Historical Celebrations

Engravings showcasing historical events, such as count honors and biblical gatherings, featuring landscapes with characters in traditional attire.

Pan and Syrinx with dancing putti, Dancker Danckerts, 1633 - 1675

. Count Willem III raised and honored as a lord of Friesland, 1328.

Tintoretto, Jacopo, Hoy, Nikolaas van, Brussels, Ossenbeeck, Jan van, Gathering the manna, verso - stamped, The Israelites gather the manna in baskets and jars. Young and old are on their feet to gather the manna. In the foreground on the right a man points to manna on a tree., print, engraving, prints, height 218 mm, width 319 mm, Northern Netherlands, 1624 - 1674-03-30, print maker, printmaker, 1660 - 1660, paper, etching, etchings, engraving (printing process), Southern Netherlands, Austrian, 1631 - 1679-06-25, intermediary draughtsman, after a drawing by, Italian, 1519 - 1594

Nymphs rest after hunting, Gerard de Lairesse, 1685 print In a landscape a group of nymphs rests after hunting. The hunting dogs are sent away, the arrows are stored or hung away. On the left view of a ruin. Amsterdam paper etching Diana hunting with her nymphs (+ variant). resting - BB - out of doors. landscape with ruins - II - ideal landscapes

Antiochus, holy.

Poetry and Apollo on the Parnassus. Poetry writes on a tablet, Apollo is behind her, a winch and statue in his hands. Pegasus, symbol of poetic genius, runs behind them. The River Castalia flows to their feet, on a rock along the shore is amor. Various musicing musical musicals in the background.

Abraham Bosse (1602-1676). "History of the prodigal child (dutuit page 63)". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-1 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Pan and Syrinx with dancing putti, Dancker Danckerts, 1633 - 1675

Gideon and the wet sheepskin, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 108 mm × w 156 mm

Jakob struggles with the angel, Claes Moeyaert, 1612 - 1655 print Jakob is struggling with the angel at the river Jabbok. Jakobs jug and staff lie on the floor. At the bottom of the margin a reference in Latin to the Bible text in Gen. 32. Amsterdam paper etching Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Sali-Francs topics to Julianus, 358; The Salliers subject to the Romans.The Sali Sali Francs Submit to the Roman Supreme Commander Flavius Claudius Julianus in 358 (Julianus de Spoorig).

Freeing of the galley slaves , Prisoners, Liberty, Quixote, Don Fictitious character, Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote. William Hogarth (1697-1764). Prints

Genazing from Naaman. .

Rural Recreation, 1769. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 58.5 x 43.5 cm (23 1/16 x 17 1/8 in.); platemark: 37.7 x 29.8 cm (14 13/16 x 11 3/4 in.).

Archery, Jan Luyken, 1712 print Amsterdam paper etching shooting with bow and arrow, archery (~ games of skill)

Landscape with kneeling woman and puti, Simon Fokke, 1722 - 1782 print A kneeling woman is about to be lauded by a putto with palm branch that floats above her in the air. On the left in the foreground a putto reads a book, a second putto looks at a painting. Amsterdam paper etching crowning with laurel. cupids: 'amores', 'amoretti', 'putti'

Apes, some in clothes, sitting below a forest tree and using a log as a see-saw. Etching.

Murder of Floris V, 1296, 1747 - 1799 print Floris V murdered by Gerard van Velzen, 26 June 1296. The count who is tied up on his horse is killed with a sword by Gerard van Velzen. Northern Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Netherlands

Picart, Bernard, Amsterdam, Dialogues des morts, A number of deceased philosophers and writers discussing with each other, verso lower left - stamped, Allegorical representation with deceased philosophers and writers discussing with each other in the Elysium. On the left in the foreground the Greek lyric poet Anacreon in conversation with Aristotle. In the middle Homer and Aesop, Alexander the Great and the courtesan Phryne. In the background even more historical figures. In the margin a three-line caption in French., print, book illustration, prints, height 290 mm, width 192 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1727 - 1727, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Mercurius a Batus, Philip Van Gunst, 1685 - 1732 print Apollo plays the pan flute in the foreground. Mercury steals his oxen in the background. On the right in the background the Shepherd Battus, who sees the theft happen. Amsterdam paper etching / engraving Mercury steals the flock which Apollo is tending, Battus present

