Historical Biblical Prints

Engravings illustrating key Biblical narratives, featuring characters in dramatic poses, rich symbolism, and detailed environments from ancient times.

Title print with musicians and sitting figures, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Left part of the title print. Print is part of an album. Fontainebleau paper etching Left part of the title print. Print is part of an album. Fontainebleau paper etching

Judit with the head of Holofernes; History of Judit and Holofernes; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Judit with the sword in one hand and the head of Holofernes in the other hand. Her maid keeps a bag open to the head. Behind her the beheaded holofernes in his tent. On the right in the background the army camp of the Assyrians. Under the show a reference in Latin to the Bible text in Judit 13: 9. This print is part of an album.

Jojada omit Joos; History of Joas and Queen Atalja; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The high priest Jojada pours ointment oil over the head of Joas and calls him to King. Conflictors blowing on trumpets and play the harp. Between the soldiers right, Queen Ataliah looks while she tears her clothes. On the right in the background Koningin Atalja is killed. At the bottom of the margin a verse in Latin about the show. Print is part of an album.

Title print with musicians and sitting figures, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Left part of the title print. Print is part of an album. Fontainebleau paper etching Left part of the title print. Print is part of an album. Fontainebleau paper etching

The Servant Sending his Fellow Servant to Prison, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti 1585 Anonymous, Netherlandish, 16th century Netherlandish. The Servant Sending his Fellow Servant to Prison, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti 690142

Personification of the province of Marca Truvigiana, Robert van Audenaerd, 1673 - 1743 print A woman with three faces with a wall crown on her head and decoration of wine vines on her clothing. She is sitting on the back of a winged lion (the lion of Sint Marcus) and has an oak tree with her right hand. A ship's hull hangs on the oak tree on the right. In her left hand the woman has a book and an olive branch. The print is part of an album. paper engraving lion (possibly with book) ~ symbol of St. Mark. personifications of countries, nations, states, districts, etc.. Janus' head, two-faced head Venice

Copper engraving by Antonie Wierix II, circa 1585, depicting God appearing to Jeremias and the meeting of Jeremias with Zedekia.

Copper engraving by Pierre Perret depicting scenes from Ariosto's Orlando Furioso, created between 1590 and 1625, illustrating literary characters, narrative episodes, and 16th-17th century artistic style.

The lost son wastes his legacy; Of lost Schaep, Penninck, and lost sone; Parable of the lost son; Den Grooten Figuer Bibel (...). The lost son wastes his legacy in a brothel. In a garden he is embraced by a prostitute. Another woman gives his glass full. On the left a dancing woman with tamboures and on the right an orchestra. A jester is behind the lost son. Under the show a reference in Latin to the Bible text in Luc. 15:13. This print is part of an album.

Batseba serves Adonia's request to Salomo; Van Den Coninck Salomon; History of Solomon; Den Grooten Figuer Bibel (...). Batseba is at the right hand of her son, King Solomon, and brings the demand by Solomon's brother Adonia to him. She asks ADONIA to the hand of Abisag. Solomon becomes furious and orders Adonia to kill. Adonia is pierced with a lance in the background. Under the show a reference in Latin to the Bible text in 1. 2:19. This print is part of an album.

Detail ceiling painting, 1656 print A detail of the ceiling painting 'The meeting of the gods' by Giovanni Lanfranco in Villa Borghese, with ornament and naked figures. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching / engraving the (nude) human figure; 'Corpo humano' (Ripa). ornaments ~ art

88. Daniel's prophecy; 89. Daniel will dreamed to the king; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Copper engraving by Jacob Matham from 1593-1594 depicting the review of Naim's youth, showing human figures, clothing, and late 16th-century European composition.

Joseph and Potifar's wife; You shall not cater your neighbor's wife; The ten Commandments; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jozef flight for the woman of Potifar, which lies naked on her bed. She grabs his rug. Print is part of a series of ten commandments and shows an illustration of the ninth commandment: You will not begin your neighbor's wife. At the bottom of the margin a reference to the Bible text in Latin. Print is part of an album.

Copper engraving by Cornelis Cort from 1577 depicting the Wedding at Cana, showing figures, interior space, wine jars, and narrative details of the Biblical event.

Copper engraving print by the Wierix family from 1579 illustrating various allegories. The print features symbolic figures representing moral, intellectual, or social concepts in 16th-century Europe.

Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print

Henrietta Maria and Minerva; Histoire de l'Entrance de la Reine Mere du Roy Tres Chrestien, Dans La Grande Brittany. Portrait of Henrietta Maria, wife of King Charles I of England, sitting on a throne under a canopy. For her state minerva with shield and spear. In the undermaster four fresh rules in two columns, in French. The print is part of a book about the receipt of the French king mother Maria de "Medici to England.

Relief with sea beyes and sea uts; Roman sculpted reliefs; Icone et segment (...). Text in Latin in undermarge. Print is part of an album.

Veturia at the feet of Coriolanus, 1653 - 1654 print Gaius Marcius Coriolanus stands with a huge force for the walls of Rome. His mother Veturia, his wife Virgilia (volume) and his children beg him not to attack Rome on their knees. Coriolanus is convinced by their supplications. With a caption in three columns in Latin. The print is part of an album. paper engraving Coriolanus (C. or Cn. Marcius) is met by his wife Volumnia (alternatively called Vergilia) with their two small sons, and his mother Veturia (alternatively called Volumnia); they entreat him not to fight any more

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Print made by Oliverio Gatti, 1568-1651, Italian, after Giovanni Guercino, 1591-1666, Italian, Published by Giovanni Giacomo de Rossi, 1627-1691, Italian, undated, Line engraving on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm) and Binding: 9 inches (22.9 cm)

Batseba receives the letter from David; History of David and Batseba; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Batseba, accompanied by servants, is on the edge of a water basin at a fountain. A servant presents her a letter from King David. David is on the balcony of the palace on the left in the background. Under the show a reference in Latin to the Bible text in 2 SAM. 11: 4. This print is part of an album.

Copper engraving by Jan Wierix depicting the Triumph of Truth, created in 1579, illustrating allegorical figures, symbolic elements, and 16th-century moral narrative.

Giovanni de 'Medici goes to the conclave, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Giovanni de 'Medici and his entourage go on horseback to Rome to participate in the conclave. On the left a Roman soldier. Title in the end margin. Numbered in the middle: 13. Print is part of an album. paper etching / engraving arrival and return ~ travelling. cardinal

Title print with musician and resting figures, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Judge part of the title print. Classic figures sitting on a mountain. Dancing in a circle in the background Venus, Amor and the three graces. Print is part of an album. Fontainebleau paper etching Judge part of the title print. Classic figures sitting on a mountain. Dancing in a circle in the background Venus, Amor and the three graces. Print is part of an album. Fontainebleau paper etching

Print (France)

Copper engraving by Nicolaes de Bruyn depicting a festive scene in a house of celebration, created between 1591 and 1656.

Morpheus Verschijnt als Ceyx Aan Alcyone, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Morpheus, in the guise of Ceyx, informs Alcyone in a dream of Ceyx' fate

Heilige Jerome met de Engel, Francesco Desire, 1642 print The saint Hieronymus sitting in the wilderness with a pen in hand and his books around him. He looks at an angel who blows on a trumpet. Italy paper etching St. Jerome as hermit in a landscape, reading. angels

Copper engraving published by Gerard de Jode (1535-1591) depicting the story of Joseph, including human figures, clothing, gestures, interiors, and 16th-century European religious context.

The Hellespontine Sibyl 16th century Engraved by Master with the Name of Jesus Italian In Mariette Album, folio 62, top center. The Hellespontine Sibyl 623329

Blanco medallion with the personnifications of science, reform and goodness; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with blank front and back. The base is surrounded by three female personifications. On the left is science with two wings on the head, a mirror and a globe on which a triangle is located. In the middle reform: an old woman with a scourge in her left hand. She writes in an open book with her right hand. In addition to a young tree, goodness with a wreath is on the head and in her arms a nest with a pelican and her boy. The print is part of an album.

The arrangement goddesses weave the life wire of Mudarra, which is ruled by Almanzor; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Adam and Eva outside of paradise; Creation and fall; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Adam and Eve and their children Cain and Abel in the wilderness outside paradise. Adam tranquility of the work that he must perform daily. Eva beats Abel. Cain gives a sheep eating. Right Adam and Eva cooking for their home. Adam edits the country in the background. At the bottom of a reference to the Bible text in Latin. This print is part of an album.

Murder of the Protestants in Sens, 1562; Series 3: French religious wars, 1559-1573. Murder of the Protestants in Sens, April 1562. Soldiers murders, plunder and destroy the city. Bodies in the water in the foreground. With caption of 8 rules in German. Left below numbered: 27. The print is part of an album.

