Historical Engravings

A collection of historical etchings depicting religious scenes, architectural views, and allegorical representations from the 18th and 19th centuries, showcasing intricate details.

The tiny pool. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

An etching by Jacques-Philippe Le Bas created between 1735 and 1783 illustrating Saint Antonius of Padua preaching to fish.

An etching by Jean Jacques Le Veau between 1750 and 1786 portraying a view of Bayonne with urban and architectural elements.

Feliks Brzozowski (1836-1892), Załucze; excerpt from a magazine. Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

The horrors of the war, number 3, Gottfried Bernhard Götz, 1742 print Bellona takes Mars through the war -ravaged country. Part of a series of seven prints (plus title print) about the horrors of the war in ornamental rococo lists. paper etching / engraving rocaille ornament. horrors of war. Bellona (Enyo). specific aspects, allegorical aspects of Mars; Mars as patron

Mr chapel; Reinhart, Johann Christian (1761-1847); 1790 (1770-00-00-1800-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, chapels, horses, landscapes, kneeling man, landscapes

Newark Castle, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper with chine-collé

The tiny pool. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Etching by Jan de Visscher showing Sewerin under a tree with a herd, created between 1653 and 1712, depicting human and animal figures in a pastoral landscape.

Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition 1881 Max Klinger German. Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition 420615

St Séverin

Rider and walker at a farm, Hendrik Jozef Franciscus van der Poorten, 1799 - 1874 print paper etching / drypoint farm or solitary house in landscape

Pencil drawing by Martin von Molitor depicting a hermitage near Guttenstein, created between 1780 and 1812.

Napoleon's tomb with a hidden silhouette 1838-93 Francois-Charles Oberthür. Napoleon's tomb with a hidden silhouette. Francois-Charles Oberthür (French, Strasbourg 1818-1893). 1838-93. Hand-colored lithograph. Prints

Visser in the water on the edge of a lake, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1875 print paper etching / drypoint lake. fisherman

Arcadian landscape with figures and antique ruins, Abraham Genoels, 1650 - 1723 drawing paper. chalk pastorals, Arcadian scenes. landscape with ruins

Ashestiel, Print made by John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper with chine-collé

Picture photography: Jan Piotr Norblin (1740-1830), Living in the park, painting in the collections at the Czartoryski Museum in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926), Krieger, Natan (1841-1903); around 1900 (1896-00-00-1905-00-00);Amalia (1846-1928) - collection, Krieger

Heuvellandschap with Rudolf von Habsburg and the priest, William Unger, after Lucas Achtschellinck, after Gonsales Cocques, 1861 - 1889 print Vienna paper. etching low hill country. riding a horse, ass, or mule; rider, horseman

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Soldiers, Magus, and Other Figures Observing a Skull and a Tibia on an Altar, plate 7 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, A seated soldier pointing with his left hand, a standing magician, a bearded man and a bacchante, observing the altar at lower right., Italy, 1750-1760, figures, Print, Print

Etching by Anna von Paar depicting her mother Buquoy as a commemorative image, created between 1800 and 1860.

The Cities Beyond the Marsh Made 1868 France. Lithograph (etching transfer) on ivory China paper laid down on white wove paper . Rodolphe Bresdin

Galei in De Haven, Stefano Della Bella, 1620 - 1664 print Seasing view with a Galei in the harbor. In the background other ships in the port. A ship is on its side on the quay. In the background on the right a round tower and houses on a hill. print maker: Italyafter own design by: Italypublisher: Rome paper etching ships (in general). harbour

Etching by François Godefroy depicting a drinker in front of an inn, showing posture, gestures, clothing, facial expression, and early 19th-century setting.

An etching and aquatint by Johann Adam von Bartsch from 1783 depicting Solomon being called to the king on a mule, illustrating biblical narrative and figures in 18th-century European art.

