Historical Biblical Scenes

Artistic representations of pivotal moments in biblical history, capturing the interplay of figures and settings in deeply expressive and detailed engravings.

Paulus heals a paralyzed man in Lystra, 1643 print The Apostles Paul and Barnabas arrive in Lystra. There they heal a paralyzed man. The collected crowd watches with admiration. Then (left in the background) the priest of the temple of Jupiter and his followers want to sacrifice bull as a gift to Paulus and Barnabas, because they were assuming that they were Mercury and Jupiter in human form. Barnabas and Paulus react frightened and know how to prevent this. On the right in the background the sequel when the tide turns in the city: Paul is stoned, but he survives. Under the show a reference in Latin to the Bible text in hand. 14: 8. This print is part of an album. Amsterdam paper engraving Paul and Barnabas heal the feet of a man; the people of Lystra think they are Mercury and Jupiter. Paul is stoned and dragged out of the city

Paulus heals a paralyzed man in Lystra, 1643 print The Apostles Paul and Barnabas arrive in Lystra. There they heal a paralyzed man. The collected crowd watches with admiration. Then (left in the background) the priest of the temple of Jupiter and his followers want to sacrifice bull as a gift to Paulus and Barnabas, because they were assuming that they were Mercury and Jupiter in human form. Barnabas and Paulus react frightened and know how to prevent this. On the right in the background the sequel when the tide turns in the city: Paul is stoned, but he survives. Under the show a reference in Latin to the Bible text in hand. 14: 8. This print is part of an album. Amsterdam paper engraving Paul and Barnabas heal the feet of a man; the people of Lystra think they are Mercury and Jupiter. Paul is stoned and dragged out of the city

Presentation of Christ in the temple; Events in and around the temple; Memorabilium, Novi Testamenti, in Temple Storum Icone Trodecim Elegantissimi AC Ornatissimi; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. In the temple there is a group of people around the altar. The high priest Simeon keeps the Christ child in his arms. Maria presents the bird cage with two young pigeons. In the background you can see how Maria walks to Simeon with the child in her arms. Under the show a reference in Latin to the Bible text in Luc. 2. This print is part of an album.

Jews in the temple throw stones to Christ, Anonymous, After Johann Sadeler (I), After Maerten de Vos, 1646 print Christ leaves the temple of Jerusalem because the Jews want to stonen him. In the foreground, stones are picked up by a few men. Under the show a reference in Latin to the Bible text in John. 8:59. This print is part of an album. paper engraving attempts to stone Christ (John 8:59, 10:31-33)

A copper engraving from 1630-1687 depicting Mary with the child and a saint, by an unknown engraver.

Christ and the adulterous woman; Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. Christ and the adulterous woman. Part of the print series about the life of Christ: Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. In PrentalBum with two series of 34 and 25 engravings respectively with scenes from the life and breast story of Christ.

Boaz buys the land of Ruth and Naomi, 1643 print Boaz receives the sandal of a man at the Stadspoort who, just like Boaz, has the right to buy the land of Ruth and Naomi. The man shows that he does not apply his right. A group of city elders witnesses the purchase and of boaz 'promise to marry Ruth. Under the show a reference in Latin to the Bible text in Ruth 4: 4. This print is part of an album. Amsterdam paper engraving Boaz redeems Elimelech's inheritance (Ruth 4:1-12). Elimelech's kinsman cannot redeem it; he takes off his shoe

Ecce Homo, Philips Galle (workshop or), After Gerard van Groeningen, 1573 print Part of an album with a title print and a series of 50 prints concerning the life and passion of Christ. paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Koning Josia Viertert Passover, 1579 print King Josia celebrates Passover according to the rules described in the Code in honor of God. Josiah is sitting at the table with a group of men at the right and eats from the Passover meal. Under the show a reference in Latin to the Bible text in 2 Kon. 23:21. Print is part of an album. paper engraving Josiah celebrates the Passover. the animals are killed and roasted over fire; other offerings are boiled in pots and cauldrons ~ Josiah celebrating the Passover

Crispin van de Passe created a copper engraving in 1608 showing the works of mercy, depicting figures, gestures, and devotional symbolism in composition.

Copper engraving by Jacques de Bie depicting scenes from the life of Christ, created between 1593 and 1598. The work illustrates key events, figures, and religious narratives with detailed engraving techniques.

