Historical Etchings

A collection of detailed etchings depicting biblical scenes, figures, and allegories, showcasing intricate lines and historical themes.

Rijn, Rembrandt van, Christ in the Garden of Gethsemane, verso lower left - stamped, print, prints, Rembrandt f. 165-, lower right, height 111 mm, width 82 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, Oriental paper, etching, etchings, plate tone, drypoint, dry needle, Work conception, after own design by

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Rijn, Rembrandt van, Christ in the Garden of Gethsemane, verso lower left - stamped, print, prints, Rembrandt f. 165-, lower right, height 111 mm, width 82 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, Oriental paper, etching, etchings, plate tone, drypoint, dry needle, Work conception, after own design by

A Shepherd with Two Magicians, from Scherzi 1735-1740 Italy. Etching on paper . Giambattista Tiepolo

Three Oriental Figures (Jacob and Laban), Rembrandt van Rijn, 1641 print paper etching / drypoint the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

The Agony in The Garden, Rembrandt van Rijn, c. 1652 print paper etching / drypoint Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

Rest from Labour on Sunny Days 1784-87 Thomas Rowlandson. Rest from Labour on Sunny Days. Imitations of Modern Drawings. After Nicolaes Berchem (Dutch, Haarlem 1621/22-1683 Amsterdam). 1784-87. Etching with stipple and aquatint. Prints

Rijn, Rembrandt van, Christ and the Samaritan woman: ruins in the background, verso lower left (2x), print, prints, Rembrandt f. 1634, top right, verso bottom left, height 122 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Jacob crying the death of his son Joseph Harmensz van Rijn Rembrandt (1606-1669). Jacob crying the death of his son Joseph. (B 38 - 1st state), around 1633.

Joseph Haynes, 1760-1829, British, Banditti (no.7 of 10), 1780. Etching.

The rat vendor. Copy to the Print of the same name by Rembrandt.

Putti with bust of woman between trees. Design for a decoration.

Banditti Conversing, Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1779, Etching

Hermit visited by two figures, print maker: Jan Luyken, publisher: weduwe Pieter Arentsz (II), publisher: Cornelis van der Sys, Amsterdam, 1704, paper, etching, letterpress printing, h 93 mm × w 77 mm

Arcadian landscape with a shepherd and a woman at a tomb, Daniël Dupré, 1771 - 1817 print paper etching pastorals, Arcadian scenes. landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.

Man Conversing with a Woman, c. 1648. Adriaen van Ostade (Dutch, 1610-1684). Etching;

The Raising of Lazarus, John Holland, born 1734, British, after Rembrandt van Rijn, 1606-1669, Dutch, Annotated by James Chelsum, 1738-1801, British, 1756, Etching, Plate: 8 x 5 9/16in. (20.3 x 14.1cm)

Samaritan, telling the ruins Harmensz van Rijn Rembrandt (1606-1669). Samaritan, telling the ruins (B 71 - 1st state), 1634.

Bystanders including a man with the hands folded on his back: fragment of cutting plate of the hundred guilders print; The one hundred guilders print.

A pointing man on a donkey in conversation with a man, resting a stick on his shoulder. The two men are standing by a river., Two men by a river, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: Monogrammist FVW, Vaassen, 1796 - 1856, paper, etching, h 108 mm × w 91 mm

Mary and Joseph, Holding the Child, are Escorted by an Angel, plate twelve from The Flight into Egypt Made 1753 Italy. Etching on paper . Giovanni Domenico Tiepolo

John Holland, born 1734, British, The Raising of Lazarus, 1756. Etching.

Jean Honoré Fragonard after Jacopo Tintoretto, The Disciples at the Tomb, 1764 The Disciples at the Tomb

Kwakzalver sells his wares, Adriaen van Ostade, 1648 print A few adults and children listen to the story of a quacks who are trying to sell his wares near a large tree and tent. In the foreground, a little boy with a hoop is looking with the back to the viewer. The show has a semicircular top. Haarlem paper etching quack, charlatan, mountebank, 'saltimbanco'

Man with a fishnet, Salvator Rosa, c. 1656 - c. 1657 print A standing man, pulling on a fishnet. Two figures look behind him. Italy paper etching / drypoint fishing net

Giovanni Battista Tiepolo, Death Giving Audience, published 1785 Death Giving Audience

Smoker ca. 1640-70 Jacques Dassonville. Smoker. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching. Prints

Jakob with his family on the way home, Sébastien Bourdon, 1626 - 1671 print paper etching Jacob on the way to Canaan with his family, his flocks, camels and all his possessions

The Agony in the Garden. In this etching (with the same subject as the adjacent drawing) Rembrandt has turned the bodies of Jesus and the angel. Here Jesus is shown frontally. His closed eyes indicate his inner turmoil and utter loneliness: should he revolt against his fate - his death on the cross - or accept it His disciples have fallen asleep, and the soldiers in the distance threaten to draw closer.

