Historical Engravings

Depictions of significant historical events and landscapes, characterized by intricate details and early printing techniques.

Venne, Adriaen Pietersz. van de, Northern Netherlands, Hondius, Willem, Dordrecht after the St. Elizabeth's Flood, 1421, Adriaen Pietersz. of the, View of the country around Dordrecht after the St. Elisabeth's Flood, representation on a hanging canvas., print, picture, historical print, prints, pictures, Frederik Muller History Plates, height 57 mm, width 142 mm, 1597 - 1660-07-18, print maker, printmaker, 1626 - 1628, paper, engraving, engraving (printing process), Work conception, 1589 - 1662-11-12

Dordrecht na de Sint Elisabethsvloed, 1421.View of the land around Dordrechts after the Sint Elisabeth flood, 1421, show on a hanged cloth.

Venne, Adriaen Pietersz. van de, Northern Netherlands, Hondius, Willem, Dordrecht after the St. Elizabeth's Flood, 1421, Adriaen Pietersz. of the, View of the country around Dordrecht after the St. Elisabeth's Flood, representation on a hanging canvas., print, picture, historical print, prints, pictures, Frederik Muller History Plates, height 57 mm, width 142 mm, 1597 - 1660-07-18, print maker, printmaker, 1626 - 1628, paper, engraving, engraving (printing process), Work conception, 1589 - 1662-11-12

Murder of the Protestants in Tours, 1562; Series 3: French religious wars, 1559-1573. Murder of the Protestants in Tours, July 1562. Slaughter by soldiers outside the walls of city, on the bridge and in the water. With caption of 8 rules in German. Left below numbered: 29. The print is part of an album.

Siege of a Fortress: Right Portion. Albrecht Dürer (German, 1471-1528). Woodcut;

Etching by Hans Lautensack from 1553 showing a city situated on a river bank with urban structures, streets, and riverbanks in detail.

Italian port, Jan Vincentz. van der Vinne, 1686 print Numbered in the bottom right: 1. paper etching city-walls. harbour

Pyramus and Thisbe; Metamorphoses from Ovid. The deceased Pyramus is located at the fountain. He has stabbed himself with his sword because he thought Thisbe was killed by a lion. ThisBe discovers her dying loved one, to which she commits suicide with the sword of Pyramus. Left in the background is the lion under a stone bow. Under the show an explanatory text in Latin. This print is part of an album.

Landscape with the expulsion of Hagar and Ishmael, Willem van Nieulandt (II), Paul Bril, 1594 - 1635

Peace at Orléans between Huguenots and Catholics, 1563, 1565 - 1573 print Peace at Orléans between Huguenoten and Catholics, March 13, 1563. The parties make peace on an island outside the city. With caption of 8 lines in German. Numbered: 20. Blad from an album that has been taken apart. Nummered at the top right (in pen): 54. Cologne paper etching signing of peace treaty, concluding the peace Orléans

Alva leaves the Netherlands, 1573, 1574 - c. 1578 print Alva leaves the Netherlands, December 1573. In a large procession, the Duke leaves a sedan chair from Brussels to Spain. He greets the new governor Requesens who drives towards Brussels. With caption of 10 lines in German. Nummered in the bottom left: 95. The print is part of an album. Cologne paper etching (carrying a person in a) sedan-chair Brussels

Pastoral landscape with two plates on the ground for a ruin, Paul van Somer (II), 1670 print There are two large stone cover plates on the ground for a ruin. The name of the print maker and the manufacturing year is on one of the two. In addition to the ruin, shepherds rest with their herd. In the background a hill with the ruin of a castle. In the foreground, a road runs, on which people walk with a dog and a donkey. Amsterdam paper etching / engraving Pastoral, Arcadian Scenes

The month April and the sign of Taurus, represented by a village in spring, and by the parable of the sower. Engraving by A. Collaert after H. Bol, 1585.

