Historical Cartography

Engravings of various European cities from the 15th to 16th centuries, showcasing landscapes, architecture, and maritime activities with intricate details.

Cartography, Sweden, 16th century. Bergen. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

Cartography, Italy, 15th century. Jacopo Filippo Foresti (1434-1520). Supplementum Chronicarum, the city of Genoa, engraving.

Gezicht op een stad met in de verte een vesting. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 119 mm × w 231 mm. Museum: Rijksmuseum, Amsterdam.

Cartography, Sweden, 16th century. Bergen. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

Cartography, Spain, 16th century. Map of Toledo. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

The Portuguese push towards the interior and are attacked by a local tribe, 1602, engraving from American History by Theodore de Bry, Brasil 17th Century.

Contrafacture, like the Türck Vienna Besilicht, Anno , View of the city of Vienna at the time of siege in , Albert von Camesina -, Lithographer, After, Hans Guldenmund T, Woodcutter, after, Erhard Schön, Drawer

Brown ink and watercolor drawing by Joris Hoefnagel depicting a grenade, emphasizing object form, texture, and details, 1565.

La pianta grande di Roma (The Large Plan of Rome), after Giovanni Battista Nolli (Italian, 1701-1756) and Giovanni Paolo Panini (Italian, 1691-1765), also known as The NolliMap. Engraver: Pietro Campana, Italian, 1727-1779 Engraver: Carlo Nolli, Italian, 1710-1785 Engraver: Rocco Pozzi, Italian, 1701-1774 After: Giovanni Battista Nolli, Italian, 1701-1756 After: Giovanni Paolo Panini, Italian, Rome, 1691-1765

A woodcut by Jacopo de' Barbari from the late 15th to early 16th century depicting a panoramic view of Venice, showing canals, buildings, and streets.

Drawing of Cartama by Joris Hoefnagel, executed in pen with brown and blue wash around 1564/65.

A travel sketch by Valentin Wagner from 1631-1638 showing a view of an estate near Schwalbach, executed in ink and feather.

TOLEDO. VISTA GENERAL. GRABADO DE ANTON VANDER WYNGAERDE , AÑO 1563.

Excerable idea of the biting = true course , View of the siege of Vienna , Leonhard Loschge, publisher

Map of the Siege of the Gradisca fortress, 1616, 1616 print Map of the Siege of the Gradisca fortress, located on the River Lievenzo, and other places in Friulia, by the troops under Johan Ernst I, Count of Nassau-Siegen, Vederheer in the service of the Republic of Venice, 1616. At the Central Gradisca , at the bottom of the coast on the Gulf of Venice, Left Palma Nova. With inscriptions in the performance in Italian. Italy paper etching siege, position war. maps of separate countries or regions Gradisca. Palmanova

Rheinberg passes to the Spaniards, 1590, 1590 - 1592 print Rheinberg is transferred to the Spaniards, 3 February 1590. Episode from the Keulse War. With caption of 8 lines in German and 3 lines in French. Unnumbered. Cologne paper etching capture of city (after the siege) Rijnberg

DET- BATALLA DE SAN QUINTIN (1557) - PINTURA AL FRESCO 1585- SALA DE BATALLAS- DESPUES DE RESTAURAR. Author: GRANELLO-TAVARON-CASTELLO Y CAMBIASSO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

The Conquest of the Air by Man; La Conquista del Aire por el Hombre. Juan O'Gorman (1905-1982). Pencil on paper laid down on linen. Drawn in 1937. 53.5 x 183cm.

BARCELONA - DIBUJO - AGUADA - 1563 - 395x1590. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

Miniature fresco depicting a naval fleet leaving dock, from the west house of Thera or Santorini, Greece

Relief Van Steenwijk, 1581, 1581 - 1583 print Steenwijk Banned by the Malcontents under Rennenberg and relieved by the State Army under Sonoy and Norrits, 22 February 1581. With caption of 12 lines in German and 5 lines in French. Numbered: 40. Cologne paper etching Victory, position was Stone district

A depiction of the town of Linz, Austria in 1594

View of the island of Chios in a nutshell; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. View of the island of Chios in a nutshell. Middle above a cartouche with a text in Latin. The island of Chios was ruled for two centuries by the Giustiniani family until the year 1566. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Face on soissons; Soissons.Cooking the French city of Soissons. Part of an Atlas with 223 maps of countries and cities and war scaffolding in Europe in the period approx. 1690-1735.

