Historical Biblical Scenes

Illuminating depictions of biblical events and historical narratives, rich in detail and emotional expression, showcasing traditional illustration techniques.

Schut, Cornelis (I), The seven liberal arts, Septem artes liberales, verso lower left - stamped, The personifications of the seven liberal arts are gathered in front of a classical building., print, engraving, title print, prints, height 262 mm, width 372 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, etching, etchings, engraving (printing process), Work conception

The Mocking of the Prisoners ca. 1540 (republished 1605) Giorgio Ghisi Italian. The Mocking of the Prisoners 367347

The Mocking of the Prisoners ca. 1540 Giorgio Ghisi Italian. The Mocking of the Prisoners 367345

A 1607 etching by Giovanni Lanfranco depicting people dancing around the golden calf, showing figures, gestures, and the idol in a biblical setting.

A Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) from 1520-1550 depicting the adjoining of kings, illustrated across three plates.

Fortune teller; Genre scenes. In the middle of farmers, a reminded fortune teller reads the hand of a richly dressed woman. The fortune teller looks to a farmer's chest that breasts her child. A woman in a cooking pot stirs right at a wall. Leged below numbered: 13.

Schut, Cornelis (I), The seven liberal arts, Septem artes liberales, verso lower left - stamped, The personifications of the seven liberal arts are gathered in front of a classical building., print, engraving, title print, prints, height 262 mm, width 372 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, etching, etchings, engraving (printing process), Work conception

Allegory of Peace, Remoldus Eynhoudts, Peter Paul Rubens, 1623 - 1679

This copper engraving by Hendrick Goltzius depicts the crowning thread, showing figures, ceremonial attire, and symbolic elements in 1597.

The Vestal Virgin Tuccia. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 10 11/16 x 13 3/4 in. (27.1 x 35 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Title page for François Joseph de Lagrange Chancel "Amasis, Tragedy". The king is stabbed in the Royal Palace of Egypt. He lies on the floor and points to his murderer.

Amsterdam, Visscher, Claes Jansz. (II), Jode, Pieter de (I), Ryckmans, Nicolaes, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Jephthah, Jephthah gives his daughter permission to go into the mountains, Jephthah's daughter kneels before her father. He gives her permission to go into the mountains with her friends for two months, before she is sacrificed by him. Below the depiction is a reference in Latin to the Bible text in Judg. 11:37. This print is part of an album., print, album sheet, prints, height 215 mm, width 280 mm, 1595, print maker, printmaker, 1616 - 1636, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1570 - 1634-08-09, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Hooghe, Romeyn de, Netherlands, Allegory of East Friesland, print, prints, Frederik Muller History Plates, height 175 mm, width 294 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1705 - 1707, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

Vatican City, Gregory XIII, Campi, Giulio, Rome, Mantuana, Diana, Christ at the House of Simon the Pharisee, verso - stamped, Christ is seated at the table in the house of Simon the Pharisee. Mary Magdalene kneels at his feet as she anoints them. Several other figures are seated around the table. Two-line Latin text in the lower margin., print, prent, prints, engravings, height 279 mm, width 210 mm, Italian, 1547 - 1612, print maker, printmaker, 1576 - 1576, paper, papier, engraving, engraving (printing process), Work conception, 1502 - 1572, after a design by, 1502-01 - 1585-04-10, granter of privilege

Title page for "Sesostris, King of Egipte, Treurspel", 1711 - 1737 print The king is stabbed in the Royal Palace of Egypt. He lies on the floor and points to his murderer. Amsterdam paper etching / engraving tragedy. murder

Sinorix is carried away after his poisoning, Pietro Testa, c. 1640 print The Tetrarch Sinorix was poisoned by Camma, a woman whose husband he had killed. Sinorix is worn to his car that is ready on the right. On the left a round temple of Diana. Scene from Plutarchus' 'De Mulierum Virtutibus'. print maker: Italypublisher: Rome paper etching to avenge the death of her husband upon his murderer Sinorix, Camma feigns consent to marry him, pours poison into the nuptial bowl and hands it over to Sinorix: the dying Sinorix is seen struggling out of the temple of Diana and trying to reach his carriage

