Historical Battle Prints

Engravings depicting ancient battles and military strategies, showcasing soldiers, horses, and dramatic landscapes from significant historical events.

Cavalry skirmish, the siege of a fortress, series of prints by the history of Giovanni de Medici, called dalle Bande Nere, print maker: Hendrick Goltzius (mentioned on object), Dating 1576 - 1580 and/or 1583

An army attacks over a bridge, Antonio Tempesta, 1601 print A wide landscape with an army that attacks over a bridge. In the foreground a soldier with a spear on horseback that looks back. print maker: Romeafter own design by: Romepublisher: RomeItalyRome paper etching the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen). battle

Victory of Scipio op Koning Sypax, Master of the Dice, After Rafaël, c. 1530 - c. 1560 print A battle with soldiers on foot and on horseback. On the right in the background the walls of a city from which people are watching. Italy paper engraving (story of) P. Cornelius Scipio Africanus Major. battle

Artillery post. Baur, Johann Wilhelm (1607-1642), graphic artist

Troops of Julius Civilis cross the Maas, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The troops of Julius Civilis cross the Maas and fight against the Roman army. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands Publisher: Antwerp Zuid-Nederland paper etching / letterpress printing the soldier; the soldier's life. battle. bridge in village across river, canal, etc.. extinct, 'historical' peoples (with NAME) Maas

Men from the fort surrendered to Julius Civilis, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print Roman men from the reported fort (Castra Vetera) surrender to Julius Civilis. Julius Civilis promises to save their lives. In the background, however, the German troops kill the unarmed prisoners. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands South Netherlands paper etching the soldier; the soldier's life. surrender ~ prisoner of war. prisoner of war (after the battle). extinct, 'historical' peoples (with NAME). (story of) Julius Claudius Civilis

This copper engraving by Georg Conrad Bodenehr depicts a mounted rider fighting foot soldiers, showing horse, rider, infantry, and combat action.

A drawing by Charles Parrocel from around 1740-1745 depicting two trumpeters and a drummer summoning troops, created with brown ink and gray wash.

Cavalry skirmish, the siege of a fortress, series of prints by the history of Giovanni de Medici, called dalle Bande Nere, print maker: Hendrick Goltzius (mentioned on object), Dating 1576 - 1580 and/or 1583

Lodewijk VII, King of France, fights at Laodicea alone against the enemy, Jan Luyken, 1683 print Print at the top left marked: Foli 232. Amsterdam paper etching militant proselytizing: religious war, crusade, etc.. battle

Kneeling figures for a group of Turks and Tartaren; Honoring of Hungarians and Tyrannie der Rebels Turks, and Tartaren. Kneeling figures for a group of Turks and Tartaren. Left atrocities against spiritual, among other things. In the background, the Turkish army raises to Vienna. This print is no. 1 in a series of prints for 'Relations succiny et veritable de tout ce qui'est passé pendant le siege de vienne etc.'

Three cavalrymen at a battle with elephants, Simon Frisius, After Antonio Tempesta, 1595 - 1628 print print maker: Northern Netherlandsafter design by: Italy paper etching discipline (+ mounted troops on other animals than horses)

Prison from Johan VIII, Count of Nassau-Siegen during battles at Wesel, 1630; Graef Jan van Nassou Stopen and Ghevanghen. Anno 1630. Prison of Johan VIII, Count of Nassau-Siegen by Kolonel Ysselstein during battles at Wesel, August 1630. Violent battles in a landscape for a church, right in the foreground the count on horseback is taken. Signature below: Fig. 11, FOL. 102.

Battlefield scene with fighting riders; Equestrian battles. Battlefield scene with riders who tackle each other with swords, spears and guns. In the foreground a rider with a sword triggers to his opponent, their horses trample a rider and his horse on the ground. The print is part of a six-part series of prints with equestrian battles. Print right from the middle numbered: 5.

Battle Scene with Cavalry Observing from a Hill. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Troops of Julius Civilis cross the Maas, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The troops of Julius Civilis cross the Maas and fight against the Roman army. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands South Netherlands paper etching the soldier; the soldier's life. battle. bridge in village across river, canal, etc.. extinct, 'historical' peoples (with NAME) Maas

Campaign of Christiaan V van Denmark on the island of Rügen (left half), 1677, Romeyn de Hooghe, 1677 - 1678 print Left plate of the great representation of the campaign of Christiaan V van Denmark on the island of Rügen, 1677. Central the king on horseback, on the left an army tent, a fortress on the coast on the right. With figures in the show, but the legend is missing. Netherlands paper etching equestrian state-portrait. battle, fighting in general to reprimand

Roman prisoners for the fort; The Batavian wars against the Romans; Batavorum Cum Romanis Bellum. Claudius Civilis leaves a parade of Roman prisoners for the overcome fort (Castra Vetera). Caption in Dutch and in Latin.