GRABADO CONQUISTAS DE TUNEZ-ATLAS LAFRERI. Location: PALACIO REAL-BIBLIOTECA, MADRID, SPAIN.

Interior detail from the Palazzo Vecchio, Florence, Italy. A massive, Romanesque fortress-palace designed by the architect Arnolfo di Cambio. Internally, The first courtyard was designed in 1453 by Michelozzo. In the lunettes, high around the courtyard, are crests of the Church and City Guilds. In the centre, the porphyry fountain is by Battista del Tadda. This image shows painted wall detail.

VISTA DE ZARAGOZA - 1563. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: AYUNTAMIENTO. SARAGOSSA. Saragossa Zaragoza. SPAIN.

A woodcut engraving depicting the landing of William III (1650-1702) the sovereign Prince of Orange.

The Hague, Beeck, Anna, Cologne, Hogenberg, Frans, Novelanus, Symon, Sevilla, View of the city of Sevilla, View of the city of Sevilla in bird's-eye view. Print is part of an album., print, picture, book illustration, album page, prints, height 358 mm, width 480 mm, height 531 mm, width 630 mm, Southern Netherlands, German, print maker, printmaker, 1588 - 1588, paper, etching, etchings, engraving, engraving (printing process), hand colouring, Dutch, 1540 - 1590, 1657 - 1717, colourist

Ink, feather, and watercolor drawing by Valentin Wagner showing a view of Oldenburg, 1632, part of his travel sketchbook.

Textile, Dubey et Comp., Medium: cotton Technique: printed by engraved copper plate on plain weave, Panel probably from a curtain of white cotton, plate printed in lavendar. Design of varioud scenes of strolling players and musicians. Centre, a cart, with an old man riding the horse, woman and children in cart, musician at back; upper right, performers on an outdoor stage; lower centre, blind musician, drummer and two little dancers; lower left, musicians with people listening., Nantes, France, ca. 1800, printed, dyed & painted textiles, Textile

At Sheerness, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after T. & I. Milton, 18th century, 1755, Color engraving

A camp fortified with a double wagon castle in the 15th century, Bohemia, Historic, digitally restored reproduction of a 19th century original, exact date not known

Landscape with a barge and a ferry, Anonymous, After Hans Bol, 1548 - 1570 print A river flows through a mountainous landscape. A barge and a ferry sail over the river. Both banks are built on. print maker: Low Countriesafter design by: Low Countriespublisher: Antwerp paper etching tow-boat, towing-barge. ferry. mountains. river (+ landscape with figures, staffage)

The siege of Florence. Date/Period: 1556 - 1562. Painting. Fresco. Height: 220 mm (8.66 in); Width: 490 mm (19.29 in). Author: Jan Van der Straet (known as Giovanni Stradano).

Vienna Obsessa a Solimanno Anno , The field camp of the Turks in front of Vienna with the view of the city of south, Barthel Bartholomäus Beham -, artist

Woodcut engraving depicting Queen Elizabeth's entertainment by the Earl of Hertford at Elvetham

Landschap met gezicht op een stad.Landscape with a mill in the foreground, a tree in the middle, talking to each other with tools with tools with themselves and two children playing. In the background on the left a castle, right a village.

Fire in Constantinople, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DET- BATALLA DE SAN QUINTIN (1557)- PINTURA AL FRESCO 1585- SALA DE BATALLAS- DESPUES DE RESTAURAR. Author: GRANELLO-TAVARON-CASTELLO Y CAMBIASSO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Part of a four -part map of Switzerland (bottom left), Emanuel Schalch, after Johann Melchior Füssli, 1712 print Zurich (Stad) paper engraving / etching maps of separate countries or regions. river personified, 'Fiumi' (Ripa). coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal) Switzerland

BARCELONA - DIBUJO - AGUADA - 1563 - 422X980MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

Gartengestaltung, Nürnbergische Hesperides von Johann Christoph Volkamer, 1710 / garden, Illustration from Nürnbergische Hesperides garden, 1710, Historisch, historical, digital improved reproduction of an original from the 18th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, genaues Originaldatum nicht bekannt.