Bliżej Kultury H. Kleinmann & Co Haarlem, Both, Jan (ca 1615 1652)

The Donkey, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 266 x 207 mm (image); 448 x 335 mm (sheet). Aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Photograph of painting: Norblin, Jan Piotr (1740-1830), painting found at the Czartoryski Museum. Krieger, Natan (1844-1903), photographer, Krieger, Ignacy (Kraków ; zakład fotograficzny ; 1860-1926), photo studio

Gerhard Ludvig Lahde (1765-1833), Vignette to the Royal Danish Country Household company, 1765 - 1833

Lady Paul-Henri Regeau, French painter. Lady. Pencil, feather and ink wash, white gouache recovery on paper. 1885. Paris, Victor Hugo House.

Print made by John Horsburgh, 1791-1869, British, Ashestiel, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

Landscape with a cow drinking, John Smith of Chichester, after Rembrandt van Rijn, 1727 - 1764 print paper etching cow

Landscape with two figures at a monumental vase, Jan Frans van Bloemen, 1672 - 1749 drawing prepared paper. deck paint. chalk brush landscapes in the temperate zone. garden vase

Vallei Bij Monte Oliveto Maggiore; Impressions d'Italie. .

La promenade du convalescent , Sick persons, Walking, Trees, Alphonse Legros (1837-1911)

Landscape. Giorgio Morandi Italian, 1890-1964. Date: 1933. Dimensions: 205 x 300 mm (image); 227 x 301 mm (primary support); 330 x 435 mm (secondary support). Etching in black on off-white paper, laid down on ivory wove paper (chine collé). Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Between two tribes hanging objects and a pin board, Bernard Picart (workshop or), After Bernard Picart, 1730 print Two performances on a leaf. Above: Landscape with a tense rope between two trees, on which objects hang. Below: a notice board. Amsterdam paper etching catching animals

Ship from Dover to Calais, Anonymous, Stefano della Bella, 1647 print Ships at sea that make the crossing from Dover to Calais. (possibly) paper etching ships (in general). sea Dover (England). Calais

Figures in One GROTT, Antoine the Marceray the GSHY, after David Teniers (II), 1755 print Paris paper etching cave, grotto

The Clock Tower, From St James Park 1904 United States. Etching and drypoint on buff wove paper . Joseph Pennell

An aquatint and etching by Frederick Christian Lewis the Older, created 1837-1840, depicting a landscape in the style of Claude Lorrain. The print emphasizes light, atmosphere, and detailed natural scenery typical of early 19th-century European landscape art.

Figure Under Tent, from 'Recueil des Tentes Chinoises', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Writing poet in a landscape, Edouard de Jans, 1865 - 1910 print The rule "I thought and closed" readable in the book on the floor. paper. etching / drypoint author, poet writing

Girl on a wooden bridge, Joseph Hartogensis, 1857 print The Hague paper etching milkmaid. landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage) Oosterbeek

The Thames at Mortlake, Print made by William John Cooke, 1797-1865, Irish, after Joseph Mallord William Turner, 1775-1851, British, 1836 to 1838, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé

Conversation at a drinking bowl, Adrien Joseph Verhoeven -Ball, 1834 - 1882 print Man and woman in conversation while they let their horses drink at a drinking bowl. paper ETCHING / DRYPOINT / REDOUSSAGE horse

Winter Landscape with Shepherdess. Charles Émile Jacque; French, 1813-1894. Date: 1862-1872. Dimensions: 89 × 148 mm (image); 117 × 166 mm (plate); 331 × 452 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jules Bastien-Lepage, Bust of a Woman, Eyes Closed, Facing Right (Buste de femme, les yeux clos, tournée vers la droite), 1858-1884, drypoint.