Italy, Judgment of Solomon, verso inset sheet - stamped, King Solomon sits on his throne. Before him are the two women, both claiming the same child. The first woman kneels before Solomon, pleading. Next to her lies the dead child. A soldier with a sword holds the living child by one leg, while the second woman grabs his arm. On the left in the foreground lies a lion., print, prent, prints, prenten, height 210 mm, width 312 mm, print maker, prentmaker, 1500 - 1599, paper, papier, etching, etsen

Jonah stands in a square in Nineveh and predicts to the inhabitants the destruction of their city. Many people throw themselves to the ground in panic, Jonah predicts the downfall of Nineveh History of Jonah , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Theodoor Galle, (possibly), print maker: Haarlem, publisher: Antwerp, 1596 - 1633, paper, engraving, h 208 mm × w 250 mm

Philip Galle after Maerten van Heemskerck, The Deaths of Ananias and Sapphira The Deaths of Ananias and Sapphira

Antonio da Trento, after Parmigianino, The Martyrdom of Saints Peter and Paul, c 1530 The Martyrdom of Saints Peter and Paul

The Stoning of Saint Stephen 1575 Cherubino Alberti (Zaccaria Mattia) Italian. The Stoning of Saint Stephen 651235

Statue of Zeus in Olympia; Olympy IoVis Simvlacrvm; The eight world wonders. The image of Zeus entered the Doric Temple of Olympia, on the Greek Peloponnese. It became around 433 BC. Made by the Athenian Sculptor Phidias. To the right of the temple an image of Hercules. On the stairs for the temple people who worship the image of Zeus. In the foreground right Olympic wrestlers and riders, left one of the winners will be laughed. The print has a Latin caption and is part of a series about the eight wonders.

Punishment of the man without wedding clothing, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1610 - 1679 print A wedding party where guests enjoy a meal. A man without wedding clothes wants to join the wedding party but is stopped by the king who organized the party. He believes that "many have been called, but only a few chosen" (Matt. 22:14). In the background the man is punished by throwing him in the hell fire. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching the king sees a guest without a wedding garment: 'bind him hand and foot .. and cast him into the outer darkness' ~ parable of the royal wedding-feast

Jona predicts the downfall of Nineve; History of Jonah. Jonah stands on a square in Nineve and predicts residents the fall of their city. Many people panic on the ground.

Allegorical show with history, father Time with a pot of coins, anonymous, 1671 print Writing history in a book looks back at father time that holds a pot of coins. A woman with torch and winged helmet points to the coins. In the foreground are the hourglass and scythe of father time, coins and images. On the left is a emperor stand. On the right in the background for a temple, three men take a bowl of a kneeling man. paper etching / engraving 'Historia'; 'Historia' (Ripa). Father Time, man with wings and scythe. coin

Achilles en Polyxena, Franz Ertinger, after Peter Paul Rubens, 1679 print Achilles extends his arm to Polyxena, surrounded by men and women. She holds her hand by her heart and for her two men wear jugs and a tripod. In the foreground a double horn of abundance. Antwerp paper etching Polyxena beloved by Achilles

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the Redemption of Mankind through the Life and Passion of Christ, Christ before the High Priest Annas, Christ stands, bound by the neck and hands before the throne of High Priest Annas. Armed soldiers surround him. One of the soldiers is beating Christ. In the right-hand corner a man is blowing fire into a cart. The print is part of a thirty-part series of prints about the Fall and Christ's Passion., print, prints, width 194 mm, height, 249 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

Italy, Albani, Francesco, Bartoli, Pietro Sante, Birth of Mary, verso - stamped, On the right in the background, Anna lies in a bed after giving birth to Mary. In the foreground, a group of women are busy caring for the newborn. Angels are admiring the scene from the air., print, prent, prints, prenten, height 441 mm, width 281 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1578 - 1660-10-04

