Historical Etchings and Engravings

Intricate historical prints depicting various scenes, including beggars, notable figures, and allegorical representations, illustrating past artistic styles.

Veen, Otto van, Tempesta, Antonio, Copies after Tempesta's Batavian Revolt, Seconde défaite des Romains, planche VIII, Women and children watch Civilis battle the Romans, 69-70, Women and children watch Claudius Civilis battle the Romans at Xanten. Print 8 in a series on the Batavian Revolt, copied from the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Representations printed in a large ornamental frame in which a cut-out title is pasted at the top and a caption in French at the bottom., print, engraving, historical print, prints, enten, Frederik Muller Historieplaten, height 140 mm, width 202 mm, height 370 mm, width 300 mm, print maker, printmaker, 1768 - 1770, third quarter 18th century, paper, etching, engraving (printing process), Work conception, Italian, 1555 - 1630-08-05,

Print, Salutatio Angelica ; Germany; etching on paper; 1906-31-1

Beders in the Eastern and West Indies, 1682- 1733 Landscape with beggars who mainly try to move people by generating compassion. They threaten to do something about themselves. For example, a man puts himself in the chest on the right. Another man covered with a tiger skin drinks Drek from a pot. Another man cut himself off after a refusal. This head is then shown by another man to the people. In the foreground Japanese beggars. Old men and children are worn in baskets that are bound to oxen with ropes and sticks. With a legend in Dutch and French. The print is part of an album. Leiden paper etching East-India. West India Landscape with beggars who mainly try to move people by generating compassion. They threaten to do something about themselves. For example, a man puts himself in the chest on the right. Another man covered with a tiger skin drinks Drek from a pot. Another man cut himself off after a refusal. This head is then shown by another man to the people. In the foreground Japa

Pacific overtures - or - a flight from St Cloud's 'Over the Water to Charley.' A new dramatic peace now rehearsing , Rulers, Politicians, Nobility, Authors, Military officers, Government officials, Clergy, Judges, Theatrical productions, Audiences, Orchestras, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Grattan, Henry, 1746-1820, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Napoleon I, Emperor of the French, 1769-1821, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Windham, William, 1750-1810, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, George III, King of Great Britain, 1738-1820, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Ellenborough, Edward Law, Baron, 1750-1818, Fitzherbert, Maria Anne, 1756-1837, Grenville, William Wyndham Grenvill

Death of Timothy, Chereas and Apollophanes; History of the Maccabeans; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Army of Judas Makkabeër states the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 MAKK. 10. This print is part of an album.

Victorious virtue acclaimed by Glorie, Etienne Picart, After Correggio, 1672 print paper engraving / etching Virtuousness; 'Love of virtue', 'virtuous action', 'Safe driving of' real honors', 'virtue', 'insurmountable virtue' (Ripa). Virtus as Roman Personification. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Jupiter appears with two kings to the Spaniards, 1706, 1706 print Jupiter appears in the sky together with Archduke Karel of Austria and Philip V to an audience in Madrid, 10 May 1706. Louis XIV Knelt for Jupiter. The God asks those present what prince they want as king. Verses in Dutch and French in the record. Cartoon on the situation in the year 1706 in the Spanish Succession War. Part of a series of 25 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires. specific aspects, allegorical aspects of Jupiter; Jupiter as patron Madrid

Temple of the Sibylle in Tivoli; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. View of the temple of the Sibylle in Tivoli. In the foreground on the left a man with dog at a sitting woman. On the right a waterfall and river through a valley. In the underwear three lines text in Italian. The print is part of an album.

Triumph of Ferdinand; Entry from Ferdinand in Antwerp in 1635 (no. 29); Triumphus Victoriae Norlinganae: Tabula Media, Maiori Form. The triumphop trip from Ferdinand after the victory in the Battle of Nördlingen on September 6, 1634. The frost in a chariot, imprisoned enemies in the foreground. The central performance on the rear of the triumphal arch of Ferdinand prepared in Lange Nieuwstraat. Signature at the top right: Pag. 108b. Leaf No. 29 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Allegory on the Banketen in Amsterdam by the Wissel-Windhandel, 1763, 1763 print Allegory on the bankruptcy at the Amsterdam stock exchange by the Wisselwindhandel in the year 1763. The commercial of Amsterdam (Mercury) is driven out by Hoogmoed and Weelde. In the foreground an empty money box, a Lias unpaid bills and a monkey that does the accounting, in the background, dark clouds above the Amsterdam stock exchange. In the caption an explanation of the performance. Northern Netherlands paper etching / engraving / letterpress printing bankruptcy Fair of Hendrik de Keyser

