Historical Costumes

Illustrations of women in historical theatrical costumes from the 18th and 19th centuries, showcasing period-specific fashion details.

Art and fashion, CA. 1891, No. 22, XII: Toward toilet (...), c. 1891 Woman, standing on the waterfront, dressed in a 'toilette' by foulard with dot pattern. Pleated body and puffed sleeves. Matching (brawl) body of velvet. Round skirt, folded at the hem and ending in a Volant of White Lace. A parasol in the right hand. Print from the fashion magazine L'art et la Mode (1880-1967). paper fashion plates. sleeves (+ women's clothes). clothing for the upper part of the body (+ women's clothes). skirt (+ women's clothes). cut flowers; nosegay, bunch of flowers. parasol, sunshade (+ women's clothes). belt, girdle, waistband (+ women's clothes). smell, smelling (one of the five senses)

Mlle. Desiree as Gianina in Rebecca, Act II, by Eugene Scribe, Theatre du Gymnase Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

France, Paris, costume sketch for Elvira for performance Don Giovanni or the Rake Punish'd, at Opera Le Peletier

Gallery des Modes et Costumes Français, 1787, XXX 401: La Jeune Anglais (...). A young English woman with a hat called "Chapeau Angloman". The wavy hair falls on the forehead "à la Jaquet." She is wearing a caraco with wide lapel on a skirt with a wrinkled strip of fabric. FICHU. Shoes with heels and buckles (). According to the caption she wants to make her fortune in Paris. Print from the XXX series. 62E Cahier de Costumes Français, Habillemens à la Mode, Gallery des Modes et Costumes Français

Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.

Court dress, reign of King George III, Louis XVI, 1783. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Gallerie des Modes et Costumes Français, 1782, 34e Cahier (bis), 31st Suite, RR.237: Robe à l'Anglais (...) .. 'Robe à l'Anglaise' with 'Manches and Sabot', deposited with a bow. Decorative apron. To get the agent a belt with fringes at the ends. White stockings and shoes with heels are visible under the skirt. The tapped hair is decorated with ribbon, flowers and feathers. Accessories: earrings, necklace with heart-shaped pendant, corsage from a cross and a flower, long gloves. According to the caption, the Japon is erected to facilitate dancing. Print from the RR series. 34th Cahier (bis) des Costumes Français, 31e Suite d'Habillemens à la Mode and 1782, Gallery des Modes et Costumes Français.

Art and fashion, CA. 1891, No. 22, XII: Toward toilet (...), c. 1891 Woman, standing on the waterfront, dressed in a 'toilette' by foulard with dot pattern. Pleated body and puffed sleeves. Matching (brawl) body of velvet. Round skirt, folded at the hem and ending in a Volant of White Lace. A parasol in the right hand. Print from the fashion magazine L'art et la Mode (1880-1967). paper fashion plates. sleeves (+ women's clothes). clothing for the upper part of the body (+ women's clothes). skirt (+ women's clothes). cut flowers; nosegay, bunch of flowers. parasol, sunshade (+ women's clothes). belt, girdle, waistband (+ women's clothes). smell, smelling (one of the five senses)

Madame de Pompadour, lady of rank, 1760. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Marie Antoinette: The Queen of Fashion: Gallerie des modes et costumes français, 1784 Woman in a simple 'chemise à la Reine', open at the bottom like with a 'lévite'. Double pleated collar. 'Coiffure de Nuit', covered with a hat from tulle on which a large straw hat with a knocked edge. Print from the XX series. 41st Cahier (BIS) des Costumes Français, 36th Suits d'Habillements à la Mode and 1784. Pour servir de Supplément au 6th. Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear: cap (+ women's clothes). head-gear (STRAW HAT) (+ women's clothes). dress, gown: chemise à la Reine (+ women's clothes). letter, envelope. bow (ornamental part of clothing) (+ women's clothes). neck-gear: collar (+ women's clothes)

Nouveau travestissement de Gavarni. - Exécuté par Babin, rue Richelieu, 21 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Peasant girl of Normandy, France, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Pauline Dejazet in La Marquise de Carabas by Brazier and Simonnin, Theatre du Palais Royal, 1843. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français. French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour - lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.

Mme. Rose Cheri in the role of La Lise in "La Pariure de Jules Denis" at the Gymnase Dramatique. Handcoloured lithograph by Alexandre Lacauchie from "Galerie Dramatique: Costumes des Theatres de Paris" 1852.

