Historical City Scenes

Paintings depicting bustling urban life in historic settings, showcasing market scenes, fairs, and community gatherings in vibrant detail.

Copenhagen. Heinrich Hansen (1821-1890). Oil on canvas, Signed And Dated '87. 15 3/4 X 25 1/2in.

Frost Fair on the Thames, with Old London Bridge in the distance. Date/Period: Ca. 1685. Painting. Oil on canvas. Height: 819 mm (32.24 in); Width: 927 mm (36.49 in). Author: UNKNOWN ARTIST.

The return of Louis XVI in Paris, October 6, 1789 Robert Dighton (1752-1814). The return of Louis XVI to Paris, October 6, 1789. Pencil, feather, gray ink, watercolor, chalk color, charcoal.

Copenhagen. Heinrich Hansen (1821-1890). Oil on canvas, Signed And Dated '87. 15 3/4 X 25 1/2in.

David Hodgson, 1798-1864, British, The Haymarket, Norwich, 1825. Oil on panel.

Wool Making. Dating: 1651. Measurements: h 112 cm × w 190 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter de Molijn.

Delhi, Hercules Brabazon Brabazon, 1821-1906, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board, Mount: 9 3/4 x 12 1/8 inches (24.7 x 30.8 cm) and Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm), architectural subject, buildings, city, crowd, figures, genre subject, market (event), merchants, trees, walking, Asia, Delhi, Delhi metropolitan area, India

Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.

France. Paris. View of the Seina river, the Grand Gallery of Louvre and the College des Quatre Nations. Anonymous. 1680. French School. Carnavalet Museum, Paris. France.

'View of the Village of Schelle (Village street)'. Flanders. Dimensions: 22x32 cm. Museum: State Hermitage, St. Petersburg. Author: Jan Brueghel I (de Fluweelen Brueghel) ( ).

Leandro Bassano (1557-1622). Italian mannerist painter. The Riva degli Schiavoni in Venice. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

unknown artist, A Balloon Ascent near Greenwich Hospital, ca. 1800. Watercolor, pen, and ink on medium, slightly textured, cream wove paper.

Study for Lima's Main Square. Date/Period: Ca. 1843. Painting. Gouache on paper. Height: 245 mm (9.64 in); Width: 290 mm (11.41 in). Author: Johann Moritz Rugendas.

Rink unknown

Dom in Utrecht / to Jan v.d. Heyden / (painting unknown) "Pencil Verso L.O.

CALDERON DE LA BARCA, PEDRO SPANISH WRITER. GUADALAJARA 1600-1681 SACRAMENTAL AUTO "LA DIVINA FILOTEA" ON A TABLE IN THE PLAZA OF THE VILLA OF MADRID, YEAR 1918 OIL BY JOAQUIN MUÑOZ MORILLEJO MUNICIPAL MUSEUM. MADRID. Author: JOAQUIN MUÑOZ MORILLEJO (1861-1935).

Regatta on the Grand Canal, near the Rialto Bridge, Venice. Dating: 1780 - 1793. Measurements: h 48 cm × w 79 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: FRANCESCO GUARDI.

The 14th of July, study by Alfred Philippe Roll, 1846-1919, 1880, 19th century

CARPACCIO, Vittore (1455-1525). The Ambassadors Return to the English Court. 1495-1500. Belonging to a series of 9 paintings on the 'Life of Saint Ursula'. Renaissance art. Quattrocento. Venetian school. Tempera. ITALY. VENETO. Venice. Gallerie dell'Accademia (Academy Gallery).

After The End Of The Performance (Bayreuth Festival 1892) 1892 G. Laska (19th C. Czech) Oil On Canvas Private Collection, Munich, Germany

Parade (A Theatrical Procession in Paris). Dimensions: overall (approximate): 33.2 x 27.4 cm (13 1/16 x 10 13/16 in.). Medium: black chalk with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Augustin de Saint-Aubin.