Decapitation of the Roman Judge Papinian, 1606 The Law Aemilius Papinianus has just been beheaded on behalf of Emperor Caracalla. The executioner gives Papinian's head to Caracalla. Papinian had tried to mediate between the Caracalla brothers and Geta, who were both emperor. In the background, Caracalla, or one of his soldiers, Geta in their mother's lap. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving The Law Aemilius Papinianus has just been beheaded on behalf of Emperor Caracalla. The executioner gives Papinian's head to Caracalla. Papinian had tried to mediate between the Caracalla brothers and Geta, who were both emperor. In the background, Caracalla, or one of his soldiers, Geta in their mother's lap. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving

The martyrdom of Saint Laurent Marc-Antoine Raimondi (1480-to 1534). The martyrdom of Saint Laurent, B 104, engraving.

Merciful Samaritan provides the wounds, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1549 print The merciful Samaritan supports the robbed and wounded man and pours oil and wine over his injuries. In the background the priest and the Leviet. They have already passed the wounded man. The print is part of a series about parable of the merciful Samaritan. paper etching a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. a Samaritan tending the wounds of the traveller

Caput Nicanoris amputatum et dextram quam extenderat superbe, suspenderunt ex aduerso Ierosolymarum, diemque illum egerunt festum Groeningen, Gerard van, fl. 1561-1575. still image. Conjectural works. 1585. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Biblical events, Jerusalem, Crowds, Spectators, Maccabees, Jews , History , 586 B.C.-70 A.D, Dismemberment

Triumph of love, Philips Galle, After Maarten van Heemskerck, c. 1565 print Cupido travels on a victory car. His car leads Jupiter, the prototype of the irectbreaker and conqueror. Walking in front of the car classic poets who wrote about love: Marcellus, Ovidius and Tibullus. In addition to the car, there are victims of love: Solomon, Hercules, Piramus and Thisbe. The procession is on the way to the temple of the love goddess Venus, left in the background. The print has a Latin caption and is part of the series about the triumphs of Petrarca. Haarlem paper engraving 'Trionfi d'Amore', 'triumphus cutinis'; 'Carro d'Amore' (rippa). (Story of) Jupiter (Zeus). (Story of) Pyramus and this. Story of Solomon. (Story of) Hercules (Welacles). (Story of) Ovid

Alexander the Great enters Babylon (right magazine), Gérard Audran, After Charles Le Brun, 1675 print Paris paper etching / engraving Alexander's triumphal entry into Babylon Babylon

Mit of the gates at the gates virtues; Lint, Peter Van (1609-1690); 1630 (1630-00-00-1630-00-00);Amor (mitol.), Chronos (Mitol.), Darowska, Janina (Fl. Ca 1945-1955), Janina (fl. Ca 1945-1955)-collection, Minerva (Mitol.), In the workshop of the Dutch master (National Museum in the National Museum in Warszaw, in the workshop of the Dutch master (National Museum in Warsaw - exhibition - 18.05.2017-20.08.2017), Flemish drawings, corner of abundance (attribute), allegorical scenes, purchase (provenance)

Birth of Peres and Zerach, Harmen Jansz Muller, After Maarten van Heemskerck, 1564 - 1568 print Tamar gave birth to the twins peres and zerach. She is assisted by midwives. In the foreground, two women do the baths in the bath. At the bottom of the margin a verse in Latin. paper engraving birth of the twins: Pharez and Zarah

The Wounded Paris Carried from the Field of Battle. Artist: Master FG (Italian, active mid-16th century); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Museum: Metropolitan Museum of Art, New York, USA.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Judith and Holofernes, Judith before Holofernes, Judith kneels before Holofernes and begs for mercy. Holofernes spares her. The print is part of an eight-part series telling the story of Judith and Holofernes., print, prent, prints, width 194 mm, height, 239 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, printmaker, 1547 - 1559, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