Willem Basse, The Abduction of Europa, 1634 The Abduction of Europa

. The blind phineus, king of Thracia, is robbed by the harpies of his meal and sprocket with their droppings. On their arrival on the island, the brothers expell calaïs and Zetes them. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Moses is found, François Bourlier, after François Perrier, 1651 - 1682 print paper etching / engraving Moses is pulled out of the water by the servants

Seven boys 1646-54 Formerly attributed to Wenceslaus Hollar Bohemian. Seven boys 361621

John the Baptist points two apostles to Christ in the distance, Jean -Baptiste Corneille (attributed to), after Annibale Carracci, 1659 - 1695 print Numbered 33. France paper etching series of scenes from the life of John the Baptist. Christ

Allegory on Africa; Contemporary history Xve part. The Hottentots, Giagas, Benguela, Congo, Angola, Loano, Benin & c.; Title page for: S.N., Contemporary History or the continuation of the General History, 1785.A Khoi family in a landscape for their home. In the background a camp of the VOC and the Queen of Angola on horseback amid a group of armed men.

Berghem, Nicolas (uncertain), Visscher, J. (uncertain), work, Shepherd and nursing woman, (1000 - 2000), line etching, graphics, plate width 15.2 cm, plate height 21.1 cm, leaf width 19.8 cm, leaf height 27.6 cm

The corpse of Charlemagne, found in a swamp, frozen in the ice, 1477, 1789 print The corpse of Charlemagne, found in a swamp near Nancy, frozen in the ice, 1477. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death (+ finding of dead or dying person) Nancy

Exploration of Canaan, Caspar Luyken, 1708 print Nuremberg paper etching

Similarity of the lost son; The Lost Son asks a farmer for work, Christian Wilhelm Ernst Dietrich, 1756 print Dresden (possibly) paper etching the prodigal son, suffering want, asks a farmer for work. the prodigal son tends the swine and eats from their trough. farm (building)

Tobias and the angel by a river, Anonymous, After Hendrick Goudt, After Adam Elsheimer, 1608 - 1698 print Tobias and the Engel Rafaël cross a river. A dog follows them. In Tobias' hands a big fish. Tobias will later use the fish his bile to cure his fathers blindness. In the background a shepherd and his herd. The print has a Latin caption. To a painting by Adam Elsheimer paper engraving Tobias and the angel Raphael travelling, accompanied by Tobias' dog

. Landscape with Minerva, as the patroness of the arts, holding a book to an old man. In the foreground three putti with a sheet to which the title in Dutch and a globe and other attributes that symbolize the arts and sciences.

Koppensnellers, Jan Caspar Philips, 1727 print Landscape with headhunters, who show the severed heads of Westerners to their prince. In a parade they descend from a mountain. Amsterdam paper etching / engraving / letterpress printing landscapes in the non-temperate zone, exotic landscapes. head of a beheaded person

Job on the manure heap ..

Anthony, pl. 2 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Jacob Hogg, active 1751, British, Canterbury Tales: The Sompnour Devil and the Old Woman (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968).

A company of two men and two women plays the game Pied de Boeuf. It was originally a child's play where the players put their hands together. In the margin a six-line poem, in two columns, in French.

Judgment of Midas, Bernard Picart, 1721 print King Midas points Pan as the winner in the music competition between Pan and Apollo. The left -sitting Apollo gives Midas for punishment donkey ears. Amsterdam paper engraving / etching contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears

Jacob's Ladder. Dated: c. 1745. Dimensions: sheet (trimmed to plate mark): 52 x 33.8 cm (20 1/2 x 13 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner (publisher) after Jacopo Amigoni.

Landscap Met KoeienMelkster, Francesco Bartoloote, after Francesco Zuccarelli, 1739 - 1780 print Landscape with a cow's milk star. She demonstrates to a woman with three children how to milk a cow. In the background a farmer with a second cow and a farm. In the lower margin a four -line verse in Italian. Numbered bottom left: no 7-6. Numbered below: C.C. No. 6. Venice paper etching / engraving landscapes. farmers. milking

In front of a rocaille ornament in a landscape, a soldier sits with a glass in his hand. He looks in love at his lover lying on his lap. On the left are two soldiers. Numbered K at top right, Soldier in love L'Amoureu Huerrier, Der verliebte Soldat , print maker: anonymous, François-Thomas Mondon, (mentioned on object), publisher: Johann Georg Merz, (mentioned on object), Augsburg, 1736 - 1762, paper, etching, h 224 mm × w 178 mm

