Historical Engravings

Collective engravings illustrating historical and religious figures, focusing on storytelling and classical themes.

Saint Anna with Maria (Maria's education); Szymkiewicz, Marcin Jan (Fl. CA 1680-1730), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1680-1730 (1680-00-00-1730-00-00);

Wood engraving vignette by Oscar Pletsch, 1872, illustrating German youth in scenes with children for a book, emphasizing figures, gestures, and daily activities.

Copper engraving by Theodor de Bry depicting the allegorical representation of the five senses, created between 1548 and 1598.

Saint Ursula. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Czerski, Stanisław (1777-1833), graphic artist

Etching by Bartolomeo Biscaino depicting the Holy Family resting during the flight to Egypt, produced between 1650 and 1657.

Plot model for sculpture on the Palais du Louvre: "Masséna" by Célestin Anatole Calmels, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Johann Ladenspelders mid-16th century copper engraving depicts Judith, a biblical figure, rendered with detailed lines, tonal shading, and compositional elements.

Guardian angel; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

Saint Anna with Maria (Maria's education); Szymkiewicz, Marcin Jan (Fl. CA 1680-1730), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1680-1730 (1680-00-00-1730-00-00);

Ornament Cartouche with Putti, Frans van Kuyck, 1862 - 1911 print paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

La Vierge à la couronne d'étoiles. Bisson Frères (French, active 1840 - 1864)

Design by Johann Theodor de Bry. Édouard Baldus (French, born Germany, 1813 - 1889)

Maria Immaculate Conception; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

A woodcut created in 1504 depicting the Reichsherold with a coat of arms, showing heraldic symbols and a figure in ceremonial attire.

Heilige Jerome Simon Guillain (2), after Annibale Carracci, 1646 print print maker: Romeafter painting by: Romeafter drawing by: Romepublisher: Romeprinter: RomeItaly paper etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone Our Lady of the Sacred Heart

Rebus Here Lies the Ancient Vendetta 1862 France. Etching with engraving in warm black with the title printed la poupÈe in red ink on cream laid paper . Charles Meryon

Saint John Nepomucene. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Balcewicz, Franciszek Wacław (fl. ca 1748-1760), graphic artist

Jupiter winds lightning bolts to the vices, Léopold Flameng, After Paolo Veronese, 1859 print paper. etching (story of) Jupiter (Zeus). attributes of Jupiter: thunderbolt

Returned soldier embraces his wife, Johann Wilhelm Meil (der Jüngere), after Daniel Nikolaus Chodowiecki, 1773 print paper etching return of the soldiers to civilian life, returning home

Frontispiece for Point de lendemain. Félicien Rops (Belgian, 1833-1898); written by Dominique-Vivant Denon (French, 1747-1825). Date: 1867. Dimensions: 94 × 59 mm (image); 231 × 166 mm (sheet). Etching on gray China paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Desseins de Tiroir et entrée de Serrure, Etching or engraving on paper, France, Print, Print

Trademark with Mercury and Neptunus and the Wapen van Amsterdam, Johannes Arnoldus Boland, after Anonymous, c. 1860 - c. 1900 print Amsterdam paper etching / engraving (story of) Mercury (Hermes). trade mark, trade token, trade sign, trade card. (story of) Neptune (Poseidon). coat of arms (symbol of sovereignty)

Etching by Claude Vignon from 1613-1670 showing a title leaf with ornamental design, lettering, and illustrative elements for a printed work.

Print, Les Plaisirs de le'Eté; Designed by Dubois; etching on off-white laid paper; Mat: 45.5 x 35.4 cm (17 15/16 x 13 15/16 in.) Sheet: 28.3 x 20.8 cm (11 1/8 x 8 3/16 in.) Mount: 40.7 x 32.8 cm (16 x 12 15/16 in.)

Trophy with fisherman attributes, Anonymous, After Pierre Ranson, 1746 - 1786 print A trophy with fisherman attributes such as nets, an anchor and a trident. Around a frame of flowers and dods. France paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. fishing (sports)

Farmer's wife, Jan Stobbaerts, 1848 - 1879 print paper. etching dog. farmers - AA - female farmer, farmer's wife

This anonymous etching, dated around 1600, depicts grotesque designs, highlighting ornamental forms typical of early 17th-century decorative art.