Cartography, Italy, 16th century. Map of Fondi, Lazio region. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

Insulae Melitae Vulgo Malte Nova et Accurata Descriptio; Schenck, Pieter (1660-1711), Valck, Gerard (1651 cars 1652-1726); 1711 (1711-00-00-1711-00-00);

PORTULANO - SIGLO XVI - COSTA NOROCCIDENTAL DE AFRICA - MADEIRA -CANARIAS. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Germany Munich woodcut coloured from ""Staedteatlas"" (Town Atlas) by Braun and Hogenberg 1588 Hamburg State Archives,

The bombardment of the Parthenon on 26 September 1687. Date/Period: 17th century. Painting. Watercolor. Height: 250 mm (9.84 in); Width: 720 mm (28.34 in). Author: Verneda Giacomo Milheau.

View of Granada, Fine early view of the Spanish city of Granada as seen from the east, The grand cartouche incorporates a key of important buildings; Alhambra, S. Helena, Los Theatinos, el Bosco, el Castillo major, Palatio Real Antiquo, el Castillo Atobin, and twelve more. Finely colored example of Braun & Hogenberg. 1563

Entry of Charles V into Munich, June 10, 1530. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Portolan of Genoa and Venice 16th century

View of Amsterdam.In the middle of the foreground is the Maid of Amsterdam, surrounded by merchants from all corners of the globe offering her their riches. The East Indians’ and Chinese bring precious stones, nutmeg, porcelain and silk. The legend below the image refers to Amsterdam as the trading capital of the entire world’ and recounts how the holds of the city’s floating castles’ (the ships) were laden with cargo from the farthest reaches of the earth.

Page from the Nuremberg Chronicle of Schedel, 1493 print Book illustration with performances of Koningen on top and left. From left to right: Aptheros, Eructoni, Fenix, Cadmus. From top to bottom: Alcades, Amynthas, Bellotbus. At the bottom of a performance of Corinth. A walled city with a city gate in the middle through a statue of a king. On the right a church. paper. (story of) Cadmus. prospect of city, town panorama, silhouette of city - II - ideal city. city-walls

View of Loja, 1575 View of Loja in Andalusia. In the foreground a rider and a man with a spear on foot. Print is part of an album. print maker: Cologneprint maker: Cologneafter drawing by: LojaThe Hague paper etching / engraving Store View of Loja in Andalusia. In the foreground a rider and a man with a spear on foot. Print is part of an album. print maker: Cologneprint maker: Cologneafter drawing by: LojaThe Hague paper etching / engraving Store

Engraving depicting the arrival of Queen Catherine of Aragon (1485-1536) into London. Dated 16th Century

Sidewall, Block-printed, Depicting scenes of the Crimean War. 'Siege of Sebastopole'. Picture of two sailing vessels passing in opposite directions through a channel between two forts. A town is on the left side. Large bodies of water at top and bottom. Scene is enclosed in an architectural frame of strapwork molding and cable or rope twist molding. Printed on natural color, very thin paper., France, 1840s, Wallcoverings, Sidewall

I Castle and master - general view, probably according to the engravings with: "Friend of the people" 1836, No. 45, p. 356; Lesser, Aleksander (1814-1884); 1836-1884 (1836-00-00-1884-00-00);Iłża (Masovian Voivodeship), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Emiljan Stanisław (Baron-1847-1912), Lesser, Emiljan Stanisław (Baron-1847-1912) - Collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, friend of the people (Leszno - magazine - 1834/1835-1849), architecture, defensive architecture, defensive architecture, Polish architecture, gift (provenance), cities, ruins, castles ruins, city views, hills

Perspective Print: Shinobazu Pond. Artist: Utagawa Toyoharu (Japanese, 1735-1814). Culture: Japan. Dimensions: H. 9 3/16 in. (23.3 cm); W. 13 1/2 in. (34.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Italy, Tempesta, Antonio, Famous military river crossings, Passaggio degli elefanti di Annibale, Hannibal's elephants crossing the river Rhone, verso - stamped, Hannibal's elephants are transported across the river Rhone by rafts and rowing boats., print, prent, prints, height 164 mm, width 277 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings

Arrival of the six ships at St. Vincent, 1615; St. Vincent; Image of Capo Sint Vincent in Brasilien, aldaer moved on the ships. Arrival of the six ships at the port of St. Vincent (Sío Vicente) in Brazil, January 1615. Part of the illustrations in Joris Journey report from Spilbergen to the world, 1614-1617, No. 2.