Havengezicht, Nicolas Perelle, 1628 - 1679 print Numbered in the bottom right: 8. Amsterdam paper etching harbour

Battle of Rocroi (right part), François Collignon, 1643 print France paper etching / engraving battle Crocroi

Telic OP Münchenstein, Anonymous, Matthäus Merian (I), 1628 - 1679 print paper etching city-view, and landscape with man-made constructions. castle. river (+ landscape with figures, staffage) Münchenstein Castle

Woman Tending Two Cows. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 66 × 90 mm (image); 73 × 96 mm (chine); 78 × 103 mm (plate); 218 × 309 mm (sheet). Etching on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Blade Paul-Henri Regeau, French painter. Blade. Pencil and ink on paper. 1885. Paris, Victor Hugo House.

The Mill 1848 France. Drypoint and roulette in brown on ivory wove paper . Charles Émile Jacque

Woman at a well, Eduard August Becht, 1878 - 1931 print In the background a house, trees and a field. paper drypoint well. farm or solitary house in landscape

DAPHNIS OP VOGELJACHT IN DE WINTER, Benoît Audran (I), after Philippe Duc d'Orléans, 1718 print Top right numbered p. 83. print maker: Francepublisher: Paris paper etching Daphnis (in Greek mythology a shepherd who invented pastoral poetry. bird hunting. winter landscape; landscape symbolizing winter (the four seasons of the year)

Copper engraving by Nicolaes de Bruyn created in 1602 depicting the biblical scene where Elisa curses the children of Bethel, resulting in two bears attacking, showing figures and landscape.

Knight for opened door, Charles Rochussen, in Or Before 1841 print A knight stands for a crack open. The man behind the door protrudes a burning lantern. Around various scenes with an empty boat on the water, a pope and other religious. The Hague paper. monk(s), friar(s). open door

The Sparrow Aviary. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: Overall: 6 11/16 x 5 1/8 in. (17 x 13 cm). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Edward Goodall, 1795-1870, British, Evening, 1833. Etching and engraving, 3rd state on medium, smooth, beige, wove paper.

Edward Goodall, 1795-1870, British, O'Connor's Child (Vignette), 1837. Line engraving, engraver's proof.

Edward Francis Finden, 1791-1857, British, Corinth from the Acropolis, 1832-1834. Line engraving, engraver's proof on moderately thick, moderately textured, beige, wove paper, with gray chine colle.

Tobias 1875-1885 France. Etching and drypoint on white wove paper . Odilon Redon

Moulin-saquet / 1870-1871. (IT)

Depicts combined landscapes and cityscapes, created as an etching around 1645, showing natural and urban features.

Mopperpot, Nicolas Toussaint Charlet, 1835 print An old soldier grumbles at a house that was destroyed in the war. Paris paper Grumbling, Complaint; 'Pianto', 'Querela' (Ripa). the soldier; the soldier's life. ruin of a dwelling, house, castle, etc.

On the Rails, plate eight from On Death, Part I. Max Klinger; German, 1857-1920. Date: 1888-1889. Dimensions: 219 x 143 mm (image); 265 x 187 mm (plate); 555 x 311 mm (sheet). Etching and aquatint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Abraham van Wielen / Landscape with shepherd / river landscape, Jan Palthe, After Abraham Bloemaert, 1727 - 1769 print Three prints on a leaf. Above: BostePortret of Abraham van Wielen, with hat, to the left. Middle: Landscape with a lying shepherd. A woman in the background, seen on the back. Below: river landscape with a rowing boat with two fishermen in the foreground. Leiden paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. rowing-boat, canoe, etc.

Sitting figure. Leaf 18 Recto from a collective album with 32 sheets.

Rock blocks and shrubs. .