Gypsum Model for Sculpture at the Louvre Palace: "The Force" by Louis Léopold Chambard. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Young woman looks at her reflection, Reinier Vinkeles (I), after Jacobus Buys, 1792 print A young woman looks at her mirror image in the water, which will soon be disturbed. Illustration in the story 'De Herderin and the Stroomgodes' From 'Fables for the Dutch Youth'. Amsterdam paper etching reflection (in a mirror) - AA - (for) women. river

. Different figures with grotesken, in which flower vines have been processed. The ornaments right and left are each crowned by a bird. Print is part of a series of designs and decorations for goldsmiths.

Madonna with the Child; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

Jean Baptiste Pillement was one of the most influential designers of the Rococo period, known for his varied and prolific chinoiseries (European variants of Chinese and Japanese motifs). His designs were spread throughout Europe primarily via their translation into prints. This print is one of a set of six etched by Pillement himself. Each depicts a so-called Persian flower, largely fantasies, presenting strange, alienlike floral forms that could be adapted to various uses from textiles to wall decorations. Persian Flowers, 1755. Jean Baptiste Pillement (French, 1728-1808). Etching; plate: 30.5 x 20.9 cm (12 x 8 1/4 in.); sheet: 42.8 x 29.2 cm (16 7/8 x 11 1/2 in.).

Bliżej Kultury Czerski, Stanisław (1777 1833)

Etching and copper engraving by Charles Nicolas Varin from 1782 depicting a vignette featuring a peacock, showing feathers, posture, and ornamental details.

Earl Marischal explains Marie Emeté de Liefde, Daniel Nikolaus Chodowiecki, 1779 print After the siege of Otsjakiv (1737), George Keith, 10th Earl Marischal, had adopted the twelve -year -old Janitsarendochter Emet Ulla. In 1763 the girl Marie Emeté was baptized. The marriage proposal of Lord Maréchal rejected them. Later she married Denis-Daniel de Voment. paper etching historical persons. proposal, declaration of love. slaveholder ~ enslaved person

Copper engraving and etching by an unidentified monogrammist from the 16th century showing multiple figures, scenes, and gestures in various compositions.

Copper engraving by René Lochon from 1651 depicting plant ornamentation, featuring botanical motifs, leaves, and decorative elements.

Portrait of the Rau

Portret Van Seneca, Leonard Gaultier, 1613 print print maker: Francepublisher: Saint-Hilaire paper engraving historical persons

Copper engraving and etching by an unknown monogrammist depicting Maria standing on a crescent moon with the child and a couple, showing religious figures, composition, and symbolic elements, created in the 16th century.

Male and child with wheelbarrow, Félicien Rops, 1875 print Brussels paper etching tot, toddler ~ the ages of man. adult man. wheelbarrow

The Holy Family. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Balcewicz, Franciszek Wacław (fl. ca 1748-1760), graphic artist

Deraisme, Pierre -Georges (n.1859 - D.1932), Saint Georges medal (main title), 1895. Ink on white verge. Petit Palais, Museum of Fine Arts of the City of Paris.

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (February 19, 1887): Naples: Tomb of the Hieronymo Lanzilotti in S. Maria La Nuova (Details). Ink on paper, 42.9 x 31.3 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Copper engraving and etching by Nicolas Ponce, created in 1783, depicting a book illustration with figures, decorative elements, and compositional details.

Plaque () With the representation of John the Baptist () As a child from the cross in the rim of the flower garlands, in a decorative frame, from the collection of minutes Institut, Liegnitz; Belitski, Ludwig (1830-1902); 1854- (1854-00-00-1854-00-00);Legnica (Dolnośląskie Voivodeship), minutes of institut (Legnica), frames, artistic craftsmanship

Tuba, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. horn, trumpet, cornet, trombone, tuba Royal Palace

Fifteen letter monograms (GHI-GHz); Livre Nouveau et utile. From series of 29 partially numbered sheets with figures.