Landscape with men and women who dance, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Landscape with cheerful company of men and women who dance to music from a flute player sitting in a tree. The men try to steal kisses from the ladies. Under the show is a verse in Latin. paper engraving private festivities, merry company. group dancing

Zadomer John Vitalba, after Filippo Laururi, 1766 print Farmers at work on the land in the summer. Text in English in STUDMARGE. Numbered bottom left: Vol. Ii. No. 2. after painting by: Italypublisher: England paper engraving / etching seasons of the year represented by scenes showing human activities, usually in a landscape

Mother points her child to a school building, Jan Luyken, 1712 print Amsterdam paper etching being brought to school, first school-day. mother and baby or young child

Brinno named Leader of the Kanninefaten, 69-70. Brinno standing on a shield is named leader of the cannon defects.

Country Dance. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Minerva hands over a book to an old man, Jan Caspar Philips, 1740 print Landscape with Minerva, as patroness of the arts, who hands over a book to an old man. In the foreground three putti with a sheet on which the title in Dutch and a globe and other attributes that symbolize the arts and the sciences. Amsterdam paper etching / engraving Minerva as patroness. globe. cupids together with attributes of the arts, sciences, etc. (+ specific aspects, allegorical aspects)

Mord to Floris V, Anonymous, After Pieter TanJé, AFTER Louisiusius Dubbourg, 1749 print Floris V murdered by Gerard van Velzen, 26 June 1296. The count who is tied up on his horse is killed with a sword by Gerard van Velzen. Netherlands paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death

Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from 'Six animal subjects' (Six sujets d'animaux). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 8 7/8 x 6 7/8 in. (22.6 x 17.4 cm)Plate: 5 9/16 x 5 7/16 in. (14.2 x 13.8 cm). Series/Portfolio: 'Six animal subjects' (Six sujets d'animaux). Date: ca. 1643-48. Museum: Metropolitan Museum of Art, New York, USA.

Three historical figures in conversation, Simon Fokke, 1722 - 1784 print Messrs Jean Antoine de Mesmes, Coenraad van Beuningen and Hieronymus Beverningk in the open air. In the background an image of a woman with helmet and freedom hat on a stick. Under the image a text with the date of July 1755. Amsterdam paper etching Freedom, Liberty; 'Freedom' (RIPA)

Allegory with Minerva as patroness of the arts. Allegory with Minerva as patrones of the arts sitting in landscape for ruin of triumphal arch and Greek images. Artists are tools on the floor. Two small angels wear shield with monogram.

Picart, Bernard, Amsterdam, Title page for: AB de la Martinière, Nouveau Recueil de Epigrammistes François, 1720, Allegorical representation with the muses warming themselves at the fire of bad books, verso lower left - stamped, On Parnassus the muses warm themselves at the fire of a book burning. On the left in the background Pegasus throwing off a writer. In the margin a six-line caption in French., print, title page, prints, height 144 mm, width 83 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Offer from Elia digested by fire.

The victory of Carthaginian general Hannibal over the Roman army at the Battle of Cannae, Second Punic War, 216 BC. Victoire d'Annibal a la bataille de Cannes. Copperplate engraving by Paul Johan Weindl after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Allegory of the V.O.C, In the middle Batavia, the personification of the V.O.C, with scepter. The Dutch Lion lies at her feet, watching over a bundle of arrows and a sword. Behind Batavia, Liberty with a hat of freedom stands on a pole and a flag is held with the monogram of the V.O.C. Mercury, the god of commerce, sits on the right of Batavia. Oriental merchants lay down presents while the far right two putti play with a coat of arms with the image of an eagle, trade company, attributes of Mercury, Freedom, Liberty, 'Libertà' (Ripa), Simon Fokke (mentioned on object), Amsterdam, 1752 - 1784, paper, etching, h 101 mm × w 148 mm

Diana with her nymphs. Diana with arrow sleeve and five nymphs, walking along the bank of a river (possibly the Eurotas). In the middle an apple tree and on the left a river god.