Italy, Titian, Campagnola, Domenico, Landscapes after Domenico Campagnola, A valle incipiens sensim ut subit ardua montes, Non secus assequitur finem sibi quisque lebore, River landscape with settlement, verso - stamped, River landscape with a bridge over the river. A settlement on the left. Hills in the background on the right. Title in Latin in bottom margin., print, prints, height 233 mm, width 325 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Italian, 1500 - 1564, intermediary draughtsman, after a drawing by, Work conception, 1488 - 1576-08-27

Capture of Two Galleys at Byserta 1628 Etched by Stefano della Bella Italian. Capture of Two Galleys at Byserta 381715 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Capture of Two Galleys at Byserta, 1628, Etching. The Metropolitan Museum of Art, New York. Bequest of Grace M. Pugh, 1985 (1986.1180.671)

Rustic Market (Nundinae Rusticorum) from The Large Landscapes ca. 1555-56 After Pieter Bruegel the Elder Netherlandish. Rustic Market (Nundinae Rusticorum) from The Large Landscapes 343658

Design for a print, Coastal view with on the right a ship being reconditioned Design for a print series with coastal landscapes (series title), draughtsman: Israël Silvestre, 1631 - 1691, paper, pen, h 83 mm × w 187 mm

River Scene with Towboat 1653 Jan van Goyen Dutch. River Scene with Towboat 335549

View of the Madrid Castle, near Paris. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 7 7/16 × 11 1/4 in. (18.9 × 28.5 cm)Plate: 5 15/16 × 9 15/16 in. (15.1 × 25.3 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

J. Van der Osten (-), Coasting Party, Second Half 1700's

Ürdingen is surprised, 1584, 1587 - c. 1591 print Ürdingen is surprised, 1584. Episode from the Cologne War. With caption of 8 lines in German. Nummered at the bottom left: 211. The print is part of an album. Cologne paper etching capture of city (after the siege) Ürdingen

July, Jan van de Velde (II), 1618 print Landscape with resting farmers on a country road near a village: Kleppel Mans turn near Rotterdam, representing the month of July. On the right a hooischuit on the water. At the top of the constellation belonging to this month: Taurus. Seventh print from a series of twelve. paper etching / pen July and its 'labours'. landscape symbolizing July. Leo (zodiacal sign of July). rest during harvest (eating, dancing, making love, etc.). agricultural products and by-products: hay. village Rotterdam

Jonah is under the Wonderboom, 1566 print Jonah is sitting on a rock above the city of Nineve and waiting for God to destroy the city. God has grown a miracle tree for him so that He can be in the shade. God appears on the clouds. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving the prophet Jonah withdraws from Nineveh; he builds a booth and while enjoying the shade of a plant (gourd or vine) which God made grow for him, he awaits the destiny of the city

Landscape with the expulsion of Hagar and Ismaël by Abraham; Filii luucis adoptati; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. River landscape with houses. In the distance the sea with emerging sun. On the left, Abraham Hagar and his first son is away from his wife Sara (Gen. 21:10). The print is part of an album.

Intake of Geertruidenberg, 1573, 1573 - 1575 print Intake of Geertruidenberg by the Watergeuzen on August 28, 1573. Soldiers come to the left and storm the city with Ladders. Ships on the city above fires. With caption of 2 lines in German and the date. Unnumbered. The print is part of an album. Germany paper etching capture of city (after the siege) Geertruidenberg

River landscape depicting the parable of the Good Samaritan. In the foreground, the Good Samaritan is nursing the injured traveler. Then the traveler is helped onto his horse and taken to the inn. In the background, the Levite and the priest who left the traveler to his fate. The print has an ornamental frame with flowers, fish and animals. It is part of a twenty-four-part series of landscapes with Biblical, mythological and hunting scenes., Parable of the Good Samaritan Landscapes with Biblical, Mythological and Hunting Scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 141 mm × w 209 mm

Dahlberg, Erik Jönssen, Reitz, Erik, Suecia Antiqua et Hodierna, Rudera Monasterii Gudhemensis prout nostro tempore visuntur, View of the ruins of the monastery at Gudhem, The print is part of an album., print, album sheet, prints, height 210 mm, width 336 mm, print maker, printmaker, 1694 - 1694, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Intake of Athlone, 1691, 1695 print Intake of Athlone in Ireland by the English army under Godard Baron de Ginckel, June 20, 1691. Plate no. VI In the series 'England's theater' over wars fed by Willem III in the years 1691-1695 after the Glorious Revolution, (fourth part ). With captions in Dutch and French. print maker: Northern Netherlandsprint maker: Amsterdampublisher: Amsterdam paper etching capture of city (after the siege) Athlone

The Flutist. Dated: 1696. Dimensions: plate: 24.7 x 30 cm (9 3/4 x 11 13/16 in.) sheet: 31.7 x 39 cm (12 1/2 x 15 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CRESCENZIO ONOFRI.

