Historical Etchings

A series of etchings depicting figures and scenes from history, featuring dynamic poses, costumes, and elements of satire that reflect early 17th-century artistry.

A harnessed man on horseback, riding to the left, with his visor open and holding a spear or lance upright in his right hand (a spear rider). This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or several different types of (mostly armored) horsemen, and one print depicting an equestrian fight., Spear rider with open sights The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 158 mm × w 208 mm

Jacques Callot, Two Seated Figures, c 1622 Two Seated Figures

Stefano Della Bella, Dwarf Riding an Ass Dwarf Riding an Ass

Jacques Callot (1592-1635). "The whims, the man who runs. Twelfth number of the suite of 50 pieces engraved in Nancy" (Lieure 439, Meaume 791). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-26 Etching, engraving

Jacques Callot, Envy, probably after 1621 Envy

The Waag of power. (Ti)

A harnessed man on horseback, riding to the left, with his visor open and holding a spear or lance upright in his right hand (a spear rider). This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or several different types of (mostly armored) horsemen, and one print depicting an equestrian fight., Spear rider with open sights The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 158 mm × w 208 mm

Banishment. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Example of Roman military punishment: Banishment

Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Pierre Brebiette (French, ca. 1598 - 1650). Slaughter of the Innocents, 17th century. Etching.

Devil confuses the yarn, 1652, Salomon Savery, after Pieter Jansz Quast, 1652 - 1654 print The devil confuses the yarn, 1652. A sitting woman spins yarn who are wounded by a man of a coil on a reel, behind him is the devil who pulls the yarn and confuses it and the man tells evil. The woman with snakes in the hair is referred to here as deceit. paper engraving / etching spinning (manufacture of yarn)

Edouard Eckman after Jacques Callot, Gentleman Viewed from the Front with Hand on Hips, 1621 Gentleman Viewed from the Front with Hand on Hips

Le Duel a l'Épée et au Poignard (The Duel with the Sword and Dagger) , from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Duel a l'Épée et au Poignard (The Duel with the Sword and Dagger) , from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Twice the same violin man, seen on the right; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. A gentleman with a hat on, violin-playing, seen on the right, depicted twice: links such as line figure, to the right more worked out with shadows. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Soldier in uniform having sex with a woman in bonnet and skirts on a bed, while another maid watches from a window, 18th century. Woodblock engraving from John Cleland's Fanny Hill, Amsterdam & Paris, 1880s. After the original erotic illustrations by Antoine Borel, circa 1748.

Satire on the activities of Henri Jacques Nompar de Caumont, duc de la Force : the discovery of hoards of foodstuffs and medicines caused immense scandal. Date: 1721

Jacques Callot, The Hunchback with the Feathered Cap, c 1622 The Hunchback with the Feathered Cap

Les Danseurs au Luth (The Dancers with a Lute), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Les Danseurs au Luth (The Dancers with a Lute), from Les Caprices Series B, The Nancy Set 398567

Two love savings with a jester. Two loving couples and a jester sitting at a tree.

Zittende man met ezel; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Right in the foreground is a man to do his shoe on or out. On the left is his donkey. In the background a house in a rolling landscape. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Fustium Admonitio (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates John Beaver (British, active 1725-27). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.

Don Quichotte hits Sancho Panza to Knight; Designs for the fifth part of histoire de l'Admirable Don Quixotte (...). Don Quichotte hits Sancho Panza in a church kneeling for a lounger to knight. Design for a (title) print.

Jacques Callot, Peasant Whipping his Donkey, 1628 Peasant Whipping his Donkey

Jacques Callot, Gentleman in Large Mantle, Front View, c 1622 Gentleman in Large Mantle, Front View

The Dancers with a Flute and a Tamborine, from The Caprices 1617-1627 France. In the 17th century, the word capriccio generally indicated a musical composition that thwarted listenersí expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performerís whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.. Etching in black on ivory laid paper . Jacques Callot

Celebration of the Vine, Felice Giani, Italian, 1758-1823, Graphite, pen and ink, brush and wash on paper, Horizontal rectangle with classical figure dancing under grape vines., Italy, ca. 1800, figures, Drawing, Drawing