French actress Augustine Duverger as Batistine in Le Lait d'Anesse, Theatre du Palais Royal, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.

Margaret Roper (1505-1544), daughter of Sir Thomas More. From a Hans Holbein painting of More's family. In this version, rather than the black velvet dress of Holbein's version, she wears an embroidered dress in gold and scarlet with full sleeves. Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).

Espagnole. Veste et robe de velours, boutons de jais. Mouchoir et ceinturon de soie Bas de soie ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fashion Plate, 'Carriage Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, December 1, 1821. Prints; engravings. Hand-colored engraving on paper

Woman with impeller, ca. 1875, no. 21. Woman in a partly checkered dress. Fitted bodice with lapel, mid in front of a row buttons, long sleeves and lap. Skirt with queue and underskirt with drag. Wrinkled collar and cuffs. Accessories: hat decorated with flowers and ostrich, earring, gloves, impeller.

Modebild, Ball Dress, Unknown

Marie Antoinette: The Queen of Fashion: Gallerie of French modes and costumes, c. 1787 Woman in 'Grande Robe de Cour' according to the latest etiquette. The Hofjapon is decorated with wrinkled strips of fabric, a necklace, garlands of leaves and flowers. Accessories: hat decorated with feathers, earring, mouth with contrasting heel and bow. Print from the RRR series. 2nd Cahier de Grandes Robes d'étiquette de la Cour de France Faisaint Suite Aux Costumes Français, Gallerie des Modes et Costumes Français. paper fashion plates. dress, gown: court gown or court dress (+ women's clothes). head-gear: cap (+ women's clothes). ear-rings (+ women's clothes). flowers. ornamental parts of clothing (+ women's clothes)

Toilette du Soir - Chapeau de velours (Mon Alexandre et Beaudrant), Robe de - satin broché, écharpe de blonde (Mins Gagelin) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Toilette du Soir - Chapeau de velours (Mon Alexandre et Beaudrant), Robe de - satin broché, écharpe de blonde (Mins Gagelin) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fashionable woman with parasol, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Francois Louis Joseph Watteau from the Gallerie des Modes et Costumes Francais, 1778-1787.

Half Dress, Rudolph Ackermann, English, b. Germany, 1764-1834, Engraving, brush and watercolor on paper, A woman sits on a hassock facing left; her right arm on a table. She wears a red and white stripedd dress, with white lace and green bows. Title and publisher's name below., London, England, 1816, Print, Print

Gallery des Modes et Costumes Français, 1787, XXX 397: Jeune Nymphe Provoquant Le Plaisir (...) .. Young woman dressed in a caraco'à l'Amazone 'on a matching skirt. The hat with striped ribbon and cooking is called 'Chapeau au Tournesol'. Around the neck a fichu. Further accessories: earrings, long walking stick, shoes with heels and rosettes. From series xxx. 62E Cahier de Costumes Français, Habillemens à la Mode, Gallery des Modes et Costumes Français.

Toilette du Soir - Chapeau de velours (Mon Alexandre et Beaudrant), Robe de - satin broché, écharpe de blonde (Mins Gagelin) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Woman in costume of Seville, Spain, 19th century. Hair in ringlets, a short jacket with open collar, and high-waisted skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

PORTUGAISE. Corsage et jupe de soie,…. Artist: Paul Gavarni, French, 1804-1866

Madame Marie Laurent as Antoinette in La Corde de Pendu by Ferdinand Laloue and Anicet Bourgeois, Theatre du Cirque Olympique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Toilette du Soir - Chapeau de velours (Mon Alexandre et Beaudrant), Robe de - satin broché, écharpe de blonde (Mins Gagelin) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Marie d'Hautefort, wife of Charles de Schomberg, favourite of Louis XIV, 1616-1691. She wears her hair in ringlets, a mantua dress in blue silk with lace collar and sleeves, gold embroidered petticoat. She holds a feather fan. After a miniature on vellum in the editor's collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Fashion image, a figure, Paris house dress, Unknown

Mujer de Cádiz, en la Edad Moderna. Grabado en color de 1870.