Veen, Otto van, Tempesta, Antonio, Copies after Tempesta's Batavian Revolt, Seconde défaite des Romains, planche VIII, Women and children watch Civilis battle the Romans, 69-70, Women and children watch Claudius Civilis battle the Romans at Xanten. Print 8 in a series on the Batavian Revolt, copied from the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Representations printed in a large ornamental frame in which a cut-out title is pasted at the top and a caption in French at the bottom., print, engraving, historical print, prints, enten, Frederik Muller Historieplaten, height 140 mm, width 202 mm, height 370 mm, width 300 mm, print maker, printmaker, 1768 - 1770, third quarter 18th century, paper, etching, engraving (printing process), Work conception, Italian, 1555 - 1630-08-05,

Statue of Lodewijk XVI on the site of Bastille, ca. 1789, Woodman & Mutlow, after John Spilsbury, 1789 - 1790 print Cartoon with a statue of Louis XVI on the ruins of the Bastille, ca. 1789. Four people in worship for the statue. From heaven, lightning hits the walls of the Bastille. paper etching monument, statue

Allegory in honor of Willem III at his arrival to England, 1688. Allegory on two plates in honor of Willem III at his arrival to England, 1688. On the upper plate Willem III with his consequence between unity and the Duke of Schomberg. Bentinck and Torrington are behind the prince. Opposite him kneels Brittania with a yoke and the portrait of Maria Stuart. On the lower plate on the left below the coat of arms of Jacobus II three scenes of the wrongdoes under his regime, including the birth of the Molenaarskind, in the middle of the arrival of Willem III in England and its entry to London, right under the weapon of Willem III Three scenes of the prince's departure from the Netherlands and the arrival of his boat on the coast. All scenes numbered I-VIII and with captions in English and Dutch. At the bottom of the middle the formation in which the fleet sailed to England, hereby the legendations of the figures 1-21 in Dutch and English.

Attack of the giants on the gods world; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. The giants try to conquer the sky through mountains from the earth through mountains and to polishing the Olympic gods. The latter, including Jupiter and Minerva, fight with weapons such as spear, lightning and trident. On the left, some titans are crushed by debris from a mountain. Under the show twice two fresh rules in Latin. The print is part of an album.

The embankigation paints the Mississippi, 1720; The imagination; Heersseres van 't smokescellers-guild, morned Missisippi here, it doesn't waste a Vrankry's treasure; The great scene of foolishness. The female personification of the embankigation paints a painting by the Mississippi, around her children blowing or reading from the Mississippi-Compagnie action book sitting on an empty money box. With four small scenes of other failed enterprises. Under the show a caption with a verse in three columns printed from a separate plate. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

De begeerlykheyt zoekt de fortuin t'achterhalen of voor by te loopen Greed tries either to overtake or to outrun Fortune. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire, Law, John, 1671-1729

Reception of the Princess of Orange as Queen of England, 1689; The Welkoming in Englant, Van Haar H. Mrs. The Princesse van Oranje, now Koningenne van Groot Brittanjen; La Reception and Angleterre, the Son Altesse Madame La Princesse d'Orange, à Persese Reine de la Grande Brittany; The reception in England, or the highness My Lady Princess of Orange, Now Queen of Great Brittain. Reception of the Princess of Orange as Queen of England in Margate, 22 February 1689. In front of the coast, the English ships release the Princess the crossing made SaluuteSchoten. They and its court be welcomed by Parliament delegates. On the left the inn of Margate. The coat of arms of the queen are worn in the air by allegorical figures. Pasted under the print is a text sheet with a description of the events and the declaration of the figures 1-23 in 3 columns in Dutch, French and English.

Construction of the tower of Babel, Reinier Vinkeles (I), After Jacobus Buys, 1793 print Amsterdam paper etching / engraving the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction

In. Jakub greater at the Hermogenes icilic; Cock, Hieronymus (Ca 1510-1570), Heyden, Pieter van der (CA 1530-Post 1584), Bruegel, Pieter, I (Ca 1525-1569); 1565 (1559-00-00-1561-00-00);

Allegory on the Ghigi family and an assignment to Mario Chigi, Giovanni Francesco Venturini, 1665 - 1667 An allegorical representation with a rock with a star above it, the elements from the coat of arms of the Chigi family, the family of Pope Alexander VII. There are different allegorical figures in front of the rock. In the background a face on different buildings in Rome. Under a banderole with assignment to Mario Chigi. Print is part of an album. print maker: Italypublisher: RomeVaticaanstadRomeItaly paper etching Rome An allegorical representation with a rock with a star above it, the elements from the coat of arms of the Chigi family, the family of Pope Alexander VII. There are different allegorical figures in front of the rock. In the background a face on different buildings in Rome. Under a banderole with assignment to Mario Chigi. Print is part of an album. print maker: Italypublisher: RomeVaticaanstadRomeItaly paper etching Rome

François-Nicolas Chifflart was an important member of the etching revival in 19th-century France. This print, from his 1865 series Improvisations on Copper, reveals the freedom and experimentation that Chifflart found in this medium. He drew directly on prepared copper plates, sketching as he would on a sheet of paper, to create both anecdotal studies and imaginative finished compositions. Executed on an intimate scale, the prints encouraged close looking and private contemplation. Improvisations sur cuivre: The Triumph of Justice and Truth, 1865. Nicolas-François Chifflart (French, 1825-1901), printed by Auguste Delâtre, printed by CADART & LUQUET. Etching; image: 30.6 x 22.8 cm (12 1/16 x 9 in.); plate: 31.6 x 23.8 cm (12 7/16 x 9 3/8 in.); sheet: 57.4 x 37.6 cm (22 5/8 x 14 13/16 in.).

