Benedetto Castiglione, 1641 - 1665 print print maker: Francepublisher: ParisFrance paper etching / engraving story of Jacob

Haarlem, Emrik & Binger, Bombled, Karel Frederik, Netherlands, Battle of Castricum, 1799, verso - stamped, Battles at Castricum between the French-Batavian army and the British-Russian invasion force on 6 October 1799. Numbered top right: LXXVIII., print, history print, prints, Frederik Muller History plates, height 161 mm, width 238 mm, print maker, printmaker, 1853 - 1861, paper, tone lithography, Work conception, 1822 - 1902-01-04, after a design by, printer

Easter Veronaises (IT)

Quel est de ces mourants l'étonnement extrême... Horace Vernet (French, 1789-1863); poem by Voltaire (French, 1694-1778); printed by Francois Seraphin Delpech (French, 1778-1825); published by Dubois (French, 18th-19th century). Date: 1825. Dimensions: 185 × 262 mm (image); 201 × 281 mm (primary support); 290 × 418 mm (secondary support). Lithograph in black on gray chine, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sardinia. Sardinian weddings. Engraving by Chaillot. Lemaitre direxit. History of Malta and Gozo, by Frédéric Lacroix. Panorama Universal, Spanish edition, printed in Barcelona, 1850.

A Highland piper ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The hot springs of Mtagata, Tanzania, Central Africa. Journey to unexplored Africa, the mysterious continent by Henry Morton Stanley. Old 19th century engraved illustration, El Mundo Ilustrado 1880

A Boy Taking a Horse to Drink. Dated: 1651. Dimensions: plate: 15 × 19.4 cm (5 7/8 × 7 5/8 in.) sheet: 15.2 × 20.1 cm (6 × 7 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: DIRCK STOOP.

Jagd; Fischer, Carl (Fl. 1830-1860), Mützel, Heinrich Julius Adam (1797-1868), Schrödter, Adolf (1805-1875), Lüderitz'sche Kunst-Verlagshandlung (publishing house; 1847-1861), königliche lithographisches institut institut institut ZU Berlin (Berlin; Society; 1823-1876), Berndt, G. (Fl. CA 1820-Ca 1860); 1850 (1850-00-00-1850-00-00);

Left in foreground, Eugene Delacroix probably depicted himself, Caricature of six returning emigrants on a lobster Les Ecrevisses a Longchamps , print maker: Eugène Delacroix, printer: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1822, paper, h 258 mm × w 347 mm

The Wounded Goetz Cared for by the Bohemians. Eugène Delacroix; French, 1798-1863. Date: 1836. Dimensions: 304 × 230 mm (image); 357 × 270 mm (sheet). Lithograph in black with scrapping on stone, on thin off-white paper laid down on thick ivory wove paper (chine colle'). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reproduction of a painting: Dmochowski, Władysław (1841-1913), Returning from vows; from: "Kłosy" 1872, I, 297. Dmochowski, Władysław (1841-1913), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Kluczewski, Michał (fl. 1869-1890), woodcutter

Van der Meulin ?, Louis XIV. and the artist. Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 18.

Capricci di varie battaglie. Dated: 1635. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Richard Earlom, 1743-1822, British, Embassy of Hyderbeck to Calcutta, 1800. Stipple engraving and mezzotint on medium, slightly textured, cream laid paper.

Isabella II (1830-1904). Queen of Spain (1833-1868). Isabella II became Spain's queen on 29 September 1833 on the death of her father, King Ferdinand VII. Her mother, María Cristina de Borbón-Dos Sicilias, assumed the regency until 1840. Proclamation of Queen Isabella II. Engraving. Panorama Español, Crónica Contemporánea. Madrid, 1842.

Murillo - Seville. Unknown maker, Spanish

Landscape with a procession of travelers, August Allebé, 1848 - 1927, draughtsman: August Allebé, 1848 - 1927, paper, brush, h 380 mm × w 546 mm

A Hired Coachman in Winter. Dated: 1820. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Aleksandr Osipovich Orlovskii.