Maria and the apostles mourn from Christ, Anonymous, After Jan van der Straet, 1646 print Central to a living room De Apostelen, Maria and some women. They mourn the Ascension of Christ and pray. Under the show a reference in Latin to the Bible text in hand. 1:14. This print is part of an album. paper engraving disciples awaiting the return of Christ

King Josia tears his clothes when hearing the law; Van Den Coninck Josias; History of King Josia; Den Grooten Figuer Bibel (...). King Josia is surrounded by members of the court on his throne. For him, the court writer knives Safan who reads him from a big book that is held by two boys. When hearing the words from the law, the king tears his cloak. Under the show a reference in Latin to the Bible text in 2. 22:10. This print is part of an album.

Moses and Aaron at Pharaoh, 1643 print Moses and Aaron speak with the Pharaoh and ask him to let the people of Israel go. Aaron has thrown his staff on the floor and the staff has turned into a snake. The court of the Pharaoh looks surprised. Under the performance a reference in Latin to the Bible text in ex. 7:10. This print is part of an album. Amsterdam paper engraving Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

Coronation Van Ester, 1643 print Ester is crowned Queen by King Ahasveros. Three men look in the foreground, probably the middle man is Esters foster father Mordecai, who asks how Ester is doing. In the background you can see how Ester is led to the king. Under the show a reference in Latin to the Bible text in Est. 2:17. This print is part of an album. Amsterdam paper engraving crowning of Esther

Copper engraving by an unknown engraver depicting the biblical scene 'Behold the Man', created in the 17th century, illustrating Christ presented to the people.

Copper engraving by Raphael Sadeler the Younger depicting a saint, created in 1627, illustrating religious figure, posture, attire, and 17th-century ecclesiastical context.

Susanna accused by the elders, 1579 print In the court, Susanna Vals is accused by the elders. They pull her veil off her head. Print is part of a series about the Ten Commandments and displays a violation of the eighth commandment: you will not make a false witness. At the bottom of the margin a reference to the Bible text in Latin. Print is part of an album. paper engraving the elders accusing Susanna before the people, laying their hands on her head or unveiling her. 'you shall not bear false witness' ~ separate representation of the ninth of the ten commandments

King Cyrus shows the image of bell to pieces; History of Daniel, bell and the dragon. King Cyrus looks at how men call the image of the God to pieces. On the spot where the table was eating, the entrance to the secret access to the temple can now be seen. At the front right Plast a boy in the mouth of Bubble. Under the show an explanatory text in Latin. This print is part of an album.

Copper engraving by Adriaen Collaert, created around 1598, depicting episodes from the life of Jesus, including miracles, teaching, and interactions with figures, with detailed gestures and drapery.

ACHAB shows repentance after the curse of Elia, 1579 print Elijah expresses a curse about Ahab and his whole family. ACHAB shows repentance and immediately tears his beautiful clothes. Ahab and Elijah are outside the walls of Ahabs Palace at the Nabot vineyard. On the right Achab departs in his fine. Under the show a verse in Latin. Print is part of an album. paper engraving Ahab repentant: he tears his clothes, puts sackcloth on and refuses food

Lazarus begins to the feast of the rich man; Van den Rycken Man and Lasarus; Parable of the rich man and the poor Lazarus; Den Grooten Figuer Bibel (...). The rich man is sitting at a banquet. Around him noble men and women. Musicians make music. In the foreground is the poor Lazarus beg.twee dogs licking his wounds. In the background, Lazarus is thrown away under the threat of heads. Under the show a reference in Latin to the Bible text in Luc. 16:19. This print is part of an album.

Copper engraving depicting the resurrection of Jairus's daughter, created by Philippe Thomassin around 1600, showing Christ raising the girl in a biblical scene.

Copper engraving by Jacques de Bie depicting events from the life of Christ, including figures, gestures, architecture, and biblical scenes, created between 1593 and 1598.

Copper engraving by Raphael Sadeler the Younger depicting a saint, created in 1627, illustrating religious iconography, figure, attire, and devotional context of the 17th century.

Woodcut by Tobias Stimmer from 1583 depicting different holy representations including a vision and the birth of Christ, showing figures, gestures, attire, and architectural and symbolic details in late 16th-century European prints.

The three kings visit Herod; Youth of Christ; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The three kings visit King Herod and ask him where they can find the newly born king of the Jews. Under the show a reference in Latin to the Bible text in mat. 2: 7. This print is part of an album.