Engraved title page for the second part of the print work: Nicolas de Fer, Les Forces de l'Europe, 1696, 1693 Engraved title page with an allegorical representation of the victories of the French army in Europe with central France sitting on a throne. Part of the second part (1693) of the print work in which the eight parts of Les Forces de l'Europe are published between 1693-1697. The printed work consists of 175 plates with plans (from Sébastien Le Prestre, Seigneur de Vauban) of renowned strong cities and fortresses in the Nine Years War. Title in French. Paris paper etching

Etching and copper engraving by Claudine Bouzonnet-Stella in 1667 presenting pastoral scenes with rustic figures and landscapes.

Psyche as goddess worshiped by the people, Antonio da Trento, Niccolò Vicentino, After Francesco Salviati, 1520 - 1602 print On a Stadsplein the people make sacrifices to the King's Daughter Psyche. Italy paper Psyche, worshipped as a goddess, incurs Venus' anger. square, place, circus, etc.

Gravestone; The little passion; Passio Christi AB Alberto Durer Nurenbergensi Effigiata. The body of Christ is laid in a grave. Print is part of an album.

Murder of Hendrik III, 1589; Series 4: French, German and English events, 1576-1610. Murder of King Henry III by the Monk Jacques Clément in four consecutive scenes separated by columns: Clément takes Eucharist and confession; king murder; Coronation from Hendrik from Navarre, body of Clément is considered. With caption of 12 lines in German and 7 rules in French. Unnumbered. Leaf from an album that has been dismantled. At the top right numbered (in pen): 36.

Lycaon changes to a wolf; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Jupiter sits at the table, the eagle at his feet. Lycaon flight Iin death of him away, his head has already changed in a wolves head. With this metamorphosis from man to Wolf, Jupiter Lycaon for serving human meat. Lycaons house also goes up in flames - another punishment for the meat meal. On the right a man is stabbed under a gate. Under the show twice two fresh rules in Latin. The print is part of an album.

Music competition between Apollo and Pan, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Midas given ass's ears: Apollo gives Midas ass's ears as punishment for preferring Pan in the musical contest between Apollo and Pan (Ovid, Metamorphoses XI 174). contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears

Parable of the rich fool, 1585 print A rich man has even larger barns built for his riches and his grain. He is sitting at the table among his money. There is a Stokbeurs in the open chest. Under the show a reference in Latin to the Bible text in Luc. 12:16 And to the continuation of the story: The rich man will die at night. This print is part of an album. paper engraving the rich fool, whose death comes when he has saved all his money to build new barns (Luke 12:16-21). purse, money-bag

Print, Decorations by Lebrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-69

Izebel promises to obtain King Ahab Nabots Wijngaard, 1579 print King Ahab is disappointed in bed because Nabot refuses to sell his vineyard. His wife Jezebel stands next to the bed and promises him that she will ensure that he gets Nabots vineyard. Behind Izebel is a group of servants and in the doorway palace guards. On the left in the background a representation of what preceded: King Ahab asks Nabot to give up his vineyard. Under the show a verse in Latin. Print is part of an album. paper engraving Ahab becomes depressed, lies down on his bed, faces the wall and refuses to eat ~ Naboth's vineyard. Naboth refuses to sell his vineyard to Ahab

3. Victim made to God; 4. God punishes people with a flood; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Judit with the head of Holofernes; The history of Iudith; History of Judit and Holofernes; Den Grooten Figuer Bibel (...). Judit with the sword in one hand and the head of Holofernes in the other hand. Her maid keeps a bag open to the head. Behind her the beheaded holofernes in his tent. On the right in the background the army camp of the Assyrians. Under the show a reference in Latin to the Bible text in Judit 13: 9. This print is part of an album.

Pests of grasshoppers and hail; History of Moses for the Exodus; Historia Plagarum in Aegijketo (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. In the foreground the eighth plague that God left over Egypt: a grasshopper. The pharaoh recommends one of his soldiers to kill the grasshoppers. On the left a servant fills a jug with water. In the background left the seventh plague of Egypt: Hailstones. On the background left and right Aaron and Moses that calls the teasing. Under the show a reference in Latin to the Bible text in ex. 9 and 10. Prent is part of an album.

Peter Marks with his fifth wife, Daniel Nikolaus Chodowiecki, 1779 print In their colorful bridal clothing, Peter Marks and his fifth wife, a rich merchant's daughter, fall out of the tone with the black -dressed municipality that gathered because of a penalty day. When leaving the church, the women pour themselves on the merchant's daughter and jerk her off the body, after which she dies. Numbered at the top right: V. paper. pencil etching the congregation. bride and groom in wedding-dress

Commissioning; The little passion; Passio Christi AB Alberto Durer Nurenbergensi Effigiata. Died Christ is grown by his mother, Mary Magdalene and John the Evangelist. Print is part of an album.