GREEL VAN SIINT-YES AGVENTLY, 1569, 1569 - C. 1571 print Battle of Moncontour, October 3, 1569. View of the battlefield. With caption of 8 lines in German. Nummered at the bottom left: 68. The print is part of an album. Cologne paper etching Victory, position was Saint-Jean d'Angély

Playgroup on the IJ, 1638; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Spice view on the IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. At the top left the coat of arms of the city, at the top right of the city stamp. Legal under numbered: 15. Plate 15 of the illustrations in the description of the festivities around Maria de Medici's visit to Amsterdam from 31 August to 5 September 1638.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. View on a city on a river (Stekene). In the foreground a moored ship. This is the lower half of a page from the book 'The Labor of Mars' of Mallet, the upper half has been cut.

Abraham washes the feet of the three angels, Pieter van der Borcht (I), 1586 print Landscape with Abraham right that washes the feet of the three angels (Gen. 18: 4). paper etching Abraham fetches water and washes the angels' feet. dale, valley

Václav Hollar (1607-1677). "Views of Germany, Spire". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 112277-8 Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

City on a river, 1612 - 1652 print View of a city on a river with two fishermen in the foreground who pick up their net from a boat. On the right on the waterfront, two women do the laundry. Hills can be seen in the background. paper engraving river. prospect of city, town panorama, silhouette of city. laundering. fisherman

Harbor face with ships, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Several ships are anchor in a river mouth that comes out at sea. On the right on the other side of the water is a castle with a tower, with two windmills left. In the foreground are a ship with a load and a rowing boat with a crew. Antwerp paper etching harbour. fortress. sailing-ship, sailing-boat. rowing-boat, canoe, etc.

Hilly Coastal Landscape with Hunters, with an elaborate border of Fishes and Birds. Artist: Hans Bol (Netherlandish, Mechelen 1534-1593 Amsterdam). Dimensions: 5 3/4 x 8 5/16 in. (14.6 x 21.1 cm). Date: 1584. Museum: Metropolitan Museum of Art, New York, USA.

Murder of the Protestants in Tours, 1562, 1565 - 1573 print Murder of the Protestants in Tours, July 1562. Madder by soldiers outside the walls of the city, on the bridge and in the water. With caption of 8 lines in German. Numbered: 13. Blad from an album that has been taken apart. Nummered at the top right (in pen): 47. Cologne paper etching massacre ~ war Tours

Various reinforcements of the VOC on Ceram, Frederik Ottens, 1722 - 1724 print Leaf with three coastal faces with reinforcements from the VOC on the island of Ceram in the Moluccas. The images are numbered in the left corner IX to XII. It concerns: Laäla, Fort Overburg on Loehoe and the village of Saway, both on the Klein-Ceram peninsula. Illustration from: Description of Amboina (1724). Netherlands paper etching island. fortress Seram. Fort Overburg (Ceram)

Entry of Maria de 'Medici in Bergen (Hainaut), 1631; Le Triomphe de l'Entrance de la Reyne Mere, et l'Arrivee de Son Altesse, Dance La Ville de Mons. Meeting between Maria de "Medici and Isabella Clara Eugenia outside mountains in Hainaut, July 31, 1631. In the air a putto and birds with banderoles on which: vive marie.