Christ heals the blood -flowing woman, Adriaen Collaert, after Jacques de Bie, after Maerten de Vos, c. 1580 - c. 1590 print Christ heals the blood -flowing woman. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving healing of a woman with an issue of blood: she kneels before Christ after having touched his robe (Matthew 9:20-22; Mark 5:25-34; Luke 8:43-48)

Presentation of Christ in the Temple, 1570 - 1574 print In the temple there is a group of people around the altar. The high priest Simeon keeps the Christ child in his arms. Maria presents the bird cage with two young pigeons. In the background you can see how Maria walks with the child in her arms to Simeon. Under the show a reference in Latin to the Bible text in Luc. 2. This print is part of an album. paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Jews in the temple throw stones at Christ, Lucas van Doechum, after Gerard van Groeningen, 1585 print Jewish men pick up stones in the temple to throw at Christ, after Christ made the statement that he was already there for Abraham. Christ flight away. Under the show a reference in Latin to the Bible text in John. 8. This print is part of an album. paper engraving attempts to stone Christ (John 8:59, 10:31-33)

Christ before Caiaphas, 1610 - 1620 print Christ is led by armed men for Kaja pas. Print is part of an album. paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Copper engraving by Pieter de Bailliu depicting the coronation of Christ, created between 1630 and 1660. The print features Christ, angels, and symbols of divine authority in a 17th-century religious context.

Achitofel and Chusai at Absalom, Johannes Wierix, After Maerten de Vos, 1646 print Achitofel and the Arkiet Chusai advise Absalom about the martial plan against King David. In the background, Jonatan and Achimaäs, who will convey the news about the plan to King David, hide in a well in the yard of the house of a man from Bachurim. His wife lays a hatch over the opening of the well, so that nothing can be seen. Under the show a reference in Latin to the Bible text in 2 SAM. 17: 1. This print is part of an album. paper engraving Absalom takes counsel with Ahitophel. Hushai called for counsel. pursued by Absalom's soldiers Ahimaaz and Jonathan hide in a pit in a house at Baharim; a woman spreads a cover with corn over the pit

Copper engraving by an unknown engraver from the 17th century depicting the presentation in the temple, showing human figures, gestures, and religious setting.

Copper engraving and etching by Pieter de Bailliu depicting the glorification of the cross, created between 1630 and 1660.

Christ and the adulterous woman, Anonymous, After Jan-Baptist Barbé, After Maerten de Vos, 1646 print In the temple, Pharisees bring a woman who is caught adultery in Christ. The Pharisees ask what Christ thinks of the law of Moses stating that such women must be stoned. Christ writes with his finger on the ground: the one who is without sin has to throw the first stone. Under the show a reference in Latin to the Bible text in John. 8: 3. This print is part of an album. paper engraving Pharisees bring a woman accused of adultery before Christ (John 8:2-11). Christ points to or writes on the ground

Elisa visits the woman from Sunem, Hans Collaert (I), After Maerten de Vos, 1646 print The prophet Elisa is a guest at a couple in Sunem. The woman has specially set up a departure for Elisa and his servant Chazi. As a reward for her hospitality, he promises her in the foreground that she and her old man will have a son in a year. Schazi stands between the woman and Elisa. Under the show a reference in Latin to the Bible text in 2 Kon. 4: 8. This print is part of an album. paper engraving the Shunammite woman's hospitality. Elisha promises the Shunammite woman a son in return for her hospitality

Man gives talents to his servants; Parable of the talents; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. A man at a table gives his money in the possession of three servants. On the first he gives five talent. The other two wait behind him. A secretary signs the amounts. In the background the man leaves in his carriage. Under the show a reference in Latin to the Bible text in mat. 25. This print is part of an album.

Dream of nebuchadnezzar; History of Daniel; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Daniel stands for the throne of King Nebuchadnezzar and explains the dreams of the king. The dreams of the king can be seen at the top. A guard drops left from heaven and gives a command to chop the big tree. On the right the dream of the image with the head of gold and feet of iron and clay. Daniel tells that the first dream means that the king will be rejected and seven years as an animal will live. In the background you can see how nebuchadnezzar is sent away. Left in the landscape lives nebuchadnezzar as an animal and eats grass. Under the show a reference in Latin to the Bible text in. 2. The dream then. 4. However, in this representation is central. This print is part of an album.

