Historical Battle Engravings

Engravings depicting historical battles and dramatic scenes, featuring warriors, horses, and intense action, rendered in intricate monochromatic detail.

Amsterdam, Visscher, Claes Jansz. (II), Buytewech, Willem Pietersz., Haarlem, Kittensteyn, Cornelis van, Triomftocht van Willem van Oranje, right plate, verso - stamped, Right plate of five plates of 'Triumphal Procession of William of Orange' with symbolic representations of the virtues of Prince William of Orange, consisting of: the Christian Virtues, the Governmental Virtues and the Military Virtues. In the foreground the armored Oranges and Nassaus on horseback: Maurits, Philip, Frederik Hendrik, Willem Lodewijk and Ernst Casimir. Their coats of arms are held aloft by men and thin helmets are worn by putti. Cannonballs lie on the ground and a city wall can be seen in the background. The princes have been given a number, the explanation of which is given above the image., print, prent, propaganda print, prints, height 357 mm, width 350 mm, 1600 - 1663, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), Work conception, 1592 - 1624, after a

Agostino dei Musi after Raphael, The Battle with the Cutlass The Battle with the Cutlass

The Conversion of Saint Paul 1567 Mario Cartaro Italian. The Conversion of Saint Paul. Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557-88, died 1620). 1567. Engraving. Prints

Antonio Tempesta, Jacob Kills Absalom, Son of King David, 1613 Jacob Kills Absalom, Son of King David

Atilla for the city of Rome, Anonymous, After Giulio Romano, After Rafaël, in or after 1514 print Pope Leo the Great and his entourage meet Attila theirs and his soldiers outside the walls of Rome. The pope points atilla on the two apostles Peter and Paul in the air, which protect Rome. print maker: Italyafter painting by: Vaticaanstadafter painting by: Vaticaanstadafter design by: Vaticaanstad paper engraving / etching pope Leo the Great meets Attila outside the walls of Rome, and points out to him the two apostles St. Peter and St. Paul, appearing in the sky as protectors of Rome

Antwerp, Collaert, Adriaen, Straet, Jan van der, Monogrammist FLB, Hunting scenes, Deer hunt with spears, Landscape in which hunters on horseback hunt deer. The hunters each hold a spear in their hand. They are accompanied by hunting dogs. Below the representation is a four-line verse in Latin. This print is part of an album., print, album sheet, prints, height 224 mm, width 294 mm, print maker, printmaker, 1574 - 1574, paper, engraving, engraving (printing process), Southern Netherlands, 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Southern Netherlands (before 1775), 1560 - 1618-06-29, publisher

Copper engraving print 'The Large Crossing' by Martin Schongauer, late 15th century, depicting crucifixion scene with multiple figures, detailed drapery, gestures, and architectural elements.

A three-plate clair-obscur woodcut in green by Adriaen Thomasz. Key from the 1570s depicting the biblical scene of Joab killing Absalom, showing figures and composition.

Antonio Tempesta, Joshua has the Chariots Burned and Cuts the Legs off His Enemies, 1613 Joshua has the Chariots Burned and Cuts the Legs off His Enemies

Amsterdam, Visscher, Claes Jansz. (II), Buytewech, Willem Pietersz., Haarlem, Kittensteyn, Cornelis van, Triomftocht van Willem van Oranje, right plate, verso - stamped, Right plate of five plates of 'Triumphal Procession of William of Orange' with symbolic representations of the virtues of Prince William of Orange, consisting of: the Christian Virtues, the Governmental Virtues and the Military Virtues. In the foreground the armored Oranges and Nassaus on horseback: Maurits, Philip, Frederik Hendrik, Willem Lodewijk and Ernst Casimir. Their coats of arms are held aloft by men and thin helmets are worn by putti. Cannonballs lie on the ground and a city wall can be seen in the background. The princes have been given a number, the explanation of which is given above the image., print, prent, propaganda print, prints, height 357 mm, width 350 mm, 1600 - 1663, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), Work conception, 1592 - 1624, after a