Blind Leiden the blind, Emile Jean Sulpis, After Pieter Bruegel (I), 1866 - 1904 print paper etching the blind leading the blind (Matthew 15:14)

Mal Lui Veut Mal Lui Tourne Dit Le Bonne Homme Richard ca. 1780 Anonymous, French, 18th century French. Mal Lui Veut Mal Lui Tourne Dit Le Bonne Homme Richard 389032

The hot springs of Mtagata, Tanzania, Central Africa. Journey to unexplored Africa, the mysterious continent by Henry Morton Stanley. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Everyone works in Champ-de-Mars (IT)

Ice Scene, Barent Gael, 1640 - 1673 drawing paper. chalk brush

Morra players at a small lime oven, Cornelis Visscher (II), after Pieter Bodding van Laer, 1638 - 1658 print Hilly landscape with a small limestone for which two men play the Handpel Morra. Two others watch amused. There are two men next to the Morra players. Haarlem paper etching / engraving lime works. finger games. playing-cards. low hill country

Victory of the imperial at Verona on March , Steinlen, Etcher, Questionable, Johann Georg Lorenz I, Rugendas -, Etcher, Questionable, Johann Lorenz II, Rugendas -, drawer

Reproduction of drawing: Juliusz Kossak (1824-1899), Illustration for the Oddysey; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, unknown, publisher, Machowski, Edward (fl. 1869-1874), woodcutter

The Last Days of Harvest (from "Harper's Weekly," Vol. XVII) December 6, 1873 After Winslow Homer American. The Last Days of Harvest (from "Harper's Weekly," Vol. XVII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). December 6, 1873. Wood engraving. Harper's Weekly (American, 1857-1916). Prints

! He will not fall! To me now to hold it! / 207

Economist of the former contingent. Styfi, Jan (1839-1921), graphic artist, Zajkowski, Andrzej (1851-1914), graphic artist, Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Reproduction of a painting: Brodowski, Józef (1828-1900), Wołki; from: "Tygodnik Ilustrowany" 1886, II, 280. unknown, draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Krajewski, Jan (fl.1874-1887), woodcutter

Preparing to Start September 30, 1811 Thomas Rowlandson A horse race is about to begin. Crowds are gathered on both sides of the track.. Preparing to Start. Thomas Rowlandson (British, London 1757-1827 London). September 30, 1811. Etching. Thomas Tegg (British, 1776-1846). Prints

Anticipated Effects of the Tailors' "Strike". Dated: 1834. Medium: etching (restrike). Museum: National Gallery of Art, Washington DC. Author: George Cruikshank.

Image reproduction: Juliusz Kossak (1824-1899), hay, 1891; Z: "Juljusz Kossak: 260 drawings in the text, 8 rights of the tuning, 6 facsimili colorful with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 133; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Peasants Fighting over a Game of Cards Lucas Vorsterman I Flemish. Peasants Fighting over a Game of Cards 415665

Print, The Bathe at Newport; Winslow Homer (American, 1836-1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 23 × 35 cm (9 1/16 × 13 3/4 in.)

Why the Pifflers Lost their Return Match, 1865. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

A Highland piper ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Isabella II (1830-1904). Queen of Spain (1833-1868). Isabella II became Spain's queen on 29 September 1833 on the death of her father, King Ferdinand VII. Her mother, María Cristina de Borbón-Dos Sicilias, assumed the regency until 1840. Proclamation of Queen Isabella II. Engraving. Panorama Español, Crónica Contemporánea. Madrid, 1842.

The pearl in the pera according to the image of Heinrich Lang. A slice probably from a German magazine Monogramista E.H. , Lang, Heinrich (1838 1891)

Reproduction of the illustrations of Stanis Awa Kaczora-Batowski (1866-1946) to the song "Hills in the poles" of Bohdan Zaleski; Z: "Tygodnik Ilustrowany" 1902, No. 8 (22 February), p. 152; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1902 (1866-00-00-1891-00-00);

The Bagpipe Player. Nicolaes Berchem, the Elder; Dutch, 1621/22-1683. Date: 1644-1645. Dimensions: 161 × 233 mm (image); 176 × 243 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Pietersz. Bercham.