Right middle leaf of a frieze of four sheets with a view of Naples, printed from four plates. In the center Torre San Vincenza and Castel Nuovo., View of Naples (Sheet 3), print maker: Jan van de Velde (II), 1618, paper, etching, h 422 mm × w 543 mm

Prospetto dell' alma citta' di Roma (Panoramic View of Rome), 1765, Giuseppe Vasi, Italian, 1710 - 1782, 39 13/16 x 27 1/2 in. (101.12 x 69.85 cm) (plate)40 1/16 x 27 13/16 in. (101.76 x 70.64 cm) (sheet), Etching and engraving, Italy, 18th century

Departure of Queen Henrietta Maria from Scheveningen to England, 1643, 1643 print The departure of the English queen Henrietta Maria from Scheveningen to England, January 29, 1643. On the beach a large crowd with wagons, riders and spectators, on the left in the distance the village of Scheveningen, on the beach the pink the queen will go to her ship to take. On the beach, the queen says goodbye to Frederik Hendrik, Prince Willem and Maria Stuart, Queen Elisabeth van Bohemen and representatives of the States General. A text sheet belongs to the print. The Hague paper etching departure ~ travelling (+ propulsion of vehicle, ship, etc. by wind) Scheveningen

. .

Schepen voor de kust; Zeegezichten; Paisages maritimes.Coastal landscape with a galley and a sailing ship off the coast. A tower on the coast. In the foreground men at a small boat.

Novum Amsterodamum.. 1657 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.)

Landscape with Saint Jerome ca. 1560-70 Lucas Gassel. Landscape with Saint Jerome. series of varied landscapes. Lucas Gassel (Flemish, Helmond ca. 1495/1500-ca. 1570 Brussels). ca. 1560-70. Etching and engraving. Prints

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Ürdingen is surprised, 1584, 1584. Episode from the Cologne War. With 8-line caption in German. Numbered: 76., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1584 - 1586, fourth quarter 16th century, paper, etching, etchings

Loading Galischip in the port of Livorno; Port of livorno; Vues de Port de Livourne. View of the port of Livorno with left the statue of Ferdinand I, Grand Duke of Tuscany, and four Moorish slaves (I quattro Mori). On the right, a Galaisch of the Order of the Holy Stefanus is charged by port workers. On the background left a wall and two ships on the quay.

Les deux grandes vues de Paris: Vue du Louvre, 1628-1630. Jacques Callot (French, 1592-1635). Etching;

Bol, Hans, Antwerp, Doetechum, Johannes or Lucas van, History of Tobias, Tobias returns home, Landscape with the return of Tobias and the angel in the foreground on the right. Tobit throws his arms around his son, Anna comes running through the doorway. A little further in the background, Tobias' wife Sara sits on the back of a donkey. On the left, the slaves and cattle arrive, which Tobias received from his father-in-law Raguel. Below the representation is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 237 mm, width 325 mm, print maker, prentmaker, 1563 - 1567, paper, papier, engraving, engraving (printing process), etching, Work conception, 1534 - 1593-11-20

July; The twelve months. Summer landscape with summer scenes. July is the mowing or hay month. Central is the haymaking and mowing the grass. Hay wagons bring the mown grass to the barn. Some farmers are ready to pay their rest. In the background a pond. In the middle of the constellation lion. In this series of the twelve months, every month is depicted with the for its typical human activities, its climatic characteristics and its constellation.

View of Haarlem A, Midden Blad, Jan van de Velde (II), After Pieter de Molijn, 1621 print View of Haarlem, seen from the north, with personifications of caution and strength in a cloud. The buildings, including the Sint-Bavokerk, are equipped with numbers. In the foreground a draftsman. Koetsen, riders and walkers on the second plan. Northern Netherlands paper etching prospect of city, town panorama, silhouette of city. draughtsman at work - CC - out of doors. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues Haarlem. Sint-Bavokerk

September, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Round list of an autumn landscape and Najaart scenes. September is the fruit month. Central is the fruit harvest. Men and women pick apples from an orchard. In the middle of the constellation Libra. The print is part of a twelve -part series over the twelve months. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving picking fruit. September and its 'labours' (+ with zodiacal signs). fruit harvest

Jan van de Velde II, February February

View of Gorinchem, Gaspar Bouttats, After Jan Peeters (1624-1678), c. 1675 print View of Gorinchem, seen from the other side of the Merwede. Upstairs in the middle the city coat of arms and a banderole with the title. Under the image a description of the city in Dutch and in French. paper etching / letterpress printing prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal) Gorinchem