MARTON. Robe de merinos.…. Artist: Paul Gavarni, French, 1804-1866

Fashion Plate, 'Parisian Carriage Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, February 1, 1819. Prints; engravings. Hand-colored engraving on paper

Fashion Plate (French Walking Dress). John Bell (England, 1745 - 1831). England, London, June 1821. Prints; engravings. Hand-colored engraving on paper

Marie Antoinette: The Queen of Fashion: Gallerie des modes et costumes français, 1787 Woman in a Baljapon for the court, with sleeves 'à la Gabrielle'. Hat with ostriches; Standing edge on the side, decorated with streaked bow in red-white-blue. Below a hat (). Further accessories: two ribbons around the neck, shoes with heel and bow. From series Ooo. 1er Cahier de Grandes Robes d'étiquette de la Cour de France Faisaint Suite Aux Costumes Français, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: court gown or court dress (+ women's clothes). dress, gown: ball gown (+ women's clothes). head-gear: hat (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ women's clothes). sleeves (+ women's clothes). border, ribbon, braid (+ women's clothes). ear-rings (+ women's clothes)

Danseuse espagnole ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Costume of a Mexican lady, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Mme. Houdry as Madame Bechamel in Mr and Mrs Denis, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Style fashion, XXII (1897), no 1 Unknown, Henry Petit (Director)

Fashion Plate, 'Public Promenade or Summer Visiting Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, September 1, 1819. Prints; engravings. Hand-colored engraving on paper

Fashion Plate (Parisian Carriage Dress). John Bell (England, 1745 - 1831). England, London, December 1820. Prints; engravings. Hand-colored engraving on paper

Woman in long white silk dress with blue ribbon decorations, holding a fan, and with a green bow and flowers in her hair.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.

Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français. French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour - lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.

Peasant girl of the environs of Kell am See, Germany, 19th century. She wears a small bonnet over her long pigtails, and carries a straw hat decorated with knots. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Fashion image, a figure, Parisian outlet, Unknown

Gallerie des modes et costumes français, 1778, K.55, 1778 Woman in a circassienne of 'Gaze d'Italie Puce' with a skirt of the same fabric. A second pink skirt about this, garnished with browned mesh with a blue ribbon on which flowers. 'Bouilloné' at the bottom. Sleeves (Engagantes) from Filet. High hairstyle with a 'chapeau and scallop' decorated with flowers and feathers. From series K. 10th Cahier de Costumes Français, 4th Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. styles of hairdress - AA - ~ women. fan (+ women's clothes). necklace (+ women's clothes). flowers. dress, gown: robe à la circassienne (+ women's clothes). skirt (+ women's clothes). border, ribbon, braid (+ women's clothes). head-gear: hat (+ women's clothes)

Lillian Causey, Doll, c 1936 Doll

Journal of the ladies and fashions 1823, Parisian costume (2171), 1823 Print from the journal Journal des Dames et des Modes, 1823. paper etching Print from the journal Journal des Dames et des Modes, 1823. paper etching

Doll. Dated: c. 1936. Dimensions: overall: 36.8 x 29.2 cm (14 1/2 x 11 1/2 in.) Original IAD Object: 10" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.

SUSANNE. Robe de merinos.…. Artist: Paul Gavarni, French, 1804-1866

French actress Mlle Chavigny as Carline in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Mlle. Rose Cheri (Rose-Marie Cizos) as Philiberte at the Gymnase Dramatique. French actress Rose Cheri (1824-1861) was one of a famous family of stage performers.. Handcoloured lithograph by Alexandre Lacauchie from "Galerie Dramatique: Costumes des Theatres de Paris" 1853.

Fashion image, a figure, evening dress, Unknown

Eugenie Adelaide Louise, Princesse d'Orleans 1777-1847. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Joven de Colonia, en la Edad Moderna. Grabado en color de 1870.

Elegantia, or magazine of fashion, luxury and taste for women, May 1807, no. 10: Capote de Taffetas, ..., 1807 According to the description in the magazine (p. 160): dress of white cotton batist (percale), with short puffed sleeves and flat square necklace. Ceintuur and Zoom with embroidered cartel edge. Silk capote 'petite noisette'; pistachio -colored gloves; White satin shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving fashion plates. head-gear (CAPOTE) (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). dress, gown (+ women's clothes). necklace (+ women's clothes)