Landscape with three figures for a ruin, Franz de Paula Ferg, 1699 - 1740 print paper etching landscape with ruins. asking the way

Saint Joseph Adoring the Infant Jesus, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Triomphe de la Mort: La mort au pays des mines , Death, Alphonse Legros (1837-1911)

Woman cuts the toenails of her mistress; Batseba.an Old Woman Cuts The Raads Of A Young Woman With A Blasted Breast Sitting In Nature.

The Expulsion of Hagar. Rembrandt van Rijn (1606-1669), graphic artist

Jean Michel Moreau, Frontispiece Dictionnaire de musique, 1779 Frontispiece: Dictionnaire de musique

Rijn, Rembrandt van, Abraham and Isaac, verso top left, print, prints, Rembrant. 1645, lower left, verso bottom center, height 157 mm, width 130 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Banditti Taking His Post. Dated: 1778. Dimensions: plate: 30 × 20.1 cm (11 13/16 × 7 15/16 in.) sheet: 42.4 × 29 cm (16 11/16 × 11 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Hamilton Mortimer.

Rattengifverkoper, Christian Wilhelm Ernst Dietrich, 1732 print Germany (possibly) paper etching seller of rat-poison. rodents: rat. marketing, shopping (~ household management)

Drinking farmers; Replace scenes to Van Ostade. Three farmers are sitting under a shelter at a barn and smoking and drinking around a table. On the wall of the house there is a placard with two swans. Under the show a Dutch verse.

Joseph count His Dreams, Rembrandt van Rijn, 1850 - 1906 print paper etching Genesis: the story of Joseph

The Ill-Assorted Couple, 1495-1496, Albrecht Dürer, German, 1471-1528, 5 3/16 x 5 7/16 in. (13.18 x 13.81 cm) (image), Engraving, Germany, 15th century, Prints about the pitfalls of 'unequal love' commonly depicted an older man ensnared by a coquettish young woman. Her cleavage in full view, this pretty mercenary reaches her hand out for payment before she will even glance at her companion. In reality, wars, brawls, and monasticism had depleted the male population in Albrecht Dürer's day, prompting fears that women would target older men with their wiles.

Rest on the Flight into Egypt ca. 1641 Etched by Stefano della Bella Italian. Rest on the Flight into Egypt 373934

Integer vitæ scelerisque purus (Horace, Odes. Book I , 22). 1775. David, Giovanni, 1743-1790. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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A Month, from a series of the twelvemonths. Etcher: Pierre-Charles Canot, French, 1710-1777 After: Jean Baptiste Pillement, French, 1728-1808

The Return of the ProdigalSon. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Farewell to De Melkmeid, Jean Daullé, After Le Nain, 1759 print Paris paper engraving / etching parting, leave-taking (of lovers). milkmaid. ass, donkey

Muck'y Weather February 10, 1812 Thomas Rowlandson Later state of "Wet Under Foot." A rainy street scene at the corner of Petticoat Lane and Smock Alley, where a woman struggles to walk over cobblestones while holding an umbrella and holding up her skirt.. Muck'y Weather. Thomas Rowlandson (British, London 1757-1827 London). February 10, 1812. Etching; reissue. Hannah Humphrey (London). Prints

Curarlos, y á otra.' by Francisco Goya (1746-1828), created between 1810 and 1820, and issued in 1863. This artwork relates to the Peninsular War (1807-1814) and depicts themes of atrocities, sick persons, and war casualties. It is a first edition etching, lavis, and engraving, noted with a standard reference number

Giovanni Battista Tiepolo, Magician and Others Regarding a Serpent Magician and Others Regarding a Serpent

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Rijn, Rembrandt van, Netherlands, Lievens, Jan, Abraham rejects Hagar and Ishmael, verso lower left - stamped, Abraham with behind him a crying Hagar and little Ishmael. Sarah watches from the window., print, prints, height 78 mm, width 56 mm, 1607-10-24 - 1674-06-04, print maker, printmaker, 1630 - 1700, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Noord-Nederlands, 1606-07-15 - 1669-10-08

Beggar Man and Woman Behind A Bank, Rembrandt van Rijn, c. 1630 print paper etching Begin

Abraham Entertaining the Angels. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1656. Dimensions: 159 x 131 mm (image/sheet trimmed to platemark). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Fete of Pan, 1648. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching;

A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series 1656-1657 Italy. Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.. Etching on ivory laid paper . Salvator Rosa

Le Magicien; Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Ludwig, Aniela - collection, orient, Russia, French (culture), books, men, genre scenes, purchase (provenance)

Market traders selling vegetables, and a man cooking in a long-handled pan on a brazier; beyond, an ancient wall and a rotunda. Etching by J. Pelletier after J.B.M. Pierre.

