Historical Equestrian Illustrations

A collection of sketches depicting horses and riders, showcasing various historical scenes including processions and mythical themes in earthy tones.

Maskerade of the Leiden students, 1865 (plate 4), 1865 Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fourth plate with the groups numbered 37-54. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fourth plate with the groups numbered 37-54. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Span van de eerste praalwagen in de optocht voor de Heilige Rombout, 1825.Six horses span for the first float in the conversation for the Holy Rombout. The procession was held on June 28, 5 and 12, 1825. Illustration in a publication on the occasion of the 50-year celebration in 1825 of the Jubilee of the Saint Rumold or Rombout, patron saint of the city of Mechelen.

. The seventh sled in the procession. A sled with Minerva drawn by a horse and preceded by two people in Greek clothing. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Pencil drawing by Anton Zampis depicting a sled team in a landscape, executed on brownish paper.

Back View of a Centaur Abducting a Satyress 1727-1804 Giovanni Domenico Tiepolo Italian. Back View of a Centaur Abducting a Satyress 339429

Maskerade of the Leiden students, 1865 (plate 4), 1865 Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fourth plate with the groups numbered 37-54. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fourth plate with the groups numbered 37-54. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee

Brush, pencil, and black chalk drawing by Johann Adam Klein depicting the Wallachen camp, showing figures, tents, and landscape elements, highlighted with white, on yellow-brown wax paper around 1856.

Joseph Steuart, active 1821, Cavalrymen, etc, 1821. Etching.

Fifth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The fifth sledge in the parade. A sledge with Louis de Boisot and a boy with white bread and a herring, pulled by a horse and preceded by two musicians and two Hellaardiers. Part of a series of twelve plates (before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second centenary of the Leiden Relief (October 3, 1574) and the establishment of The University of Leiden (8 February 1575). Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Copper engraving by Pierre Daret in 1640 depicting the king and queen, showing figures, attire, and ceremonial composition.

Scene from the story of Don Quixot, Johann Christoph Weigel, in or after 1725 print Numbered below: 2. Nuremberg paper etching Don Quixote. birds

A Good-bye, Paul Sandby RA, 1731-1809, British, undated, Graphite and brown wash on medium, cream, slighlty textured laid paper, Sheet: 2 1/2 x 3 1/2 inches (6.4 x 8.9 cm), carts, figure study, genre subject, horses (animals), man, travelers, women

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.82). Lithography, 19th century. Paris, Carnavalet museum. 78055-29 Album The Good and Evil, Drawing, Illustration, Lithography, Character, Scene of Life, 19th XIXth 19th 19th 19th 19th century

Sketchbook from the years around 1866 ok. 1873 card No. 51 (no author's numbering) five drawings obverse: 1. Uhlan riding a horse asked a bare girl with a basket: an illustration of the quoted words of the song There in Błonie Błonie Kwiecie / stands up on picket ; Reverse: 2. Fun a woman with a child; 3. Sketch of the face from the image of Frans Hals Malle Babbe v. Portrait of an old witch from Haarlem; 4. A sketch of a man in a baseball cap; 5. Sketch of an open hand Łosik, Tomasz (1848 1896)

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: eightieth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Vignette from the Battle of Milvian early 18th century Bernard Picart Bernard Picart was a successful engraver active in France and the Netherlands. This drawing belongs to a group of studies he made after works by Charles Le Brun, the leading painter and coordinator of royal projects under Louis XIV. Rather than transcribe an entire composition, he used each sheet to study a vignette of a few figures.. Vignette from the Battle of Milvian. Bernard Picart (French, Paris 1673-1733 Amsterdam). early 18th century. Pen and black ink, brush and gray wash. Drawings

A Party of Life Guards 1821 Théodore Gericault French. A Party of Life Guards. Théodore Gericault (French, Rouen 1791-1824 Paris). 1821. Lithograph. Rodwell & Martin (British, active 1819-35). Prints

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: seventy-nine-board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Reproduction of a painting: Chełmoński, Józef (1849-1914), Covered up; excerpt from a magazine. Kraków, Stanisław (Paryż), graphic artist, Chełmoński, Józef (1849-1914), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Aquatint by Francisco Goya from 1816 titled 'La Tauromáquia', depicting multiple participants attacking a bull with lances, banderillas, and other weapons in a bullfighting scene.