Railing cavalry. On the left two riders on horseback in a landscape. A procession of horses and riders seen on the back. A cloud of smoke on the horizon.

Appetlation of Vienna, 1529; Victories of Charles V; Divi Caroli. V. Imp. opt. max. Victoriae, ex multis praecipuae.Keizer Karel V on horseback with his brother Ferdinant from Hungary behind him. His army drives the Turkish siege forces that had attempted to conquer Vienna (1529). In the background right Sultan Süleyman I that blows the retreat. In the background left the city of Vienna. The print is part of a twelve-part series about the victories of Karel V.

The sons of Lara offer their help to Ruy Velazquez and he falsely makes peace with them, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. paper etching tales and fairy tales. peace negotiations. (military) camp with tents

Equestrian fight at a wooden bridge, Willem van de Lande, 1635 - 1652 print Equestrian fight at a wooden bridge with shooting figures. The print is part of a six -part series of prints with rider fights. Print to the right of the middle numbered: 1. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. battle

Charles Parrocel depicted an equestrian and infantry battle at city gates using brown pen and gray-laved brushwork around 1740-1745.

The French Furie in Antwerp, 1583, 1678 - 1680 print The French Furie in Antwerp, January 17, 1583. The looting French soldiers of the Duke of Anjou are hunted at the Kipdorppoort from the city. Northern Netherlands paper etching / engraving plundering ~ soldiers. counter-attack Chicken village gate

Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Battle of Pergamon, in or before 1571 print Soldiers arrive with ships on the land where soldiers on horseback and on foot are already fighting each other. In the background is the city of Pergamon, the city for which there is fighting. Under the show is a rule of text in Latin, numbered on the right: 3. The print is part of a series of prints about the Trojan War. paper engraving the Trojan war (94C - 94H). sailing-ship, sailing-boat. battle

Gideon chooses his soldiers, Antonio Tempesta, 1613 print Gideon is on horseback and chooses his soldiers. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching the time of Gideon (Jerubbaal) ~ the book of Judges

Five riders in fight, Willem van de Lande, 1635 - 1652 print Five riders in fight with swords and pistols. In the middle a figure is shot in his back, on the left a killed rider is on the floor. The print is part of a six -part series of prints with rider fights. Print at the bottom right numbered: 2. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. battle

Soldiers rob the battlefield, Simon Frisius, After Antonio Tempesta, 1595 - 1628 print print maker: Northern Netherlandsafter design by: Italy paper etching plundering ~ soldiers

Battle of Arbela (right part). The battle between the armies of Alexander the Great and Darius at Arbella.

Defeat of the Turks at Piombino; Family history of sex the 'Medici (part 2); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. The battle at Piombino in 1555. The invasion of the Ottoman army is averted by Cosimo de 'Medici. The Turks are driven into the sea by the Florentine Army. In the foreground a soldier with arrow and bow. In the bottom margin two lines text in Latin. Numbered 8. The print is part of an album.

Siege of Limerick, 1690, 1691 Siege of Limerick by the army of King William III. Limerick was besieged by William III in both 1690 and 1691, probably the (unsuccessful) siege of 1690 was presented here. Engineers show a map of the Vesting Ana de Koning and commanders, in the background the city. Plate no. 12 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching Limerick Siege of Limerick by the army of King William III. Limerick was besieged by William III in both 1690 and 1691, probably the (unsuccessful) siege of 1690 was presented here. Engineers show a map of the Vesting Ana de Koning and commanders, in the background the city. Plate no. 12 in the 'Engelants Schouwenoneel' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amst

Two soldiers under a tree, Simon Frisius, After Antonio Tempesta, 1595 - 1628 print Under a tree a cavalry player talks to another soldiers. Various military units in a wide landscape around them. print maker: Northern Netherlandsafter design by: Italy paper etching preparation for battle

Imperial camp in Ingolstadt, 1546, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1570 - 1640 print Keizer Karel V inspects his troops in Ingolstadt (1546) and speaks to them courage. In the background, De Graaf van Buren, together with his army, arrives at the tent of Karel V. de print is part of a twelve -part series about the victories of Karel V. paper etching / engraving Ingolstadt

. The Batavians compete against the Romans on the land that Julius Claudius has had Civilis walk under water.