Bank with swan heads, Nicolas Xavier Willemin, 1775 - 1797 print A stool or (feet) sofa with swan heads like legs. Above that braid work with sphinxes. At the bottom an ornamented piece of furniture with leaf and floral motifs. Paris paper etching bench. water-birds: swan

Charles Brandon 1798 Italy. Stipple engraving on ivory wove paper . Francesco Bartolozzi

Bliżej Kultury Czerski, Stanisław (1777 1833)

Table 24: Wedding token and Medals of Władysław IV Waza, in: Dymitr Prozorowski, Kollekcia Hananiasihs V ImpHORATE of the Hudożestv Graviur Academy on Medi and Riezby on Derew, St. St. Petersburg, 1872 unknown, Geiger, Andreas (1765 1856), Dadler, Sebastian (1586-1657)

Print, Frame; engraving on paper; 34.2 × 15 cm (13 7/16 × 5 7/8 in.)

Reproduction of a print of grotesque ornaments with two cupidos by Hans Sebald Beham, Simonau & Tooey, after Hans Sebald Beham, c. 1866 - in or before 1871 photomechanical print This print is part of a cover with 57 prints on 54 sheets. Brussels (possibly) paper ornament ~ grotesque. Cupids: 'Amores', 'Amoretti', 'Putti'

Portrait of c.w. the keen; Portraits of patriots. Bust of C.W. The Keen in a medallion with a peripheral in Dutch.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Nieznany Rysownik Niemiecki Z XVI Wieku

Copies after the 'Livre contenant passement de moresques' (plate 11) 19th century () After Jacques Androuet Du Cerceau Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.. Copies after the 'Livre contenant passement de moresques' (plate 11). After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 19th century (). Etching ()

Galjaart, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Galjaart. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Galjaart. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Portrait of Blanca van Castile, Anonymous, Veuve Delpech (Naudet), in or after 1818 - in or before 1842 print Paris paper historical persons

Triangular musical instrument; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Gypsum Models for Sculptures at the Louvre Palace: Links "The Spring" by Noemi Constant and Right "The wood" by Auguste Poitevin. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Ancienne Porte du Palais de Justice, Charles Meryon, French, 1821-1868, Etching and drypoint in black ink on paper, 1854, Print, Print

Design by Hans Holbein. Édouard Baldus (French, born Germany, 1813 - 1889)

WEERWOLF, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Werewolf. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Werewolf. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Plate III. Thomas Annan (Scottish,1829 - 1887)

Portrait of David Pan, Abraham Jacobsz. Hulk, 1787 print Bust from David Pan to the right in a medallion with edge in Dutch. Pan is wearing a sole hat. Paris paper etching / engraving

Print, Escutcheon, from "Recueil Nouveau de Differens Cartouche"; Designed by Jacques de Lajoüe (French, 1687-1761); Print Maker: Charles Nicolas Cochin the younger (1715 - 1790); France; etching on paper; Plate: 22.3 × 18.8 cm (8 3/4 × 7 3/8 in.) Paper: 32.8 × 24.9 cm (12 15/16 × 9 13/16 in.)

Etching and copper engraving by Karl Rahl from 1794-1843 showing representations transitioning from copper engraving to lithograph techniques, including figures and elements.

Etching by Max Klinger from 1881 depicting Professor Gropius, included in commemorative publication sheet 13, showing figure, attire, and portrait composition.

Copper engraving by Bartholomäus Kilian around 1675 depicting portraits of ancient Greek philosophers, showing faces, attire, and classical attributes.

Petits Parasols Chinois, Jean-Baptiste Pillement, French, 1728-1808, Engraving on paper, France, Europe, 18th century, Print, Print

Stella Mosher, Valentine, c 1941 Valentine

Design for a wall or ceiling decoration.

Earth, Hans Janssen, 1615 - c. 1630 print Oval with ornamental ranks. At the bottom is an nymph with an urn. Second edition. paper etching

An 1886 pencil and black spring drawing with cover colors by Carl Joseph Geiger showing the ceiling painting in the side wing of Burgtheater, Vienna I, depicting storm, water features, Advent and Christmas games, and A Midsummer Night's Dream.

Etching by Moritz von Schwind from 1833-1844, Vignette No. 25 in the Album for Smokers and Drinkers, showing figures participating in smoking and drinking activities, compositionally detailed.

Etching by Georg Friedrich Schmidt depicting the tomb of Andrew Mitchell, created in 1771, showing architectural details and funerary elements.