Bella, Stefano della, Amsterdam, Walraven, Isaac, Paarden, verso - stamped, print, prints, height 32 mm, width 69 mm, Noord-Nederlands, 1686-03-23 - 1765-03-11, print maker, printmaker, 1696 - 1765, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian, 1610-05-18 - 1664-07-27

A Man Holding a Horse by His Bridle. Dated: 1651. Dimensions: plate: 15.1 × 19.2 cm (5 15/16 × 7 9/16 in.) sheet: 16 × 20.1 cm (6 5/16 × 7 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: DIRCK STOOP.

Pen and brush drawing by an anonymous artist of a rider portrait, executed in brown pen and gray-brown brush with wash, showing figure, horse, and posture, with water stains on corners.

Capricorns and Gemzen and Standard carrier on Horse, Hans Burgkmair (I), 1483 - 1526 print Three guys and two eazes of laurel wreaths walk upside down in a row. They are part of the triumphal tour of Emperor Maximilian I and follow a hunter, shown as a standard carrier. He is wearing a hunting horn, a dagger and ice traces and a standard with an empty cartouche with space for text. An empty text band is shown above his head. paper hoofed animals: ibex. hoofed animals: chamois. symbolic triumphs of individual persons. standard-bearer, flag-bearer

. The second slide in the procession. A large sledge with four musicians drawn by two horses and followed by two Romans with swords. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Helene, Duchess to Mecklenburg-Schwerin.

Cartoon for 'Gulliver Taking Leave of the Land of Houyhnhms', Sawrey Gilpin, 1733-1807, British, between 1768 and 1769, Graphite, pen and black ink on medium, moderately textured, beige, laid paper, Sheet: 8 5/16 × 10 11/16 inches (21.1 × 27.1 cm)

$The manly courage of the famous Pajuelera in the Saragossa arena (Valor varonil de la celebre Pajuelera en la plaza de Zaragoza). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf\'\ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer$

Goats and Sheep in a Landscape. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm). Date: ca. 1760-61. Museum: Metropolitan Museum of Art, New York, USA.

Couple in a carriage Vue d'une Barouche Villageoise servant, principalementaux parlies de Nces (title on object), print maker: Willem van Senus, Evert Maaskamp, (possibly), 1824, paper, etching, h 190 mm × w 225

Czerkies on a horse; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Fifty-UNEth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Running horses, verso - stamped, print, prints, height 32 mm, width 70 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

Alphonse Legros, Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne) Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne)

John Leech, 1817-1864, British, The Close of the Season, undated. Graphite.

W drodze do Bahawalpur. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Military Figures in a Landscape, recto; Tree Study, verso, 1825, Théodore Rousseau, French, 1812 - 1867, 6 9/16 x 8 3/8 in. (16.67 x 21.27 cm) (recto)8 3/8 x 6 9/16 in. (21.27 x 16.67 cm) (verso), Brown ink and graphite on white wove paper, France, 19th century

Le pont.. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A nobleman on a horse Norblin, Jan Piotr (1745 1830)

. A farmer with a staff and a peasant woman with a bucket at three cows.

Cavalry Fight. Follower of Jacques Courtois; French, 1621-1675. Date: 1641-1675. Dimensions: 238 × 420 mm. Black chalk, heightened with white chalk, on greenish-blue laid paper, perimeter mounted on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

TAUROMAQUIA (1814-1816) - DIBUJO PREPARATORIO PARA LA MUERTE DE PEPE ILLO (3ª COMPOSICION) - SANGUINA - 245x350 mm. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. DELGADO JOSE. PEPE ILLO / PEPE-HILLO / PEPEILLO. DELGADO GUERRA JOSE.

Théodore Géricault, A French Farrier, 1821, lithograph on paper.

Unknown (-); J�rgen Ovens (1623-1678), acquired on the occasion of Kiel University's inauguration. Tablet 16-17, 1666

Rider. A man on horseback drives a road in the forest. On the verso is a fragment of a figure study of a naked woman with apple.

Sir John Everett Millais, 1829-1896, British, Rejected, 1853. Pen and brown ink on medium, slightly textured, cream wove paper.

Resting Boyster dealer by Johann Georg Wagner, executed in light brown pen, lead handle, and laved wash, showing figure, costume, and posture.

Funeral procession of Anna Paulowna (page 7), 1865. Draughtsman: anonymous. Dating: 1865. Place: Netherlands. Measurements: h 140 mm × w 365 mm. Museum: Rijksmuseum, Amsterdam.