Jozef explains the dreams of the Pharaoh; The history of ioseph; History of Joseph; Den Grooten Figuer Bibel (...). Joseph stands for Pharaoh, who is on his throne, and explains his dreams. In the background the magicians and scholars from Egypt, who could not explain the dreams. On the right in the background lies the pharaoh to sleep in a tent. The dreams are shown at the roof of the tent; On the left the seven fat and seven skimmed cows, on the right two corners. Under the show a reference in Latin to the Bible text in Gen. 41. This print is part of an album.

Christ shown to the people (ecce gay), 1610 - 1620 print Christ is shown to a shouting crowd of people, standing in an open window. Print is part of an album. paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

"Copper engraving by Jan Wierix showing a child giving a blessing, emphasizing figures, gestures, and religious context, printed between 1570 and 1620."

Tombination, 1610 - 1620 print Christ's body is placed in a grave. Print is part of an album. paper engraving Christ's entombment (possibly by angels)

Lot urges the crowd to calmness, Hans Collaert (I) (attributed to), after Frans Menton, 1585 print In front of the door of his house, Lot tries to calm down the men from Sodom. The men ask him to let his guests out so that they can take them. One of the angels draws Lot inside. Under the performance a reference in Latin to the Bible text in Gen. 19. This print is part of an album. paper engraving Lot tries to pacify the mob

Medal of the widow; Events in and around the temple; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. In the temple, the left of the foreground is Christ, which two of his students points to a veiled poor widow. Richly dressed people walk to the offering coffin to take a lot of money. The widow has only thrown two coins, but according to Christ, it is more than the rich, because she has given her poverty. Under the show a reference in Latin to the Bible text in Mar. 12:41. This print is part of an album.

Holy Family leaves through a city gate; Flight to Egypt; Idea Pittoresche Sopra La Fugga in Egitto.

Stefanus for the high priest; Vande changes and 'Tnut daer WT Onstaen; Acta Apostolorum; Acts of the Apostles; Den Grooten Figuer Bibel (...). Stefanus is guided for the high priest. Stefanus is then led away and stoned in the background by the Jews. At the top of the clouds the vision of Christ and God the Father. Under the show a reference in Latin to the Bible text in hand. 6:12. This print is part of an album.

Copper engraving by Adriaen Collaert depicting the Passion, death, and resurrection of Jesus, created between 1580 and 1587.

Peter and John Healing the Lame Man at the Beautiful Gate of the Temple. Negretti & Zambra (British, active 1850 - 1899)

Two biblical performances from Luc. 8. A woman heals her blood fluins by touching the dress of Christ, and Christ heals the daughter of Jainus. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 14.

Copper engraving by Stephanus Picart depicting the Adoration of the Shepherds, created between 1651 and 1721, illustrating biblical figures and a nativity scene.

Pilate washes his hands in innocence; Of the Lyden and Passion Christi; Passion of Christ; Den Grooten Figuer Bibel (...). Christ is sentenced and removed to death. Pilate washes his hands in innocence. In front of the crowd, he washes his hands in a water scale. Under the show a four-line verse in Latin. At the bottom right of the letters: GG. This print is part of an album.

Calling Matthew, 1585 print Christ passes the publican Matthew with his students and asks him to follow him. Matthew stands up from his couch and leaves the table where he collects taxes. Under the show a reference in Latin to the Bible text in mat. 9. This print is part of an album. paper engraving calling of Matthew (Levi), the tax-collector (usually with money lying on the table and people paying taxes) (Matthew 9:9; Mark 2:14; Luke 5:27-28)

Crossing, 1610 - 1620 print Christ wears his cross, followed by a crowd of people. Veronica is standing next to him with the sweat cloth. Print is part of an album. paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

Copper engraving by Adriaen Lommelin depicting Mary enthroned with the child Jesus and four Latin church fathers, showing figures, posture, and attire, created between 1630 and 1675.

Christ heals the ten lepers, Adriaen Collaert, After Maerten de Vos, c. 1580 - c. 1590 print Christ heals the ten lepers. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving Christ sends ten lepers to the priest (Luke 17:11-19)

Christ shown to the people (ECCE Gay); Life and passion of Christ; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Pilate shows Christ to the people. Under the platforms on which he stands is a tried window behind which the prisoner Barabbas. The people evoke to leave the prisoner. Under the show a four-line verse in Latin. This print is part of an album.

