Historical Engravings and Illustrations

A collection of detailed engravings depicting historical and allegorical scenes, showcasing interactions of figures, emotions, and cultural themes in a monochromatic style.

Rowths of Scipio, Bartolomeo Pinelli, 1818 print Scipio gives the Schone Virgin, who was offered to him as a reward for conquering new Carthage, back to her upcoming groom Allucio, Prince of Celtiberi. Rome paper etching the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift

The Entombment, plate eleven from The Passion of Christ 1596 Netherlands. Engraving in black on cream laid paper . Hendrick Goltzius

Ceres appears to farmers; Performances from Vergilius' Bucolia. Ceres, goddess of agriculture, appears in the countryside where they hand over a farmer and farmer's fare. She is accompanied by an allegorical figure with a corn sheaf in his arms. Behind this two, the carriage of Ceres dragons float in the air. On the same plate, a decorated initial o with the deposit of a figure is seated at four beehives. This illustration is manufactured by a story from Vergilius' Bucolica.

Graf monument for Lucas Reeder, Theodoor Koning, after Pieter Wagenaar (II), 1779 print Allegorical grave monument for the pastor Lucas Reeder. Before the memorial, which is decorated with a swan and a skull, there are personifications of learning, friendship and faith. On the right is a stork and is a fallen incense. On the left, the personification of envy is stabbed by wisdom. Amsterdam paper engraving Fidelity; 'Fedeltí' (Ripa). Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa). Invidia (Envy) as Roman personification. grave-building, monumental tomb. water-birds: swan. shore-birds and wading-birds: stork

Maria van Brabant is accused of adultery by her husband Lodewijk II, Joseph Coomans, after J. Wauters, 1836 print Armed men penetrate a women's room. One of the gentlemen is Louis II. He accused his wife, Maria van Brabant, of adultery. The queen of Hungary begs Louis on her knees. Brussels paper etching interior ~ representation of a building. quarrel, argument. one person praying

The meeting of the two Ferdinands in Nördlingen; entry from Ferdinand in Antwerp in 1635 (no. 9); Congressus Seren.morum Ferdinandorum Ad Norlingam: Tabula lateris Sinistri, EiSdem Pegmatis. The meeting of the two Ferdinands at Nördlingen for the battle on September 6, 1634. Bottom left the Danube river god at the Virgin of Germany. The court performance on the welcome scene. Signature at the top right: Pag. 17. With caption of 2 times 3 lines in Latin. Leaf no. 9 In a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Edelman helps a lady get rid of her horse, Jacques Le Roy, after Sigmund Freudenberger, 1781 - 1782 print Bern paper etching nobility and patriciate; chivalry, knighthood. hunting, chase. horse

Apollo and his followers, Noah van der Meer (II), After Hermanus Numan, 1751 - 1822 print Apollo with a winch in his hand standing in the forest. On the right one of the muses and women with the flame of inspiration on the head. On the left the goddess Diana with an arc in her hands. Amsterdam paper etching (story of) Apollo (Phoebus). single Muses. inspiration of the artist (in general)

Venus, Bacchus en Ceres (without the CEARE and BACCHO CROFT Venus), Anonymous, 1650 - 1750 print Venus has her drinking scale poured by the Wine God Bacchus. Ceres is on the right with corn in the hair. Two putti fuel a fire in the foreground. The one with a bellows, the other brings firewood. Illustration of the saying 'sine cerere et baccho friget venus' (without ceres and bacchus freezes venus), or, without food and wine, love freezes. paper etching Without the COVER AND BACCHO CLOVE VENUS '

Rowths of Scipio, Bartolomeo Pinelli, 1818 print Scipio gives the Schone Virgin, who was offered to him as a reward for conquering new Carthage, back to her upcoming groom Allucio, Prince of Celtiberi. Rome paper etching the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift

Urania, Bernard Picart, After Eustache Lesueur, 1740 print Urania, the muse of astronomy, sits under a tree with a globe with the constellations and holds a compass in his hand. She was crowned with a circle of stars. To the painting that hung in the Chambre des Muses of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving Urania (one of the Muses); 'Urania' (Ripa) Lambert Hotel

"Plaque" or Picture in Limoges Enamel. Charles Thurston Thompson (English, 1816 - 1868)

Etching by Salvator Rosa depicting an allegorical representation titled 'The Genius of Salvator', created in pinnate style between 1660 and 1665.

