Historical Artistic Scenes

Dramatic 19th-century lithographs and etchings, showcasing figures in emotional or whimsical scenarios with strong contrasts and expressive styles.

Francisco de Goya (Spanish, 1746-1828). Linda maestra! (Pretty teacher!), 1796-1797. From Los Caprichos, no. 68. Etching, burnished aquatint, and drypoint on cream laid paper. Plate: 210 mm x 150 mm (8.27 in. x 5.91 in.).

Ah! Ciel maman maman ... Ah! Dieu ma fille ... Dated: 19th century. Dimensions: image: 10 5/8 x 9 3/16 in. (26.99 x 23.34 cm). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Francisco de Goya (Spanish, 1746-1828). Linda maestra! (Pretty teacher!), 1796-1797. From Los Caprichos, no. 68. Etching, burnished aquatint, and drypoint on cream laid paper. Plate: 210 mm x 150 mm (8.27 in. x 5.91 in.).

Bloemaert, Abraham, Utrecht, Frederick, 16 prints from various series by Cornelis and Frederik Bloemaert, Water, A fisherman pulls his catch ashore. Originally print 3 from a series with the elements after Abraham Bloemaert. In this mixed series print 15., print, prints, height 132 mm, width 105 mm, 1614 - 1669, print maker, printmaker, 1700 - 1800, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27

Le mendiant lunatique , Mentally ill persons, Beggars, Alphonse Legros (1837-1911)

S. Chrysogone, martyr (St. Chrysogonus, Martyr), November 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Chrysogone, martyr (St. Chrysogonus, Martyr), November 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Enée et Didon. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Three Children Among Clouds Carrying a Drapery. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: Sheet: 17 13/16 in. × 12 in. (45.3 × 30.5 cm)Plate: 10 5/8 × 9 13/16 in. (27 × 24.9 cm). Publisher: Chez Huquier (French, 18th century). Date: 1738-45. Museum: Metropolitan Museum of Art, New York, USA.

The Shepherd, Engraved by Welby Sherman, active 1827, between 1827 and 1836, Engraving on thick, slightly textured beige wove paper with beige chine collé, Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm), Plate: 4 15/16 x 3 3/16 inches (12.6 x 8.1 cm), and Image: 4 1/4 x 3 1/8 inches (10.8 x 7.9 cm), animal art, dark, dog (animal), evening, figure study, flowers (plants), genre subject, grasses, landscape, loincloth, long hair, melancholy, nude, rocks (landforms), shepherd, shepherd's crook, staff, sun

Honoré Daumier, La veille des Thermopyles, 19th century La veille des Thermopyles

Water, Frederick Bloemaert, after Abraham Bloemaert, 1632 - 1670 print A fisherman pulls his catch on land. A large net hangs in the background. paper engraving water (one of the four elements). fisherman

Dialectica (Dialektyka). unknown, graphic artist, Floris, Frans (ca 1519-1570 ; st.), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Southern Netherlands, Hecke, Jan van den (II), Woman wading through a stream, verso - stamped, print, prints, height 95 mm, width 58 mm, 1661 - 1722, print maker, printmaker, 1671 - 1710, paper, papier, etching, etchings

Jobard! aim for a breton to the head! / 237

Wait until you are anointed, Francisco de Goya, 1797 - 1799 print Two grotesque figures sitting on the floor, one holds a goat on his leg. The animal has one human foot. Seventiest print from the Los Caprichos series. Spain paper etching / drypoint goat. disabilities, deformations and monstrosities; diseases

Soldier Holding a Shield. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

L'Appel de leurs réserves. Honoré Daumier (France, Marseilles, 1808-1879). France, 1870. Prints; lithographs. Lithograph

Francisco de Goya (1746-1828); , Witch in swing, 1826-1828

Albrecht Dürer (1471-1528). The witch (Bartsch 67). 1500-1501. Museum of Fine Arts of the City of Paris, Petit Palais. 77214-22 Goat, riding, mythical creature, child, ailee figure, genius, mounting, Greek-Roman mythology, nudite, wing character, renaissance, sabbath, sorciere, 16th 16th 16th 16th 16th 16th century, animal, engraving, naked, putto

Nero assassinating his mother. (IT)

Saint Peter holding keys and an open book, facing left ca. 1750-80 Joachim Leonardo da Rocha. Saint Peter holding keys and an open book, facing left. Joachim Leonardo da Rocha (Portuguese, 1756-1826). ca. 1750-80. Etching. Prints

Oceanus ca. 1589-90 Hendrick Goltzius Netherlandish. Oceanus. Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). ca. 1589-90. Chiaroscuro woodcut from three blocks. Prints

Wellust (Luxuria), Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print The Personified Wellus; A female figure with a bird and a flower branch in a landscape, a goat next to her. Haarlem paper engraving / drypoint / brush Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins

Soldier Slaying a NudeMan. Artist: Hieronymus Hopfer, German, ca. 1520-1563

Study magazine with a sleeping woman and a hunter; Study pictures / Etudes Gravées.