Riders at figures around a pot on a tripod, 1874 - 1876 drawing On the left three men around a pot on a tripod. There is a gun with them. Furthermore, three riders. Rotterdam paper. pencil riding a horse, ass, or mule; rider, horseman. kitchen-utensils: pot. camp-fire; watch-fire. sitting on the ground

Etching by Augustin Hirschvogel depicting the death of Absalom, showing figure, posture, and composition, dated 1548.

Attributed to Donato Creti, Penitent Magdalene with Angels in a Landscape (recto) Penitent Magdalene with Angels in a Landscape recto

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Harem monitor and fixed car (flat-car-type carriage). Sheet 9 of the image sequence on the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 39 x 289 cm. Dresden: Slub mscr.dresd.j.2.a

The tenth sled in the procession. A slide with Asclepius (Aesculapius), drawn by a horse. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Brewers Drays, from A New Book of Horses and Carriages 1784 Thomas Rowlandson. Brewers Drays, from A New Book of Horses and Carriages. A New Book of Horses and Carriages: The Rhedarium. Thomas Rowlandson (British, London 1757-1827 London). 1784. Etching. Elizabeth Jackson (British, active 1785-87). Prints

GOYA Y LUCIENTES, Francisco de (1746-1828). Banderillas with firecrackers. 1816. Plate 31 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Horsemen Fighting. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 4-7/16 x 6-11/16 in. (11.3 x 17 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

A rider with a big hat, Adam Frans van der Meulen, 1642 - 1690 drawing paper. chalk brush riding a horse, ass, or mule; rider, horseman. horse

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: twenty-fifth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Carrot drawn by Four Muaping: NightCène. Chalk lithograph coming from the 'Lithographic Original Drawings by J.G. Schinz, Zurich 1822 '

Francisco de Goya y Lucientes / 'Death of the Alcalde of Torrejón, on the Stone seats in the bull-ring at Madrid'. 1814 - 1816. Wash, Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper. Museum: Museo del Prado, Madrid, España.

Set of Sixteen: Outlines of Figure and Landscapes, Thomas Rowlandson, 1756-1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)

Print, LE CAMOUFLET ou le DORMEUR; Designed by Christophe Huet (French, 1700-1759); Print Maker: Pierre Filloeul (French, b. 1696-after 1754); Published by Vanheck, Pierre Roguié (French, 1713 - 17); France; etching and engraving on laid paper

The Ox Cart, from the Suite of Late Wood-Block Prints 1898-1899 France. Wood-block print in black ink on thin ivory Japanese paper, laid down on medium-weight, fibrous, off-white Japanese paper . Paul Gauguin

Five red deer and standard carrier on horseback; Triumph of Emperor Maximiliaan I. Five red deer walk in a row and they wear a laurel wreath in their large branched windows. They are part of the triumphal of Emperor Maximiliaan I and follow a hunter, displayed as standard carrier. He is wearing a hunting horn and a standard with a blank cart shower with space for text. An empty text band is shown above its head.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Thirty-theth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

St. Conon, Martyr, March 6th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. St. Conon, Martyr, March 6th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Keizer Karel V in battle with a bull; Carlos V. Lanceando Un Toro and La Plaza de Valladolid; Bullfighting; La Tauromaquia. Emperor Charles V sitting on a horse while holding a lance in the neck of a bull.

Return of the hunt. Draughtsman: Gerrit Malleyn. Dating: 1808. Measurements: h 220 mm × w 285 mm. Museum: Rijksmuseum, Amsterdam.

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull), in or before 1816, Tauromaquia: pl.26 Harris 204-36, etching, burnished aquatint and drypoint first edition impression, Harris 1964, no. 229, State III(1), Francisco Goya (artist) Spanish, 1746 - 1828

Image reproduction: Juliusz Kossak (1824-1899), Mrs. Pupardowa, 1867, from: "Juljusz Kossak: 260 drawings in the text, 8 Viatures, 6 Facsimili colorful with watercolors, portraits under L. and St. Witkiewicz ", p. 69; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

Bernard van Orley shows Emperor Maximilian hiding a boar on brownish tinted paper, using brown ink, gray brush, white highlights, and red-brown feather details. The drawing includes figures, animals, and architectural elements before 1530.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Woodcut by Hans Burgkmair depicting German Gestench in the Triumphal Procession of Emperor Maximilian I, first edition 1526, printed 1796.