Flute Playing Shepherd and spinster, Nicolaes Pietersz. Berchem, 1652

The Family of the Oriental Peasant, from Scherzi 1735-1740 Italy. Etching printed in black on paper . Giambattista Tiepolo

The flight to Egypt: Night.

Food distribution to pilgrims and beggars at a monastery gate, draughtsman: Andries Both, Italy, 1636, paper, h 185 mm × w 267 mm

Rest on the Flight into Egypt, Simone Cantarini, Italian, 1612 - 1648, Etching on paper, The Virgin, seen seated frontally, holds the Christ Child before her. At the left, St. Joseph is seated under a tree, grasping his staff., Pesaro, Italy, ca. 1640, Print, Print

The Triumph of Mordecai, c. 1641, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, Etching, The Netherlands, 17th century, Queen Esther was raised by her cousin Mordecai, an exiled Israelite living in Ahasuerus's kingdom. Because Mordecai exposed a plot on his life, the king asks his chief minister, Haman, to suggest a reward for a favored subject. Mistakenly thinking he will be the honoree, Haman recommends letting the person comport himself like the king. Ironically, Mordecai then rides in majesty, while his humiliated enemy Haman has to lead the procession (Esther 6).

Figural Studies, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, At top, a group of three figure. The one at left stands, leaning upon his elbows; the two to the right are seated and wear brimmed hats. Below, to smaller figures kneel facing one another. To the left, a larger seated figure., Italy, 1625-1650, figures, Drawing, Drawing

Rembrandt van Rijn, The Return of the Prodigal Son, 1636 The Return of the Prodigal Son

A Magician, A Soldier, and Three Figures Watching a Burning Skull, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 222 x 178 mm (plate); 398 x 271 mm (sheet). Etching printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Saint Peter inPenitence. Artist: Jusepe de Ribera, Spanish, active in Rome and Naples, 1590-1652

Rijn, Rembrandt van, Three men in oriental clothing, Three oriental figures (Jacob and Laban), recto right - stamped, Possibly a passage from the story of Jacob and Laban., print, prints, verso - stamped, height 146 mm, width 108 mm, print maker, printmaker, 1816 - 1816, paper, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Joseph Telling His Dreams. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1638. Dimensions: 110 x 82 mm (image/sheet trimmed within plate mark). Etching on white wove paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Men around a treasure chest, Joseph de Longueil, 1750 - 1792 print France paper etching money-chest, treasure-chest, money-box. trees: palm-tree

Beggar and beggar, next from behind a hill.

Two merchants in a warehouse, Thomas Wijck, 1626 - 1677 print Two merchants are in a warehouse between merchandise. Walking even more merchants in the background. paper etching merchant, salesman

Joseph Wagner (publisher) after Giuseppe Zocchi, Joseph and His Brothers, c 1745 Joseph and His Brothers

Woman cuts the toenails of her Mistress, Anonymous, After Rembrandt van Rijn, 1630 - 1700 print An old woman cuts the toenails of a young man with bare chest sitting in nature. Netherlands paper etching manicure

Cadet and Charlotte Kneelen for their father Charles, Reinier Vinkeles (I), 1774 print Cadet and Charlotte kneel for their father Charles van Cavalier and their mother Marianne lets her head rest on his chest. Amsterdam paper etching family, descendance. kneeling figure. landscapes

Pulchinello in conversation with two wizards; Scherzi di Fantasia. Pulchinello in conversation with two wizards, they sitting at an altar where a naked boy recluses.

Michał Elwiro Andriolli, `Pawlik`, for the novel `Pamiątki starego szlachcica litewskiego` Memories of an old Lithuanian nobleman H. Rzewuskiego; from: `Kłosy` 1884 no. 994, p. 41. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

A brown ink drawing by Gerbrand van den Eeckhout depicting Juda and Tamar, showing figures, posture, and interaction in a biblical scene.

St. Peter Recognized by a Servant Girl 1611-74 Leonaert Bramer Dutch. St. Peter Recognized by a Servant Girl 335103

Jack Bannister in his Dressing Room. Date/Period: 1783. Portrait. Watercolor with pen and red-brown ink over graphite on medium, moderately textured, beige, laid paper mounted on beige, thick, moderately textured, laid paper with border with gray wash lines. Height: 221 mm (8.70 in); Width: 164 mm (6.45 in). Author: Thomas Rowlandson.