Killing an Enemy. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and publisher: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 8 13/16 x 6 in. (22.4 x 15.2 cm). Date: November 15, 1779. Museum: Metropolitan Museum of Art, New York, USA.

Pllate 60 from 'Los Caprichos': Trials (Ensayos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/8 x 6 7/16 in. (20.6 x 16.4 cm)Sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Apostel Jakobus de Merere, Parmigianino, 1524 - 1540 print The apostle James seen the superior on the back. paper etching / engraving / drypoint the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword

Pen and brush drawing by Christian Wilhelm Ernst Dietrich from 1730 depicting a figure study executed in black and gray washes, showing posture and proportions.

Histoire Ancienne (series of prints)

Feeling Illustration No. 4 (from 12), Posted in: Almanac de Goettue entitled: Natural and affected action of life , Series II, 1779 Chodowiecki, Daniel Nikolaus (1726 1801)

Honoré Daumier, Télémaque et Mentor, 19th century Télémaque et Mentor

Peasant the low hat (Hollstein 17) Bega, Cornelis Pietersz. Paysan the low hat (Hollstein 17). Etching.

Historical and revolutionary memories. / N ° 1

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, T'Leven Der Boeren, Ian de Kramer, Dansende man met mes, verso - stamped, The print is part of a twelve-part series of prints depicting farmers., print, prints, width 77 mm, height, 122 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1630 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06

Engraved by Welby Sherman, active 1827, The Shepherd, between 1827 and 1836. Engraving on thick, slightly textured beige wove paper with beige chine collé.

Long -haired man with Snottebel, Pieter Jansz Quast (Possible), after Pieter Jansz Quast, 1639 - 1706 print A long -haired man with a large nose, on which a snot bell hangs, steps to the right. The print is part of a series of twelve prints with fools. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam paper etching / engraving fool, simpleton, numskull

Wood Cutter 1742 Anne Claude Philippe de Tubières, comte de Caylus French. Wood Cutter 398358

Fabel van de Boer and De Muizen, Aegidius Sadeler (II), After Marcus Gheeraerts (I), 1608 print A farmer runs after two mice. In the background his farm is on fire and the farmer looks at the burning house. The fable describes how a drunk farmer accidentally sets his house on fire during a big party. A mouse comes from the burning house, but is trapped by the farmer and thrown back into the fire. The moral of the story shows that friends are hard to find when happiness turns against you. Prague paper etching / engraving / letterpress printing fables. on fire, ablaze. farmers. rodents: mouse. intoxication. farm (building)

The poll.. Walpole, Horace, 1717-1797. Prints, Caricatures. 1784-04-27. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Great Britain , 1700-1799

Télémaque et Mentor. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The 16th century. Running in the competition; Z: "Tygodnik Ilustrowany" 1864, No. 241 (May 7), p. 172; Kossak, Juliusz (1824-1899), unknown, Ilustrowany weekly (Warsaw; magazine; 1859-1939); 1864 (1850-00-00-1875-00-00);

Costume of a Roman standard bearer. He wears a lions mane headdress, short tunic, short trousers or sagulum gregale, boots. Signifer or signum-bearer, aquilifer or eagle-bearer, imaginifer or imago-bearer. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

May; The twelve months of the year, "Les XII Mois de l'Année". At a pigeon pill, a man with a child looks at his arm to look to chicks that roam on the ground. A second man walks bent on a birdhouse. In the background a woman with a flowerpot and a wheelbarrow full of flowers. The print is part of a series of twelve prints with the twelve months of the year.

Angel with bunch of lilies and two cherubs and putto with scapular.

