Historical Etchings and Aquatints

A collection of 18th and early 19th-century etchings depicting various scenes, including group gatherings, children playing, and allegorical figures, showcasing rich historical contexts.

Pl. 2. Canvassing for votes , Taverns Inns, Bribery, Political elections. William Hogarth (1697-1764). Prints

An etching by various artists around 1780 depicting Sensitive Deprivation, highlighting emotional or psychological state.

Spielende Kinder; Liebermann, Max (1847-1935); 1890 (1890-00-00-1890-00-00);Hofgarten (Munich), Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943)-iconography, Sachs, Carl (1868-1943)-collections, Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945 ) - Collection, Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, children, women, modernism (style), babysitters (profession), children's games

Wet Parsons. Artist: Designed by Thomas Rowlandson (British, London 1757-1827 London); Aquatint by Francis Jukes (British, Hertfordshire 1747-1812 London); Etched by Peter Simon (British, London ca. 1764-1813 Paris). Dimensions: Sheet: 11 1/16 × 13 1/8 in. (28.1 × 33.4 cm). Subject: William Parsons (British, 1735-1795 London). Date: 1781. Museum: Metropolitan Museum of Art, New York, USA.

An aquatint by Ernst Morace around 1801 depicting a scene titled 'The Inconvenient Attack,' showing figures, gestures, and landscape elements.

Allegorie op Napoleon i Bonaparte, Victor Marie Picot, after Pierre Prud'hon, 1795 - 1802 print Paris paper etching / engraving historical persons. Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Fotoreproductie Van Het Schilderij The miracle of San Marco Door Jacopo Tintoretto, C., and son Coen, After Jacopo Tintoretto, c. 1870 - c. 1900 cabinet photograph photographic support. cardboard albumen print picture, painting

Francisco de Goya, Disparate claro (Clear Folly), in or after 1816 Disparate claro (Clear Folly)

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching Literature. deathbed. drunkard. weeping

Pl. 2. Canvassing for votes , Taverns Inns, Bribery, Political elections. William Hogarth (1697-1764). Prints

Etching by Ferdinand Leenhoff depicting the biblical story of Lot's escape, created between 1850 and 1900, showing figures, landscape, and narrative scene.

Saint-Merry saves the powders at the Town Hall, current 4th arrondissement. Event of the French Revolution, October 5, 1789. (dummy title)

Bacchatenzug; Gesellschaft für verviewielfältige kunst (Vienna 1897 (1897-00-00-1897-00-00);

The Hundred GuilderPrint. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Old man in bed talking with a man in a chair, Guillaume Joseph Vertommen, 1842 print There is a Bible on the ground. paper etching old man. bed. the Bible as a book. debate, discussion (~ meeting)

Middle panel from a triptych: Last judgment.

This copper engraving and etching by Bernard Picart, produced between 1690 and 1733, depicts Althea before the fire, illustrating a classical mythological scene.

Frontispiece Design for Het groot Schilderboek. The painter Gerard de Lairesse lost his eyesight around 1690. His sons then set about publishing his ideas on painting in the Groot Schilderboek, which finally appeared in 1707. Philip Tideman drew the title page for it following Lairesses instructions. The blindfolded painter writes about art, accompanied by Invention and Knowledge. Fame flies above them. Minerva holds a medallion with an image of Art.

Il Cenacolo by Leonardo da Vinci, photo to engraving, anonymous, c. 1850 - c. 1900 photograph albumen print

Berlin, Bette, Paul, Röhling, Carl, Bruckmann, Friedrich, Ingram at Ratiz, Reproduction of a drawing of a scene by Ingram at Ratiz from Die Ahnen by Gustav Freitag, by Carl Röhling, recto - printed, photomechanical print, reproduction, page, photographs, photographically illustrated books, VIEELFÄLTIGUNG VORBEHALTEN., height 214 mm, width 161 mm, German, 1814 - 1898, photographer, 1877 - 1877, paper, papier, Woodburytypie, clichémaker, 1849-11-21 - 1922-10-25, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Planting Zygmunt's newly cast bell in the presence of the king and court in 1520; Holewia, Józef (1848-1917), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Prinsjesdag. The company celebrates the birth of Prince Willem III, November 14, 1660..

An etching by Jean Baptiste Michel from 1788 showing the biblical scene of Moses striking water from a rock, depicting figures, landscape, and narrative elements.