Fire, Jacques de Gheyn (II), After Karel van Mander (i), 1580 - 1596 print Presentation of the element of fire in the form of a naked man with flaming hair who hits a rock with a flint. In the background a group of people around a fire above which a kettle hangs. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving fire (one of the four elements)

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text.

Etching by Baldassare Aloisi Galanini showing Saint Roch distributing alms, created in 1614, illustrating charitable acts and detailed engraving techniques.

Dancing Bacchant, Franz Ertinger, After Raymond de Lafage, 1652 - 1707 print Dancing men, women, children and satyrs. print maker: Paris (possibly)after drawing by: Francepublisher: Netherlands paper etching / engraving veneration of Bacchus

This etching by Simone Cantarini shows the Holy Family resting during the flight into Egypt, created between 1630 and 1648. The work emphasizes movement, landscape, and biblical narrative.

Allegory on History, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. pencil pen / brush 'History'; 'History' (Ripa)

Bacchus punishes a man who destroyed a vineyard / Bacchus Rescue Ariadne from the island of Naxos / Bacchus and the Sleeping Amor; Mythological and allegorical representations.Three Performances on a Leaf. Above: Bacchus Punishes a Man Who Destroyed a Vineyard. Middle: Bacchus Saves Ariadne From The Island or Naxos. Below: Bacchus and the Sleeping Amor. In Addition, a cow, perhaps io.

Maria with child and two female saints, Richard de Saint-Non, after Jean Honoré Fragonard, After Francesco Solimena, 1773 print paper etching female saints. Madonna: Mary standing (or half-length), Christ-child close to her bosom

The final according to Mikha A. Angy, lifting the resurrected to heaven; Beatrizet, Nicolas (1507 cars 1515-Ca 1565), Buonarroti, Michelangelo (1475-1564); 1562 (1562-00-00-1562-00-00);Sistine chapel (Vatican), heaven (iconogr.), Rome (Italy), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, final court (iconogr.), Italy (state), angels (iconogr.), polychrome, renaissance (style), religious scenes, Italian (culture), death, saints

Iris in Domum Somni. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Sketches for a Cavalry Battle and a Mounted Officer. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 166 × 227 mm. Pen and brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

François-Nicolas Chifflart was an important member of the etching revival in 19th-century France. This print, from his 1865 series Improvisations on Copper, reveals the freedom and experimentation that Chifflart found in this medium. He drew directly on prepared copper plates, sketching as he would on a sheet of paper, to create both anecdotal studies and imaginative finished compositions. Executed on an intimate scale, the prints encouraged close looking and private contemplation. Improvisations sur cuivre: Perseus and Andromeda, 1865. Nicolas-François Chifflart (French, 1825-1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 30.4 x 22.8 cm (11 15/16 x 9 in.); plate: 31.5 x 23.5 cm (12 3/8 x 9 1/4 in.); sheet: 57.4 x 37 cm (22 5/8 x 14 9/16 in.).

Apollo Omlijst Door Dierenriem, Giovanni Girolamo Frezza, After Pietro Antonio De Pietri, After Francesco Albani, 1704 print Apollo, the sun god, floats in the air with its winch, framed by the zodiac. On the right Bacchus and Vulcanus and left flora and ceres in a landscape. print maker: Romeafter drawing by: Italyafter painting by: Italy paper engraving (story of) Apollo (Phoebus). (story of) Ceres (Demeter). (story of) Flora. (story of) Bacchus (Dionysus), Liber. (story of) Vulcan (Hephaestus)

Putto at a palm tree, anonymous, after Gerard de Lairesse, c. 1670 - c. 1690 print In the middle, a putto holds a palm tree that is in a container. He points in the direction of a bust of a woman on a pedestal with a garland. Left front creates a putto with a jug of water from a fountain. On the right three putti fight each other. In the background two figures under a round arch. Bottom left: 105. print maker: Low Countriesafter design by: Low Countriespublisher: Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. trees: palm-tree. garden fountain. fighting

Man exhibits prints at a fair. A man on a stage talks to a man on the floor. Hereby he points to a point of design to prints of a battle that is a pole attached. Next to him on stage a man with a violin, on the square in the background a crowd of people, a bell tower in it.