Death of Absalom, Johannes Wierix, After Maerten de Vos, 1585 print Joab bumps with his lance in the chest of Absalom, who still hangs alive in the tree where he has become entangled with his hair. Under the show a reference in Latin to the Bible text in 2 SAM. 18. Antwerp paper engraving Absalom, put to flight on a mule, remains hanging by his hair in an oak-tree. Joab stabs Absalom with three spears

The Triumphs of Caesar: The Corselet Bearers, c. 1498. Giulio Campagnola (Italian, 1482-1515). Engraving;

Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians 1611 Antonio Tempesta Italian. Plate 30: Cerialis Driving the Dutch into the Rhine, from The War of the Romans Against the Batavians. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Le triomphe de la Mort: Le départ , Death, Skeletons, Arrivals & departures, Crowds, Alphonse Legros (1837-1911)

Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican ca. 1545-60 Nicolas Beatrizet French. Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican 364082

Soldiers of Aeneas fight with servants of King Latinus, Giovanni Battista Fontana, 1535 - 1587 print Landscape with the soldiers of Aeneas in fight with the servants of King Latinus. At the top right, Juno and the personification of disagreement appear. Italy paper etching the Trojans with King Latinus. Disagreement, Discord; 'Discordia' (Ripa). (story of) Juno (Hera)

Romans misled to think that civilis is dead or injured, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Civilis falls from his horse to mislead the Romans and make it think that he is dead or injured. Print number 17 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Vatican City, Innocent XI, Rome, Rossi, Giovanni Giacomo de', Italy, Raphael, Romano, Giulio, Aquila, Pietro, Battle of the Milvian Bridge, verso - stamped, Battle scene in a landscape: Battle of the Milvian Bridge. Constantine's soldiers fighting Maxentius' soldiers. Dead bodies lie on the ground. Soldiers on horseback drowning in the river., print, prints, height 685 mm, width 1341 mm, Italian, 1650 - 1692-11, print maker, printmaker, 1683 - 1683, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, 1499 - 1546-01-11, after, after a painting by, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1627 - 1691, publisher, uitgever, 1611-05-19 - 1689-08-12, verlener van privilege

Moses Striking the Rock. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Battista Franco.

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Hebrael sine Moysis iperio cv cananaels congressi fundutur, The Israelites defeated by the Canaanites because they disobeyed Moses, verso - stamped, A battle commotion of soldiers on horseback. The Israelites are defeated by the Canaanites because they disobeyed Moses. Title and caption in Latin in the lower margin. Originally numbered 6 in the lower left image, but here the corner is torn off., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

Triumphwagen with Peace (Pax), 1564 - 1633 print Triumph car decorated with garlands of fruits, pulled by two horses (Concordia and Utilitas). The car is mixed by Amor. On a seat is the peace, olive branches in the right hand and on the head, laurel wreath in the left hand. To the right of her is wealth (Opulentia) that holds a crown. In addition to the car, truth, diligence and justice (Veritas, Diligentia and Justitia) run. Print from a series of nine prints with triumphal cars from the Antwerp circumcision commitment of 1561. The personifications on the cars together represent the cycle of human action. Antwerp paper engraving chariot, triumphal car. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Truth; 'Verità' (Ripa) (+ allegorical scene, i.e. two or more personifications involved in an action). Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). Carefulness, Diligence; 'Diligenza' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Vicissi

Hunting Wild boar, Antonio Tempesta, 1600 - 1620 print Landscape with hunters with spears and hunting dogs hunting wild boar. print maker: Italyafter own design by: ItalyVaticaanstad paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). boar-hunting

. Jupiter says that the gods participate in the war that subsequently fight each other. In the margin a four-line caption, in two columns, in Latin.