Fleeing people arrive at Hanau, Daniel Nikolaus Chodowiecki, 1796 print Different figures are etched in the margin in a sketchy way. Berlin paper etching History. political refugee, 'émigré'. city-gate. riding a horse, ass, or mule; rider, horseman Hanau

David Spied Bathsheba, Pietro Aquila, After Rafael, 1675 print The naked Batseba is bathed. King David spied her from his palace. A crowd of soldiers runs on the street. Bible verse under the show. Print is part of an album. paper etching David, from the roof (or balcony) of his palace, sees Bathsheba bathing

Dr. Lyster points Mr. Delvile on the fact that his son hit well with a woman like Cecilia, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching Literature. interior of the house. conversation, dialogue; conversation piece

The South Sea Company with the greed on a chain, 1720, 1720 Theater on which the personifications of the South Sea Compagnie and Liche believers are on a throne and keep the greed on a chain. Goldness eats your coins and hand out paper shares. In the foreground and on the sides wind traders, in the clouds, Fortuna scatters with papers. With caption in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Theater on which the personifications of the South Sea Compagnie and Liche believers are on a throne and keep the greed on a chain. Goldness eats your coins and hand out paper shares. In the foreground and on the sides wind traders, in the clouds, Fortuna scatters with papers. With caption in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherla

Learned this o young youth / but you don't want to forgaap / all what people spread to the Waereldens Schouwburg / is the regite game of the apes. Leaf with 4 scenes with monkeys worn as people. Under every image a verse. Numbered at the top right: 83.

Print (France)

Amnon raped Tamar; From Ammon and Thamer; History of Tamar and Amnon; Den Grooten Figuer Bibel (...). Amnon pretends that he is sick in bed and let his half-sister tamar eat. He pulls her on bed to rap her. Tamar protests and tries to prevent him. The table with food is about. Under the show a reference in Latin to the Bible text. Print is part of an album.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Design for Wall Niche with a Fountain, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

An etching by Justus van den Nypoort from 1640-1692 depicting a dentist's room and a farmers' room, showing interior details and figures.

Monument voor Tomasso Aniello; Wonderlijcke op ende onder gangh; Titelpagina voor: Alexander Giraffi, Wonderlijcken Op, ende Ondergang, van Tomaso Aniello, Met de beroerten tot Neapolis, 1652.A monument for Tomasso Aniello, the fisherman who had the leadership of the Neapolitan uprising in 1647. On the top the fisherman flanked by two putti with garland. Left and right on the monument is a figure. At the bottom a view of the city of Naples.

Residents of New Amsterdam, 1726; Nieu Amsterdam at New York; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Man and woman of new Amsterdam or New York, dressed in local costume, in the background the settlement. Plate No 498 in Part XX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Wolven skin flanked by fame and father Time, 1680 Title print with the name of the series on a wolf skin, nailed on a stone wall or ruin and flanked by two Hermen or Atlants. On the left in front of a gate is Fama with two trumpets and a globe; On the right the winged father time with scythe and hourglass. On the ground are a map, books, part of a column and a capital. The print is part of an album. publisher: RomePraag paper engraving Title print with the name of the series on a wolf skin, nailed on a stone wall or ruin and flanked by two Hermen or Atlants. On the left in front of a gate is Fama with two trumpets and a globe; On the right the winged father time with scythe and hourglass. On the ground are a map, books, part of a column and a capital. The print is part of an album. publisher: RomePraag paper engraving

The Dance of the World mid-16th century attributed to Pieter Balten Netherlandish. The Dance of the World 337234

Sibille from cumae; Cumea; Paintings in the Sixtin Chapel. Cumae Sibille, sitting with a opened book. In addition to the Sibille two small figures, one with a book under the arm. One of the sibilles of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 24. The print is part of an album.

Title print with explorers and their tools, Jan Luyken, 1659 - 1712 print paper etching

Copper engraving and etching by Crispin van de Passe from 1590-1637 depicting the four temperaments. The print shows symbolic personifications representing sanguine, choleric, melancholic, and phlegmatic traits.