Queen Money (Regina Pecunia) is enthroned on a sea chariot. Her left hand rests on a globe, while with her right hand she attempts to cover the head of Robbery (Latrochinium) with her cloak. Predatory murder pierces a heart with a knife. The cart is pulled by Danger (Periculum) and Fear (Pavor). Behind the cart follows the personification The World (Pandemia). She holds in one hand the cornucopia and with her other hand she holds her heart close to Queen Money, but is unaware that she is being robbed by Thief (Furtum). The World is surrounded by Envy (Invidia) and the jester Folly (Stultitia). The print has a Latin caption and is part of a series with the subject of the miseries that wealth brings, Perils of Wealth The Miseries of Wealth (series title), print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Philips Galle, (possibly), print maker: Haarlem, Haarlem, publisher: Antwerp, Haarlem, 1563, paper, engraving, h 228 mm × w 169 mm

Schut, Cornelis (I), H. Joris, verso lower left - stamped, Joris sinks slightly through his knees at the foot of a statue of Apollo. Behind it flies the fire-breathing dragon. The king half rises from his throne, which is placed under a canopy. People are watching all around. In the foreground, two frightened boys with a dog. In the sky a putto and an angel holding a laurel wreath above Joris' head., print, engraving, prints, engravings, To the best of my recollection my father said that above it seemed stuck to Kullen in the church, but he did not want to tell me how much it paid with all that was originally painted by his hand paraph., recto margin below - handwritten in brown ink, height 313 mm, width 220 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Warning against adultery and venereal disease, Johann Sadeler (I), After Christoph Schwarz, 1588 - 1595 print Landscape in which on the left a fountain with a statue of Venus and Cupido. Water flows from the breasts of Venus. The fountain is the origin of a stream, in which a dog pees in the foreground. A scholar stands next to the source and points to it. Despite his warning, a shepherd of the stream drinks. Front left an adulterous woman with cones on the head. She plays the lute and is probably the personification of lust. The print has a Latin caption with warnings against adulterous women from the book Proverbs and the book Preacher. München paper engraving skin and venereal diseases. one person with musical instrument, not playing - CC - out of doors. lute, and special forms of lute, e.g.: theorbo. fountain of Love, 'Fons Amoris'. garden fountain. the book of Ecclesiasticus, the wisdom of Jesus Sirach. other specific aspects of Venus (with NAME). scholar, philosopher. Lust, Luxur

The Samaritan woman standing at the well, Christ seated next to her pointing to the right, after Annibale Caracci. Artist: Anonymous; After Annibale Carracci (Italian, Bologna 1560-1609 Rome); After Francesco Brizio (Italian, Bologna ca. 1574-1623 Bologna). Dimensions: Sheet (Trimmed): 11 in. × 15 13/16 in. (28 × 40.2 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Date: 1610.Copy of an etching by Brizio based on a painting by Annibale Caracci located in Milan. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Illustration for Boccaccio decamerone. Illustration for Boccaccio decamerone, lxxvi history. Calandrin spits a pill that is made from dog poo and is exhissed by children.

Abraham van Diepenbeeck depicts Ulysses shooting through the ax rings, drawn in black chalk with side folds at the lower edge, highlighting action and figure composition.

Saint Ignatius of Loyola, after Rubens (Dutuit 24) Saint Ignatius of Loyola, after Rubens (Dutuit 24). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the redemption of mankind through the life and passion of Christ, Flagellation of Christ, Christ, tied to a pillar, is being scourged by soldiers. Pilate stands in the corner on the right and watches the torture. The print is part of a thirty-part series of prints about the Fall and the passion of Christ., print, prints, width 195 mm, height, 248 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

. Moses and Aaron speak with the Pharaoh. Aaron has thrown his staff on the ground and the staff has changed in a hose. The courtship of the Pharaoh looks surprised. The print has a Latin caption.