Mrs Mary Ann Wrighten in the character of Peggy in Allen Ramseys The Gentle Shepherd, Drury Lane Theatre, 1774. Mary Ann Wrighton or Pownall was an English opera and concert singer who also performed in the USA, 1751-1796. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Gallery des Modes et Costumes Français, 1778, K 59: Demoiselle Habillée and Caracot (...). Young unmarried woman in caraco on a skirt with falbala. Around the neck a fichu. On the high hairstyle a 'bonnet à la pouponne', or a hole of filet decorated with dotted boost. Accessories: knotted cord around the neck, bracelet, shoes with heels and rosettes. Print from series K. 10th Cahier des Costumes Français, 4th Suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 1823, (2159): Chapeau de sparteri, bottom center in the margin - engraved, Standing woman in a 'blouse' of fine linen embroidered with wool. On the head a hat of 'sparterie' (braided plant fibers) decorated with a bow of satin trimmed with the same 'sparterie'. Blue scarf around the arm. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, Costume Parisien., top center in the margin - engraved, Chapeau de sparterie, orné d'un noeud de satin bordé de sparterie. Blouse de linon brodée en laine., height 176 mm, width 109 mm, print maker, 1823 - 1823, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher

Fashion Plate,'Trage de Casa' for 'The Repository of Arts'. England, London, 1825. Prints; engravings. Hand-colored engraving on paper

Costume d'Henriette, jouée par Mme Cinti-Damoreau. - L'Ambassadrice, opéra. - Opéra-Comique ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Madame Pauline Viardot-Garcia as Leonora in Gaetano Donizetti's "Favorita," 1840,as a Spanish lady of rank, circa 1340. Viardot was a French mezzo-soprano and composer. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

French actress Madame Marie Dorval in Agnes de Meranie by Hippolyte Lazerges, Theatre Royal de l'Odeon, 1846.

Young girl of the Canton of Zug, Switzerland, 19th century. Her straw hat is decorated with regular loops of ribbon, her apron bib is decorated with floral laces, and her apron is striped. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

Wedding Dress. Dated: c. 1939. Dimensions: overall: 46 x 38.2 cm (18 1/8 x 15 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nancy Crimi.

Le Fashionable, 1829, No. 6: Coiffure à Turban (...). 'Coeffure' with turban from Mr Mailly. Mantle of velvet, lined with checkered silk. Cashmere dress. Further accessories: earrings, necklace consisting of two cords, brooch, bracelets around both wrists, flat shoes with crossed tires. Print from the fashion magazine Le Fashionable (19-10-1928 to 15-2-1829. Nos. 1 to 18)

Madame Mirecour in the role of Madame de Chavignac in Decourcelle's Une Soiree a la Bastille, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Costume de Mme Rielof, jouee par Melle Forgeot.…. Artist: Paul Gavarni, French, 1804-1866

Gallerie des Modes et Costumes français, 1785, DDD 306: La Belle Suzon (...), 1785 According to the caption, the beautiful Suzon in the Jardin du Luxembourg can be read. She is wearing a 'Chapeau à l'Anglaise' on a hat or 'Bonnet Négligé' and a large shoulder mantle to the latest fashion. Further accessories: fan, shoe with rosette. From series DDD. 48th Cahier de Costumes Français, 42nd Suite d'Habillemens à la Mode and 1785, Gallerie des Modes et Costumes Français. paper engraving fashion plates. skirt (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). head-gear (CHAPEAU À L'ANGLAISE) (+ women's clothes). head-gear (BONNET) (+ women's clothes). fan (+ women's clothes). stool. footstool. reading

Fashion Plate, 'Parisian Walking Dress'. England, London, 1815-1819. Prints; engravings. Hand-colored engraving on paper

Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, November 1, 1822. Prints; engravings. Hand-colored engraving on paper

Fashion Plate, 'Walking Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, September 1, 1822. Prints; engravings. Hand-colored engraving on paper

Woman in extravagant tall floral bonnet, wearing a fichu and corsage, flower-trimmed pale green dress, holding a fan. Era of Marie Antoinette. Handcolored engraving by Ch. Paquien after an illustration by Francois-Claudius Compte-Calix from Costume de lEpoque de Louis XVI. Paris, 1869.

Fashion image, a figure, Parisian evening dress, Unknown

Fashion Plate, 'Ball Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, June 11, 1822. Prints; engravings. Hand-colored engraving on paper

Fashionable woman in Dorothy hat, caraco jacket over petticoats, era of Marie Anoinette. Dame de qualite un bouquet à la main, respirant le bon air aux Champs Elisees. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Francois Louis Joseph Watteau from the Gallerie des Modes et Costumes Francais, 1778-1787.