Cloelia crosses the Tiber on horseback Performances from Roman history (series title), Cloelia escapes to Rome with a friend by crossing the Tiber on horseback. Her other girlfriends stand on the shore and watch. In the right foreground Romulus and Remus are suckled by a wolf. Next to it lies a naked award-winning man with the cornucopia in his arm. In the margin below the performance is a text in Latin, numbered at the bottom right: 3. The print is part of a series of prints depicting events from Roman history., (Story of) Cloelia, (story of) Romulus and Remus, 'Cornucopia', Horn of Plenty, Pieter Jalhea Furnius (mentioned on object), 1573, paper, engraving, h 217 mm × w 299 mm

Cloelia Steekt de Tiber Over, Andrea Procaccini, After Carlo Maratta, 1681 - 1734 print Cloelia escaped from captivity flees with other women to Rome. She crosses the Tiber river on horseback. In the foreground a river god (Tiber) and the Lupa Capitolina that sits the twins Romulus and Remus. print maker: Italyafter design by: ItalyVaticaanstad paper etching Cloelia and her companions escape Porsena's camp: she crosses the Tiber on horseback and persuades her companions to swim after her. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana' Tiber. Rome

Death of Timoteüs, Chereas and Apollofanes, 1643 print The army of Judas Makkabeeër storms the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 bubble. 10:32. This print is part of an album. Amsterdam paper engraving other scenes ~ second book of the Maccabees

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Etching by Hieronymus Hopfer depicting a fight between bare-chested men, created between 1528 and 1563.

King Herod fights robbers that have hidden themselves in cousins. King Herod on horseback lets the sparks of the rock walls combat the robbers that have hidden themselves there. The men of Herod are lowered in baskets. Different men fall off the rocks. The print is part of an album.

Dogs, men with spears and clubs and a man on horseback are driving a pack of wolves. One of the wolves is suspended in a tree. In the background, a drive by a gallows and wheel. Behind it a church and a farm, Wolvenjacht Jachttaferelen (hunting scenes) (series title), print maker: Pieter Serwouters, David Vinckboons (I), (mentioned on object), publisher: Claes Jansz. Visscher (II), Amsterdam, 1612, paper, engraving, h 103 mm × w 272 mm

Sinon Deceiving the Trojans mid-1540's Giorgio Ghisi Italian. Sinon Deceiving the Trojans 367353

Allegory of childhood, corresponding to the four times of day and the four seasons. On the triumphal chariot of the dawn (Aurora) are Peace (Pax), Innocence (Innocentia) and Chastity (Castitas), accompanied by music-making children. The chariot is drawn by two horses, ridden by Negligence (Securitas) and Mother Nature (Natura). The procession is preceded by a child holding a banner depicting the signs of the zodiac, ram, bull and twins, and Glee (Laetitia) on horseback. In the foreground various animals and children playing. In the margin a four-line caption, in two columns, in Latin., Childhood The four ages of man and death (series title), print maker: Hieronymus Wierix, print maker: Adriaen Collaert, (rejected attribution), Ambrosius Francken (I), Antwerp, 1563 - 1584, paper, engraving, h 222 mm × w 303 mm

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin 1543 Enea Vico Italian. Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin 397620

Cattle of Helios, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 The hungry companions of Odysseus slaughter on board one of the cattle of the Zonnegod Helios. In the background the cattle and helios in his car. Neptune threatens the ship in the foreground. The print is part of an album. Paris paper etching / engraving / letterpress printing The hungry companions of Odysseus slaughter on board one of the cattle of the Zonnegod Helios. In the background the cattle and helios in his car. Neptune threatens the ship in the foreground. The print is part of an album. Paris paper etching / engraving / letterpress printing

Battle between Romans and Carthagers; Battle with a heart catcher; Battle with a Cutlass. A fight between the Romans, led by Scipio Africanus, and the Carthagers. Soldiers on foot and on horse fight with each other. On the left in the background a city on fire. Left in the foreground lies the Hartsvanger (type of hunting sword) where the usually used title of the print refers.

Hercules kills Geryon and his dog; Working from Hercules. Hercules beats the three-player giant Geryon and his two-headed dog. In the background you can see how Hercules catches the boar of Erymanthus and brings to town.