St. Serapion, Martyr, November 14th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. St. Serapion, Martyr, November 14th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Reuk, Richard Gaywood, after Edmond Marmion, 1650 - 1665 print paper etching smell, smelling (one of the five senses). flowers. dog. family group, especially parents with their child(ren). clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). clothing for the upper part of the body (BODICE) (+ men's clothes). head-gear: hat (+ men's clothes). boots (+ men's clothes). dress, gown (+ women's clothes). head-gear (HEADSCARF) (+ women's clothes) England

Taste, Anonymous, 1620 - 1670 print A man smokes a pipe in an inn. He is sitting on an inverted basket with his legs crossed. Four figures in the background. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. print maker: Netherlandsprint maker: Amsterdam paper etching taste, tasting (one of the five senses). pipe ~ tobacco

Cephalus and Procris, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Cephalus and Procris, from 'Game of Mythology' (Jeu de la Mythologie) 376733

The Peddlar and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), renowned queens' game. Hélène. Twenty-first number of a series of 52 pieces. (A. de Vesme 617; Dutuit 118) (main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

David sends Uria away, Hans Holbein (II), 1538 print David sends Uria on his way to the army in the hope that he will die in the war. In the margin above the image is the text II regvm XI 2 Samuel 11. paper David speaks to Uriah

Justice, Gesina ter Borch, c. 1660 - c. 1669, Woman with scales, standing next to a palm tree., draughtsman: Gesina ter Borch, Zwolle, c. 1660 - c. 1669, paper, h 78 mm × w 95 mm

A Farmer and a Villager, from Das Bossenbüchlein ca. 1582 Mathais Beitler German A female famer at left holds onions in her left hand, while a villager at right holds a pitchfork. From a set of 12 plates of vessel designs.. A Farmer and a Villager, from Das Bossenbüchlein 423417

Five Standing Muscovites (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, pl. 313). Artist: Attributed to William Hogarth (British, London 1697-1764 London). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 2 11/16 x 4 1/4 in. (6.8 x 10.8 cm). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.

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Man with a large basket on his head, from behind, Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, Zwolle, 1649, paper, h 104 mm × w 108 mm

Nuremberg, Solis, Virgil, Five Lansquenets with Banners and Musical Instruments, verso - stamped, print, prints, height 72 mm, width 125 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone

Hooim month, Evert Wine Gis, 1630 drawing Hooi month, presented by the work on the land, where a gentleman with horse gives the orders. Above the Zoiakte Leeuw. paper. graphite (mineral). ink pen hay-stack. Leo (zodiacal sign of July). July and its 'labours'

Peasant with Shovel on His Shoulder. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Peasant Attacked by Bees. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Last cavalcade in Place Royale, April 29, 1612, Paris, France, France, engraving by Lemaitre from France, troiseme partie, L'Univers pittoresque, published by Firmin Didot Freres, Paris, 1845.

Edouard Eckman after Jacques Callot, Two Seated Figures, 1621 Two Seated Figures

Rebekka gives eliezer to drink.design for a painting.

Honoré Daumier, Turgot Eh bien mon pauvre condé , 19th century Turgot -- Eh bien mon pauvre condé ...

The Peasant Removing his Shoes, from The Caprices. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 57 × 79 mm (image/sheet, cut within plate mark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Brown ink and lavierte sketch by Valentin Wagner showing a pack horse (Saumpferd), part of his travel sketchbook, 1631-1638.

A Gentleman Greets a Lady, from Das Bossenbüchlein ca. 1582 Mathais Beitler German A gentleman, at left, greets a lady, at right, who hands him a flower. Buildings seen in the distance at left and right. From a set of 12 plates of vessel designs.. A Gentleman Greets a Lady, from Das Bossenbüchlein 423416

Edouard Eckman after Jacques Callot, The Promenade, 1621 The Promenade

Two dancing farmers and one that watches. Twee dancing farmers, a third state to look at it. With two-time inscription in Dutch.

HabillemensBerolinois. Artist: Daniel Nikolaus Chodowiecki, German, 1726-1801

Karikatural Display of musician men, François Collignon, After Stefano della Bella, 1620 - 1687 print print maker: Franceafter design by: Italypublisher: Paris paper etching caricatures (human types). making music; musician with instrument

Anonymous drawing showing Pulcinella with Lady Lucret, executed in pen and bister ink.