The Behading of the Roman Judge Papinian, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 5 1605-6 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. The Behading of the Roman Judge Papinian, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 5 650778

Village fair, Jan van Goyen, 1625 drawing paper. chalk brush dancing around the maypole. (annual) fair, trade fair

Allegory relating to the Pamphili family ca. 1610-62 Johann Friedrich Greuter. Allegory relating to the Pamphili family. Johann Friedrich Greuter (German, active Rome, ca. 1590/93-1662). ca. 1610-62. Engraving. Prints

Bacchanaal, Faun en Silenus, Giovanni Andrea Podestà, 1640 print A bacchanal in a landscape with putti, bacchants and the sleeping Silenus. A priest stands with an altar and makes a sacrifice. In the background on the right a large sarcophagus. print maker: Italyafter own design by: Italypublisher: RomeItalyItaly paper etching (story of) Silenus. drunkenness. bacchanal: Bacchus with his wine-flushed train (thiasos)

Rome, Cavalieri, Giovanni Battista de', Massacre of the Innocents, verso, stamped, Desperate mothers try to protect their children from Herod's soldiers. From his throne, on a dais, Herod watches the violent practices., print, engraving, prints, engravings, height 468 mm, width 582 mm, Italian, 1525 - 1601-07-23, print maker, printmaker, 1561 - 1561, paper, engraving (printing process)

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. trunked animals: elephant. torch

A drawing by Jan van der Straet depicting the parable of the unworthy wedding guest, created with brown and gray lavated ink, highlighted with white on brownish paper, showing figures in narrative composition.

Ester hears from her maids that Mordekai is wearing mourning clothes, Philips Galle, After Maarten van Heemskerck, 1564 print Ester is in a study migration of the palace, she hears from her maids that Mordekai is wearing mourning clothes and the Koningshof is no longer accessible to him. She lets him take clothes but he keeps the mourning rug. Haarlem paper engraving Esther sends Mordecai some clothes; he refuses them

Keizer Augustus en de Tiburtijnse Sibille, Antonio da Trento, After Parmigianino, 1528 - 1530 print The Tiburtine Sibille shows Emperor Augustus the appearance of an angel with Mary and the Christ child in the sky. Two male resources on the right. Italy paper the Tiburtine sibyl and Augustus: the sibyl reveals to the emperor a vision of the Madonna in heaven. Madonna: i.e. Mary with the Christ-child

Abraham van Diepenbeeck depicts Ulysses and Telemach killing the clients, drawn in black chalk with reddish tones, emphasizing figures and violent action.

Etching by Giovanni Lanfranco showing Abraham visited by three angels, including figures, gestures, and surrounding landscape, representing the biblical story.

A man takes the measurements of the middle figure with a ruler. On the left, two men, handing out fabrics. On the right a sitting naked man, putting on a stocking. Behind him a woman with a child on her arm. In the background also nudes are dressed. At the bottom in the margin a line of text in Latin. Print from a series about the works of mercy, Clothing of the nudes Works of mercy (series title)., print maker: Pieter Nagel, (mentioned on object), Gerard van Groeningen, Antwerp, in or before 1571, paper, engraving, h 198 mm × w 250 mm

Jurisdiction of Daniel. Draughtsman: anonymous. Intermediary draughtsman: Pomponio Amalteo. Dating: 1525 - 1600. Measurements: h 332 mm × w 559 mm. Museum: Rijksmuseum, Amsterdam.

Alexander, son of Herodes, is tied to his Glasyra Gemalin.

Infanticide in Bethlehem Arnold Houbraken, 1681-1683, print maker: Arnold Houbraken, Simon onder de Linde, 1681 - 1683 and/or 1699.

Antwerpen, Jode, Gerard de, Weerdt, Adriaan de, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Ruth, Boaz buys the land of Ruth and Naomi, Antwerp, Boaz receives the sandal at the city gate from a man who, like Boaz, has the right to buy the land of Ruth and Naomi. The man shows that he is not asserting his right. A group of city elders witness the purchase and Boaz's promise to marry Ruth. Below the image is a reference in Latin to the Bible text in Ruth 4. This print is part of an album., print, prent, albumblad, prints, prenten, height 215 mm, width 272 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1510 - 1590, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Dina and Shechem, Circumcision of Shechem, Shechem is circumcised. On the right, the recently circumcised Chamor, the father of Shechem, is supported by a boy. At the bottom in the margin a reference in Latin to the Bible text in Gen. 34:24. This print is part of an album., print, album sheet, prints, height 200 mm, width 250 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Antwerp, Cock, Hieronymus, Vatican City, Raphael, Italy, Ghisi, Giorgio, The School of Athens (left part), verso - stamped, The fresco 'The School of Athens' by Raphael in the Stanza della Segnatura in the Apostolic Palace in the Vatican. It shows a philosophers' school or agora where famous Greek philosophers and scholars, such as Aristotle, Plato and Socrates, are standing in groups talking. It is a depiction of philosophy and its rational search for Truth., print, prints, height 512 mm, width 408 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, after, after painting by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher, granter of privilege