Ploos van Amstel, Cornelis, Avercamp, Hendrick, Amsterdam, Winter King on the Ice, Elegant Company on the Ice, verso - handwritten, A richly dressed company, consisting of two men and two women, on the ice., print, engraving, prints, engravings, verso - stamped, Hendr Avercamp, nicknamed the Mute of Camoen. fecit 1621. Ploos van Amstel. f: 1766, height 217 mm, width 224 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, 1766 - 1766, paper, print drawing, etching, à la poupée, roulette, hand coloring, 1585 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Dutch, publisher

George Belton Moore, 1805-1875, British, A Proposed plan for Trafalgar Square, 1841. Watercolor and white gouache over graphite and brown wash on thick, slightly textured, beige wove paper.

Drawing by Ferdinando Galli Bibiena of a Roman emperor forum with staff figures, executed with gray feather and brush, lavated and reddish highlights on brownish paper.

Italy, Florence, Festival at Cascine in Honor of Ferdinand III of Lorraine

The Vijverberg, The Hague, in winter, with Prince Maurits and His Retinue in the Foreground. Winter face with ice entertainment on the Vijverberg in The Hague and in the foreground Prince Maurits and Frederik Hendrik as a result by a group of Halbaberdiers. On the left the buildings of the Binnenhof.

People in traditional clothing on square by anonymous painter, painting, Russia, St. Petersburg , State Russian Museum, 31, 1x42, 7

fine arts, Gaertner, Eduard, (1801 - 1877), painting, ""Unter den Linden"", 1853, oil on canvas, 75 cm x 155 cm, Oskar Reinhart Museum, Winterthur,

Allegory of the fire from Niccolo' Morosini IV's effigy, print. Italy, 18th Century.

A Bleaching Ground. Joos de Momper II (1564-1635) and Jan Brueghel II (1601-1678). Oil on panel. 80.7 x 144.2cm.

Festival in Piazza Navona in Rome, by Antoine Jean-Baptiste Thomas (1791-1834), watercolour. Italy, 19th century.

Market Day in Milan (Piazza Fontana), Italy, ca 1650, unknown artist. Detail.

Stitch game on the Grand Place in Brussels. Draughtsman: Willem de Famars Testas. Dating: 2-Aug-1891. Measurements: h 156 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Louis XVI (king of France), Paris, Graff, M., Vernet, Claude Joseph, Wolf, Caspar, Janinet, Jean François, Remarkable views of the mountains of the South of France, View of Thun from the coast of Midi, View of Thun, verso bottom center - stamped, View of the village of Thun with its castle and church, on Lake Thun seen from the south side. Below the representation text and a coat of arms., print, prints, height 318 mm, width 447 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1762 - 1785, third quarter 18th century, fourth quarter 18th century, paper, aquatint, color printing, etching, etchings, Swiss, 1735-05-03 - 1798-10-06, after, after painting by, 1714-08-14 - 1789-12-03, supervision, Publication (Event), Publication, publisher, 1754-08-23 - 1793-01-21, granter of privilege

Giuseppe De Nittis 1846-1884 La Place des Pyramides 1875

attributed to David Cox, 1783-1859, British, Harbor Scene, With Fishing Boats Being Unloaded, early 19th century. Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper.

Print made by George Hollis, 1792-1842, British, St. Mark's Place, Venice - Juliet and her Nurse, 1842. Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper.

England, London, Trafalgar Square, National Gallery, Painting titled "The Basin of San Marco on Ascension Day" by Canaletto dated 1740

Entrance of Patriarch Federico Corner into S. Pietro di Castello 1649 Joseph Heintz (c.1600-1678 German) Oil On Canvas Museo Civico Correr, Venice, Italy

Studio of Sir Jeffry Wyatville, 1766-1840, British, Windsor Castle, Berkshire: Distant View from the South, ca. 1830. Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper.

Little St Mark's Square (Piazzetta San Marco) in Venice, Italy 16th Century. Detail.

The New World. 1757. ITALY. Vicenza. Villa Valmarana. Stanza del Carnevale. Detail. Rococo. Fresco.

View of Rome, by Giuseppe Zais (1709-1781), fresco in Villa Pisani at Stra, Italy 18th Century.