Conquest of Molsheim in Alsace, 1610, 1610 print Conquest of Molsheim in Alsace, 8 July 1610. Episode from the Gulik-Kleefse issue. Cut off to the image, without caption and unnumbered. Germany paper etching capture of city (after the siege) Molsheim

Le Chasse au Cerf (The Stag Hunt), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. Le Chasse au Cerf (The Stag Hunt), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Themense van trajanus te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the remains of the Thermen of Trajanus in Rome (called the Thermen of Titus on print). Title and explanatory list of letters on Banderol in the middle. Rome paper etching public baths. landscape with ruins. ruin of a building ~ architecture Rome. Thermen from Trajanus

View of Goes, Pieter Hendricksz. Schut, 1656 print paper etching / engraving prospect of village, silhouette of village Goes

Conquest of Molsheim in Alsace, 1610, 1610 - 1612 print Conquest of Molsheim in Alsace, July 8, 1610. Episode from the Gulik-Kleefse issue. With caption of 16 lines in German. Nummered in the bottom left: 376. The print is part of an album. Cologne paper etching capture of city (after the siege) Molsheim

The Palace of the Sultan of Morocco (plate 3), 1640-1641, 1646 print View of the Palace of the Sultan of Morocco in Marrakesh, at the time of the visit by the envoy on a trade mission on behalf of the States General led by Antonius de Liedekercke, from November 1640 to April 1641. The palace (probably the Palace El- Badi) from the Sultan Mohammed Esh Sheikh Es Seghir (referred to as Muley Hamet on the print). Third plate in an unassembled ensemble consisting of five prints and 4 text magazines. At the top a cartouche with a verse in two columns; In the foreground members of the local population. Print Maker: The bepublisher: Amsterdam paper etching / engraving palace Paleis el-badi

. A celebration of an elegant company on the edge of a forest. It is eaten, drunk, music playroom and danced. A castle in the background.

Remains of the Circus Maximus, in the valley between the Aventine Hill and the Palatine Hill, Rome, Lazio, Italy, engraving from I vestigi dell'antichita di Roma (The vestiges of Roman antiquities), by Etienne du Perac, plate 8, 1575, Rome.

View of Franeker in 1601, Pieter Bast, 1601 print In the foreground two men, dressed according to the fashion of around 1600, on a country road that leads to Franeker. Cows in the meadow. Behind the city wall of Franeker. In the air in 't Midden a cartouche with "Franeker in Frisiam 1601", on the left Het Wapen van Friesland, on the right that of Franeker. print maker: Northern Netherlandspublisher: Amsterdam paper engraving cattle. clothes, costume (+ men's clothes) Franeker

T huys to Loenersloot

Constance. Germany. Engraving. Liber Chronicarum, 1493. Folios 240v, 241r.

Possibilities to promote silk production in Rome, Anonymous, After Cornelis Meijer, 1696 print Possibilities to promote silk production in Rome. In a landscape, various people are involved in the production of silk. Men climb into a mulberry tree to look for cocoons. Sat and sides are spun with different devices. Rome paper etching silk (material ~ textile industry). special processes for silk fabric

Italy, Bella, Stefano della, Castello St. Angelo, Castel Sant'Angelo in Rome, verso - stamped, View of Castel Sant'Angelo in Rome from the left bank of the Tiber River. A large flag is flying on the roof of the castle. Smoke rises from behind the castle. In the foreground on the left women under a tree., print, prent, prints, prenten, height 212 mm, width 338 mm, Italian, 1610-05-18 - 1664-07-27, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etchings

Landscape withTravellers. Etcher: Girolamo Porro, Italian, 1520-1604 After: Domenico Campagnola, Italian, 1500-1564

Jacques Callot, The Siege of La Rochelle (plate 12 of 16; set comprises 1952897 112), 1628 1631 The Siege of La Rochelle plate 12 of 16; set comprises 1952.8.97-112

Venetian scene 18th century Anonymous, Italian, first half of the 18th century Italian. Venetian scene 342308