Jacques Callot (1592-1635). "The penitents, Saint Madeleine repentant: second issue of a series of 5 pieces" (Lieure 1316, Meaume 149). Etching. Around 1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99593-5 Etching, engraving

Juno seduces Jupiter, Bernard Picart (workshop of), After Bernard Picart, 1710 print Juno wears the belt of Venus and seduces Jupiter, who then falls asleep. They are accompanied by their attributes, respectively the eagle and the peacock. In the margin a caption in French. Amsterdam paper etching / engraving Jupiter is lured away by Juno wearing Venus' girdle

Amsterdam, Schenk, Leonard, 't Aapenspel in de Werelt, Apenspel in de wereld, Apenop en in de boom, verso - stamped, Young monkeys playing in the forest on the seesaw and in the tree. Part of a series consisting of a title print with 16 unnumbered plates from around 1720 in which monkeys appear as people in all kinds of scenes from everyday life. Each print with a two-line verse in the caption., print, prent, prints, prenten, Frederik Muller Historieplaten, height 163 mm, width 195 mm, Noord-Nederlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Eliza throws salt in the source / picked Sodoms go into smoke while Vespasian thrown into the Dead Sea people continue to float.two representations of a plate. At the Top Right Numbered: 356 and 357.

Shepherds find Benedict in his safe, Reinier Vinkeles (I), 1805 print Two shepherds, accompanied by a part of their sheep, stand in front of Benedict who is in a cave. From his safe he speaks to the shepherds. Amsterdam paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. anchorite, hermit. cave, grotto. conversation, dialogue; conversation piece

Print, The Parable of the Sower; Print Maker: Michel Lasne (French, ca. 1590 - 1667); France; engraing on paper; 11.7 × 15.2 cm (4 5/8 in. × 6 in.); 1896-31-17

On the left in the foreground is a man with loincloth, sword and shield. On the right in the foreground two women with a child. Next to the man is a child. The figures have striking stretched earlobes. The standing child seems to have a weight hanging from the right ear. In the background a wooden building and some other figures. Design for a book illustration, People next to a wooden building Design for The Most Distinctive (...) Sea and Land Travel (series title), draughtsman: Jan Goeree, 1704 - 1727, paper, pen, brush, h 130 mm × w 180 mm

Telemachus discovers Philocles in a cave Philocles exilé, est decouvert dans sa solitude (title on object) Adventures of Telemachus (series title), Telemachus stands for the cave where Philocles is hiding. Print top left marked: Page 245, (story of) Telemachus, cave, grotto, Simon Fokke (mentioned on object), Amsterdam, 1775, paper, etching, h 143 mm × w 92 mm

Civilis and Cerialis negotiate on the broken bridge, 69-70, Reinier Vinkeles (I), After Jacobus Buys, 1788 print Civilis and cerialis negotiate and close peace on the broken bridge. Amsterdam paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Groep Saters, Stefano Della Bella, 1620 - 1664 print A group of saters in a landscape. Four saters dancing, one plays on a tambourine and two watching. France paper etching satyr(s) (in general)

Pierre François Basan after Gabriel Jacques de Saint Aubin, Ballet at the Opera, 1761 Ballet at the Opera

Muzio Jan Sadeler (1550-1600). Mutius. Burin, 17th century.

The Abduction of Europa. Dated: 1634. Dimensions: plate: 10.7 x 15.9 cm (4 3/16 x 6 1/4 in.) sheet: 11.5 x 17.9 cm (4 1/2 x 7 1/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Allegory on the repair of the Stadtholder Willem V, 1787; Happy day. Allegorical performance on the repair of the Stadtholder Willem V and its catch in The Hague on September 20, 1787. Justice opens the gate for a young frost (Prince Willem V), so that the road to The Hague is free for Him. Wangunst and armed anger try to stop the door in vain. The province of Holland gives him the command post. At the front right the Dutch lion with the year 1766 (when the Prince became Stadhouder). In the background the gratitude engraves the Namur Brunswijk and Rhoon at an honorary column. From heaven the alloying eye looks down at the events. A text sheet is part of the print.