Solomos Judiciary, 1653 - 1654 print King Solomon sits on his throne at his palace. He judges a judgment about a dispute between two prostitutes who both had a child. One of the children had died and lies on the ground for the king. The child who is still alive and that is being claimed by both mothers is held by a man with a sword. This man is instructed by Solomon to share the child in two. This goes one of the women too far. She begs him to let her child live on her knees and Solomon points her out as the real mother (1. Kon. 3:18). Many people watch in the foreground. In the background on the left a square with a fountain. The print is part of an album. paper etching Old Testament. the judgement of Solomon (1 Kings 3:16-28). Solomon gives verdict; he commands a soldier to divide the living child in two. the true mother objects to Solomon's verdict. Solomon indicates the true mother

Blazoen van de Olijftak (Antwerp), 1561, 1561 - 1562 Blazoen van de Olijftak, Rederijkerskamer in Antwerp. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Blazoen van de Olijftak, Rederijkerskamer in Antwerp. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Man and his profession , The mechanic, optician, astronomer, etc, Carl Josef Geiger -, Drawer, Matthias Rudolph Toma -, printer, publisher

Cartouche with a text from the Bible book Preacher, 1555 print Cartouche with a text from Pr. 12:13 in Latin. Ornament with three masks at the top and in the middle of a mask. This print is part of an album. paper engraving / etching ornament ~ cartouche. mask, mascaron ~ ornament

Residents of Morocco, 1726; Marocco; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Man and woman of Morocco dressed in local costume, in the background a city. Plate No. 489 in Part XX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Dood van iPhis, Virgil, 1569 print Anaxarete discovers the dead body of iPhis, which hung itself in front of her door. On the right the body of iPhis is carried away. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. death of Iphis, a youth of Salamis: desperate for the love of Anaxarete he hangs himself at her door. Anaxarete changed into a stone: while looking from her window at Iphis' funeral, Anaxarete is changed into a stone (Ovid, Metamorphoses XIV 753)

Print (France)

Return from Sophie, Daniel Nikolaus Chodowiecki, 1776 print After being abducted for some time, Sophie is back. She hugs her father on the floor of the cell. Mr. Burchell. Numbered at the top right: 10. paper etching (GOLDSMITH, The Vicar of Wakefield) specific works of literature (with AUTHOR, title). prison, jail. father and daughter(s) (family group)

Saul and David welcomed by the women of Israel and Saul tries to kill the harp playing David, Jacob Folkema, 1791 print Two Biblical performances from 1 Sam. 18 and 19. Saul and David welcomed by the women of Israel, and Saul tries to kill the harp playing David. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 51. publisher: Amsterdampublisher: Dordrecht paper etching David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath. Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11)

Copper engraving by Antonie Wierix II, 1572-1591, depicting the Holy Family with Saint Elisabeth and John the Baptist, showing figures in a domestic, religious scene.

Copper engraving and etching by Crispin de Passe II depicting scenes from the Reitschule, showing figures, horses, attire, and riding exercises. Created between 1623 and 1629.

Women and young people in Ukrainian folk costumes from 1830; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Ukrainians, 19th century, peasants, gift (provenance), folk costumes, clothing, women's clothes, men's clothes, foreign clothing

Etching by Willem Willemsz Tibout showing the biblical story of Hagar and Ishmael, produced in 1563.

Coriolan, Virgilia and Volumnia honor the gods, Daniel Nikolaus Chodowiecki, 1786 print Up to the top left: 12. Berlin paper etching Literature. (story of) Coriolanus. banner, standard (as symbol of the state, etc.)

Print (France)

Odysseus arrive on the island of Circe, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus and his men arrive on the island of Circe. Her palace in the background. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus and his men arrive on the island of Circe. Her palace in the background. The print is part of an album. Paris paper etching / engraving / letterpress printing

Polymestor vermoordt Polydor, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Polymnestor kills Polydorus and throws him into the water. Hecuba is dragged away from the tomb of her sons

Theater with the Smidse van Vulcanus, 1594. Scene with the smithe of Vulcanusin de Etna. Left Pallas and on the right Venus with Cupid. Stellage perhaps provided by the Brussels Rederijkerskamer De Cenbloem. Festive arrival of Aartshertog Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this entry Descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant. Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594.