Demonstration on the Uritsky Square in Leningrad by Vikulov, Vasili Ivanovich (1904-1971) / State Museum- and exhibition Centre ROSIZO, Moscow / Soviet Art / 1937 / Russia / Oil on canvas / Genre / 145x229

The Fight between Carnival and Lent, Pieter Bruegel the Elder, 1559, Kunsthistorisches Museum, Vienna, Austria

Preparation Of The Fireworks - Rome 18th Century Giovanni Paolo Panini (1692-1765 Italian) Musee du Louvre, Paris, France

Le Pont Neuf, seen from the bank of the right bank, around 1830 ". Anonymous, oil on canvas. Paris, Carnavalet museum. The Pont-Neuf seen from the bank of the right bank, around 1830, current 1st arrondissement. Boats, Pont des Arts, Sports, Boutique de Soufflot. Anonymous, anonymous, boat, boat, city, from bank, canvas oil, bridge new, panorama, right bank, right bank, seen bank, city, oil on canvas, scene

ALFONSO XII. REY DE ESPAÑA. MADRID 1857 - 1885. ENTRADA EN MADRID. GRABADO. ILUSTRACION ESPAÑOLA Y AMERICANA.

People on street by Karl Pavlovich Briullov, oil on canvas, 1840, 1799-1852, Ukraine, Vinnytsia, Regional Art Museum, 37x46

Print made by William Daniell, 1769-1837, British, The European Factories at Canton in China, 1805. Colored aquatint.

after: gravure van Savrij, 1619, Libra (equator) of Holland or Hollandsche Transformation, painting visual material wood oil, On the Liwa of Hollandt or the Hollandsche Transformation The Arminian scale The Victory of the counter-remonstrants Twelve-year File Arminius Gomarus Remonstrant Contra-remonstrant religion Family Van Heck.

Mountebank, 1844, Robert Turner, active 1844, 1844, Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm), acrobats, donkey, fair, genre subject

Félix Ziem, Riva degli Schiavoni, Sunset, 1880s, oil on panel.

The Grande Ecurie (Royal stables) of the Chateau de Versailles by Martin, Jean-Baptiste (1659-1735) / Musee de l'Histoire de France, Chateau de Versailles / 1693 / France / Oil on canvas / Landscape / 235x187 / Baroque

Demolition of Saint-Jean-en-Strike Pierre-Antoine Demachy (1723-1807). "Demolition of Saint-Jean-en-Strike". Oil on Wood.

Troy by Angelo Maria Costa, Oil on canvas, 18th century, 18th century, Russia, Serpukhov, State Museum of History and Art, 75x115

ESCENA DE EQUILIBRISTAS - SALON DE BAILE DEL PRINCIPE ALEJO MDIVANI - ANTIGUA ABADIA DE SAN GREGORIO DE VENECIA - 1934-1935 - OLEO/LIENZO - 3,09 x 3,9. Author: SERT JOSE MARIA. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

The European Factories at Canton in China, Print made by William Daniell, 1769-1837, British, after William Daniell, 1769-1837, British, Published by William Daniell, 1769-1837, British, 1805, Colored aquatint, Sheet: 15 3/4 x 30 1/4in. (40 x 76.8cm)

Procession of Gondolas in the Bacino di San Marco, 1742, Venice, Italy, after a painting by Antonio Joli, Historic, digitally restored reproduction from an 18th or 19th century original, Europe

CADIZ. EL PASEO DE LAS DELICIAS DURANTE LA VELADA DE NUESTRA SEÑORA DE LOS ANGELES. GRABADO COLOREADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA , SIGLO XIX. CADIZ PINTADO.

A View of Paris from the Point de la Cite. Attributed to Theodor Matham (C.1605-1676). Oil on canvas. 96 x 138.5cm

Félix Ziem (1821-1911). "Venice, procession of Saint-Georges". Museum of Fine Arts of the City of Paris, Petit Palais. 24489-12 Basilica, Ceremony, Flag, Palais Doges, Place, Nun, Saint-Georges, Saint-Marc, Procession

Arrival of the porridge by ship from Zurich in Strauburg, on June 20, 1576, fifty people from Zurich rowed with a pot full of hot millet porridge to a festival in Strasbourg. They thus commemorated the first mentioned trip on the Limmat, Aare and Rhine from Zurich to Strasbourg, which had taken place in 1456, France, historical, digitally restored reproduction of an original from the 19th century, colored.