Muller, Jan Harmensz., Amsterdam, Adoration by the Magi, verso - stamped, The three kings and their retinue adore the Christ Child. A king kneels before the Child., print, prints, height 355 mm, width 436 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1598 - 1598, paper, engraving, engraving (printing process), drypoint, dry needle, Work conception, after own design by

Juliusz Kossak (1824-1899), Friday in the district of Praga (painting); from: "Kłosy" vol. X. unknown, draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Holewiński, Józef (1848-1917), woodcutter

After Winslow Homer, The Surgeon at Work at the Rear during an Engagement, 12 July 1862, wood engraving on newsprint.

Napoleon III leaving Strasbourg through the bridge of Kehl, France, from a sketch by Lallemant, illustration from L'Illustration, Journal Universel, No 762, Volume XXIX, October 3, 1857.

Harvest under a Crescent Moon, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), Welby Sherman, active 1827, ca. 1826, Wood engraving on thin, smooth, cream laid paper, Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm), Sheet: 4 1/8 x 5 1/4 inches (10.5 x 13.3 cm), and Image: 1 1/16 x 3 1/16 inches (2.7 x 7.8 cm), building, corn, crop (animal equipment), farming, figures, harvest, labor, landscape, moon, mountains, night, sickles, tree, workers

Grande et terrible croisade enterprise par les Burgraves contre les journalistes. Honoré Daumier (France, Marseilles, 1808-1879). France, 1850. Prints; lithographs. Lithograph

Jeanne de Navarre, queen of Navarre, weds Philippe IV uniting France and Navarre : when Henri comte de Bar, son- in-law of Edward I, rebels, she defeats and emprisons him. Date: circa 1300

Kulig According to the Watercolor of Józef Brodowski. Cleastle from the Ilustrowany Weekly 1870 (1) 160 Skorski, Konstanty (fl. 1865 1882), Brodowski, Józef (1828 1900)

A man sows seeds; representing the parable of the sower. Etching.

Design for a print, Duc d'Alençon expelled from Antwerp, draughtsman: Corneille Seghers, 1824 - 1875, paper, h 140 mm × w 167 mm

Artist: Felix O. C. Darley, American, 1822-1888, Drawing for The Encounter (Indian Fight onHorseback), Brown ink with white highlight over graphite, image: 20.8 × 30.8 cm (8 3/16 × 12 1/8 in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Hounds Hunting a Stag. Artist: After William-Samuel Howitt (British, ca. 1756/57-1822/23 London). Dimensions: Plate: 6 5/16 x 9 15/16 in. (16 x 25.2 cm)Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA.

Battle of beggars and peasants over a barrel of wine. Engraving after a miniature from the book of the "Roi Modus" (King Modus), chapter headed "Comment les vices se combattirent les uns aux autres pour les vivres", 15th-century manuscript. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.

Nicolas Toussaint Charlet, Ecole du balayeur, 1822 Ecole du balayeur

William S.L. Jewett, The Beach at Long Branch, New Jersey, 1868, wood engraving on paper.

The St, Marxer line in Vienna, on October , Bachmann-Hohmann, Lithographer, Ludwig Christian Förster -, Printer, Gustav Veith, publisher

Gustave Doré (1832-1883), designer and Octave-Édouard-Jean Jahyer (born in 1826), engraver. "Love in the fields." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-15 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

'Concord - The First Blow for Liberty', (1877). Creator: Albert Bobbett.

Henry IV goes to Notre-Dame (1594). (IT)

ACCION DADA EN EL SITIO LLAMADO LA POBLACION - GRABADO SIGLO XIX. Author: MARAÑON MANUEL. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Martszen de Jonge, Jan, Northern Netherlands, Nolpe, Pieter, Illustration in what way their Highnesses, Maria Stuart Princess Rojael, and her Son His Highness Wilhelm van Nassou, the III Prince of Orange on the 15th of September 1660, Entry of Maria Henrietta Stuart, Princess of Orange into Amsterdam (plate 5), 1660, Visit of Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince William III and others in Amsterdam, 15 June 1660. Sheet with part of the procession with riders. Fifth plate in an unmounted ensemble consisting of seven sheets of the procession., print, prints, Frederik Muller Historieplaten, height 315 mm, width 467 mm, 1614 - 1653, print maker, printmaker, 1638 - 1639, second quarter 17th century, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), 1609 - 1647, intermediary draughtsman