The Year's End. Hans Sebald Beham (Germany, Nuremberg, 1500-1550). Germany, 1546. Prints; engravings. Engraving

Two boys are pulling a sheep from behind. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 5-Nov-1651. Place: Zwolle. Measurements: h 91 mm × w 107 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot, Standard Bearer, c 1622 Standard Bearer

Residents at the Bay of Antongil (Madagascar), 1595. Residents at the Bay of Antongil at Marolantsetra (Madagascar), 1595. Two men and a woman with a child on the chest. In the background sloops with one of the ships. Printing the worked plates for the original illustrations in the travelogue of the first ship vaiert of Cornelis de Houtman to the East Indies in 1595-1597. No 6.

Three masked figures, one of them with a broom in which candles are stabbed, 1595 - 1596 print A masked couple - she dressed in a suit of feathers, he in a suit of leaves, a broom with candles in one hand, a Stokbeurs () In the other - in conversation with a masked figure in a long jacket. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and/or dressed figures are shown out. print maker: Leidenprint maker: Netherlandspublisher: Leiden paper engraving mask. masquerade, masked ball. (household) utensils and implements (with NAME). candlestick

Italy, Bazicaluva, Ercole, Hunting scenes, Hunter with two dogs, verso - stamped, A man with two dogs stands under a tree. On the left a falconer on horseback with his servant., print, prints, height 68 mm, width 90 mm, Italian, 1605 - 1666, print maker, printmaker, 1620 - 1620, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, etching, etchings, plate tone

Good kind number The good kind number 1 - La Walsel (waltz), 1810 ". Engraving.

Le Joueur de Violin (The Violin Player), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Joueur de Violin (The Violin Player), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Twice the same soldier with large plushed hat and raised arm, seen from the front; Varie Figure di Jacopo Callot; Various figures. A soldier with a mantle or cape over the shoulder and a plumeed hat on the head, the right arm raised, the left hand on the hilt of his sword, seen from the front, twice pictured: right as a line figure, left more worked out with shadows . This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

Amsterdam, Nolpe, Pieter, Quast, Pieter Jansz., Scenes from peasant life, Peasants drinking and smoking, verso - stamped, A peasant woman and a peasant woman are dancing next to each other in the grass. The peasant woman is smoking a pipe and has a bunch of keys and a knife hanging from her dress. The peasant holds a drinking cup in one hand and a violin in the other. Print is part of a series with scenes from farm life., print, prints, height 93 mm, width 124 mm, Northern Netherlands, 1614 - 1653, print maker, printmaker, 1623 - 1653, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1606 - 1647-06, after a design by, Publication (Event), Publication, publisher

Statue of a Gladiator in a battle with a lion, 1636 - 1647 print Statue of a gladiator in fight with a lion. At the bottom right the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. fight of gladiators (+ sportsman, player, etc.). beasts of prey, predatory animals: lion

Amsterdam, Hoeye, François van den, Netherlands, Mander, Karel van, Drunken peasant couple, recto lower right - stamped, A peasant woman with a sword supports a drunken farmer. In the background a hilly landscape with a church. At the bottom a two-line poem in Dutch., print, prints, verso bottom center - stamped, height 242 mm, width 198 mm, print maker, printmaker, 1588 - 1588, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1591 - 1636-07-26, publisher

Twice seen the same man with fur coat, walking stick and sword, on the right; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. A gentleman with a hat on the left shoulder, a mockery over the left shoulder, a walking stick in the right, a sword on the left, more or less on the right, depicted twice: links such as line figure, to the right more worked out with shadows. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

A shepherd is on a boulder; Pastoral scenes; OTIA DELECTED. A man rests on a stone. On the stone a six-line latin fresh from Hendrik de Roij about laziness and leisure.