Amsterdam, Visscher, Barent, Rieuwertsz., Jan (II), Luyken, Jan, Flood, verso - stamped, print, picture, book illustration, prints, pictures, height 90 mm, width 79 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1706 - 1706, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever, Publicatie, Noord-Nederlands

Cavalry Engagement. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Madinking Van Adonibeken, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Adoni-bezek is caught; his thumbs and his great toes are cut off

Italy, Thomassin, Philippe, Raphael, Master of the Dice, Triumph of Scipio, verso - stamped, Triumphal procession of Scipio Africanus in Rome after his victory over the Carthaginian army. Behind the victors on horseback walk the chained defeated. On the right a triumphal arch. Two lines of Italian text in the bottom margin., print, prent, prints, prenten, height 201 mm, width 252 mm, Italian, German, print maker, prentmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, French, 1562-01-28 - 1622-05-12, publisher

The Triumph of Time on Fame. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Second pretext: the new herd, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1581 - 1633 print The king's messenger comes to the second guest and invites him to the wedding party. The guest apologizes with the pretext that he has bought a new herd of cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching those that are invited to the royal wedding-feast excuse themselves

Antiochus Epifanes roam the temple of Jerusalem; History of the Maccabeans; Theatrum Biblicum (...). After his victory over Egypt, Antiochus attracts Jerusalem with a large army. He raises the temple and he points to a bloodbath among residents. Under the show a reference in Latin to the Bible text in 1 MAKK. 1:22.

Holofernes's body is discovered, Philips Galle, After Maarten van Heemskerck, 1564 print In the morning the Israelites go to battle against the Assyrians. Two army commanders of the Assyrians want to wake up holofernes and discover the beheaded body of their Lord in his tent. Haarlem paper brush / engraving the murder on Holofernes is discovered (by Bagoas)

Allegory around the Batavian rebellion. Allegory around the Batavian rebellion, with the shielding of Brinno and the conspiracy of Claudius Civilis. With caption of two lines in one line.

Soldiers with war trophies in triumphal tour of Caesar, Andrea Mantegna (school of), after Andrea Mantegna, 1486 - 1492 print Italy paper engraving triumph of Caesar. private soldier. trophy ~ battle, war

Allegorical triumphar of the twelve-year-old Willem III, 1663.Allegorical triumphar with the twelve-year-old Prince Willem III, 1663. The car is marked by religion (religio) and accompanied by bravery and caution. Besides and behind the car, the Lord van Beverweert, the Admiralen Tromp and Opdam and two princes from Nassau. The car is met on the left by a group of eight provinces. A text sheet with a verse belongs to the print.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Judith and Holofernes, Victory over the Assyrians, The Israelites attack the fleeing Assyrian army. On the city wall of Bethulia, in the background, hangs the head of Holofernes on a stake. Below the scene a reference in Latin to the Bible text in Judith 14:8. This print is part of an album., print, album page, prints, height 205 mm, width 264 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

David slaying Goliath. Line engraving by M. van der Gucht after G. Freman.

A Pastoral Journey with a Child in a Basket on Horseback. Dated: 1758/1759. Dimensions: plate: 28.6 x 42.6 cm (11 1/4 x 16 3/4 in.) sheet: 31.6 x 44.9 cm (12 7/16 x 17 11/16 in.). Medium: etching in sanguine on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Giovanni Benedetto Castiglione Gaetano Zompini.

Lion yacht. Design for a print.

Heinrich Aldegrever, Traveler among Thieves, 1554 Traveler among Thieves

Copper engraving print 'St. Jakobus Major in the Battle of Compostela' by Martin Schongauer, last third of the 15th century, depicting Saint James in battle with detailed figures, horses, and landscape elements.

France, Duvet, Jean, Revelations, Four Horsemen of the Apocalypse, verso bottom center - stamped, The four horsemen of the Apocalypse: Victory with crown and bow and arrow, War with a raised sword, Hunger brandishing a scale and Death with a trident. They trample people. Fourth print from a series of 23 with the Revelations of John., print, prints, height 302 mm, width 213 mm, 1485 - 1561, print maker, 1495 - 1561, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, engraving, engraving (printing process)

This early 16th-century drypoint by the Master of 1515 depicts a battle scene set in a forest.