Fight between Hector and Ajax, Bernard Picart (workshop or), After Bernard Picart, 1710 print Hector and Ajax fight on the battlefield. On the right the stone that Ajax wants to throw at Hector. However, two soldiers come between the two. In the margin a caption in French. Amsterdam paper etching / engraving single combat between Hector and Ajax

Twee soldaten onder een boom; cavalerie; Faecvnda than the fierce courage of your beloved are unfamiliar and gratys Florence having sufficient indication PVGN, enthea force heart carved on Wednesday that the client tempestivs.Under tree talks with another player a cavalry soldiers. Around them various military units in a wide landscape.

Death on the Battlefield, 1646-1647. Stefano Della Bella (Italian, 1610-1664). Etching;

William III is hit by lightning during the Battle of the Boyne, 1690, 1690 print Alleged death of King William III affected by lightning as a strong Gods during the Battle of the Boyne on July 11, 1690. On the ground is the already fallen Duke of Schomberg. On the right dancing and drinking French who rejoice in the king's death. In the caption 4 verses of rules in French. France paper etching accidents with lightning. death caused by effects of natural surroundings, especially natural catastrophes Boyne Battlesite

Gideon terrorises the camp of the enemy; Gedeon Flammis et Frageribus Fuget Hostes; Oudtestament fighting scenes. Gideon's army comes in the enemy camp with burning torches. Title and caption in Latin in the undermaster.

A barge full of grain is pulled to the coast, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The Batavians and the Romans both try to pull a stalled barge full of grain to the coast. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands Publisher: Antwerp Zuid-Nederland paper etching / letterpress printing the soldier; the soldier's life. battle. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). extinct, 'historical' peoples (with NAME)

Jacques Callot, The Cavalry Combat with Pistols, c 1632 1634 The Cavalry Combat with Pistols

Battlefield with cavalry and infantry Cavalry battle (series title), Battlefield with cavalry where on the right an infantryman shoots at a rider of a prancing horse who wants to smash him with his gun at the same time. On the left, a rider who has been thrown to the ground with his horse is stabbed by another rider with a sword in his chest. In the background more of such scenes. This print is part of a six-part series about cavalry battles., Battle (cavalry, horsemen), being attacked, defense (infantry), Theodorus van Kessel, 1656, paper, etching, h 250 mm × w 346 mm

Gideon Chooses His Soldiers. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Riders rest at a tent, Romeyn de Hooghe (Rejected Attribution), after Philips Wouwerman, 1655 - 1667 print Riders rest at a tent. On the left a tent with a woman who is about to fill a jug. In the middle a rider who drinks from a jug on his horse. Netherlands paper etching

. A soldier on horseback for a leg tent hands his drinking cup to a woman. Next to it is a smoking soldier on a ton. In the background a army camp with many figures, a fight takes place.

. Hector and Ajax fight on the battlefield. On the right the stone that Ajax wants to throw to Hector. Two soldiers are between the two. A caption in French in the margin.

Battle scenes for the general history of Languedoc n � 14: The Hungarians put on the run by Raymond-Pons, Count of Toulouse in 924 (dummy title)

Ruitergevecht, Georg Conrad Bodenhr, after Georg Philipp Rugendas, 1686 - 1710 print Pieces of armor are on the ground. Bottom right: B. paper etching charge ~ battle (+ cavalry, horsemen). armour

Battle of the Boyne, 1690, 1691 print Battle of the Boyne River on July 11, 1690, with the army of William III and win over the Catholics. Plate no. 5 in the 'England's theater' series about the war between William III and Jacobus II in the 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Marked at the top right: 317. Amsterdam paper etching battle (+ land forces) Boyne Battlesite

Death of the French captain in Oostkapelle, 1793; VICTOIDES ET Conquêtes / Affaire d'Ost Capelle. The death of the French captain in a combat with Prussian troops of the coaltie in Oostkapelle, July 1793.

Woodcut by Leonhard Beck from 1517 showing Theuerdank in a duel with open visor, sword near his face, defending against multiple enemies, illustrating combat, figures, and armor.