Image reproduction: Henryk Siemiradzki (1843-1902), Dirce Christian in Nero's circus, 1897; Card from the series Album "Country", "Country" No. 15 of 11 (23) April 1898; unknown, country (St. Petersburg; magazine; 1882-1909); 1898 (1898-00-00-1898-00-00);Country (St. Petersburg - magazine - 1882-1909) - Scepting, Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902) - reproduction, Stefański, Kazimierz - collection, gift (provenance), painting, Polish painting

Evenings; Redlich, Henryk (1838-1884), Gierymski, Maksymilian (1846-1874), Kargl, F. (Fl. Ca 1870-1890; Vienna), Society for the Encouragement of Fine Arts (Warsaw; 1860-1940); 1872 (1872-00-00-1872-00-00);

Tennis. Artist: George Wesley Bellows, American, 1882-1925

Copper engraving by Nicolaes de Bruyn created between 1642 and 1665 depicting the meeting of kings, showing figures, crowns, attire, gestures, and ceremonial context.

Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Curious about knowledge of the world, Daniel Nikolaus Chodowiecki, 1773 print The young baron is about to say goodbye to his family. His right foot is already on the coach of the carriage as he hugs his father. Nummered at the bottom left: 5. paper etching four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. waving farewell ~ departure on a journey

Prudent (Prudentia); Galle, Philips (1537-1612), Cock, Hieronymus (CA 1510-1570), Bruegel, Pieter, I (CA 1525-1569); 1559-1560 (1559-00-00-1559-00-00);

Jan Matejko (1838-1893), Rejtan; Society of Encouragement of Fine Arts (Warsaw; 1860-1940); around 1910 (1910-00-00-1920-00-00);

A Roman bath Lévy, Emile, 1826-1890. still image. Art reproductions. 1889. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Public baths, Baths, Roman, bathing , Rome, Men , Clothing & dress , Rome , To 499, Cobblestone streets , Italy , Rome, Romans , Italy, Streets

Mittagsmahl of the Croaten in the camp, From the series Scenen from the siege of Vienna by the K, troops in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Höfelich -, publisher

Caprichos: Blow, c. 1799. Francisco de Goya (Spanish, 1746-1828). Etching, aquatint, drypoint and engraving;

Student guard of the academic legion in the auditorium of the old university in , Franz Schams -, drawer

Taking the Veil, Print made by William Humphrys, 1794-1865, Irish, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Campania Caserta Capua Museo Campano06. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

. The city sign academy (Teek Academy) above the Corps de Garde in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the town hall on December 4, 1767 on the Dam Square. A group of male sign pupils in a fairly dark interior in a lambatic detection drawing towards a male nude model, the model standing from the front. With empty margin at the bottom.

Séance de professeurs , Teachers, Alphonse Legros (1837-1911)

La lealtad.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Proverbs

A Mother's Sadness. Artist: Hippolyte Bellangé (French, 1800-1866). Dimensions: Sheet: 13 3/8 × 10 1/4 in. (34 × 26.1 cm)Image: 8 7/16 × 6 15/16 in. (21.5 × 17.7 cm). Lithographer: Villain (French, active 1822-53). Publisher: Gihaut Frères (Paris). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

No hay que dar voces (Its No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Francisco de Goya (1746-1828), what does it use to complain (58), 1810-1820

Bliżej Kultury Hanfstaengl, Fr.

Interior with a doctor and a barber, William Unger, After David Teniers (II), 1847 - 1889 print Germany paper. etching physician, doctor. quack, charlatan, mountebank, 'saltimbanco'. shaving, being shaved

View of the tiber at Tivoli; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. View of the Tiber River at Tivoli. In the middle of the landscape a waterfall. Links Tivoli. In the underwear two lines text in Italian. The print is part of an album.

Evenings; Redlich, Henryk (1838-1884), Gierymski, Maksymilian (1846-1874), Kargl, F. (Fl. Ca 1870-1890; Vienna), Society for the Encouragement of Fine Arts (Warsaw; 1860-1940); 1872 (1872-00-00-1872-00-00);

Young stumbling man falls on a woman being painted, François Philippe Charpentier, after Jean Honoré Fragonard, c. 1766 print France paper etching model, sitter ~ painting - CC - out of doors. falling. easel

Isaac Taylor, 1759-1829, British, Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc, 1803. Engraving.

Copper engraving and etching by Jean Daullé from 1759 titled 'The tender farewells of Laitiere,' portraying a farewell scene.