Environs of Venice -18. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

November, Pieter van der Borcht (I), 1545 - 1608 print Autumn landscape with autumn scenes. November is the jerk and slaughter month. Central is the feeding of pigs with acorns that hit some men out of a tree. The cattle are slaughtered in the background. In the middle of the constellation archer. In this series of the twelve months, every month is depicted with the human activities, her climatic characteristics and its constellation that are typical of her. Antwerp (possibly) paper etching November and its 'labours' (+ with zodiacal signs). slaughtered ox or pig. driving pigs to the wood to eat acorns

View of Nijmegen with the planned fortifications designed by Menno van Coehoorn, 1726, 1726 print View of Nijmegen on the Waal with the planned new fortifications designed by Menno Baron van Coehoorn. Plate no. 319 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Titles in French and Dutch. print maker: Northern Netherlandspublisher: Leidenpublisher: Amsterdam paper etching Nijmegen

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Waterloo, Anthonie, Segers, Hercules, Ruyscher, Jan, Diverse landschapes, Dorp aan een rivier, verso lower left - stamped, View of a landscape with buildings in a bird's eye view. In the foreground is a village with a small church on a river. In the foreground are several figures., print, prent, prints, prenten, height 123 mm, width 208 mm, Noord-Nederlands, 1625 - 1674, print maker, prentmaker, 1648 - 1663, paper, papier, etching, etchings, drypoint, dry needle, 1609-05-06 - 1690-10-23, 1590 - 1640, Publication (Event), Publicatie, publisher, uitgever, 1664-03-02 - 1717-07-22

Deutz is set on fire, 1583, 1587 - c. 1591 print The city of Deutz set fire to 6 and 11 August 1583. Episode from the Cologne War. With caption of 8 lines in German and 4 lines in French. Nummered in the bottom left: 192. The print is part of an album. Cologne paper etching Deutz

View of the city of Gorinchem and left part of a map of Gorinchem, Nicolaes Weydtmans, 1600 print Two performances on a leaf. Above: View of the city of Gorinchem. In the foreground De Merwede with different ships. At the top left, an angel is on the clouds with a bundle of arrows and an orange branch under the arm and a bird on the hand. In the middle left the weapon of Prince Maurits, in the middle of the right the weapon of Holland and on the right the city coat of arms of Gorinchem. Under the weapon of Holland is a banderol with the next two -line inscription: Salich is he who is not on Menschen Maer on Godt Bout. Neither on Stercke Vesten or Wallen. Below: the left part of a map of the city of Gorinchem. Gorinchem paper engraving city-view in general; 'veduta'. sailing-ship, sailing-boat Gorinchem

December, Joos de Momper (II), 1590 - 1610 drawing The month of December. On the left a butcher with ax and knife, on the right a village hiking where pigs are slaughtered. Design for a print. paper. chalk. ink pen / brush December and its 'labours'. butcher, slaughterman

River landscape with Daedalus and Icarus, Rudolf II van Habsburg (Duits keizer), 1553

The battle on the slake.

A river landscape with figures on a country road in the rain, representing the month of October. In the center, a wooden bridge. To the right a house with a man in a wine vat. Below the astrological symbol of the constellation scorpion. Print from a series of twelve, River Landscape in the Rain: October October The twelve months (series title) Duodecim anni mensium (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Reinier Telle, Northern Netherlands, 1608 - 1618 and/or 1630 - 1699, paper, etching, engraving, h 158 mm × w 216 mm

River landscape with Daedalus and Icarus, Symon Novelanus (attributed to), after Pieter Bruegel (I), 1593 - 1597 print River landscape with sailing ships on the water. In the air the winged Daedalus sees his son Icarus fall down. Vienna paper etching death i.e. the fall of Icarus (Daedalus present). river

View of the city of Hui (or Huy). In the foreground the River Meuse and several boats. The print is part of a series depicting various places in the Mediterranean. View of Hui Huium oppidum Leodiense Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 175 mm × w 246 mm

December: Jozef and Maria are refused at the inn; Emblemata Evangelica. End of the sign of the zodiac. Capricorn. At the bottom left, Mary and Joseph are at at the inn, where there is no place for them. Behind this a market square with well and horse and carriage. Four lines of Latin in two columns under the show (Luc. 2). The print is part of an album.