Announcement of the birth of John to Zacharias; "Marie and d'Onfanckenisse Iesu; Youth of Christ; Den Grooten Figuer Bibel (...). View of an altar in a round temple. Zacharias kneels for the altar and waves a censer. On the left is an angel who announces the birth of John the Baptist. Many bystanders look at the scene. Under the show a reference in Latin to the Bible text in Luc. 1:11. This print is part of an album.

Paul converts the women of Filippi; Acts of the Apostles; Acta Apostolorum. On the banks of a river, the apostle Paul converts the women of the city of Philippi. In the background he dispels a mind from a woman. He is then arrested and thrown into prison. The print has a Latin caption and is part of a 34-part series with the actions of the apostles as the subject.

Bels priests in the temple; History of Daniel, bell and the dragon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The priests of Bubble eat it to the God bell off food. They come and go through a secret corridor under the table. While they secretly take the food, their footsteps remain in the shaft scattered by Daniel on the ground. Under the show an explanatory text in Latin. Print is part of an album.

Christ for Annas and the denial of Petrus; Innocentiss. Patientia; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Christ is brought by a group of soldiers to a man on a throne (Annas). Left in the courtyard The denial of Petrus (Joh. 18). The print is part of an album.

David saves the life of Saul, 1643 print David steals King Saul's spear and water jug, while the king and his subjects are sleeping in a tent camp. In the background, David shows the spear and the jug to Saul to show that he could have killed Saul, but saved his life. Under the show a reference in Latin to the Bible text in 1 SAM. 26. This print is part of an album. Amsterdam paper engraving David takes Saul's spear and water-flask away. David returns Saul's spear and water-flask

Copper engraving by Eustache Le Sueur from 1651-1721 depicting the biblical foot washing, showing Christ, figures, gestures, drapery, and detailed composition.

Copper engraving by Hieronymus Wierix showing the mockery of Christ after the crowning, including figures, gestures, drapery, and background, created before 1586.

Sacrament of the marriage; Sacramentum matrimonii; The seven sacraments; Septem Novae Legis Sacramenta (...). Wedding sacrament. In the middle a representation of a man and a woman who are connected by a priest into the real. In the background the wedding in Cana links and straight Christ who spoke about the marriage (matte. 19: 6). Around representations of Bible stories that have to do with marriage. Top left God the father who orders Adam and Eva to multiply, at the top right of Paul and a couple, at the bottom right of the marriage of Tobias and Sara and the bottom left of the marriage of Jacob and Rachel. Left and right the Paul and Moses. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Opwekking Tabita by Peter in Joppe, 1643 print In the foreground, the Apostle Peter is asked to pray for Tabita (Dorkas), a woman who only died but did many good works in her community. Widows show crying the coats that Tabita had just made. On the top floor of a house, Peter prays to the corpse of Dorkas and brings her to life. Under the show a reference in Latin to the Bible text in hand. 9:40. This print is part of an album. Amsterdam paper engraving two messengers ask Peter to come to Joppa. Tabitha is raised from the dead by Peter's prayer. Peter is shown the clothings made by Tabitha

Solomon's case law; Naturae Certissimum Indicium; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. King Solomon is on his throne at his palace. He velt a judgment about a dispute between two prostitutes that both had a child. One of the children had died and lies on the ground for the king. The child who still lives and that is honored by both mothers is held by a man with a sword. This man gets from Salomon to divide the child into two. This is one of the women too far. She begs him on her knees to let her child live and Solomon points her as the real mother (1. Could. 3:18). Many people look in the foreground. In the background on the left a square with a fountain. The print is part of an album.

Copper engraving after Caravaggio depicting the Rosary Madonna, produced between 1610 and 1675, showing detailed religious iconography and Flemish engraving techniques.

Petrus heals a paralyzed; Acta Apostolorum; Acts of the Apostles; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. At the temple gate a beggar asks Petrus and Johannes to an alms. Peter has no money, but heals him in the name of Christ and helps the man stand up. In the background right they all enter the temple. Under the show a reference in Latin to the Bible text in hand. 3: 1. This print is part of an album.