Saint Catherine in discussion with the scribes, in the presence of Massenzia, Saint Catherine in discussion with the scribes, draughtsman: Domenico Tintoretto, 1570 - 1635, paper, brush, h 270 mm × w 332 mm

Jacques Callot (1592-1635) "The Halte des Bohémiens, Les Prés du Festin". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. The Halt of Bohemians, the feasts of the feast Bohemian, bohemian, eat, etching, etching, feast, feast, gipsy, grill, grill, stop, eat, meal, meat, meal, meat, fire, fire

Abruzzo Teramo Atri S. Maria di Propezzano0. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior, with emphasis on the interior frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Walter Scott with his family and Adam Fergusson, Robert Graves, after David Wilkie, 1837 print The people are depicted as a farmer's family, Walter Scott as a miller, milk girls and a hunter, stand on a plateau at 'Kayside' with a view of the Ecadon Hill, near Melrose. The dog left at the front was called 'Maida' and was a favorite pet of the family. Text in English in the lower margin. London paper etching / engraving farmers. dog. historical persons. art collector. miller. portrait of a writer. writer, poet, author Melrose

Egyptian street scene, draughtsman: Willem de Famars Testas, 1844 - 1896, paper, brush, h 175 mm × w 225 mm

Lazio Roma Castel Madama Castello4. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

De Nachtwacht, Lambertus Antonius Claessens, After Rembrandt van Rijn, 1797 print Amsterdam paper etching defence of fortification or city (+ auxiliary corps)

General foolishness; Disparate General; Solve disparates (the follies); Los Proverbios (the proverbs). A group of special figures. On the right a woman with four cats, which she seems to handle the kneeling man in front of her. From a series of eighteen prints.

The Drinkers, Print made by Jan van der Bruggen, 1649-1714, Dutch, undated, Mezzotint on medium, slightly textured, beige laid paper, Sheet: 8 11/16 x 9 15/16 inches (22 x 25.3 cm) and Plate: 8 1/16 x 9 3/8 inches (20.4 x 23.8 cm), barrel, chair, dark, dog (animal), drinking, drinking glass, drunk, food, hats, interior, jugs, men, peasants, pipe (smoking equipment), smoking, table, vomiting

Der Scheerenschleifer. The knife grinder.. Weenix, Jan Baptist, 1621-1659. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Children, Grinding wheels, Chickens

Thomas Rowlandson, Peregrine Rescuing Emilia from the Inn Fire, c. 1786, pen and black and gray inks and watercolor over graphite on cream wove paper.

Market scene. Artist: Jan van de Velde (II). Draughtsman: Johannes de Groot. Dating: 13-Feb-1666. Measurements: h 133 mm × w 319 mm. Museum: Rijksmuseum, Amsterdam.

Last Supper. after Jacopo Robusti, called Tintoretto; Italian, 1518-1594. Date: 1538-1594. Dimensions: 348 x 552 mm. Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo Teramo Campli S. Maria in Platea9. Hutzel, Max 1960-1990 Exterior views of the Medieval and Baroque architecture of the church; inteior views include the Baroque ceiling painting and side altars, and the late Medieval fresco cycle in the crypt. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

His house was known to all the vagrant train,” illustration for Oliver Goldsmith’s The Deserted Village (London and New York: 1902), p. 43. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Concert Scene 1580-1599 Italy. Black chalk heightened with touches of white chalk, on blue laid paper, tipped onto cream wove paper . Unknown Florentine

Juvenile Tricks, plate 22 from Liber Studiorum Published 1811 England. Etching and engraving in brown on ivory wove paper . Joseph Mallord William Turner

Whistler and his friends; The Title to the French set; Thwelve etchings from nature; Douze Eaux Fortes d'apres Nature. Title print for a series of twelve etchings. Artists James Whistler with hat up, sitting and sketching. Around him a group of children.

Gracias á la almorta.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Famines , Spain

Murder of Edith Cavell. Artist: George Bellows (American, Columbus, Ohio 1882-1925 New York). Dimensions: image: 19 x 24 3/4 in. (48.3 x 62.9 cm)sheet: 20 1/16 x 26 in. (51 x 66 cm). Date: 1918. Museum: Metropolitan Museum of Art, New York, USA. Author: George Bellows.

After Edward Burne-Jones, 1833-1898, British, The Council Chamber, 1892. Photogravure on medium, slightly textured, cream wove paper.

Print, The Alchemist; France; lithograph on paper; 25.4 × 31.3 cm (10 in. × 12 5/16 in.); 1896-31-112

Hertog Arnold van Gelre kidnapped by his son Adolf, 1465, 1844 - 1846 print Arnold van Egmond, Duke of Gelre kidnapped by soldiers from his son Adolf and led over the ice to the Kasteel van Buren and forced to renounce his rights, 1465. Netherlands paper steel engraving Buren Castle

Hot Hand / N ° 1 (Registered Title) | XII Lithographic Drawings for 1833 (IFF page 6-7) (Set of all)

The Adoration of the Kings, draughtsman: Andrea Michieli, (attributed to), Venice, 1575 - 1599, paper, brush, h 408 mm × w 513 mm

Print made by Robert Pollard, 1755-1838, British, Boys Playing at Peg Top, 1786. Line engraving, etching, and aquatint on medium, moderately textured, cream laid paper.