Sheet 5: Elephants, from The Triumph of Julius Caesar. Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua); Andrea Andreani (Mantua, 1558/1559-1629); Intermediary draughtsman Bernardo Malpizzi (Italian, 1555-1623). Dimensions: Sheet: 15 1/2 × 15 1/4 in. (39.3 × 38.8 cm)Image: 14 1/2 × 14 3/4 in. (36.8 × 37.5 cm). Date: 1599. Museum: Metropolitan Museum of Art, New York, USA.

St George Killing The Dragon 1499-1510 Germany. Engraving in black on ivory laid paper . Telman of Wesel

The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7 1564 Cornelis Cort Netherlandish. The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7 630112

Abduction of Helena; The Trojan War. In the midst of fighting soldiers, Paris lifts Helena aboard a ship. Left is lifted on a sailing ship. A equestrian fight is going on in the background and a temple is empowered. Under the show is a line of text in Latin, numbered at the right: 2. The print is part of a series of prints about the Trojan War.

Antwerp, Galle, Theodoor, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of a Wedding Feast, First pretext: the new field, The messenger comes to the first guest and invites him to the feast. The guest excuses himself with the pretext that he has bought a new field. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., print, prints, height 206 mm, width 252 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Plate 6: Darius Fleeing from the Battlefield, from The Deeds of Alexander the Great 1608 Antonio Tempesta Italian. Plate 6: Darius Fleeing from the Battlefield, from The Deeds of Alexander the Great. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1608. Etching, first state of two (Bartsch). Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 15751610). Prints

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Darius flees from the battlefield, verso - stamped, The army of Alexander the Great in battle with the Persian army. In the foreground the Persian king Darius fleeing from the battle. Four-line verse in Latin in two columns in the bottom margin., print, prints, height 224 mm, width 285 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etsen, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever

Schelte Adams Bolswert after Sir Peter Paul Rubens, Lion Hunt Lion Hunt

Flood, Jan Luyken, Jan Rieuwertsz. (II), Barent Visscher, 1706

The Float of the Sun. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Festival of the New Moon from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks) 1553 After Pieter Coecke van Aelst Netherlandish. Festival of the New Moon from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks) 422768

Clair-obscur woodcut of four plates by Andrea Andreani from 1599 depicting the triumph of Julius Caesar, showing figures, soldiers, horses, chariots, and crowd scenes.

Greeks in fight with Trojans, Antonio Tempesta, 1606 - 1638 print A tangle of Greek and Trojan soldiers in fight. Title in Latin in STUDMARGE. paper etching battle. the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen). the Trojan war (94C - 94H)

Sadeler, Raphaël (I), Vos, Maerten de, Frankfurt, Keulen, The four ages, Labor, Adulthood under the influence of work, verso center bottom - stamped, A young man is busy with a compass and a book about architecture. Around him are tools of intellectual and physical labor. His gaze is fixed on the goddess Minerva, who stands beside him and will assist him with knowledge and experience in all his toil. In the background are depicted all kinds of possible crafts, such as agriculture, weaving, trade and construction. With Latin caption., print, prent, prints, verso under - stamped, height 222 mm, width 258 mm, Zuid-Nederlands, 1560, print maker, printmaker, 1591 - 1591, paper, papier, engraving, graveren (drukprocedé), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publicatie, publisher

Sheet 5: Elephants, from The Triumph of Julius Caesar 1599 Andrea Andreani Italian. Sheet 5: Elephants, from The Triumph of Julius Caesar. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1599. Chiaroscuro woodcut from two blocks in light brown ink. Prints

Icones et segmenta illvstriuvm e marmore tabvlarvm qvae Romae adhvc extant a Francisco Perrier, delineata incisa et ad antiqvam formam lapideis exemplaribvs passim collapsis restitvta 1645 François Perrier French. Icones et segmenta illvstriuvm e marmore tabvlarvm qvae Romae adhvc extant a Francisco Perrier, delineata incisa et ad antiqvam formam lapideis exemplaribvs passim collapsis restitvta 362283

Italy, Tempesta, Antonio, Battle scenes (series 2), Soldiers fighting on horseback near a river, sheet - stamped, print, prints, height 96 mm, width 270 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1599 - 1599, paper, papier, etching, etchings

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "the captain". Thirty-second number of a suite of 42 pieces (Lieure 109, Meaume 291). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-7 Burin, Gravure

Cavaleristen bestormen een stadsmuur; cavalerie; Unfamiliar, and it is beloved of men of keen innate talent Faecvnda how I gratys Library of Florence, is enough to refer to the PVGN, enthea timely manner by the force of the heart which the mercury is the maker of the client ..