Pluto, 1588 - 1590 print The god Pluto, standing, seen on the back, a trident in the right hand, a crown on the head. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Pluto (Hades), Dis Pater, Orcus

These are responsible for those, from 'News of the day,' published in Le Charivari, February 9, 1871. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 5/16 × 7 7/8 in. (23.7 × 20 cm)Sheet: 12 11/16 × 8 5/8 in. (32.3 × 21.9 cm). Series/Portfolio: 'News of the day' (Actualités). Date: February 9, 1871. Museum: Metropolitan Museum of Art, New York, USA.

A man armed with a sword empties a glass of liquor into his mouth. He carries two (wine) jugs, one of which he holds in his hand. The print is part of a series of twelve prints depicting fools, Drinking Fool Twelve fools (series title), print maker: Pieter Jansz. Quast, (possibly), Pieter Jansz. Quast, publisher: Frederik de Wit, print maker: Netherlands, Netherlands, publisher: Amsterdam, 1639 - 1706, paper, etching, engraving, h 147 mm × w 117 mm

Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm)Sheet: 12 1/16 × 17 1/2 in. (30.6 × 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

You understand...well, as I say...eh! Look out! otherwise.... Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Histoire du Costume en France: Tourmenteur, 1843. Paul Gavarni (French, 1804-1866). Lithograph;

Gypsy Grajek. According to his own funnel image, Karol Młodnicki drew in Lviv. unknown

The Dying Sailor, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm), boat, dying, genre subject, rocks (landforms), sailors, ship, water

Prince Leopold von Hohenzollern, Prince Leopold of Hohenzollern-Sigmaringen is prevented from taking a seat on the Spanish throne by Napoleon III,

Samson slaying the lion. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Fisherman from around Warsaw; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1804-1817 (1804-00-00-1817-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Tarnowska, Anna ( 1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989) - collections, ethnography, French (culture), Poland (culture), fishermen, generic types

Le Vice suprême (The Supreme Vice). Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1884. Prints; etchings. Etching and aquatint

Spanish Scene (Scène espagnole). Dated: 1863. Dimensions: plate: 25.4 x 16.9 cm (10 x 6 5/8 in.) sheet: 36.8 x 26.7 cm (14 1/2 x 10 1/2 in.). Medium: etching and drypoint on cream laid paper proof. Museum: National Gallery of Art, Washington DC. Author: Jules-Ferdinand Jacquemart after Francisco de Goya.

Luyken, Caspar, work name: Tunto, (1000 - 2000), engraving and line etching, graphics, plate width 20 cm, plate height 30.5 cm

Death and Card Players 1620-74 Jan Lievens Dutch. Death and Card Players. Jan Lievens (Dutch, Leiden 1607-1674 Amsterdam). 1620-74. Etching. Prints

A pointing man on a donkey in conversation with a man, resting a stick on his shoulder. The two men are standing by a river., Two men by a river, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: Monogrammist FVW, (mentioned on object), Vaassen, 1796 - 1856, paper, etching, h 109 mm × w 91 mm

The Standard Bearer. Dated: c. 1516/1518. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Diogenes and Alcibiades at the Odeon. "- Ah... it's modern....what a man!," plate 121 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1846. Dimensions: 244 × 228 mm (image); 365 × 256 mm (sheet). Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

The sacrifice of Manoach. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 309 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Bella, Stefano della, Woman with child on horse, camel behind, verso - stamped, Woman and child on horseback, seen from the back. Behind the horse stands a camel. Around the horse are sheep. On the left stands a boy with a bucket of food for the horse., print, prent, prints, prenten, height 58 mm, width 44 mm, print maker, prentmaker, 1650 - 1700, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by

Saint Gereon being thrown into a well by two men; soldiers in the background. Engraving by J. Wagner after F. Sigrist, 17--.

Macbeth Consulting the Witches, 1825. Eugène Delacroix (French, 1798-1863). Lithograph; image: 32.2 x 25.2 cm (12 11/16 x 9 15/16 in.).

A couple standing on a mountain 1824-29 Etienne Devilliers. A couple standing on a mountain. Etienne Devilliers (French, active 19th century). 1824-29. Etching and engraving. Prints

Federley, Alex, King's Ring. Illustration for the stories of Topelius Välskär., 1897, marker, watercolor and masking color, drawing, 25 cm x 17.5 cm

Monk in Prayer, 1780, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 1 9/16 x 15/16 in. (3.9 x 2.4 cm) (image)2 5/16 x 1 9/16 in. (5.9 x 4 cm) (sheet), Etching, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Androcles removes the thorn from the lion's paw; and is repaid when the lion recognises him in the arena and not only does him no harm, but greets him with delight

Chopping the ax. Draughtsman: anonymous. Dating: c. 1700 - c. 1799. Place: Netherlands. Measurements: h 237 mm × w 140 mm. Museum: Rijksmuseum, Amsterdam.