Three Grates, Anonymous, 1650 - 1799 print Three dancing women, presumably the three graces. Netherlands (possibly) paper etching Graces (Charites), generally three in number; 'Gratie' (Ripa)

Mucius Steekt Zijn Hand in Het Vuur, Andrea Andrea, after Baldassare Peruzzi, 1608 print The Roman Mucius Scaevola puts his hand in an altar fire to show his self -control to Lars Porsenna, the king of Clusium. A landscape in the background. Italy paper Gaius Mucius Scaevola before Porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of Porsena may be seen lying on the ground). city-view, and landscape with man-made constructions

Allegorical Presentation on the occasion of the marriage of Willem Philips Kops and Johanna de Vos, Bernard Picart, 1720 print Allegorical representation on the occasion of the marriage of Willem Philips Kops and Johanna de Vos in Haarlem on September 22, 1720. The husband kneels passionately for his wife. The wedding god Hymen tries to calm him down. The three graces dress the bride. In the background the city of Haarlem. At the top of the merchandise frame, belonging to the company of the couple. Under the show The motto: Sint Pacta Jugalia Curae. The print is part of an album. Amsterdam paper etching / engraving Graces (Charites), generally three in number; 'Gratie' (Ripa). (story of) Hymen(aeus). (story of) Cupid, Amor (Eros). marriage, married couple, 'matrimonium'

Guardian angels in sleeping child, Édouard Toudouze, 1880 print paper etching / drypoint guardian angel. watching a sleeping child. sleeping in bed

Air, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Landscape with a loving pair in the midst of birds. There is a chameleon on the woman's arm. A bird hunt in the background. In the margin an eight -line caption, in two columns, in Latin. Antwerp paper engraving air (one of the four elements). lovers; courting, flirting. lizards: chameleon

This copper engraving and etching by Pierre Etienne Moitte, produced between 1740 and 1780, depicts figures arriving at waters, illustrating landscape and human activity in 18th-century art.

Bas-relief with a drunken Sater and the head of a lion; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with a drunken Sater, which is supported by Putti. At the front is a sleeping maenade. Behind it the head of a lion. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Antwerp, Maes, Joseph, Belgium, Tapestry, XVIe siècle, Tapestry with the entombment of Christ, recto - stamped, photomechanical print, page, photos, photographically illustrated books, TAPISSERIE représentant 'le, recto - printed, TAPISSERIES. - PL. 6., JJvY, height 201 mm, width 210 mm, photographer, 1882 - 1887, paper, collotype, photoprint, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception

Venus with Amor and a Faun; Sine Cerere et Baccho Friget Venus. Venus leans against a table on which a vase with flowers. She holds amorous hand. In the background a faun emerges from a dark space with a fruit. A flying putto holds a handful of flowers above the head of Venus. On the ground next to Amor are arrow and bow and two pigeons. Under the print the Latin title.

Trumpeting Angels from The Last Judgment, after Michelangelo 1530-66 Nicolas Beatrizet French. Trumpeting Angels from The Last Judgment, after Michelangelo. Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). 1530-66. Engraving. Prints

Playing king phallus surrounded by doctors, c. 1794 - c. 1873 print The sick King Phallus on a throne. A group of men around the throne. paper etching penis, phallus (+ sitting). throne

Amor Roots the Blinker Situer Van Jupiter, Nicolas The Beauvian, After Bernard Picart, Afterache Resue, 1740 print Amor has robbed Jupiter of his eagle and lightning bolt. Jupiter stays empty -handed on a cloud. Amor descends to the earth, where a river god and river goddesses look up. On the left a lion and a panther. To the painting in the cabinet de l'amour of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving Cupid disarming the strong; the Power of Love. attributes of Jupiter. river-gods. beasts of prey, predatory animals: lion. beasts of prey, predatory animals: panther Lambert Hotel

Dike breach, 1530. Dike breach and flood, November 5, 1530. Flooding with disaster victims in the foreground.