Cavalry in Fight, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print In the foreground two horsemen in fight and a horse lying on the ground. Rear right Eveens a rider fight. unknown paper etching / engraving landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Duel between Radirobanes and Poliarchus, Jan Luyken, 1680 print Print at the top right marked: F: 660. Amsterdam paper etching hand-to-hand fighting (~ battle) (+ weapons). duelling. land forces

Battlefield scene with riders, Willem van de Lande, 1635 - 1652 print Battlefield scene with riders who tackle each other with swords, spears and pistols. In the foreground, a rider is shot through his back. The print is part of a six -part series of prints with rider fights. Print at the bottom right numbered: 3. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. battle

Battle of Crusaders, Theodoor Schaepkens, 1825 - 1883 print paper etching / drypoint battle. militant proselytizing: religious war, crusade, etc.

French atrocities in a village, 1672. Presentation of the atrocities operated by the French troops in Dutch villages in the year 1672, copied to the prints of Romeyn de Hooghe from 1673 (FMH 2439). Household goods are burned in the middle of the show. On the right the cattle is killed, residents are forced to draw a car. The print is numbered: 7.

In the foreground David kneels before Saul and his army commanders and shows him his pendulum. On the left soldiers bring him a helmet and armor. On the right Goliath, challenging the Israelites. Possibly a design for a tapestry, David asks Saul permission to fight against Goliath., draughtsman: Frans Francken (I), 1552 - 1616, paper, pen, brush, h 310 mm × w 401 mm

Angers occupied by supporters of Mazarin who walk in an ambush of ten guns of Governor de Rohan, 1652, Caspar Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing surprise attack (from ambush). firearms: cannon (+ during the battle). siege Angers

Soldiers raided travelers; Les Miseres et les Malhors de la Guerre; The horrors of the war (large). On a road through a forest, travelers are attacked by soldiers in a coach, riders and hikers with packaging. Under the show a six-line French fresh. This print is part of a series of 17 (18 incl. Title Print) prints with performances of various types of misery that warfare entails.

Naaukeurige en uitvoerige beschryving van kaap de Goede Hoop, Amsterdam, By B. Lakeman, 1727, south africa, natural history, Cape of Good Hope, Description and Travel, Cape of Good Hope, South Africa, Khoikhoi African people., The scene depicts a dramatic and chaotic battle in which a group of warriors engages in an intense struggle, seemingly in a historical context. Central to the action is a large beast, possibly a sacrificial animal, which is being targeted in the skirmish. The warriors, adorned in traditional attire and armed with various weapons, exemplify a fierce energy as they confront each other amidst a backdrop of rugged terrain, showcasing the intensity of their conflict. Trees and natural elements loom in the background, adding to the sense of a wild and untamed environment where this confrontation unfolds. The overall composition encapsulates the themes of warfare, cultural practices, and the rawness of survival in a historical narrative.

Submission of the Scots by William III, 1690, 1690 print Battle in which the Scots are defeated by English troops under King William III, 1690. Part of a series of victories of King William III in 1690. Northern Netherlands paper etching battle (+ land forces) Scotland

Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; first state of two (Lieure). Prints

Germans come to help civilis at Bonn de Romans to beat, 69-70; The Batavieren and canine fees are the Romainen by Bonna. Germans come to help Civilis beating the Romans at Bonn. Part of a series of six prints about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series from Antonio Tempesta (Otto Vaenius, Antwerp 1612).

Fight between Jefta's army and the ammonites; The history of eytah; History of Jefta; Den Grooten Figuer Bibel (...). Jefta and his armed forces increase the army of the ammonites a tough defeat and take up twenty cities. In the background the battlefield. Under the show a reference in Latin to the Bible text in RI. 11:32. This print is part of an album.

Roman military punishment showing the breaking of the legs of slaves or persons of an inferiour level.

Battle of St. Denis, 1678, 1678 - 1683 print The Battle of St. Denis near Bergen (Mons) in Hainaut on 14 August 1678 between the Prince of Orange and the Duke of Luxembourg. Prince William III next to the Duke of Monmouth on horseback with other members of his General Staff. On the right the battlefield with the Duke of Villahermosa. In the caption De Legenda 1-5 in German. Northern Netherlands paper etching / engraving equestrian state-portrait Bergen (Belgium). Saint-Denis

All riders belonging to the sons of Lara are slaughtered as well as Fernan Gonzalez; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Turks conquered for Leopold II, Romeyn de Hooghe, 1684 print Turks kneel for Leopold II, who has taken the army tent of Kara Musataf. This print is No. 10 in a series of prints for 'Relation Succinte et Veritable de Tout Ce S'est Passé Pendant Le Siege de Vienne etc.' Amsterdam paper etching / engraving victory ~ armed conflict. kneeling before a ruler. defeat ~ armed conflict Vienna

Plate 8: the march to the battlefield 1635-60 Jacques Courtois. Plate 8: the march to the battlefield. Scènes militaires (Military scenes). Jacques Courtois (French, Saint-Hippolyte 1621-1676 Rome). 1635-60. Etching. Prints

Saracens arrive in Ostia. The fleet of the Saracens arrives in the port city of Ostia, where the Saracens are taken by the Christians. On the right, the prisoners for Pope Leo IV are brought.