The prodigal son leaves his parental home with his possessions and his inheritance. He is seated on a horse. Servants load his belongings onto two other horses that are already ready. Through the door, the prodigal son's father can be seen in the house. Below the scene is a Dutch verse about the story, The Departure of the Prodigal Son Uyttocht Parable of the Prodigal Son , print maker: Gerrit de Broen (I), (mentioned on object), intermediary draughtsman: Gerrit de Broen (I), (mentioned on object), publisher: Gerrit de Broen (I), (mentioned on object), Amsterdam, c. 1684 - c. 1740, paper, etching, engraving, h 308 mm × w 198 mm

Standing Violinist, from Diverse Figures from the Countryside Made 1649 Italy. Genre figure studies that recorded the novel activities and costumes of country folk were popular during the seventeenth century. For his Diverse Figures from the Countryside series, done while he was in Paris, della Bella created eight detailed, small-scale vignettes in a landscape setting, often with a subtle narrative. During his sojourn in France, which lasted from 1639 until 1650, della Bella was supported in part by the sale of his many print series, such as Diverse Figures, which filled in the artistic gap left in Paris by Jacques Callotís death in 1635.. Etching on paper . Stefano della Bella

Paris, Landry, Pierre, Berchem, Nicolaes Pietersz., Somer, Paul van (II), Pastoral landscapes, Woman and a man on a donkey at a water source, verso bottom center - stamped, A woman with a basket of laundry stands at a water source, where sheep and cows are drinking. Next to her stands a man on a donkey, who has a jumping dog on a leash. He tries to bring the beast to order., print, prints, height 171 mm, width 230 mm, Dutch, 1659 - 1704, print maker, printmaker, 1670 - 1675, paper, papier, etching, etchings, Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1630 - 1701-12-11, publisher

Design for title page for contemporary history, part VII ..

The Story of Elisha, 1643. Nicolaes Rijckmans (Flemish, 1616-), after Pieter I de Jode (Flemish, 1570-1634). Engraving;

Diogenes does not ask Alexander to be in his light, Salvator Rosa, 1662 print Alexander the Great is on the left and Diogenes sits on the right on the floor in front of the barrel in which he lived. Ten figures are around them. Bearing with his hand, Diogenes asks Alexander not to be in his light. In the middle of three lines of Latin text (Juvenal's 'Satires': XIV, 311-313). Italy paper etching / drypoint Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light

Duin landscape with a man, sitting on two baskets, Gillis van Scheyndel (I), After Jan Porcellis, 1645 print North Netherlands paper etching dune coast. container made of plant material other than wood: basket

Diana en Acteon, Etienne Fessard, after Jacopo Bassano, 1742 print France paper etching / engraving Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Dubourg, Louis Fabritius, Netherlands, Folkema, Jacob, Arrival of the Batavians in the Netherlands, ca. 55-10 BC, Arrival of the Batavians in the Netherlands., print, history print, prints, Frederik Muller History plates, height 165 mm, width 203 mm, Dutch, 1692 - 1767, print maker, printmaker, 1747 - 1749, third quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), 1693 - 1775-09-16, intermediary draughtsman

Jacob Demanding the Hand ofRachel. Engraver: Caesare Fantetti, Italian, 1650-1700 After: Raphael, Italian, 1483-1520

Sight (Visus), from the Fiver Senses n.d. after Maerten de Vos Netherlandish Prints of allegorical subjects were produced in England by the 1620s, reflecting this fashion on the Continent. The concept of the Five Senses personified by women and accompanied by companion animals was established by the Middle Ages, but the specific combinations of women and beasts illustrated in this set date to the mid-sixteenth century. The same iconography appears on the small cabinet decorated with the Five Senses (29.23.1).. Sight (Visus), from the Fiver Senses 383751 Artist: after Maerten de Vos, Netherlandish, Antwerp 15321603 Antwerp, Artist: Adriaen Collaert, Netherlandish, Antwerp ca. 15601618 Antwerp, Sight (Visus), from the Fiver Senses, n.d., Engraving; first edition, Image: 7 9/16 x 10 in. (19.2 x 25.4 cm) Sheet: 8 3/8 x 10 1/4 in. (21.3 x 26 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.597.41(2))

Allegorical show with rigidity and arab; General Contemporary History from the English stated, second part; Title page for: S.N., Contemporary History or the continuation of the General History, 1761. The personification of rigidity is striking with dagger and yoke. In addition to her, a figure in animal skin with torch. Left shows an Arab on a long role with names of caliphs. Two putti papers tear in trio and a putti with zodiac around his waist and a half moon are on the head. A battle takes place in the background.