In the foreground under a tree stands a hunter loading his rifle. Behind him a hunter with spear and two hunting dogs. On the left a donkey loaded with two dead boars. Behind on the right, shots are being fired. With one line caption in Latin. No. 7 from a series on hunting, Boar Hunting with Guns Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 294 mm × h 216 mm

Antwerp, Galle, Philips, Florence, Straet, Jan van der, In quibus omne genus venationis, aucupij, piscatusque, Hunting scenes, Hunting for badgers, verso center bottom - stamped, Hunters dig out badger dens. The badgers are then beaten to death with stones or bitten to death by dogs. The print has a Latin caption and is part of a 43-part series on hunting., print, prints, width 285 mm, height, 210 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1578 - 1578, paper, papier, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses 1606 Antonio Tempesta Italian. Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Prints

The Fourth Tournament 1509 Lucas Cranach the Elder German. The Fourth Tournament 625317

Primaticcio, Francesco, Davent, Léon, Young man with a lion's skin over his head, possibly Cadmus, fighting a dragon, verso - stamped, print, prints, height 258 mm, width 311 mm, French, print maker, printmaker, 1540 - 1556, paper, papier, etching, etchings, plaattoon, Work conception, Italian, 1504-04-30 - 1570-09-14

Roof van Proserpina, Raphaël Sadeler (II), After Christoph Schwarz, 1594 - 1632 print Pluto's victory car, pulled by four horses, drives through a river. Pluto has Proserpina in his arms, who opposes her abduction. A second nymph holds the car. München paper engraving the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Pierre Woeiriot, Noah's Ark Noah's Ark

Five Heavenly Riders fight against Timoteüs, 1572 - 1576 print The army of Timoteüs opens against Judea and Vecht against the Jews. Five horsemen on horses with golden reins appear in the sky, heading the Jewish troops. They bombard the men of Timoteüs with arrows and lightning. Under the show a reference in Latin to the Bible text in 2 bubble. 10. This print is part of an album. paper engraving riders are seen in the sky above the city of Jerusalem (2 Maccabees 5:2)

Martyrdom of St. Catherine, 1497-1498, Nuremberg, by Albrecht Dürer.

Fight between the Lapithen and the Centauren, Jean Lepautre, 1628 - 1682 print paper etching fight of Lapiths and centaurs at the wedding of Pirithous and Hippodamia

Etching by Augustin Hirschvogel depicting the water miracle, created in 1548, showing figures, gestures, and compositional layout.

Sea battle of Trojans and Greeks. Scultori, Giovanni Battista (1503-1575), graphic artist

A battle of soldiers some on horseback ca. 1510-1520 Master of 1515 Italian Little is known about this idiosyncratic engraver, whose name derives from the date on one of his prints. It is possible that he can be identified with Agostino Busi, known as Il Bambaia, since several of his architectural prints derive from a sketchbook attributed to that Lombard sculptor, active in Milan in the early sixteenth century. The most distinctive feature of his style, which is close in many respects to that of Mantegna, is the presence of burr-the bits of metal that form on either side of an incision into a metal plate. When not burnished away, this burr absorbs the ink and prints a rich, velvety black, a feature very evident throughout this battle scene.. A battle of soldiers some on horseback 368611

Ruiterstoet of Philip Willem, Maurits and Frederik Hendrik, Prinsen van Oranje, Willem Lodewijk, Count of Nassau-Dillenburg, Ernst Casimir, Count of Nassau-Dietz, and Johan Ernst I, Count of Nassau-Siegen, 1621 print Ruiterstoet of Philip Willem, Maurits, Frederik Hendrik, Willem Lodewijk, Ernst Casimir, and Johan Ernst I. In the lower margin their names, their titles and two columns with seven lines of Latin text. Print Maker: Delft Publisher: Middelburg paper engraving / etching