Amsterdam, Jonghe, Clement de, Waes, Aert van, Netherlands, The five senses, Taste, verso - stamped, A man smokes a pipe in an inn. He is sitting on an upturned basket with his legs crossed. Four figures in the background. Below the image a two-line verse in Dutch. The print is part of a series of five prints with the five senses., print, prints, Ay, waer toe soo veel spoocks, eet Jy luy dattet Raeckt, Ick suygh een Pypie smoocks, och wistie hoe t'me smaeckt, middle bottom in the margin - engraved, 5, middle bottom - engraved, height 206 mm, width 148 mm, print maker, printmaker, 1620 - 1670, paper, papier, etching, etchings, Noord-Nederlands, 1620 - 1664, 1624 - 1677

Twice the same soldier with large split hat and raised arm, seen on the back; Varie Figure di Jacopo Callot; Various figures. A soldier with a long coat on and a splitled hat on the head, the right arm raised, the left hand in the side, seen on the back, twice pictured: right as a line figure, left more worked out with shadows. In the background three figures, two with a halberd. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.

A seated and a standing man in a landscape. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Netherlands. Measurements: h 61 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot, French (1592-1635), Two Pantaloons Dancing, c. 1617, etching

Jacques Callot, Peasant with a Cup, c 1622 Peasant with a Cup

La Marotte macabre. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Do Not Poke the Fire with a Sword' fol. 20 recto, c. 1512/1515, Speculum principis (Mirror for Princes), pen and gray ink on laid paper, overall: 16.2 x 10.7 cm (6 3/8 x 4 3/16 in.), French early 16th Century (artist)

Fran�ois Spanish (IT)

Four Figures in Theatrical Costume. Claude Gillot (French, 1673 - 1722)

Jacques Callot, French (1592-1635), Gentleman with Cane, c. 1617, etching

The French explorer Rene Goulaine de Laudonniere (1529-1574) and the Indian Chief Athore visit the Jean Ribault's (1520-1565) column, erected in 1568 in the Northern Florida. Engraving, 1841.

S. Pierre, prédicateur (St. Peter, Preacher), April 29th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Pierre, prédicateur (St. Peter, Preacher), April 29th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre. Dated: 1627. Medium: etching//plate cut into six pieces (1969.15.96-101): this piece is part 4 of 6. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Boer pair dressed according to genuan fashion, Anonymous, After Pieter Lastman, 1720 - 1772 print Landscape with farmer's couple, dressed in fashion from Genoa, Italy. The couple holds each other's hands and is shown to each other. The man is wearing a knee pants and wambuis, the head is adorned with a plumy hat. The woman is dressed in a simple dress and wears a wide -rigid hat, also with plume. The print is part of a twelve -part series of prints with Italian costumes. Amsterdam paper etching Europeans (with NAME) (+ costume)

Labor, Cap. Grillo en Guastetto, Anthonie de Winter, After Jacques Callot, 1668 - 1707 print Three characters from the Commedia dell'arte. Left manestolino with an owl on his shoulder. In the middle cap. Grillo and right Guastetto with playing cards () In his hands. Print Maker: Northern Netherlands Publisher: Amsterdam paper etching Types in 'Commedia dell'Arte'

Group Figures, warming a fire, 1653 Zwolle paper. ink. chalk brush Zwolle paper. ink. chalk brush

Soldier, seen on the back, who wears his skewer with both hands horizontally at nose height, his right hand at the foot of the weapon, his face to the right used to the right (no. 30), ca. 1600. a soldier, for feet, on Seen the back, which bears a skewer (lance) with both hands horizontally at nose height, his right hand at the foot of the weapon, his face to the right used to the right (no. 30), approx. 1600. Plate 30 in the handling instructions of the skewer: Enseignment letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Standing bearer, Jacques Callot, 1621 print Centrally in the foreground a man waving with a banner. A battle in the background. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching (military) standard-bearer. battle

Luyken, Jan, Amsterdam, Twenty-four scenes from the New Testament, The good Harder, Christ as the Good Shepherd, verso - stamped, print, picture, book illustration, prints, pictures, height 120 mm, width 69 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1681 - 1681, paper, etching, etchings, Work conception, after own design by

Twee grotesque, 1600 - 1625 print Two grotesque figures: the left with bird rig, the right with kind of pig's head on human body with bird legs, a club in the hand. From series of 12. paper engraving ornament ~ grotesque