Ascension of Christ and election of Mattias, 1643 print In the background the Ascension of Christ on the Mount of Olives. In the foreground, the apostles return to Jerusalem. Peter designates Mattias as twelfth apostle. Under the show a reference in Latin to the Bible text in hand. 1:23. This print is part of an album. Amsterdam paper engraving Peter, in the midst of the disciples, proposes choosing an apostle to take Judas' place (Acts 1:15-26). the Ascension (Christ surrounded by radiant light or in a mandorla)

Copper engraving by Pierre Lombard depicting the Adoration of the Shepherds, created between 1632 and 1682, showing biblical figures and the nativity scene.

Preaching of Saint Juan Diego, Simon Guillain (II), After Annibale Carracci, 1646 print print maker: Romeafter painting by: Romeafter drawing by: Romepublisher: Romeprinter: RomeItaly paper etching saints. preaching (in general) Our Lady of the Sacred Heart

Exit of the Holy Spirit, 1643 print The Holy Spirit appears in the form of a pigeon and is poured out over Mary and the apostles together in a upper room. Tongues of fire appear on the heads of them. Under the show a reference in Latin to the Bible text in hand. 1:14. This print is part of an album. Amsterdam paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Parable of the Pharisee and the tollenaar; Histories opt Loover cabins party; Events in and around the temple; Den Grooten Figuer Bibel (...). Christ, standing links, tells the similarity of the Pharisian and the Tollenaar. On the right, the Tollenaar kneels in the temple and asks God to grace. At the altar in the background, the Pharisee prays, which God owes that he is not like the tollenaar. Under the show a reference in Latin to the Bible text in Luc. 18:10. This print is part of an album.

Allegory on the good condition; Country whose son of noble descent is the king; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In a porch there is a man on a throne with a book on a desk next to him. A group of people uses the meal to his feet. Servants come true. In the background you can see that outside of constructive activities are going on: it is sown, plowed and built. In the undermaster the text of preacher 10:17 in Latin. The print is part of an album.

Visits the sick; Seven works of mercy; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. People take care of the sick in a hospital. On the left a woman gives a man eating. On the right a man gives away some money. Christ is in the middle of the space. Under the show a reference in Latin to the Bible text. This print is part of an album.

Society of Christ, Melchior Küsel (i), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 25. Print is part of an album. Augsburg paper etching flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Moses shows the Tables of the Law to the People, Sisto Badalocchio, After Rafaël, 1607 print Moses stands on an elevation and shows the tables of the law to the people. Numbered below: 35. paper etching the ten commandments (Exodus 20:3-17)

Peter and John heal a paralyzed man at the temple gate, 1570 - 1574 print At the Tempelpoort, a beggar Peter and Johannes asks for an alms. Peter has no money, but heals him in the name of Christ and helps the man standing up. In the background in the temple, the man dances and jumps after his healing. In the gate on the left, John and Peter explain the healing to some people. Under the show a reference in Latin to the Bible text in hand. 3. This print is part of an album. paper engraving healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). Peter, John and the healed man enter the temple, where Peter delivers a sermon. disabilities, deformations

Copper engraving and etching by Benoit Audran between 1676 and 1703 depicting the religious sacrament of Confirmation with a ceremonial scene.

The Circumcision of Christ, from The Life of the Virgin Made 1505 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

45. Visitation of El Bieta; 46. Nativity John; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Preparations for the wedding party, 1558 - 1559 print A king instructs his servant to invite the wedding guests to his son's wedding party. In the foreground, servants slaughter the best manure cattle for the feast. Under the show a reference in Latin to the Bible text in mat. 22. This print is part of an album. paper engraving first invitation to the feast ~ parable of the royal wedding-feast

Christ and the adulterous woman, 1660 print Pharisees bring an adultery caught woman to Christ to ask him for a judgment. One of them shows Christ an open book, the old law. Christ speaks to him. This print is part of an album. paper etching Pharisees bring a woman accused of adultery before Christ (John 8:2-11)

Gideon and the angel; History of Gideon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The angel flames the goat babe and bread that has brought Gideon. In the background the scene that preceded. Gideon meets the angel on the threshing floor. Gideon and other men hold a threshing glass. Under the show a reference in Latin to the Bible text in RI. 6. This print is part of an album.

A woodcut by Hans Schäufelin from 1507 illustrating the Passion of Christ, including the crucifixion and associated events.