Democritus. Dated: 1775. Dimensions: plate: 29.8 x 21.2 cm (11 3/4 x 8 3/8 in.) sheet: 30.5 x 21.8 cm (12 x 8 9/16 in.). Medium: etching on laid ppaer. Museum: National Gallery of Art, Washington DC. Author: Giovanni David.

A beggar woman walks with a little girl along a frozen ditch. She holds open her hand to ask for a handout. On the ditch, two men are tying their skates under., Beggar Woman with Child by a Ditch, print maker: Louis Bernard Coclers, (mentioned on object), Louis Bernard Coclers, (mentioned on object), unknown, 1756 - 1817, paper, etching, drypoint, h 105 mm × w 85 mm

Sater suggests a man with a mirror. An old man walks at an entrance to a cave. A Sater forces him to look into a mirror, while holding a knife on the man's crown. There is a cat in the middle. Some animals behind them. A building can be seen in the distance.

Munich, Bruckmann, Friedrich, Felsing, Johann Heinrich, Kaulbach, Wilhelm von, Raab, Johann Leonhard, Dorothea (und die Auswanderer), Saint Dorothea and the emigrants, recto lower right - handwritten in pencil, print, prints, verso - stamped, 616, height 396 mm, width 245 mm, German, 1825-03-29 - 1899-04-02, print maker, printmaker, 1840 - 1899, paper, steel engraving, 1805-10-15 - 1874-04-07, intermediary draftsman, after a drawing by, 1800-09-18 - 1875-03-29, printer, Publication (Event), Publication, 1814 - 1898, publisher

Jean Dambrun after Jean Honoré Fragonard, Le savetier Le savetier

Depicts 'Christ in the Emmaus' by Rembrandt van Rijn, created as an etching with pinnate and light flat tone in 1654, showing figures and interior composition.

Rosa, Salvator, work, Two soldiers with an old man behind him, (1000 - 2000), etching, graphics, sheet width 9, 1 cm, leaf height 14.2 cm

Sarcophagus, Hubert Robert, 1763 - 1766 print Three figures in an antique sarcophagus in a landscape. In the background a pyramid behind a number of cypresses. Sixth print from a series of ten. Rome paper etching sarcophagus. landscape with ruins. pyramid (historical grave form)

Shipwrecked Victim Thrown onto the Shore of Pourville 1822 Horace Vernet. Shipwrecked Victim Thrown onto the Shore of Pourville. Horace Vernet (French, Paris 1789-1863 Paris). 1822. Lithograph; only state. Prints

Poor Poor /Poor Iittle Girls!; Board No. 22 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

The Prairie, Ch. 32 (dummy title)

unknown artist, (J. B. Smith), Banditti with a Captive.

St Jerome Reading in an Italian Landscape. St Jerome is often portrayed as a scholar in his study, accompanied by a lion. Rembrandt decided to show him reading quietly out in the open, wearing a straw hat. He has also removed his sandals, giving the overall impression of being completely at ease under the hot sun. Behind him, a convincingly portrayed lion stands guard courageously.

Balet du Prince de Salerne, exécuté à Fontainebleau en novembre 1746, Additional, Enfants vendangeurs, 1747, Paris, Véronèse, Camille, 1735-1768, Enfants vendangeurs (Choreographic work Sodi), Prints (Graphic arts) -- Ballet -- 18th century, Engraving, 26.3 x 19.7 cm., Plate mark

Marcus Curius Dentatus visited by the Samnites, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

Venus and Adonis engaged in an embrace, Gerard ter Borch (I), 1616, draughtsman: Gerard ter Borch (I), (signed by artist), Zwolle, 1616, paper, brush, h 125 mm × w 207 mm

Small plate etching by Rembrandt from 1642 depicting the resurrection of Lazarus, including traces of cold needle work.

Peasants and children listening to a shawm and a violin player, in front of a house, Two buskers in front of a house, print maker: Nicolaas Albrecht, (mentioned on object), intermediary draughtsman: Adriaen van Ostade, (mentioned on object), Netherlands, 1735 - 1770, paper, etching, drypoint, h 160 mm × w 204 mm

The mischievous or the flute player (Bartsch 188) Rembrandt Harmenszoon van Rijn (1606-1669), Dutch painter. The mischievous or the flute player (Bartsch 188). Floor, dry tip on European paper, 1642.

Summer 1864 Charles Jacque. Summer. Charles Jacque (French, Paris 1813-1894 Paris). 1864. Etching. Prints

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