The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras) 1725-30 () After William Hogarth British. The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras) 415384

Pl.282 / Pauvers Avegles. (Ti)

GOYA , FRANCISCO DE. PINTOR ESPAÑOL. FUENDETODOS 1746- 1828" " CORRIDA DE TOROS EN UN LUGAR ". GRABADO. ACADEMIA SAN FERNANDO. MADRID. TAUROMAQUIA.

Orient, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - KO, Society of the Encouragement of Fine Arts (Warsaw - 1860-1940) - Koło, Society of Zachęta Fine Arts (Warsaw - 1860 -1940) - collection, battles, riders, horses, orientalism, Poland (culture), Polish drawings, army

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Schaatsenrijders, print maker: Anthonij van der Haer, (mentioned on object), intermediary draughtsman: Cornelis Dusart, (mentioned on object), Northern Netherlands, c. 1745 - 1785, paper, etching, h 110 mm × w 129 mm

Cockfight, Santo Domingo. Artist: George Overbury "Pop" Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Image: 7 3/4 × 12 3/4 in. (19.7 × 32.4 cm)Sheet: 9 1/2 × 14 1/2 in. (24.1 × 36.8 cm). Date: 1923. Museum: Metropolitan Museum of Art, New York, USA.

Fountain of Arethusa, Syracuse, Sicily: artists sketching laundry women at work. Etching with aquatint by W. Wilkins, 1807.

The Test, Thomas Rowlandson, 1756-1827, British, undated, Pen and gray ink and wash over graphite on medium, moderately textured, light blue, (faded to beige), laid paper, Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm), church, club (weapon), doorway, fighting, genre subject, men, roof, satire, signs and sign-boards, weathervane, women

The beach of Saint-Valery-sur-Somme St. Valery sur Somme Costumes de marins, dessin, print maker: Victor Adam, (mentioned on object), printer: Pierre-Jacques Feillet, (mentioned on object), publisher: Henri Rittner, (mentioned on object), Paris, 1827, paper, h 244 mm - w 327 mm

Tatars fleeing. Grottger, Artur (1837-1867), painter

'Biblical Subject'. Dimensions: 6x8 cm. Museum: State Hermitage, St. Petersburg.

Russian slide Payne, Albert Henry (1812 1902)

Scenes from the Passion of Christ. Culture: South Netherlandish. Dimensions: Overall: 81 x 109in. (205.7 x 276.9cm). Date: ca. 1510-30. Museum: Metropolitan Museum of Art, New York, USA.

The Coal Waggon Théodore Géricault (French, 1791-1829). , 1821. Lithograph on wove paper, 7 3/4 x 12 1/4 in. (19.7 x 31.1 cm). The Coal Waggon is the tenth image in a series of lithographs titled Various Subjects Drawn from Life and on Stone that Théodore Géricault produced in England in the 1820s. It is one of several to focus on horses, one of Géricaults favorite subjects. A reminder of the eras rapid cultural changes, the print depicts a team of draft horses, symbols of a traditional agricultural way of life, pulling a load of coal, the material fueling the Industrial Revolution. Working with the printer Charles Hullmandel, Géricault captured the windswept sky and misty mountains, expertly replicating in lithograph the atmospheric effects found in English watercolors of the period. Like his fellow Romantic artist, Eugène Delacroix, Géricault embraced lithography as a means of making an original work of art. As one writer stated in 1817 after encountering the first lithographs to

Say, Dumanet ... ..., take her hand ......, Excuse! ....... (title registered) | News. (title of all)

The farewell of Napoleon, James Ensor, 1897, print, 1897, Belgian Art

Funeral ceremonies of the Batavians, Engelbertus Matthias Engelberts, 1788 - 1790, Funeral ceremony at the Batavians. Cremation at the stake. Design for a print., draughtsman: Engelbertus Matthias Engelberts, 1788 - 1790, paper, pen, brush, h 134 mm × w 90 mm

This illustrations dates to around 1846 and shows Columbus about to land in Hispaniola. In September 1492, Columbus and his crew, uneasy about reaching land, saw birds and knew land was not far away.