Study for the background signs of the zodiac for The Hours” ceiling mural, House Chamber, Pennsylvania State Capitol at Harrisburg. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The country of So red the rose, by Stark Young, Scribners. Pictorial map showing characters and places from Young's So red the rose.... , Mississippi

The Hague, Beeck, Anna, Hoefnagel, Joris, Cologne, Hogenberg, Frans, Keulen, Novelanus, Symon, Malaga, View of the city of Malaga, View of the city of Malaga in Andalusia with ships off the coast. Print is part of an album., print, picture, book illustration, album page, prints, pictures, height 351 mm, width 460 mm, height 531 mm, width 630 mm, South Netherlandish, German, print maker, printmaker, 1657 - 1657, paper, etching, etchings, engraving, engraving (printing process), hand colouring, letterpress printing, tearing, Dutch, 1540 - 1590, 1542 - 1600-09-09, intermediary draughtsman, after a drawing by, 1657 - 1717, colourist

Boiardo writes his Poem and Stories of the Aeneid of Turnus and his Allies, by Dell'Abate Niccolo, 16th Century, fresco transferred to canvas probably. Italy: Emilia Romagna: Modena: Estense Gallery. Whole artwork. Lunette Boiardo writing poem horses city battle soldiers

Two large fortresses on the Bosphorus; one on the Greek side and the other in Anatolia, miniature from Turkish Memories, Arabic manuscript Cicogna Codex, Turkey 17th Century.

Mourning sampler, Sarah Ann Wimpory, Medium: silk embroidery on wool foundation Technique: uncounted stitches; cross and satin stitch on plain weave foundation, Rural landscape with flock of sheep and shepherds, cottage with duck pond, house with figures under a tree, dominated by a large building labeled A Priory. At the bottom, a gravestone-like shape contains 'Sarah Ann Wimpory, 9 years', England, late 18th-early 19th century, embroidery & stitching, Mourning sampler

Kaiser-Everdorf , POLLIGER JOELF POCKER J, PRODER

The first plague of Egypt; That Erste Plage in Egyptians (...). .

Toto ryogokubashi yusuzumi no zu, Evening rain at Rogoku Bridge in the capital., Tamagawa, Shucho, active 1789-1801, artist, between 1795 and 1801, 1 print : woodcut, color ; 23.7 x 36.4 cm., Print shows crowded waterfront scene with pedestrians on the promenade, on the Rogoku Bridge, and waiting in stalls, possibly for boats.

Ceiling decoration, Villa Cicogna Mozzoni, Bisuschio. Detail. Italy, 16th century.

Utrecht a ærtsbiocese

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Magdalena Poenitens (The Penitent Magdalene), c 1555 1557 Magdalena Poenitens (The Penitent Magdalene)

Le Marchand d'orvietan (The quack doctor), Medium: cotton Technique: printed by engraved copper plate on plain weave, One and a half repeats of scenes of a quack doctor selling medicine to villagers. In red on white, Nantes, France, ca. 1785, printed, dyed & painted textiles, Textile, Textile

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books. It is classified as an incunabulum - that is, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. It is also one of the first to successfully integrate illustrations and text. Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel's World History) in honour of its author. The illustrations in many copies were hand-coloured aft

VISTA DE CIUDAD - PINTURA NAIF - SIGLO XX. Author: PARADA JULIAN. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Artist: Katsushika Hokusai, Japanese, 1760-1849, Famous Sites ofChina, 18th-19thcentury, Ukiyo-e; polychrome woodblock print, sheet: 16 1/4 × 21 1/2 in. (41.3 × 54.6cm), 葛飾北斎　唐土名所之絵　浮世絵錦絵　江戸時代<?xml:namespace prefix = o ns = urn:schemas-microsoft-com:office:office /> , Japan, Japanese, Edo period(1615-1868), Works on Paper -Prints

Landscape View at Yokohama (Yokohama fūkei) 2nd month, 1860 Utagawa (Gountei) Sadahide Japanese. Landscape View at Yokohama (Yokohama fūkei) 73391

Photo production of a drawing by Rafaël, three scenes, Charles Thurston Thompson, After Rafaël, c. 1852 - in or before 1857 photograph Windsor Castle paper albumen print scenes ~ anonymous historical person(s)