Artist: Israel Henriet, French, 1590-1635, After: Jacques Callot, French, 1592-1635, A Bastion, or AFortification, ca.1635, Etching, image: 7.7 × 15.5 cm (3 1/16 × 6 1/8in.), Made in France, French, 17thcentury, Works on Paper -Prints

Landscape with Ruin, Meynert Jelissen, After Hendrick Avercamp, 1610 - 1614 print Landscape with ruin on an island in a river. A rising sun in the background. Print from a series of six with landscapes. Amsterdam paper engraving landscape with ruins - II - ideal landscapes

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print View of a city in a mountainous area ('Albuquerque'). In the corner at the top left the number 129 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching prospect of city, town panorama, silhouette of city. mountains

Gezicht op de stad Gorinchem.View of the city of Gorinchem. In the foreground the Merwede with different ships. Above left is an angel on the clouds with a arrow beam and an orange branch under the arm and a bird on the hand. Center left the weapon of Prince Maurits, the weapon of Holland and on the right the city weapon of Gorinchem. Under the coat of arms of Holland, a banderole hangs with the following two-legged inscription: he is not at Menschen Maer on Godt bolt. Neither on Stercke vests or the Wallen Barrout.

Riverscape with a Double Bridge. Artist: Anonymous, Netherlandish, late 16th century. Dimensions: plate: 6 1/16 x 8 1/8 in. (15.4 x 20.7 cm)sheet: 7 3/8 x 10 1/16 in. (18.7 x 25.5 cm). Publisher: Published by Aux Quatre Vents. Series/Portfolio: series of varied landscapes. Date: ca. 1570. Museum: Metropolitan Museum of Art, New York, USA.

Cityscape in a river valley, Simon Frisius, after Matthijs Bril, 1611 print There is a city in a wide, hilly river landscape. In the foreground, a man attracts his shoe, while next to him a man is peeing. print maker: Northern Netherlandspublisher: The Hague paper etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Print (France)

Specklin, Veit Rudolf, Holbein, Hans (II), Jonah Sits Under the Wonder Tree Near Nineveh, Jonah sits in the shade of the wonder tree outside the city of Nineveh, awaiting what is going to happen to the city. In the margin above the image is the text Jonah I. II. & III Jonah 1 t, m 4., print, book illustration, prints, height 60 mm, width 85 mm, height 86 mm, width 106 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1543, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Qvebec Quebec. 1640 - 1799. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Face locked Rörstrand and Rydboholm, Nicolas Perelle, 1670 - 1674 The print is part of an album. paper etching Slot Rydboholm. Slot Rörstrand The print is part of an album. paper etching Slot Rydboholm. Slot Rörstrand

Adventures on the land at Porto Desire, 1615; Porto Desire; Image of Porto Desire. Adventures on the land at Porto Desire (Puerto Deseado), December 1615. Hunting on sea lions, ostriches and penguins, search for fresh water and the discovery of graves. Part of the illustrations of the Australian navigation of Jacob Le Maire included in Joris Journey Report of Spilbergen to the world, 1614-1617, No. 22.

View of Maagdenburg, right leaf, Jan van de Velde (II), 1688 - 1727 print Panorama van Viernenburg, seen from the other side of the Elbe to the west. At the top right of the city coat of arms of Maagdenburg. At the bottom right a city map of Maagdenburg. Amsterdam paper etching prospect of village, silhouette of village Virginburg. Elbe

Dorp, Esaias van de Velde, 1614 print Second print from a series of seven small landscapes. On the edge of a village with farms is a man with a stick in a meadow. Near him is a sailing boat. The picture was later colored by hand. Haarlem paper etching village

View of the Janiculum Hill Seen from the Tiber (recto). Dated: 1553. Dimensions: sheet: 22 x 33.1 cm (8 11/16 x 13 1/16 in.). Medium: pen and brown ink over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antonie van den Wyngaerde.

of 2