Third Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The third sled in the parade. A sledge in which a knight and a arms herit, pulled by a horse and followed by two runners with torches. Part of a series of twelve plates from the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575) . Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

The Cortes Of Death, William Strang (Dumbarton, Scotland, 1859 - 1921) 1902

Trumpeter of the Riflemen. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 230 × 320 mm (image); 284 × 357 mm (sheet). Lithograph in black on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Another madness of yours in the same square /Another of His Bravados in the Same Arena; Board No. 19 from: Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

Masquerade by students from Leiden Hogeschool, 1840 (plate 9); De Intogt van Hertog Jan van Beijeren inside Leijden, on the 18th August 1420, in Masquerade suggested by H.H. Students of Leydsche Hoogeschool, op den 8sten February 1840.Historical Costumed Procession of the Students of the College of Leiden University of Applied Sciences on February 8, 1840. The Procession Depicts The Arrival of Duke Jan van Bavaria on 18 August 1420. Ninth Plate A Series or Nineteen Unnumbered Plates, with the Groups Numbered 55-59.

Poniatowski, Josef Prince.

Chahine, Edgar (n.1874-D.1947), Le dusrereau unloaded, or terrassiers (Tabanelli 141) (main title), 1904. Eau-travete and aquatinte, or etching and lavis of strong water, on Japan , Petit Palais, Museum of Fine Arts of the City of Paris.

. .

Sheet of Studies for "The Horse Fair" 1840-99 Marie-Rosalie Bonheur French. Sheet of Studies for "The Horse Fair". Marie-Rosalie Bonheur (French, Bordeaux 1822-1899 Melun). 1840-99. Black chalk and graphite. Drawings

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Philippe le Bel. Twenty-sixth issue of a suite of 40 pieces. (A. de Vesme 671; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Paul Sandby RA, 1731-1809, British, A Carriage and Pair, with Coachman, 1774. Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige, laid paper; mounted on, medium, slightly textured, beige, laid paper.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Louis XIV from France in a chariot driving through the zodiac, Claude Mellan, 1608 - 1688 print paper engraving chariot, triumphal car. Leo (zodiacal sign of July). Scorpio (zodiacal sign of October)

Francisco de Goya (1746-1828), Pepe those ulyksalige deed I arenaen Madrid, 1815-1816

Le Paysan se Déchaussant (The Peasant Removing his Shoes), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Paysan se Déchaussant (The Peasant Removing his Shoes), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Eighth part of the Maskerade of the students of the Utrecht University of Applied Sciences on 17 June 1846, representing the entry of Prince Philips II in Utrecht on October 3, 1549.

Bliżej Kultury Michałowski, Piotr (1800 1855)

An Elegant Hunting Party Resting by a Fountain. Dated: 1685. Dimensions: overall: 24.4 x 37.6 cm (9 5/8 x 14 13/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Peeter Bout.

Ruiter in Medallon, Anthonie van den Bos, after Aarnout ter Himpel, 1778 - 1838 print A rider on horseback greets two men who stand along the road. paper etching riding a horse, ass, or mule; rider, horseman. baring the head, lifting one's hat

Hoefsmid, Gerard Hoet (I), After Hendrik Verschuring, 1658 - 1733 print Three figures and a dog in a horse, which is treated by a farrier. A classic structure in the background. unknown paper etching farrier, shoeing-smith. horse

Illustration for a Book: Soldiers Driving Ox Carts with Banners. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 3 x 6-1/16 in. (7.6 x 15.4 cm). Series/Portfolio: See Metropolitan Museum of Art acc. nos. 59.600.176 - 59.600.212. Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

A Cockney & his Wife going to Wycombe 1805-40 Copy after James Gillray This print reproduces a Gillrary etching of 1805 and shows a man in a top hat driving his plump wife in a two-seat open carriage pulled by an emaciated horse. A mongrel dog with a bone in its mouth walks ahead of them. A stone mile marker behind is lettered: "Miles from London" (the place where the number should appear broken off), and a mortar and pestle decorates the side of the carriage, identifying the man as a druggist or apothecary.. A Cockney & his Wife going to Wycombe. Copy after James Gillray (British, London 1756-1815 London). 1805-40. Etching. John Miller (London). Prints

A four-horse carriage with two coachmen stops at an inn, Carriage with sleeping berth stands stops at an inn Dormeuse de voyage Vehicles of all kinds Panidocheme ou toutes sortes de voitures Voitures , print maker: Victor Adam, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1827 - 1828, paper, h 260 mm - w 345 mm

of 3