Etching by Dirck Volkertszoon Coornhert, 16th century, depicting Heliodorus attacked in the temple by a mounted man and two others, with detailed figures and architecture.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile37. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Reproduction of a painting: Jan Ciągliński (1858-1913) Oriental scene. unknown, publisher

Men are gathered around in a circle watching two cocks fight one another. Wood engraving after W. Hogarth.

Scene from a prison cell. unknown, graphic artist

Execution of Mary, Queen of Scots, from "Illustrated London News" February 23, 1861 William Luson Thomas British Gilbert, a prolific illustrator for the "Illustrated London News," depicts the closing moment in the troubled life of Mary, Queen of Scots at Fotheringhay Castle, Northamptonshire. She had been imprisoned at various locations for over 18 years, found guilty the previous year of treason and was beheaded on February 8, 1587. Seated holding a large crucifix she listens intently to the reading aloud of her death warrant signed by Queen Elizabeth I; to the right her executioner waits, leaning on his axe. The print was later republished in the French weekly newspaper "L'Univers Illustré" on October 3, 1861.. Execution of Mary, Queen of Scots, from "Illustrated London News". After Sir John Gilbert (British, London 1817-1897 London). February 23, 1861. Wood engraving. William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Prints

Company in an inn, Cornelis de Wael, 1630 - 1648 print Interior of an inn with men and women who smoke and drink. The innkeeper puts a can drink on the table. On the right in the background, two men are talking to a woman. One of them points to a curtain behind which one leg emerges. Italy paper etching inn, coffee-house, public house, etc.. lovers; courting, flirting

Training quarters (Willard in training) , Boxing, Boxers Sports, Sports spectators, Willard, Jess, 1881-1968. George Bellows (1882-1925). Prints and Drawings

Giuliano Traballesi, The Nativity The Nativity

Excavation in Pompeii, work in progress Date: 1874

Etching and copper engraving by Jacques Louis Copia, created between 1789 and 1814, depicting an allegory of the French constitution.

Aspasia in Alcibiades, Charles Courtry, After Jean-Léon Gérôme, 1872 print Alcibiades sits on a resting bed with Aspasia under a canopy. On the right, Socrates is used to the left, the left hand of Alcibiades persisted. Next to Socrates on the right is a naked woman, holding a tambourine in the left hand. There is a dog in the foreground. Paris paper etching / drypoint historical persons. (story of) Aspasia. (story of) Alcibiades. (story of) Socrates. dog

Flemish fair, Polynice Auguste Viette, c. 1850 print Brussels paper. etching pleasure fair and circus. public festivities

Reproduction of a rollet engraving: Negroe Trafficking (TF)

Gustave Doré (1832-1883), designer and the Laly brothers (19th century), engraver. "The release of the Ecclise." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101783-11 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Etching by Gerard de Lairesse depicting Amazons, created between 1661 and 1711.

Karel IX confesses his fault, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 12. With caption and page reference in German. Berlin paper etching Despair; 'Disperatione' (Ripa). Regret. History. ruler, sovereign Paris

Campania Napoli Naples S. Lorenzo Maggiore26. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Photo production of the Fresco The presentation of Sint Ephysius to Emperor Diocletian to Spinello Aretino in the Camposanto in Pisa, Italy, Fratelli Alinari, After Spinello Aretino, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Umbria Perugia S. Mamiliano S. Biagio1. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (Hutzel attributes to Mezzastris School); painting by Iacopo Siculo (1530); sculpture including statues, busts, baptismal font, monstrance German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Eastern scene in photo studio: dancing women, men with musical instruments, anonymous, 1855 - 1875 tissue stereograph photographic support. paper. cardboard albumen print / cutting / perforating group dancing

Print made by Jan van der Bruggen, 1649-1714, Dutch, The Drinkers, undated. Mezzotint on medium, slightly textured, beige laid paper.

Painting in the Campo Santo in Pisa, representing the tower of Babel, c. 1875 - c. 1900 photograph Holy Field cardboard. photographic support albumen print picture, painting. the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction Holy Field

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Lazio Roma Rome S. Giuseppe dei Falegnami9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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