Costume of a young lady of Finland, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Fashion Plate, 'Full Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, January 1, 1817. Prints; engravings. Hand-colored engraving on paper

Princess of Lamballe (17491792), reign of Louis XVI, 1788. Maria Luisa of Savoy was lady in waiting to Marie Antoinette, and one of the first victims of the Reign of Terror. Handcoloured steel engraving by Hippolyte Pauquet after a painting in the Gallery of Versailles from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Queen Victoria in 18th century court dress at her Georgian Ball (Bal Costume), June 6th 1845. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Fashion Plate, 'Morning Dress' for 'La Belle Assemblée'. England, London, January 1, 1824. Prints; engravings. Hand-colored engraving on paper

Fashion, 1830, 2nd vol. Liv. 4th, pl. 24: blue pancake dress (...), 1830 Woman in a dress of blue crepe from Palmyre, decorated with roses, marabo supply and silver ears. 'Coiffure d'Alexandre'. Further accessories: Collier, Long Gloves, Bracelet around the left tole, fan, handkerchief, flat shoes. Print from the fashion magazine La Mode (1829-1855). paper engraving / etching fashion plates. dress, gown (+ women's clothes). corsage (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). necklace (+ women's clothes). bracelet, wristlet (+ women's clothes). fan (+ women's clothes). shoes, sandals (+ women's clothes). cut flowers; nosegay, bunch of flowers. styles of hairdress - AA - ~ women

Gallery des Modes et Costumes Français, 1778, Q 96: Jolie Femme coeffée d'Unbonnet (...). Woman in caraco with 'manches and sabot' on a skirt of apple green taffeto decorated with a strip of "Gaze d'Italie". On the tipped her a hat called 'Bonnet à la Nouvelle Paysanne'. Red shoes with heel and rectangular buckle. Print from series Q. 16th Cahier de Costumes Français, 10th Suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.

Student of a singing school, Paris, early 19th century, in white dress, bonnet and gloves, carrying a book and rolled music charts. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Woman with broad hat, Mathias de Sallieth, after Jacob Perkois, after Johannes Huibert Prins, 1818 - 1833 print Print at the bottom left numbered: 21. paper clothes, costume (+ women's clothes). head-gear: hat (+ women's clothes). adult woman. apron (+ women's clothes). folk costume, regional costume Netherlands

French women's fashion of the year of the Revolution, 1789. She wears a large plumed hat, hair in ringlets, blue dress with large white fichu, belt, frilled sleeves, white petticoats. Costume de Dame, 1789. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

French soprano singer Leocadie Lemercier as Estrella in Ne Touchez pas a la Reine by Xavier Boisselot, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Woman in Eveningwear, Karel Christiaan Fuchs, After Monogram Miss MB (Inventor), 1802 - 1855 print A lady wears a dress with yellow cloak. On her head a matching head cap and a handkerchief in her hand. unknown paper etching dress, gown (+ women's clothes). dress, gown: evening dress (+ women's clothes). veil (+ women's clothes). handkerchief (+ women's clothes)

Continuation devoted to elegant and small masters, 1778-1785, (13): M.lle des Faveurs aux Thuilleries (...), 1778 - 1785 According to the caption, this voluptuous woman, or mlle des favors, walks with a dog on the arm in the Tuileries. She wears a 'Robe à la polonaise' with tires with floral pattern and wrinkled fabric strips. Mantelet (small shoulder mantle) with hood. On the high hairstyle a hat decorated with ribbon, pearls, flowers and peacock springs. Further accessories: bracelet, walking stick with ribbon, shoes with heels and bows. The print is part of a series of approximately 12 prints, published by Le Dru, Paris, 1778-1785. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown: robe à la polonaise. styles of hairdress - AA - ~ women. skirt (+ women's clothes). clothing for the upper part of the body (+ women's clothes). walking-stick, staff, cane (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). shoes, sa

Fashion Plate, Dinner Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1826. Prints; engravings. Hand-colored engraving on paper

French woman wearing the fashion of November 1792. She wears a hat with bows and ribbons, wig, fichu (neckerchief), shawl, dress with fitted bodice and full skirt. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the French Revolution, 1790-1793," Bouton, New York, 1889. From the collection of contemporary costume prints of Victorien Sardou.

Haliguer, Marie Julie .

Fashionable woman in English-style dress with Devonshire hat, era of Marie Antoinette. La blonde Melite se promenant sur le midi au Palais Royal. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Francois Louis Joseph Watteau from the Gallerie des Modes et Costumes Francais, 1778-1787.

Dairy. / 20 (title registered (letter)) | The cries of Paris. (Title of all)

Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

A woman in a shower cap, turned left, with tubes hanging on a ribbon at the waist; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880-1945) - collection, 17th century (costume), women, headgear, headgear, scissors, historical costumes

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