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos) 1799 (published 1908-12) Goya (Francisco de Goya y Lucientes) Spanish. Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799 (published 1908-12). Etching, aquatint on wove paper. Prints

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text.

Daguerreotype of an painting; Jean-Gabriel Eynard (Swiss, 1775 - 1863); about 1850; Daguerreotype

Figure Studies for a Judgment Scene. Artist: Michel Corneille the Younger (French, Paris 1642-1708 Paris). Dimensions: 9 5/8 x 7 5/16 in. (24.4 x 18.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

David with the head of Goliat. David is located with its sword under a drapery. At his feet, the chopped head of the Philistine Giant is Goliat.

, Dr, -Karl -Renner -Ring , Rathausplatz - Parliament - Construction Plastic - Relief Unity, Victor also, Viktor Angerer -, photographer, publisher

Etching by Luca Giordano showing the twelve-year-old Jesus in the temple, created 1650-1660, illustrating the biblical event with teachers and listeners.

Young SOLDY WONSURE ONE PRICSES, JACOB VAN THE SLAY, 1758 print A young soldier greets a princess behind her. Behind him a few ladies and men with spears. In the background ship masts. Amsterdam paper etching / engraving royal children - BB - female ruler. meeting

Peace honored by the three graces, Daniel Nikolaus Chodowiecki, 1798 print With small sketchy putti and vegetation in the margins. Berlin paper etching Literature. Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). armorial bearing, heraldry. Aesculapian sign. Graces (Charites), generally three in number; 'Gratie' (Ripa). Sacrifice. garland, wreath

The Monumental Tablet 1750 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Etching by Maria Anna Angelika Catharina Kauffmann from 1798 depicting the biblical scene of Joseph being sold by his brothers, emphasizing figures, expression, and narrative composition.

A man climbing a mountain; Nil Volentibus Arduum. Vignette of the artificial Society Nil Volentibus Arduum (NVA). A man climbs a mountain as an imagination of the motto of NVA: nothing is difficult for those who want.

This etching by Bernhard Rode depicts Romans plunging statues onto Goths, showing action, figures, and architectural elements, created in 1782.

Amor touches a man with his arrow, Elias Baeck, c. 1690 - c. 1755 print The man is hit by a love arrow from Amor. Around the show a ornamental edge with bacchus, drinking men and an over -surrendering man. In the lower margin a two -way caption in Latin and a two -way caption in German with a warning exclamation of Amors victim. Augsburg paper etching Cupid shooting a dart. adult man. (story of) Bacchus (Dionysus), Liber. drinking. vomiting

Fries with triumphal tour of Quintus Fabius Maximus on Schouw in the mayor's room of the town hall on Dam Square (third part), Hubert Quellinus, after Artus Quellinus (I), 1663 print Third part of Frisian with triumphal tour of Quintus Fabius Maximus on the fireplace in the mayor's room of the Town Hall on Dam Square in Amsterdam. With a rider, sacrificial animals and priests. Nummered in the bottom left: 3. At the bottom of the middle: O. paper etching / engraving conqueror triumphing, triumphal entry of victor. triumphs (allegorical and symbolic). triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. priest ~ Roman religion. animal sacrifice ~ Roman religion. riding a horse, ass, or mule; rider, horseman. (military) flags and standards City Hall of Amsterdam (1655-1808)

Angel Holding a Palm and a Crown ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This plate is based on his copy after a fresco by Ludovico Carracci (Italian, 1555-1619) in the cathedral in Piacenza, Triumphant Angels with Symbols of the Virgin Mary. Fragonard's delicate use of the etching needle to suggest texture and light endows Ludovico's ponderous composition with a new vitality.. Angel Holding a Palm and a Crown 369316

Print (France)

Richard and Maria Cosway, and Ottobah Cugoano, Print made by Richard Cosway, 1742-1821, British, after Richard Cosway, 1742-1821, British, 1784, sepia-colored soft-ground etching on medium, slightly textured, cream paper, Sheet: 12 5/8 × 15 3/8 inches (32 × 39 cm), Plate: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm), and Image: 8 11/16 × 11 5/8 inches (22 × 29.5 cm), arch, bird, couple, fountain, garden, genre subject, grapes, grapes, leaves, man, peacock, portrait, servant, statues, statues, trees, vines, water, woman