The Black Prince, Edward, Prince of Wales, enters the sacked city of Limoges, 1370. Sack of Limoges. Woodcut after an illuminated manuscript from Sir John Froissart's Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV, George Routledge, London, 1868.

Mier Józef Poniatowski's book; Verico, Antonio (Ca 1775-Post 1828), Vernet, Horace (1789-1863), Debucourt, Philibert-Louis (1755-1832); before 1831 (1820-00-00-1831-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Poniatowski, Józef ( 1763-1813), Poniatowski, Józef (1763-1813)-iconography, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864 -1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, Zeidler, Bernard (1799-1855). Storia Della Polonia, Battle of Leipzig (1813), Battle, Italian graphics, horses, French marshals, Poland (culture), Napoleonic wars (1803-1815), death, death of Prince Józef Poniatowski (iconogr.)

Dore, Paul Gustave (1832-1883). Don Quixote and the Princess Micomicona. 1863. Illustration of chapter 29, first part of 'Don Quixote of La Mancha'. Etching. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

The Death of Prince Józef Poniatowski. Motte, Charles (Paryż ; zakład litograficzny ; 1785-1836), lithography atelier, Heuer, Wilhelm (1813-1890), graphic artist, Vernet, Horace (1789-1863), draughtsman, cartoonist

State of the English Nation. Artist: Anonymous, British, 18th century. Dimensions: image: 6 11/16 x 10 7/16 in. (17 x 26.5 cm)sheet: 8 1/4 x 11 5/16 in. (21 x 28.7 cm). Date: ca. 1780.This print copies one first published in the Westminster Magazine on March 1, 1778 as "A Picturesque View of the State of the Nation." Explanatory text is now in French and the imagery includes a cow (English commerce), whose horns are being sawn off by a Native American (the American Congress), and milked by a Dutchman who gives shares to a Frenchman and a Spaniard. The British lion sleeps while a Free Englishman wrings his hands. In the background General William Howe and Admiral Richard Howe sit near Philadelphia, with the latter's flag ship "The Eagle," beached and unready for action. Museum: Metropolitan Museum of Art, New York, USA.

Shepherd with a Sack Driving a Flock. Dated: 1763. Dimensions: plate: 21.8 x 28.9 cm (8 9/16 x 11 3/8 in.) sheet: 28.5 x 41 cm (11 1/4 x 16 1/8 in.). Medium: etching heightened with white gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO.

Reproduction of a painting: Juliusz Kossak (1824-1899), Czarniecki crossing the Vistula at Płock; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Pappenheim, Karl Theodor Friedrich Graf von.

Reproduction of a painting: Juliusz Kossak (1824-1899), Crossing the Dniester; excerpt from a magazine. Angerer, C. & Göschl (Wiedeń ; zakład graficzny i fotograficzny ; 1873-), reproduction atelier, unknown, publisher

Christopher Columbus (1451-1506). Explorer and navigator genoese. Columbus taking possession of the island of San Salvador. Engraving by Martin Rico after a painting of Isidro Gil. The Spanish and American Illustration, 1890.

How to Escape Winning. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 in. × 15 1/2 in. (28 × 39.4 cm). Date: November 22, 1791. Museum: Metropolitan Museum of Art, New York, USA.

Bos, Gerardus Johannes, Netherlands, Weissenbruch, Isaac, Gathering of men, women and children outside the city walls, print, prints, height 125 mm, width 182 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1825-04-09 - 1898-05-13

Kingdom of Slavonia (historical region of Croatia). Slovaks or Slavonian vagabonds. Engraving by Pothey. "Los Heroes y las Grandezas de la Tierra" (The Heroes and the Grandeurs of the Earth). Volume VI. 1856. Author: Alexandre Pothey (18201897). French artist.

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