Bed with the bride of Christ; Van den Cantica Canticool Salomons; Hooglied van Solomon; Canticum CanticoRum; Den Grooten Figuer Bibel (...). Christ's bride (the church) in a bed with a canopy. The canopy is worn by the cardinal virtues. At the foot end a representation of the judgment of Solomon. Above the head of the bride Christ in a cloud. Around the bed figures from the Old Testament. In the background through a doorway, the bride of Christ can be seen in the city looking for her sweet. Under the show a reference in Latin to the Bible text in Hoesl. 3: 1. This print is part of an album.

Copper engraving and etching by Louis Cossin from 1645-1706 depicting St. Paul being stoned, showing figures, gestures, and compositional narrative of the biblical scene.

Twee Scènes Uit Sebaldus Nothhanker, Daniel Nikolaus Chodowiecki, 1775 print On the left, the colonel (left) and the young Säugling have disagreement with each other in a garden pavilion. On the right three pastors will fulfill after a funeral with each other because of a theological issue. paper etching Literature. fighting. functionaries and dignitaries ~ episcopal Protestant churches. street

Christ heals the sick of betzata (Bethesda); Miracles of Christ; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Christ heals a man, who has been sick for thirty-four years at the bath of Betzata. A man is immersed in the bath. Sick, blind, moors and deformed sitting around the water. An angel flies in the air. Under the show a reference in Latin to the Bible text in John. 5.

Copper engraving by Raphael Sadeler the Elder, 1624, depicting a saint, showing figure, gesture, religious iconography, and traditional composition.

Denial of Peter; Of the Lyden and Passion Christi; Passion of Christ; Den Grooten Figuer Bibel (...). A Slave of Kajafas recognizes Peter as a follower of Christ. Peter denies that he is in the midst of the soldiers. After he has denied three times, the rooster crows. Under the show a four-line verse in Latin. At the bottom right of the letter: d. This print is part of an album.

Etching by Henri d'Avice between 1642 and 1670 depicting the biblical Adoration of the Magi, showing the kings presenting gifts to the infant Jesus.

Johannes Chrysostomos surrendered to soldiers, Reinier Vinkeles (I), 1803 print For the entrance of a church, John Chrysostomos surrenderes to the soldiers standing in front of him. A woman is kneeling for the spiritual. Amsterdam paper etching / engraving archbishop, bishop, etc. (Roman Catholic). kneeling figure. soldiers and civilians. church (exterior)

Visits of the prisoners; Of the throwing of the Barmrukherticheyt; Seven works of mercy; Den Grooten Figuer Bibel (...). Different people visit the prisoners in prison. A man buys a prisoner free. A woman brings food. Christ speaks to the left with a prisoner and points him on the door. Under the show a reference in Latin to the Bible text in mat. 25:36. This print is part of an album.

Showing the host in front of a building, Louis Ducros, after Jacques Sablet (II), 1758 - 1810 print Print is part of an album. paper etching Europeans (with NAME). legends and miracles associated with the Eucharist (or the Host). bread, Host

Woodcut by Albrecht Dürer showing the Circumcision of Christ from the Marienleben series, created around 1504, depicting the ritual performed on infant Jesus.

Circumcision of Christ in the temple; Events in and around the temple; Memorabilium, Novi Testamenti, in Temple Storum Icone Trodecim Elegantissimi AC Ornatissimi. Christ is circumcised in the temple. The priest performs the procedure while Jozef holds the child. Maria and other women are waiting in another part of the temple. Under the show a reference in Latin to the Bible text in Luc. 2. This print is part of an album.

Copper engraving print by the Wierix family from 1594 depicting multiple scenes from the life of Christ, showing figures, gestures, and narrative composition.

Parable of the Royal Wedding Festival: The Invitation of the King, Anonymous, After Ambrosius Francken (I), 1585 print A king has commissioned his servants to invite the wedding guests to his son's wedding party. The table is already covered. The two servants who are with him, however, tell him that the guests refuse to come because they are doing other things. In the background the guests go to their fields. The king then instructs the servants to invite everyone on the street. On the left, people from the street, including crippling, are invited. Under the show a reference in Latin to the Bible text in mat. 22. Antwerp paper engraving the great supper; the royal wedding-feast ~ parable of Christ (Matthew 22:1-14; Luke 14:16-24)

The Marriage of the Virgin. Dürer, Albrecht, 1471-1528. Chelidonius, Benedictus, -1521. Illustrations. 1511. Spencer Collection. Mary, Blessed Virgin, Saint, Betrothal , Religious aspects

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