Fight between Amazons and Greeks (part top left), François Ragot, after Peter Paul Rubens, 1648 - 1670 print Fight between Amazons and Greeks on the Troy bridge. publisher: ParisFrance paper engraving / etching battle of Amazons; amazonomachy. bridge

Andrea Andreani (active in Mantua around 1540-1623). "The triumph of Julius Caesar", after Mantegna: Julius Caesar on a tank of triumph harnessed with two horses (Bartsch, volume XII, Section 6, n ° 11). Color in color. 1599. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-24 16th 16th XVI 16th 16th 16 Center, engraving

Intake of a castle, Robert de Baudous, After Antonio Tempesta, 1591 - 1659 print Battle scene with the intake of a castle. Print five from a series with combat scenes to Antonio Tempesta. Amsterdam paper engraving being attacked; defence. fortress

Cavalry Engagement. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

St. George ca. 1435-1503 Israhel van Meckenem German. St. George 384302

Battle scene showing the taking of a castle Print five in a series with battle scenes after Antonio Tempesta, Taking of a Fortress, print maker: Robert de Baudous, Antonio Tempesta, (mentioned on object), publisher: Willem Janszoon Blaeu, Amsterdam, 1591 - 1659, paper, engraving, h 95 mm × w 275 mm

Hability of the Hungarians and Greuel of the Ottomans No, of the series by Romeyn de Hooghe to , Romeyn de Hooghe -, Artist, Nicolaes Verscher II, publisher

Paris, De la Houve, Paul, 's-Hertogenbosch, Bosch, Jheronimus, Hameel, Alart du, Netherlands, Doetechum, Johannes or Lucas van, Siege of the Elephant, s Hertogenbosch, verso lower right - stamped, In the middle is an elephant with a castle on its back, a symbol of strength. He is attacked on all sides by warriors. The warriors carry flags and shields with various trade symbols on them, such as fishing nets and an axe. They symbolize the citizenry attacking the central authority. On the left tower of the castle is a half moon, the symbol of disbelief. Below the image in the margin a one-line text in Latin, the translation of which reads: 'The impulses of recklessness are as sudden as they are violent: their stimulus throws the human mind off balance, and it is no longer able to heed its own dangers and to judge the actions of others justly'., print, prints, height 405 mm, width 539 mm, print maker, printmaker, 1601 - 1601, paper, papier, engraving, engraving (printing process), Work con

Antonio Tempesta, Italian (1555-1630), David Kills Goliath, 1613, etching

Israelites cut out Achior; History of Judit and Holofernes. Achor, which was caught by the Assyrians on a tree, is cut loose by the Israelites and taken to the city of Bethula.

Mars and his planet children, Anonymous, After Hans Sebald Beham, After Georg Pencz, 1531 print Mars drives his triumphal wagon in the sky, pulled by two dogs. On the car the signs of the zodiac Ram and Scorpio. The people on earth are rough and aggressive. There is rap, robbed, killed and fire -founded. At the top a four -line verse in German. paper Mars and his children ('Planetenkinder') ~ Aries and Scorpio. Mars and his children ('Planetenkinder'). Aries (zodical sign of March). Scorpio (zodiacal sign of October)

Paul's shipwreck; Paulus Schipbrekenhe. On the way to Italy, the ship leads to Paul is transported as a prisoner. Paul appeals to the soldiers and other people's courage and gives their directions what to do. Paul and the Centurion of the soldiers are on the ship with a leg and step into the water with the other leg. Some soldiers are already on land.

Cartoon at Münster, 1674; Cartoon on France, Münster and Cologne after closing peace with England in 1674. Cartoon at Münster (and Cologne) After closing peace between the Republic and England, 1674. A Dutchman cuts a boar (Münster) through the throat . In the background, a bird caper (Germany) catches the rooster (France) and a Wolf (Cologne) is chased away. Middle under a cartouche with a verse of 6 lines in Dutch.

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