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, Miracles of Christ, Healing of a paralytic, recto bottom - handwritten in brown ink, Some men lower a bed with a paralyzed friend through the roof of a house to just before Christ. Christ touches the man and heals him of his lameness. Below the representation a reference in Latin to the Bible text in Luke. 5., print, prints, verso - stamped, 3, recto lower left - handwritten in brown ink, 27, recto upper right - handwritten in brown ink, Ce paralitique et est queri., height 209 mm, width 258 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Martyrdom of Saint Matthew, plate thirteen from The Martyrdoms of the Apostles Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

A red chalk drawing by Étienne Parrocel depicting the biblical scene where Tobias warmly greets his mother Anna.

Venetiaans bruiloftsfeest.Venetian wedding party (the wedding of Lavinia, the daughter of Titan). The bride with loose hair is led by a man to the groom, standing in the middle, next to an elegant lady. On the right Venetian attempts and a group of ladies. Above their heads, in a lodge, some musicians. Face outwards with on the other side of the water The island of Murano with the S. Cristoforo della Pace. Design for a print.

Arithmetics; The seven liberal arts. Two men count on a script table with writing utensils. A woman holds a writing shelf. Putti sprinkle with money and bring marks to a bale with merchandise. There is a cash box on the ground. In the background a look through to the sea.

Mercury gives Bacchus to the nymphs of Nysa, 1681 - 1734 print Mercury gives the child Bacchus for education to the nymphs of Nysa. Italian text and coat of arms in STUDMARGE. print maker: Italyafter design by: ItalyVaticaanstad paper etching (story of) Mercury (Hermes). Mercury hands the baby Bacchus over to the nymphs of Nysa

Ester for Ahasuerus History of Ester (series title) Historia Asuerij (...) (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissimoru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), Ester kneels before king Ahasuerus. The king points his scepter at her as a sign of affection. Esther invites the king to come with Haman to the feast provided by her. On the right in the background the continuation of the story. In the evening the king is read aloud from the chronicles of the empire. It states that Mordecai has thwarted an attack on the life of the king. The king asks Haman, who is standing by the bed, how someone who has saved the life of the king should be honored. In the background you can see Mordecai riding around in the king's robe and on the king's horse, while Haman shows him around. Below the performance a reference in Latin to the Bible text in Est. 5-6. Print i

Dresses of the nudes, Pieter Nagel, After Gerard van Groeningen, in Or Before 1571 print A man takes the sizes of the middle figure with a ruler. On the left two men who propose substances. On the right a sitting naked man who attracts a stocking. Behind him a woman with a child on her arm. Nudes are also dressed in the background. At the bottom of the margin a rule of text in Latin. Print from a series about the works of mercy. Antwerp paper engraving clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy

The death of germanicus.

Revolution of Lustucru, Sébastien Leclerc (I), 1663 print France paper etching revolution, revolt. smith, blacksmith. head (human)

The Bath House (copy) n.d. After Albrecht Dürer German. The Bath House (copy) 388828

Herod is in bed is prevented by a warrior to kill himself / antipater is commissioned by his father Herod in prison / Peter, surrounded by a cheering crowd, has a dead life awakened / Simon the wizard tries to fly. Needed leaves with four performances, numbered: 129, 130 and 192.