Ruiter fight against Ottomans, Georg Conrad Bodenehr, after Georg Philipp Ruendas, 1686 - 1710 print On the ground is a wounded man with a sword's hand. Next to him is a shield with a half moon. Bottom right: B. paper etching charge ~ battle (+ cavalry, horsemen). protective weapons: shield. Asiatic races and peoples: Turks

Korach, Data and Abiram and their families are swallowed up by the earth, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Korach, Data and Abiram and their families are revolting in the desert against Moses and Aaron. God punishes them. Data, Abiram and their families and possessions are swallowed by the earth. On the left in the background, God reveals himself to the Jewish people. Korach and his family, who sacrificed incense, are burned by sun rays (Num. 16: 31-35). The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper etching / engraving the ground opens and swallows the rebels Dathan and Abiram along with their families and possessions. Korah and his followers, holding censers, face Moses and Aaron before the door of the Tabernacle (or beside an altar); the rebels are destroyed by fire of the Lord

Battle of Nieuwpoort, 1600. Fighting scene during the Battle of Nieuwpoort, July 2, 1600. In the middle of the battle gel Prince Maurits on horseback, points to the right with his sword.

Raphael, Romano, Giulio, Rome, Cort, Cornelis, Battle of Zama between Scipio and Hannibal, by night, verso - stamped, Battle between Rome and Carthage, led by Scipio and Hannibal. The Carthaginian army rides on elephants, the Romans are on foot and on horseback but are ultimately able to defeat Carthage. Due to a misunderstanding, this print shows the battle at night, but the battle actually took place during the day., print, prints, height 435 mm, width 580 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1567 - 1567, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1499 - 1546-01-11, after a design by, 1483-04-07 - 1520-04-07

Second appearance of the cross on Constantijn, Antonio Tempesta, 1565 - 1630 print Landscape with Constantine and soldiers. Constantijn sees a cross appear in the sky for the second time. Fielding armies in the background. Italy paper etching vision. the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen). battle. emperor

Two performances of the French atrocities, 1672, Anonymous, After Romeyn de Hooghe, 1673 - 1674 print Two performances of the atrocities worked out by the French troops in Dutch villages in the year 1672, copied to the prints of Romeyn de Hooghe from 1673 (FM 2439/1 and 8). In the upper representation, French soldiers drag a man, wife and child behind an ox over the ground. Below people are tortured and killed in different ways. Northern Netherlands paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death. massacre ~ war Bodegraven. Zwammerdam

Rembarquement des Troupes (Embarkation of Troops), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Rembarquement des Troupes (Embarkation of Troops), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; first state of two (Lieure). Prints

Riders with swords and a rider with gun; Equestrian battles. .

Sword fight between two riders, Jan van Huchtenburg (Copy After), After Adam Frans van der Meulen, 1674 - 1733 print A soldier on a prancing horse attacks a soldier with his sword, whose horse has fallen through the hooves. The hat of the last soldier has lost weight and is located in the front left on the floor. Fighting cavalry in the background. unknown paper engraving / etching war and peace (+ cavalry, horsemen)

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Julius Civilis forced to dismount and swim across the river, Julius Civilis is forced to dismount from his horse and swim across the river during the battle against the Romans. Civilis' army is also forced to retreat. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Civilis uses movable wooden bridges to attack a fort, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print Julius Civilis and the Batavian army use movable wooden bridges to attack a fort. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands Publisher: Antwerp Zuid-Nederland paper etching / letterpress printing the soldier; the soldier's life. battle. (story of) Julius Claudius Civilis. extinct, 'historical' peoples (with NAME)

Attack on a Fort from theSea. Artist: Jacques Bertaux, French, 1793-1802

Cavalry in Fight, Jan van Huchtenburg (Copy After), After Adam Frans van der Meulen, 1674 - 1733 print In the foreground two horsemen in fight and a horse lying on the ground. Rear right Eveens a rider fight. unknown paper etching / engraving landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Cavalry cross with pistols; Two cavalcation battles. In an equestrian fight the riders fight each other with guns. Pendant of 'cavalry fight with swords'. Both prints are related to the 'Military Exercitions' print series (in second condition they carry Nos. 13 and 14 so that they join said series).