Attributed to William James, active 1754-1771, British, Northumberland House, London, ca. 1759. Oil on canvas.

'"The Ceremonial Ride in Palace Square"'. Russia, 1840s. Dimensions: 20,5x29,5 cm. Museum: State Hermitage, St. Petersburg. Author: Vasily Sadovnikov.

MARIA CRISTINA DE HABSBURGO. REINA DE ESPAÑA. 1858 - 1929. SE CASO CON ALFONSO XII EN EL AÑO 1879. " LLEGADA DE LA REINA REGENTE A BILBAO. DESEMBARCO DE LA FALUA REAL JUNTO AL PUENTE DEL ARENAL , AÑO 1887. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

Title unknown by Francesco Guardi, 1712-1793

Festive Gathering and Figures from a Commedia dell'Arte in a Gallery.Perspective cabinet with a representation of a partying company and figures from the Dell'Arte Commedia in a gallery. Some elegant couples look at the group comedians. On the left a pond with a fountain, in the background a garden.

Justinian Gantz, 1802-1862, The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845, 1845. Graphite, pen and black ink, and watercolor on medium, slightly textured, cream wove paper.

Painting titled 'The Lottery in Piazza di Montecitorio' by Giovanni Paolo Panini (1691-1765) an Italian and architect. Dated 18th Century

Veüe Et perspective du Chateau de Chenonceaux, gouache on laid paper, overall: 33.3 x 41.6 cm (13 1/8 x 16 3/8 in.), Nicolas Marie Ozanne (artist) French, 1728 - 1811

The Campidoglio seen from the Staircase of the Church of the Aracoeli, Rome, at Sunset. Artist: Charles-François Houel (French, Paris 1819-1849 Paris). Dimensions: 10 5/8 x 14 5/8 in. (27 x 37.1 cm). Date: 1846. Museum: Metropolitan Museum of Art, New York, USA.

Figures on a Frozen Canal; Gerrit Battem, Dutch, about 1636 - 1684; 1670s; Pen and dark brown ink, watercolor and gouache; 27.5 x 44.3 cm (10 13/16 x 17 7/16 in.)

Frederiksborggade, Copenhagen. Erik Henningsen (1855-1930). Oil on canvas, dated 1912, 125 x 175cm.

The invalids around 1710 CRUYL. The invalids around 1710. Drawing, 1770.

View of Emmerich, 1645. Jan van Goyen (Dutch, 1596-1656). Oil on wood; framed: 105.5 x 136 x 9.5 cm (41 9/16 x 53 9/16 x 3 3/4 in.); unframed: 65.4 x 96.7 cm (25 3/4 x 38 1/16 in.).

Show booths at Eastern Market in Tula by Popov, Andrei Andreyevich (1832-1896)/ State Russian Museum, St. Petersburg/ 1868/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 29x45/ Genre

Ernest Jules Renoux (1863-1932). "Paris, Le Palais Rose". Oil on canvas, around 1908. Museum of Fine Arts of the city of Paris, Petit Palais. Paris, the pink palace Former particular hotel, tree, avenue Foch, bench, bench, chair, horse, horse-dack carriage, particular hotel, horse, garden, pink palace, pink palace, private mastuper, walker, stroller, scenic, town house, tree, car ATTELEE, WALKER, XVITH XVI 16th 16 arrondissement, flesh, garden, oil on canvas, park

FIESTA DE LOS BALLESTEROS EN NUESTRA SEÑORA DEL SABLON - SIGLO XVII - TABLA - 72x104 cm - BARROCO FLAMENCO. Author: PEETER SNAYERS (1592/1667). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Fair in Leeuwarden, De Oldenhove in the Veoptie, Herman Frederik Carel ten Kate, 1853 drawing paper. watercolor (paint) brush pleasure fair and circus Oldenhove

Germany, Bavaria, Romantic Road, Rothenburg-ob-der-Tauber, Kriminal Museum, Medieval Shame and Reprimand Letter depicting Debtor's Punishment

Thomas Rowlandson, 1756-1827, British, A Crowded Race Meeting, between 1805 and 1810. Watercolor, with pen, in brown ink, gray ink, and graphite on medium, slightly textured, blued white, wove paper.