Jacques Callot (1592-1635). "The little passion, the death sentence: fifth number of a suite of 12 pieces" (Lieure 541, Meaume 23). Etching. 1624-1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-18 Etching, engraving

Scene with Galants at a Banquet in a Circle at Center. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt); after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); After Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Dimensions: Sheet: 5 1/4 × 5 3/16 in. (13.3 × 13.1 cm). Date: 1580-1600.A scene with cavorting couples before a banquet, contained in a circle at center. At right, a couple with the man holding a knife walks left before a lute player. At lower left, a seated couple with the woman playing the lute. Around the central circle, ornamental floral designs with grotesque rabbits emerging from scrolling tendrils at upper and lower left corners. The scene in the circle is a reverse copy after a print by Jan Sadeler, after Maarten de Vos (Hollstein 558). Museum: Metropolitan Museum of Art, New York, USA. Author: Theodor De Bry. After Maerten de Vos. after Johann Sadeler I.

Apollo sitting on Parnassus surrounded by the muses and famous poets. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 14 in. × 18 1/2 in. (35.6 × 47 cm). Date: ca. 1517-20. Museum: Metropolitan Museum of Art, New York, USA.

During the wedding Dona Lambra challenges the knights from her cousin in the game with the lances; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Amsterdam, Visscher, Claes Jansz. (II), Buytewech, Willem Pietersz., Haarlem, Kittensteyn, Cornelis van, Triumphal Procession of William of Orange, left plate, verso - stamped, Left plate of five plates of 'Triumphal Procession of William of Orange' with symbolic representations of the virtues of Prince William of Orange, consisting of: the Christian Virtues, the government virtues and the military virtues. In this print the Christian Virtues are central. In the middle of the image under the A an elephant is depicted with on its back the personification of Faith, one of the Christian Virtues. Around the elephant fly putti with grapes and other personifications of virtues associated with faith, such as Trust in God (2.) and Zeal (6.) walk. The personifications are provided with a number, the explanation of which is in Latin above the image and in Dutch below the image. In the background a building on which blowers with flags are standing., print, propaganda print, prints, height 357 mm,

Clair-obscur woodcut by Giuseppe Nicola Vicentino, called Rossigliani, from 1520-1550 showing the adjoining of kings with figures, thrones, and architectural details across three plates.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., History of Judah and Tamar, Birth of Perez and Zerah, Tamar is lying in childbirth. She has just given birth to twins: Perez and Zerah. The midwives are taking care of the babies. The print is part of a series about the history of Judah and Tamar, print, prints, width 185 mm, height, 232 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1549 - 1549, paper, papier, etching, etsen, Work conception, 1498 - 1574

Torture: beating, protruding eyes and chopping limbs, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 127. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Estius, Franco, Zuccaro, Federico, Haarlem, Matham, Jacob, Christ Raising the Widow's Son at Nain, verso lower left - stamped, Christ with the widow's son at Nain, who has been carried out of the city on a bier. Christ raises him back to life. Bystanders look on in amazement., print, prent, prints, engravings, height 508 mm, width 284 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1594, paper, papier, engraving, engraving (printing process), Italian, 1541 - 1609-07-20, after, after painting by, writer

Amsterdam, Luyken, Caspar, Joseph makes himself known to his brothers, verso - manuscript in brown ink, print, prints, verso - stamped, 40, height 113 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

The blind Samson is tied to a column on the left at the feast of the Philistines, after which he will destroy the pillars of the Philistine temple with his last strength, killing himself and the Philistines present Below the image the title in Latin, a four-line verse in Dutch, French, German and English and a reference to the Bible text in Ri 16:23, Samson's death Schimschon convivantium pelischthaeorum domum diruendo, plures momento quam tota vita morti tradidit Royaalbijbel , print maker: Dancker Danckerts, (possibly), François Tortebat, Simon Vouet, (mentioned on object), Amsterdam, 1665 - 1702, paper, etching, h 408 mm × w 510 mm