The abduction of Lucretia, Gerard ter Borch (I), c. 1618 - c. 1622, draughtsman: Gerard ter Borch (I), (signed by artist), Zwolle, c. 1618 - c. 1622, prepared paper, brush, h 88 mm × w 76 mm

Buys, Cornelis, Francq van Berkhey, Johannes le, Netherlands, Brouwer, Three landscapes with men and women in Dutch costumes, ca. 1775, verso lower left - stamped, book illustration, costume print, prints, Frederik Muller History plates, height 199 mm, width 121 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1776 - 1776, paper, papier, etching, etchings, Work conception, 1729-01-23 - 1812-03-13, after a design by, 1746-03-20 - 1826-10-15, intermediary draughtsman

Antwerp, Galle, Philips, Francken, Ambrosius (I), Mallery, Karel van, Fable of the father, the son and the donkey, Father on the back of the donkey, the son on foot, verso - stamped, A man on the back of a donkey, with his son on foot next to the donkey. On the left two bystanders, making speaking gestures. Depiction of the Aesopian fable about the father, the son and the donkey. Second scene of the fable, in which it is told how the father and the son exchange places; the boy next to the donkey and the father on the back of the animal. Again they are criticized by other travelers: that the father lets the boy walk while he himself sits on the back of the donkey. Third print from a series of six with scenes from the fable of Aesop about the father, the son and the donkey., print, prints, recto lower right - stamped, height 194 mm, width 249 mm, South Netherlands, 1571-07-13 - 1635, print maker, printmaker, 1570 - 1612, paper, engraving, engraving (printing process), Work conception, 15

The devil confuses the yarn, 1652. A seated woman spins yarn which is wound by a man from a spool onto a reel, behind him stands the devil who pulls at the yarn, confusing it and instilling evil in the man. The man is identified as Cromwell. The woman with snakes in her hair is here designated as Deceit. Part of a series of copies after prints of beggars and peasants which also include various unfortunate figures from the First English War, c. 1652-1654, Mock Print on Cromwell, c. 1652-1654 Siet t' verwarde Gaerens ent vant Bloedich Engels Parlement Persons made unhappy by the First English War, print maker: Salomon Savery, (mentioned on object), Pieter Jansz. Quast, Northern Netherlands, 1652 - 1654, paper, engraving, h 134 mm × w 90 mm

Parade by the Rederijkerskamer De Witte Ackoleyen from Leiden (first part), 1607, 1607 print Procession through the Rederijkerskamer De Witte Ackoleyen from Leiden, at the Rederijkersfeest of October 22, 1607 in Haarlem. First part: parade of the blazing carriers, Pijper and Tamboer, bannering and earnest carrier. Northern Netherlands paper engraving Chamber of Rhetoric (Dutch: 'Rederijkerskamer'). Festivities (+ Parade, Pageant, Cavalcade ~ Festive Activities) Haarlem. To lead

Boarding and crew on a boat; Domestiques & marines à plate; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

Two men who bind a coat or a branch forest, 1648 drawing Zwolle paper. ink. chalk brush

Trade card for ......vell's Best Virginia Tobacco, of Worcester, unknown artist, eighteenth century, ca. 1770

Callot, Jacques, Nancy, Dwarfs and hunchbacks, Diverse grotesque figures, Varie figure gobbi di Jacopo Callot, Dwarf with bagpipes, verso - stamped, Dwarf, seen on the left, with a hunchback, playing a bagpipe. This print is part of a series of 21 prints with grotesque figures; almost all of the figures are dwarfs, many are hunchbacked., print, prints, height 67 mm, width 85 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1621 - 1625, first quarter 17th century, second quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Schritttanz oder Schleiftanz im 14. Jahrhundert / Step dance or drag dance in the 14th century, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt.

Chodowiecki, Daniel Nikolaus, Geyser, Christian Gottlieb, Representation from the history of the Dutch stadholders, With caption in German and French. Numbered at top right: 7., print, prent, prints, prenten, height 109 mm, width 66 mm, 1742-08-20 - 1803-03-24, print maker, prentmaker, 1796 - 1796, paper, etching, etchings, German, 1726-10-16 - 1801-02-07, intermediary draughtsman

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