Title print with war trophies and coat of arms, Anonymous, François -Thomas Mondon, 1736 - 1762 print Print is loose in the album, for the page with object number RP-P-2002-237 of which this print is a mirrored copy. paper etching / engraving rocaille ornament. trophy ~ battle, war

Lot and his daughters, 1579 print Lot is in a cave next to one of his daughters. His other daughter gives his cup full of wine. In the background the fire of the cities of Sodom and Gomorra and the wife of Lot as a salt pillar. Under the performance a reference in Latin to the Bible text in Gen. 19. Print is part of an album. paper engraving Lot's daughters make their father drunk

Phineus and his followers changed to stone, Virgilius Solis, 1569 print Perseus shows Phineus and his followers the severed head of Medusa, causing them to turn into stone. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Phineus and his attendants are turned into stone

Winter, 1581 - 1599 print The winter season. Ice squeeze on the frozen water around a castle. In the foreground a horse -drawn sleigh with an elegant lady. Also skating, throwing snowballs and collecting firewood. Caption of 4 lines in Latin. Numbered: 4. print maker: Low Countriespublisher: Amsterdam paper engraving winter ~ human activities (the four seasons of the year). winter sports. sledge, sleigh (winter sports). skates (winter sports)

The flood; Paintings in the Loggia of Rafael; Imagins Veteris AC Novi Testamenti; Rafael Bible. The flood flooded the country. People and animals are swallowed through the water. People try to escape the upward water. Bible verse under the show. Print is part of an album.

Photo production of an engraving of Christ shown to the people (Ecce Homo) by Nicolaes Lauwers, after the painting by Peter Paul Rubens, Jean Louis Bargignac, after Nicolaes Lauwers, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Landscape with the flight to Egypt. Octagonal landscape with a wooden bridge. Links Jozef and Maria with Christ on the way to Egypt. The print is part of an album.

Problem XXIIII: A Machine for a Moveable Galatea in a Grotto, in: Les Raisons des Forces Mouvantes, plate 32 1615 Designed by Salomon de Caus Salomon de Caus (1576-1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was wi

Have newlywed Dwarf Gar, 1720, 1718 - 1720 The young newlywed pair of dwarf. In the caption verses (with sexual allusions) in German, French and Dutch. Print without a decorative frame. Nummered right in the middle: 2. Part of part IV (a series of six records of dancing couples at a wedding party) in the second Dutch bound edition from 1720 (and partly related to the wind trade in that year) of a series of caricatures with dwarfs, known Like the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The young newlywed pair of dwarf. In the caption verses (with sexual allusions) in German, French and Dutch. Print without a decorative frame. Nummered right in the middle: 2. Part of part IV (a series of six records of dancing couples at a wedding party) in the second Dutch bound edition from 1720 (and partly related to the wind trade in that year) of a series of caricatures with dwarfs, known Like the dwarf tone. print maker: Northern Netherlandspublisher: Amsterd

Four representations from classical history; Illustrations from classical history. Four representations from the classic history of one plate, numbered from LXXIII to LXXVI and all has a caption. Top left: Claudius Pulcher throws chickens in the sea. Bottom left: Scipio shows the accounts. At the top right: generous act of Crassus. Bottom right: murder of the praetor assellio. LXXIII and LXXIV forms at the top right: against over Bladz. 137. Performances LXXV and LXXVI at the top right labeled: against over Bladz. 236.

Flute players and standard carrier on horseback; Triumph of Emperor Maximiliaan I. Three flute players on horseback walking in a row, they are part of the triumphal of emperor Maximiliaan I. They follow a standard carrier on horseback that wears a long stick with an empty cartouche, intended for text. The man wears a sleeve with his flute over his shoulder. An empty text band is shown above its head.

Sibille Van Cumae, c. 1585 The Sibille van Cumae, sitting with an open book. Next to the Sibille two small figures, one with a book under the arm. One of the Sibilles of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 24. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The Sibille van Cumae, sitting with an open book. Next to the Sibille two small figures, one with a book under the arm. One of the Sibilles of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 24. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Daniël in the Leeuwenkuil, Jan Luyken, 1712 print Amsterdam paper etching Daniel's punishment and liberation: Daniel in the lion's den ~ King Darius

Jager with two dogs sleeps with a caught hare, Louis Spirinx, after Abraham Bloemaert, 1606 - 1669 This print is part of an album. paper etching This print is part of an album. paper etching

Christ for Pilate: Grote Plaat, Georges Maleste, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Four episodes from national history; Illustrations from the national history. Needs of Leaves with Four Performances from National History. From Left to Right: Rombout Hogebets and Hugo de Groot Transferred to Slot Loevestein; Stadholder Frederik Hendrik Welcomes Maria de "Medici in Holland; Death of Frederik Hendrik, Prince of Orange; Officeeable Existence.

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