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Annibale Carracci Introduces Painting to Apollo and Minerva 1674 Pietro Aquila Italian This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Annibale Carracci in the Farnese Gallery in Rome. Like the publication of the book itself, this frontispiece was part of a concerted effort to raise the painter, active at the turn of the seventeenth century, to mythical status. Here we see Annibale accompanied by Genius bringing Painting out of a dark cave (symbolic of the obscurity and darkness into which painting was said to have fallen in the late sixteenth century) into that exalted and luminous realm where she could be welcomed by Apollo and Minerva. The idea is very much like that of Pietro Testa's etching, 'The Triumph of Painting on Parnassus', in which Painting is welcomed on Parnassus, and Maratti's design may also have received inspiration from Testa's later and more personal interpretation of the theme, in which the artist is accompanied, as her

Donation from Constantijn. Constantine and Helena for Pope Sylvester I. Design for a fresco.

Italy, Mazzocati, Peregrino, Humanae Vitae Cursus, Allegory of Human Life, verso - stamped, Allegory of Human Life. A crowd of allegorical figures before the ruins of a building. Empty cartouche in lower margin., print, engraving, prints, engravings, No. 5-5, verso - handwritten in brown ink, height 354 mm, width 512 mm, Italian, print maker, printmaker, 1645 - 1655, paper, etching, Work conception, after own design of

Arithmetics, Cornelis Schut (I), 1618 - 1655 print Two men count on a writer table with writing utensils. A woman holds a writing board. Putti sprinkle with money and apply marks to a bale with merchandise. There is a money box on the ground. In the background a glimpse to the sea. paper etching / engraving 'Arithmetica' (~ quadrivium); 'Aritmetica' (Ripa). dealing in money. money-chest, treasure-chest, money-box. writing boards. writing accessories

Merciful Samaritan pays the innkeeper, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1549 print The Merciful Samaritan pays the innkeeper two denarie to take care of the traveler. The robbed man is brought into the inn by two service stations. The print is part of a series about parable of the merciful Samaritan. paper etching the Samaritan and the wounded traveller arrive at the inn; the traveller is cared for. the Samaritan pays the innkeeper

The Holy Family and Two Angels. Dated: 1605. Dimensions: sheet: 48.6 × 32.8 cm (19 1/8 × 12 15/16 in.) (trimmed). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Bartholomaeus Spranger Lucas Kilian.

Design for a tapestry, Flight of Cloelia from the army camp of Porsenna, draughtsman: anonymous, Low Countries, 1500 - 1599, paper, pen, brush, h 153 mm × w 223 mm

Martyrdom of Saint Catherine of Alexandria 1512-83 After Bernardino Lanino Italian. Martyrdom of Saint Catherine of Alexandria 339113

Coronation with Lauwerkrans, Abraham Jacobsz. Hulk, After Jean Michel Moreau, 1806 print A man with a text on his lap is crowned with a laurel wreath. Stand around him and sit men, a number of frygic hats wear. To the left is a Roman soldier. On the right is a Roman soldier who listens to the person on his right side. A fortress in the background. Paris paper etching / engraving crowning with laurel. Phrygian bonnet

. With his arrow, Odysseus kills one of the freemers of his wife Penelope. The other freemers around the fallen table are looking for coverage.

Vatican City, Papal Court, Rome, Paoli, Giovanni Antonio de, Italy, Tempesta, Antonio, Varia tormentorum et supplicioru crudelium, Tortures suffered by Christian martyrs, Torture: burning on a gridiron, verso - stamped, Numbered bottom center: 78., print, prints, height 194 mm, width 133 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Daniel goes against suspension of Susanna; Thronus Justitiae. Two seniors who have been appointed as judges about the people fall susanna, in the background, tricky while taking her bath. She is accused of adultery by them. The two hair leads to a judge, which is on the right of a throne, and accuses her fake with the requirement that she must get the death penalty. Susanna looks up and prays to God that he knows what really happened and that they blame her fake. The young Daniel in the middle raises loud that he does not guilty of Susanna's blood. Then Daniël may question the elders to reveal the false testimony of the two. Under the show two four-line verses in Latin and a reference to the Bible text in. 13.

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