Western Mediterranean, Europe and Northern Africa, Portolan Atlas, Fernao Vaz Dourado (16th C.), The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Koenigl. City Fryer Leitmeritzer County. Submitted from Joann Venuto 1822. 1. The Schreckstein legend

Piobbico (Italia, Marche - provincia di Pesaro-Urbino), Castello Brancaleoni, appartamento nobile, Camera Romana. Ciclo di affreschi attribuito a Damiani da Gubbio e stucchi di Federico Brandani. Scena di caccia del Conte Antonio con la veduta del borgo di Piobbico e il Castello Brancaleoni, XVI secolo

Aragonese fleet returning to Naples victorious after the Battle of Ischia 12 July 1465, from Tavola Strozzi, ca 1472, attributed to Francesco Rosselli, Italy 15th Century. Oil on panel.

Saint Andrew Led to Martyrdom. Attributed to Niccolò Circignani, called Il Pomarancio; Italian, 1517/24-after 1597. Date: 1537-1596. Dimensions: 144 x 96 mm. Pen and brown ink over black chalk, on tan laid paper, squared in pen and brown ink, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Battle of Higueruela. 1431. Detail from the Sack of Santa Fe (Granada). Painted in 1585. St. Lawrence the Escorial Monastery. Author: GRANELLO-TAVARON-CASTELLO Y CAMBIASSO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

LERIDA - DIBUJO - AGUADA - SEPIA - 1563 - 283X1276MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

The Nuremberg Residence of the Derrer Family; Georg Strauch, German, 1613 - 1675; Nuremberg, Germany, Europe; about 1626 - 1711; Tempera colors with gold and silver highlights on parchment; Leaf: 37.6 x 26 cm (14 13/16 x 10 1/4 in.)

Rectangular tile plaque, blue and yellow on white, cityscape Rotterdam from across the Maas, plaque tile footage ceramic earthenware glaze, baked 2x glazed painted Smooth rectangular Edges slightly thinner than middle section Rotterdam (painted and baked-in front in banderole) topography cityscape Rotterdam Maas Purchased with support Vereniging Rembrandt .

China: Qingming Shang Tu or 'Along the River During the Qingming Festival' (detail), from a 1737 Qing Dynasty version based on the Zhang Zeduan (1085-1145) original scroll painting dating from the Northern Song Dynasty (960-1127)

A pencil, watercolor, and cover color drawing by Oskar Laske from 1914 depicting the old port of Marseille, showing boats, buildings, and harbor layout.

From the Pont des Saints Pères (Du Pont des Saints Pères). Dimensions: 27 cm x 22.7 cm, 21.1 cm x 17 cm. Museum: Van Gogh Museum, Amsterdam. Author: George Auriol.

Panoramic drawing by Wilhelm Stettler of Bern, executed in gray ink with watercolor and sparse tempera, dated 1683.

Map of the city of Palma, with ships fighting in the bay, Sant Francesc. 13th century. Palma, Mallorca. Balearic Islands. Spain.

Stag Hunt of the Elector John Frederick, Cranach, Lucas, the Younger (1515-1586)

Raft for transporting building material, engraving from a drawing by Cesare Cesariano, from De Architectura libri dece traducti de latino in vulgare (The Ten Books on Architecture translated from Latin to vulgar), Volume II, by Lucius Vitruvius Pollio, 1521, Como.

Ptolemy World map by Germanus, Donnus Nicolaus (ca. 1420-ca. 1490) / Private Collection / 1482 / Germany / Woodcut, watercolour / History / 29,2x41 / Cartography

MALAGA - DIBUJO AGUADA - 1564 - 243/256X1080 MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: ASHMOLEAN MUSEUM. OXFORD. ENGLAND.

Renaissance map of Europe, Jacopo Russo, 1528, detail, showing three sailing ships of 16th century

Tabuia Nova Hibernie Anglie et Scotie. Unknown Artist; English, 19th century. Date: 1889. Dimensions: 220 × 345 mm. Woodcut in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

View from the sea of the Neapolitan neighbourhood in Chiaia showing Castel dell'Ovo, by Gaspar Butler, Italy 18th century.

Die Tracht inn Plauen im 18. Jahrhundert, Sachsen, Deutschland / The costume inn Plauen in the 18th century, Saxony, Germany, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.

Woodcut from 'Museus' Opusculum de Herone et Leandro. by Aldus Manutius; venice; 1495

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