Murder of the Germanic general Arminius, 19, Reinier Vinkeles (I), After Jacobus Buys, 1786 print The Germanic general Arminius, leader of the Cherusken tribe, is murdered by members of his own tribe in 19 (according to FM in the year 17). Amsterdam paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). attempt, political murder Netherlands

Reukzin, Pierre Alexandre Aveline, Pierre Alexandre Avine, 1712 - 1760 print France paper etching smell, smelling (one of the five senses). agriculture, cattle-breeding, horticulture, flowerculture, etc.

Thetis Recommends Achilles to the Tutelage ofChiron. Artist: Unknown After: Georg Pencz, German, ca. 1500-1550

Playing monkeys, Leonard Schenk (Possible), 1720 - 1767 print Young monkeys play outside of children's games. On the right is a banner tree. Part of a series consisting of a title print and records in which monkeys figure as people in all kinds of scenes from daily life. The print has a two -way verse in Dutch. Amsterdam paper etching animals acting as human beings. monkeys, apes. children's games and plays (+ out of doors (sports, games, etc.)). fruits (with NAME) (+ parts of plants)

Bernicius on the Parnassus crowned by Apollo, Simon Fokke, 1766 print The poet, chimney sweep and scissors grinder Petrus Johannes Bernicius on the Parnassus crowned by Apollo. At the bottom of books and attributes of the chimney sweep and scissors grinder. paper etching specific aspects, allegorical aspects of Apollo; Apollo as patron - veneration, honoured by

Poor man is sitting between the boar and takes food from a barrel in the form of the world; The deliberate poverty.

Allegorical show with children playing with astronomical instruments, Johann Heinrich Keller (II), 1702 - 1765 drawing paper. chalk. ink pen / brush

Dike breach, 1530; Unkilled flood, and breakthrough of the Hollandsche Dyken. Dike breach and flood, November 5, 1530. Flooding with disaster victims in the foreground. At the top right: III.d.pl.vii.

There is a shepherdess on a hill and is a shepherd, Jan de Visscher, after Nicolaes Pietersz Berchem, 1643 - 1692 print Northern Netherlands paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. landscape with tower or castle - II - ideal landscapes

Nebuchadnezzar in wonder about the presence of three young people in the fiery oven, Jan Luyken, 1708 print Amsterdam paper etching to his astonishment King Nebuchadnezzar sees four men (one of them usually represented as an angel) in the furnace; the king commands them to come forth

Pompeius lets the letters of Marcus Peperna burn, Pieter Tanjé, after Gerard de Lairesse, after Nicolaas Verkolje, 1737 print Sextus Pompeus, with commander staff in hand, let the letters of Marcus Peperna burn. To the painting in the council chamber of the Hof of Justice of Holland, Zeeland and West-Friesland on the Binnenhof in The Hague. Amsterdam paper etching / engraving (Story of) Pompey

Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1740-1779, British, 1778, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

Death of Orpheus, Bernard Picart, After Nicolas Poussin, 1724 print The Maenaden of Ciconia kill Orpheus after he has lost Eurydice. During a bacchanal they hit him with sticks and stones. Amsterdam paper etching / engraving death of Orpheus: he is torn to pieces by the Thracian women during a Bacchic orgy

The inhabitants of Zierikzee attract Charles the Bold and Smeken for mercy, 1472, Reinier Vinkeles (I), After Jacobus Buys, 1795 print The inhabitants of Zierikzee attract Charlemagne and begging the duke on their knees for grace, 1472. Amsterdam paper etching Zierikzee

Absalom killed by Joab.

Parable of the Sower and the Kingdom of Heaven, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 158 mm

Fabel of the donkey Relics Dragend, Johann Heinrich Meil (Der ältere), After Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). ass, donkey. relics (and reliquaries)

Three historical figures in conversation Illustrations of national history (series title), Conversation in the open air between Jan Plantain, Jugurtha and de Ridder de Vial. Below the image a text with the date January 1757., Jan Plantain, Jugurtha, Jean Baptiste Vial, Simon Fokke (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 134 mm × w 78 mm

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four historical figures in conversation, Frederick I in the open air in conversation with Charles Martel, Willem Boreel and Jac. Harrington. Below the image a text with the date January 1756., print, picture, book illustration, prints, pictures, height 126 mm, width 80 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

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