- Italy is a garden! ... / 4 (registered title) | In Italy (set of all)

Le chasseur chassé. Honoré Daumier (1808-1879). Lithographs

Zomer, Frederick Bloemaert, After Abraham Bloemaert, 1632 - 1670 print A mower with a scythe in his hand points to the field. paper engraving / etching summer, 'Aestas'; 'Estate' (Ripa). agricultural implements: scythe

Every constitution requires movement , March , Satire on the escape of Metternich, Anton Zampis -, Lithographer, Johann Höfelich -, printer

L'Antre du lion. Honoré Daumier (1808-1879). Lithographs

Francesco Londonio, Standing Shepherd, 1760 Standing Shepherd

Rosa, Salvator, work, Two soldiers with an old man behind him, (1000 - 2000), etching, graphics, sheet width 9, 1 cm, leaf height 14.2 cm

LIBRO SEPTIMO-PAGINA 325-GRABADO DE DON PELAYO-FUNDADOR DEL REINO DE ASTURIAS. Author: FEDERICO DE MADRAZO Y KUNTZ (1815-1894). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN. DON PELAYO REY CAUDILLO DE ASTURIAS (-737).

Painting of cupids or genii playing discovered in Resina in 1748. The cupids carry split reeds, musical instruments, long scepters and crowns of myrtle. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Definitely! the tree is rotten, there is not a branch of good Charles Joseph Travies of Villers, says Traviès (1804-1859). Press cartoon. "Decidedly! The tree is rotten, there is no branch of good". Board published in "caricature" of September 19, 1833. Lithography. Paris, House of Balzac.

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Trials. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint and burin

The Stone Breaker. Dated: after 1849. Dimensions: sheet: 30.1 x 23.1 cm (11 7/8 x 9 1/8 in.). Medium: gillotype in black on wove paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Firmin Gillot after Gustave Courbet.

Emigration. Dated: 19th century. Dimensions: image: 8 1/16 x 9 13/16 in. (20.48 x 24.92 cm). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Hi! Hi! he licked the butter off my bread!, from 'News of the day,' published in Le Charivari, May 3, 1867 May 3, 1867 Honoré Daumier. Hi! Hi! he licked the butter off my bread!, from 'News of the day,' published in Le Charivari, May 3, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 3, 1867. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Un nouvel Hercule Farnèse. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Concert européen, 19th century Concert européen

Fertilization of Egypt. Dated: 1791. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Henry Fuseli.

Mr Adolphe a ete pris un petit jour pour unvoleur…. Artist: Paul Gavarni, French, 1804-1866

Subir y Bajar (Up and Down), Francisco de Goya y Lucientes, Spanish, 1746 - 1828, Etching and aquatint on paper, 1803, figures, Print, Print

Memorial Scene; Woman Reclining against Tomb, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, undated, Engraving

The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs) second half 18th century Anonymous, French, 18th century French. The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs) 392113

Byron as perceived by Harriet Beecher Stowe, who considers that his life-style falls short of being exemplary picture 1 of 2

Hercules and the constitutional revision of 1840 (1845); De Nederlandsche Staatsman. A giant (Hercules) waved with a knots with the inscription 'constitutional view' and a rolled paper with inscription 'Constitution 1840' in the other hand. The names of members of the Second Chamber of the States General are on the body of the Giant. On the right, the Dutch virgin turns her face in horror, in the foreground welcome four men and a woman's giant with outstretched arms and laurel wreaths. Probably a cartoon of rejection by the Chamber in May 1845 of the 'Proposal of Negenmen', a proposal for constitutional revision submitted on December 10, 1844.

Mower Printed 1853 France. Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collÈ) . Jacques Adrien Lavieille

Two naked witches riding on a broomstick, accompanied by an owl, Historical, digitally restored reproduction from an 18th or 19th century original

The Old Chartist 1862 After Frederick Augustus Sandys British. The Old Chartist 642935

Alexandre Gabriel Decamps (French, 1803 - 1860). The Swineherd (Le Gardeur de Porcs), 1843. Etching.

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