Storm on Lake Galilee, Johann Wilhelm Baur, in or after 1809 print Numbered at the top right: 1; In the middle: No. 79. print maker: Viennapublisher: Augsburg paper etching story of Christ stilling the storm on the Sea of Galilee (Matthew 8:23-27; Mark 4:35-41; Luke 8:22-25). fresh-water fishery. storm

Study for a plate from The Task 1795-1805 England. Ink wash on paper . Thomas Stothard

Un chant de fete de Néron. Hérissey, Ch. (Paryż ; drukarnia ; fl. ca 1890-1900), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Charpentier, Georges (1846-1905), publisher, Rochegrosse, Georges Antoine (1859-1938), painter

Lochmaben Castle, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper with chine-collé

Italiaanse Villa, Pierre Louis Dubourcq, 1845 print paper. etching villa Italy

Study of a Fallen Soldier. Artist: Adam Frans van der Meulen (Flemish, Brussels 1632-1690 Paris). Dimensions: sheet: 3 9/16 x 5 13/16 in. (9.1 x 14.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Men Load Slee Full, Andreas Schelfhout, 1847 - 1865 print On a frozen river next to a house is a horse with sled. Two men load the sled. In the background a figure on the ice and houses along the bank. The Hague paper sleigh, sledge (non-sport)

Card players outside at a table with hill in the background, Karl Meunier, After Adriaen Brouwer, 1874 - 1894 print paper etching playing-cards. low hill country. fence, wall, paling

Hoffmann Emil (1845-1901), Stabianer-Thermen in Pompeii (April 18, 1894): pillars. Pencil on paper, 32.5 x 24.8 cm (including scan edges) Hoffmann Emil (1845-1901): Stabianer-Thermen, Pompeji

Le bucheron de Rembrandt (reproduction en sens inverse). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Vignette with Coin on a Cloud with Roses to the left and Doves Below and to the Right, Tome I, Page 148, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins. Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 5/8 × 8 11/16 in. (29.5 × 22 cm)Plate: 11 3/8 × 8 3/8 in. (28.9 × 21.2 cm). Publisher: L'Abbé La Chau; L'Abbé Le Blond; Pissot. Series/Portfolio: Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins. Date: 1778-80.This vignette was included in Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Princ

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Bord de la Loire , Rivers, Alphonse Legros (1837-1911)

Untitled (Landscape) John Francis Murphy (American, 1853-1921). Untitled (Landscape), December 20, 1894. Pen and ink on paper mounted to paperboard, Sheet: 7 3/4 x 6 9/16 in. (19.7 x 16.7 cm). American Art December 20, 1894

Quarryman's Hut Published 1908 France. Wood engraving in black on cream laid Japanese paper . Louis Auguste Lepère

Figures that transport sugar cane, Wijnand Otto Jan Nieuwenkamp, 1917 print paper drypoint sugar

Miss Law ,

The Plowers Artist's working dates 1836-1870 Germany. Etching on ivory wove paper . Amalie Voltz

Monument to Józef Poniatowski's book in Leipzig; Unknown, Beichling, Karl Heinrich (1803-1876), Rocca, Louis (Flow. CA 1850-va 1870); around 1825 (1820-00-00-1830-00-00);Biała Elster (Czech Republic, Germany-River), Leipzig (Germany), Poniatowski, Józef (1763-1813), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift ( Protency), Napoleonic era (1799-1815), German graphics, churches (archite.), Reichenbach-Gerhard (Leipzig), parks (gardens), Poland (culture), monuments, death

Fall of iCarus; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. Icarus falls while the air flies with his father. People from the waterfront and from a boat watch.

An etching by Johann Adam von Bartsch depicting a figure identified as a Serucan, created between 1798 and 1804.

Lazio Roma Subiaco Rocca Abbaziale1. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vaart at Leidschendam, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print paper etching / drypoint canal Leidschendam

Grindstone with a fence. Also a study of three figures at a lamppost. Leaf 13 Recto from a sketchbook with 77 sheets.

Henry Griffiths, 1835-1849, British, The Wreck, 1826-1837. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Hermitage Castle, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24 Made 1896 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

Malmaison, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Le voyageur surpris par l'orage (dite 'la bise') , Travelers, Storms, Alphonse Legros (1837-1911)

Man met stok, Robert Cooper (possibly), after Jean Baptiste Pillement, 1755 - 1775 print In a landscape a man with a stick walks over his shoulder towards a staircase. Rocaille elements on the bottom. Paris paper etching walking. walking-stick, staff

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