Handelsetiket from John Brunick & Company, Anonymous, After Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print Weapon with three Korenaren in an oval with edge. In the middle of the coat of arms of the city of Haarlem. paper vignette. coat of arms (as symbol of the state, etc.). ear of corn. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Design for (the painting of) a vase, presumably from Sèvres porcelain, Unknown, Anatole-Alexis Fournier (Rejected Attribution), c. 1875 - c. 1885 Sèvres paper. graphite (mineral). watercolor (paint). cardboard

Abbé Russe; Le Prince, Jean-Baptiste (1734-1781); 1765 (1766-00-00-1765-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Le Prince, Jean -Baptiste (1734-1781). Habillament des Diverses Nations, Dédié a M. Pajou, Pajou, Augustin (1730-1809)-dedication for, Russia, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864 -1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, clergy, French (culture)

Study for a plate from Telemachus 1793-1803 England. Ink wash on paper . Thomas Stothard

Tracing of the White Rabbit as a herald Illustration for page 166 of Alice's adventures in wonderland. Tenniel, John, Sir, 1820-1914. 1866. Drawings, Tracings, Illustrations. Henry W. and Albert A. Berg Collection of English and American Literature

Head of a man with hat, Adrien de Witte (attributed to), c. 1876 print paper etching adult man. head-gear

Knoblauch, unknown project (without dat.): View and teasing the sky and longitudinal wall of a room in the style of the Rococo. Pencil on paper, 61.9 x 49.8 cm (including scan edges)

Hotel de Ville de Paris, Gallery des Fêtes: Metitur in Orben Ort Orice

Rebus with four performances that together the text NON! Morny N'est Pas Mort Car Il Noce Encore forms; Rébus: NON! Morny N'est Pas Mort Car Il Noce Encore. Four performances are part of a rebus and together form the text NON! Morny N'est Pas Mort Car Il Noce Encore. First image: Rock by the sea with boats, second image: cottages on piles on beach, third image: coffin at altar, fourth image: Banquet at round table in circle, which has the shape of a trumpet.

Violon et Autres Instruments Negres; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Study sheet with two women's figures, Adrien de Witte (attributed to), 1860 - 1913 print paper ETCHING / DRYPOINT / REDOUSSAGE adult woman (+ two persons)

Slutty pass. / Above Duke of Aiguillon. (IT)

Nablanium des Hebreux; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Oval medallions with the months of January and February; Months of the year. January: an old couple warms up at the fireplace. February: Trees pruning.

Sketchbook Page with Beheading of a Female Martyr, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and bistre wash on laid paper, The woman kneels in the foreground, center. The executioner raises part of her hair with his left hand, and the sword with his right. Spectators stand behind a balustrade, in the middle plane. In the background, right, a house, at left a fire which apparently killed a person. Fleeing people. A segment is outlined above. Captions beside the woman: 'senza namele ()' Below the figure: 'chanaleri in Torna.' Damaged, especially upper part. Mounted. Stitching holes at the left edge. Spots., Netherlands, ca. 1590, figures, Drawing, Drawing

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Coat of arms by Carolus van Utenhoven. Medallion with the coat of arms of Carolus van Utenhoven, below a banderole are motto in Latin, in mirror image. The frame has a peripheral zone, in mirror image. On the front of the medal. The portrait of Carolus from Utenhoven.

Decorations 13-24 in The Hague, 1747, 1751 print Leaf with the decorations indicated by the figures 13-24, hung on the houses of residents of The Hague. Los magazine originally part of the sheet metal Haga Commitis Illustrata from 1751 with the decorations set up in The Hague during the festivities around the installation of Prince William IV as the stadholder of Holland and West-Friesland on 3 and 15 May 1747. print maker: Northern Netherlandspublisher: The Hague paper etching / engraving decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.) The Hague

Copper engraving and etching by an unidentified engraver depicting a portrait of Giulio Romano in a Baroque frame, produced between 1575 and 1770.

Silk tissue, 12th century, anonymous, 1857 - 1864 print Silk tissue with pattern of griffins, 12th century. paper textile fabric, cloth

Bandinelli, Bartolommeo .

Portrait of Jan Mandijn. Portrait of Jan Mandijn. In the undermaster his name and appeal.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), La Poésie ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

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