Pierre-Denis Martin (1663-1742). "Louis XV coming out of the court of justice, September 12, 1715". Paris, Carnavalet museum. 23704-11 Bourbon, crowd, bed of justice, interior politics, king France, sainte-chapelle, scene street, special session parliament, go out, city

The Haymarket, Norwich Signed and dated, lower left: "D. H. 1825", David Hodgson, 1798-1864, British

fine arts, Spitzweg, Carl (1808 - 1885), painting, ""Spanisches St_ndchen"" (Spanish Serenade), oil on canvas, 53 x 68 cm, 1855/1856, Schack Gallery, Munich,

Preparation of Piazza Navona to celebrate the birth of the dauphin of France, 1729, by Giovanni Paolo Pannini (1691-1765), oil on canvas, 107x248 cm.

Fairlop Fair, Essex. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 8 5/16 x 14 3/16 in. (21.1 x 36 cm). Date: ca. 1816. Museum: Metropolitan Museum of Art, New York, USA.

View of the Brenta, near Dolo. Artist: Giambattista Cimaroli (Italian, Venice, ca. 1687-after 1757). Dimensions: 32 3/8 x 44 1/2 in. (82.2 x 113 cm). Date: late 18th century.Little is known of the career path of Venetian painter Giambattista Cimaroli, apart from a brief collaboration with Canaletto, Giovanni Battista Piazzetta, and Giovanni Battista Pittoni. Cimaroli provided valuable records of scenes in Venice, the Veneto, and the region of Verona. This splendid view of life on the Brenta near the town of Dolo, a short distance from Venice, is a case in point. We know that the large house in the center, here animated with resident life, was recently demolished. When Robert Lehman bought this picture in 1955, it was ascribed to the better known Francesco Zuccarelli. But we recognize from other Cimaroli paintings his distinctive foliage and thickly impastoed, stiffly posed figures. The picture offers an affecting glimpse of eighteenth-century life as it played out amidst the heteroge

The sack of Troy, 17th century, oil on canvas, Miquel Bestard, Can Puig, Palma, Mallorca, Balearic Islands, Spain, Europe

La Plaza Mayor de Lima, Peru, in 1680. Seville, Collection of the Marquise of Almunia. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

View of Sevilla (detail of the shipyard). 16th century. Madrid, American museum. Spain. Author: Attributed to SANCHEZ COELLO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Bird's-eye view of the planned ideal layout from the north, copperplate engraving by Salomon Kleiners (1744) on canvas, St., Sankt, Saint

The Piazzetta, Venice, Italy, Edward Pritchett, active ca. 1828-1864, British

Anonymous, Saint Geneviève, boss of Paris, in front of the town hall; On the right, the Huns repulsed, around 1620. Current 4th arrondissement. (Username), 1615. Oil on canvas. Carnavalet museum, history of Paris. In the foreground, the saint holding an open book in her right hand and a candle in her left hand, lit by a flying angel. At his feet, the wheel of the martyrdom of Saint Catherine. In the background the town hall, the Place de Grêve and the battle against the Huns on the right. In the background, on the right, the island of the city and the Notre-Dame cathedral.

Fish market in Bergen by Knud Bergslien, Norway 19th century.

Representation of the Festival for the Return of Peace, William Johnstone White, active 1804-died c.1870, British, 1814, Aquatint on moderately thick, slightly textured, cream, wove paper, Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm) and Image: 17 3/8 × 22 3/4 inches (44.1 × 57.8 cm)

Departure from the Moscow Rail Terminal in St. Petersburg by Russian master State History Museum, Moscow 1860 Watercolour and ink on paper Russia Primitivism Genre Painting

Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.

United Kingdom. London Brigde. 1872. Engraving by Gustave Dore, London; Pilgrimage, 1872. Color.

Eugène Boudin, Beach House with Flags at Trouville, French, 1824 - 1898, c. 1865, watercolor over graphite

The Frozen Lake, landscape, detail, 1600-1620, Flemish painting, 17th century.

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