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Jacob with His Family en Route Home, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 16 × 19.3 cm (6 5/16 × 7 5/8in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Jacobs Dream, from The Loggia Paintings, Etching, one of a set of 32 prints, platemark: 15.9 × 19.2 cm (6 1/4 × 7 9/16 in.), Made in Italy, Italian, 16th-17th century, Works on Paper - Prints

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, God Separating Light and Dark, from the LoggiaPaintings, Etching, platemark: 13.6 × 22 cm (5 3/8 × 8 11/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Drawing, Frieze with Hunting Children; Italy; charcoal, pen and ink, brush and watercolor on paper

Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro 1716 Jean Bernard Toro French. Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro. 1716. Etching. Jacques-Nicolas Le Pas Dubuisson (French, 1663-1733)

Hymen connects the houses of Bavaria and Burgundy, Bernard Picart, 1732 print The marriage god Hymen connects the coats of Bavaria and Burgundy. Under the show The motto: Cernes quae Surger Regna Coniugio Tali! print maker: Amsterdampublisher: The Hague paper etching / engraving (story of) Hymen(aeus). coat of arms (as symbol of the state, etc.). marriage, married couple, 'matrimonium'

Holy Jacobus heals a blind way; Andrea Mantegna frescoes in the Chiesa Degli Eremitani in Padua. James stands between a few soldiers in a temple walk. For him, a blind man kneels that requires healing. James blinds the blind man. A man is stopped by a soldier.

Engel and two women in an allegorical frame, Reinier Vinkeles (I), after Johannes de Bosch, 1771 print An angel and two women in a richly decorated frame with a trumpet, books, a rod, a extinguished torch and a harp. In the background a shepherd who hates his sheep. Amsterdam paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. angels. birds

Adoration by De Herders, Johannes Arnoldus Boland, After Lucas Franchoys, After Anthony Van Dyck, 1874 print Amsterdam paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Allegory-Ingenius Love. Jean Honoré Fragonard; French, 1732-1806. Date: 1764. Dimensions: 288 × 204 mm. Black chalk on cream laid paper, laid down on cream laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Allegory on the Nieuwe Schouwburg in Amsterdam, 1774, Simon Fokke, 1774 print Allegorie on the initiation of the Nieuwe Schouwburg on Leidseplein in Amsterdam, September 15, 1774. Apollo appears in the sun's rays and points some female personifications, related to the stage, to the new building. Northern Netherlands paper etching symbolic representations, allegories and emblems ~ the theatre. Apollo playing the lyre, Apollo Citharoedus Schouwburg Leidseplein (1774-1890)

Putto on sea animal with Triton, Anonymous, Gabriel Weyer, 1571 - 1635 A winged putto on a sea animal with a head of unicorn, scaly front legs and tail. A second putto next to it and on the left a triton in the water that blows his horn. paper engraving / etching monsters of the sea

An etching by Johann Heinrich Ramberg from 1800 depicting a scene in a monastery, titled 'The Surprise'.

Jael and Sisera. Artist: Leonaert Bramer (Dutch, Delft 1596-1674 Delft). Dimensions: sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm). Date: 1611-74. Museum: Metropolitan Museum of Art, New York, USA.

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Two putti on the point to hug each other / two fighting putti, carlo cesio, after annibale carracci, 1656 print Leaf with two performances. Left: two putti who are about to unhelillate each other. Right: two fighting putti under a floating laurel wreath. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Frisian with leaf refrences, children and dogs; Ornamenti di Fregi. The leaf reflections on sprouts from the upper bodies of two children.

Monument for sculptor Antonio Canova, Bartolomeo Pinelli, After Giuseppe Fabris, 1791 - 1835 print A monument for the Italian sculptor Antonio Canova. A monument consisting of three layers. The bottom layer contains a Frisian with clergy and men who close a deal. The middle layer shows the three graces mourning. On top of an image of the lying artist. Italy paper etching monument, statue. portrait, self-portrait of artist. Graces (Charites), generally three in number; 'Gratie' (Ripa)

Print (France)

Morals for School Children. 1750 - 1900. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Etching by Giuseppe Maria Mitelli depicting the Assumption of the Virgin Mary, created 1679.