. Battle between Rome and Carthago, led by Scipio and Hannibal. The Carthagne army drives elephants, the Romans are on foot and on horseback but can eventually beat Carthage. Due to a misunderstanding, this print shows the battle at night, however, the battle took place during the day.

Intake and looting of Neuss, 1586; Prise De Nuys. Ingestion and looting of Neuss by the Army of Parma, 26 July 1586. In the foreground skirmishes and the segment troops. The city is taken and placed on fire. Middle under a cartouche with the title and the legend A-P in French.

Wounded near a battle in a tent camp, (military) camp with tents (during the battle), battle (land forces), carrying the sick, wounded and dead off the battle-field, Jan Luyken, Amsterdam, 1693, paper, etching, h 146 mm × w 94 mm

. Battle at Sasbach (or Salzbach of Rosentach) between the Imperial Army and the French Army, July 27, 1675. At the Battle, Maarschalk comes to life. Turnt on his horse is hit by a bullet.

Battle of Saint-Quentin between the French and Spanish forces. The French are overwhelmed by the Spanish cavalry, Battle of Saint-Quentin, 1559, print maker: Jan Luyken, Amsterdam, 1699, paper, etching, h 134 mm × w 84 mm

Battle between Alexander the Great and Darius III, Robertus de Mol, after Pietro da Cortona, 1674 - 1682 print Alexander the Great, left on horseback, pulls up with his army against King Darius III of Persia. He looks shocked from his chariot. Probably the imagination of the Battle of Issus. Rome paper etching / engraving Alexander fighting against Darius at Issus

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Clades Senachrib, The angel of death overcomes the army of Sennacherib, verso - stamped, An angel with a sword hovers above the army camp of Sennacherib. Several soldiers lie dead on the ground. Other soldiers try to flee. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

The Departure of the Troops. Jacques Callot; French, 1592-1635. Date: 1616-1620. Dimensions: 216 × 199 mm (sheet; trimmed within plate). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Intake of tunis, 1535; Victories of Charles V; Divi Caroli. V. Imp. opt. Max victoriae, ex multis praecipuae. Conquest from Tunis (1535). The imperial troops enter the city. Right Charles V on horseback. The print has a Latin, Spanish and French caption and is part of a twellable series about the victories of Karel V.

Maurits wins the victory at the Battle of Nieuwpoort, 1600; The glorious victory, obtained from Nieuwpoort in Flanders by the troops of their high, the Heeren States General of the United Netherlands, under the supreme command of (...) Maurits (...) on the Spanish army areas under the command of the Archduke Albrecht van Austria, as well as the imprisonment of Francis de Mendoza, Admirant van Arragon, at the 20th of Julij des Years 1600. The Battle of Nieuwpoort, July 2, 1600. In the foreground left Prince Maurits on horseback, surrounded by soldiers and officers, the captured Franciscus Mendoza is led to the prince. In the background the battle rages.

Stadholder Frederick Henry on horseback, accompanied by three officers and infantry, watching the Spaniards march past. Maastricht in the background. First print from a frieze of six numbered prints depicting the Spanish garrison leaving Maastricht in 1632, Exit of the Spanish army from Maastricht, 1632 (plate 1) Frederick Henry, Prince of Orange, on horseback as the Spaniards leave Maastricht, 1632 The Spanish garrison leaves Maastricht, 1632 (series title) Discessus Hispanici Praesidii Trajecti ad Mosam Ao. 1632. Die 23 Augusti (series title on object), print maker: Jan van de Velde (II), (mentioned on object), Jan Martszen de Jonge, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1632, paper, etching, h 215 mm × w 240 mm

Exodus of the Spanish army from Maastricht, 1632 (plate 5); The Spanish garrison leaves Maastricht, 1632; Discess Hispanici Praesidii Trajecti Ad Mosam Ao. 1632. Those 23 Augusti. Exodus of the Spanish army from Maastricht, August 23, 1632. Fifth print from a frieze of six numbered prints. Cavallium of the Spanish garrison leaving Maastricht.

Germans come to help civilis to beat Bonn de Romans, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Germans come to help civilis to beat Bonn the Romans. Print number 9 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini 1589 After Jan van der Straet, called Stradanus. The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini. After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). 1589. Engraving. Prints

Troops (battle) unknown

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