Bas-relief from a sarcophagus with nymphs; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman's bas-relief from a sarcophagus with nymphs that are fed by tritons over the water. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Netherlands, Letter of greeting with an inn, drinking peasants and acrobats, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of an inn, drinking peasants and acrobats., print, folk print, letter of greeting, prints, folk prints, height 415 mm, width 324 mm, print maker, printmaker, 1700 - 1899, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Hérodias with the head of Johannes de Boper, Paul Rouffio, 1878 print paper etching / drypoint the head of John the Baptist on a platter

Frisian with putti making wine and sacrifice to Priapas, Antonio Tempesta, 1565 - 1630 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. vintage, grape harvest. wine production. Sacrifice

Vignette with three putti with spear, yoke and scoop, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching lance, spear (symbol of sovereignty). yoke. agricultural implements: spade. cupids: 'amores', 'amoretti', 'putti'

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Arrival of Willibrord in Friesland; Murder of Floris V, Count of Holland and Zeeland; Charles III the Simple gives Dirk I of Holland the church of Egmond out of gratitude; Boniface canonized as a martyr immediately after his death., print, prints, verso - stamped, 5, 8, 7, 6, height 119 mm, width 261 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

The thorn corant; The little passion. Christ, sitting, branch in hand given and thorns pushed on head.

Hercules En Omphale, Pietro Bettelini, After Annibale Carracci, 1773 - 1829 print Hercules with a tambourine and Omphale with the lion sheet and the bat of Hercules, sitting on a batch of stones. In the background on the left amor who looks at the pair from behind a wall. Italy paper etching / engraving Hercules in love with Omphale; the hero is set to spin wool or to do other women's work among the servants, while Omphale wears his lion's skin and wields his club and bow

Purgatory 1835-98 Jules-Eugène Lenepveu French. Purgatory. Jules-Eugène Lenepveu (French, Angers 1819-1898 Paris). 1835-98. Graphite, heightened with white, on beige paper. Drawings

Man and Woman in a Arrenslee, Willem van Konijnenburg, 1927 print A man and a woman in a horse -drawn sleigh that is pulled by a horse. The man has a whip and the reins of the horse in his hands. paper etching horse-sleigh

Pyramus and Thisbe 17th century Cornelis Schut. Pyramus and Thisbe. Cornelis Schut (Flemish, Antwerp 1597-1655 Antwerp). 17th century. Etching. Prints

Copper engraving and etching by Jan Harmensz. Muller from 1540-1617 depicting Christ healing the sick, showing figures, gestures, and composition.

Tom Paine's nightly pest , Politicians, Authors, Revolutionaries, Clergy, Sleeping, Angels, Dreaming, Paine, Thomas, 1737-1809, Fox, Charles James, 1749-1806, Priestley, Joseph, 1733-1804. James Gillray (1756-1815). Prints and Drawings

Arabesque frieze. Topic 2: invitation to dance; Schrödter, Adolf (1805-1875), Arnz, Albert (1832-1914), Arnz & Comp. (Düsseldorf; lithographic plant, printing house, publishing house; 1816-1914); 1848 (1848-00-00-1848-00-00);

Cossack idyll. Simmler, Józef (1823-1868), draughtsman, cartoonist

Mountainous landscape with houses, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1874 print paper etching / drypoint mountains

William Blake, Job Rebuked by His Friends, 1825 Job Rebuked by His Friends

Adam and Eve, Pierre François Basan, After Rembrandt van Rijn, 1733 - 1797 print paper etching Temptation and Fall (Genesis 3:1-7)

Pendentief met prudence, Louis de Châtillon (attributed to), after Domenichino, 1649 - 1734 print Rome paper etching Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Father Time, man with wings and scythe. architectural detail

TheEntombment. After: Andrea Mantegna, Italian, ca. 1431-1506

Polyphemus en Galatea, Carlo Cesio, after Annibale Carracci, 1656 print Polyphemus plays a love song on his pan whistle for the Zeenmf Galatea. Galatea sits on a shell that is pulled by dolphins. She is supported by two sea emissions. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Polyphemus. panpipes. (story of) Galatea; 'Galatea' (Ripa)

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