Heins, Armand, Brussels, Reproduction of an engraving of men and women, with the Exposition Nationale of 1880 in Brussels in the background, by Armand Heins, recto - handwritten, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 214 mm, width 303 mm, maker, producer, 1881 - 1882, paper, papier, collotype, Work conception, 1856-08-01 - 1938-12-25

Calender for 1659: Allegory on the Submission of Flanders to Louis XIV, 1659 print. calendar France, dressed in Mantel with Fleur-de-Lis, remove Flanders (Spanish Netherlands) from her Spanish clothes to shake her in her new French outfit that is handed in the background. On the left is a soldier with pulled sword. Above it, angels hold a medal with the portrait of Louis XIV. The scene is framed by six medallions, four of which depict the battles of the French prince, interspersed with decorative weapons and vegetation. At the bottom is a cartouche with the calendar of the year 1659. In October 1659, the Pyrenees peace came to an end to the French-Spanish War. paper engraving / etching / letterpress printing surrender ~ war. personifications of countries, nations, states, districts, etc.. dress, gown Flanders

Reproduction of the print on which Bourse, Liedekercke and Roeck confirm their oath, 1577, 1877 print Reproduction of the print on which Bourse, Liedekercke and Roeck confirm their oath, 2 August 1577. The three men surrounded by soldiers take an oath. In the clouds an angel with laurel wreath and palm branch. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of truth (Veritas) and Eendracht (Concordia). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Great Britain paper photolithography Truth; 'Verití' (Ripa). Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). swearing an oath (with two fingers raised) Citadel of Antwerp (16th century)

Bliżej Kultury Bertin, C., Martinet, L. (18. 18. Historemasies Santi, radaello (1483 1520)

Achan for Joshua; History of Joshua; Historia iosuae (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Achan is brought to Joshua, because he had stolen war bounce. Achan and his family are stoned in the background. Under the show a reference in Latin to the Bible text in JOZ. 7. Print is part of an album.

Simson kills De Leeuw, 1740 print Simson in fight with a lion that he will eventually kill with his bare hands. He pulls the jaws of the animal with his hands. A title above the show. Below six verse lines and a reference to Judges 14: 5-6. The print is part of an album. paper letterpress printing Samson kills the lion with his bare hands

Cruelty by King Jacobus II and Comte d'Avaux in Ireland, 1689, 1689 print Atrocities by the army under King Jacobus II and Comte d'Avaux on the Protestants in Ireland, 1689. Caught are hung in trees, villages burning in the background. Plate R in the 'Engelants Schouwtoneel' series about the Glorious Revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French. Amsterdam paper etching violent death by hanging. massacre ~ war Ireland

Title page for: Leven and Wryf van den Gesanden Zeeheld Cornelis Tromp, 1692. Title page for: Life and Wryf van den Gesanden Zeeheld Cornelis Tromp, 1692. Tromp in a marine chariot pulled by sea horses and accompanied by tritons, below and above three small scenes from staatten.

Death Vecht against humanity, ca. 1707-1708, 1707 - 1708 print Allegorical representation. Death shoots its arrows at an armed crowd young and old, poor and rich men and women who come from a gate, ca. 1707-1708. Numbered: 8 and marked: p. 19. Part of: the steadfast monarchye of death, a series of 8 old plates with verses adapted for use as cartoons on the French in the context of the Spanish Succession War. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish War of Succession. print maker: Low Countriespublisher: Amsterdam paper engraving Death battling with Life, or with the living. Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Two illustrations depicting holidays in honor of the sun; Picart, Bernard (1673-1733); 1723 (1723-00-00-1723-00-00);

The narrative of the little Frits with the violin, Franz Graf von Pocci, 1854 print Scene from the story of Frits's violin, about how Frits saves his own life with his magic violin. Under the image a text in two columns. Numbered in the middle: NRO. 67. Numbered at the top right: 67. München paper letterpress printing magic, supernaturalism, occultism. violin, fiddle. instruments of torture, execution or punishment: gallows

Herod the Great and the Child Murder in Bethlehem, Bernard Picart, 1715 print King Herod with a scepter in hand. The ground is littered with corpse of the children, whom he had killed. In the inhabitants of the ornamental frame harpies. Amsterdam paper etching / engraving ornaments ~ art. harpy (fabulous bird); 'Arpie' (Ripa). the massacre ot the innocents; sometimes Herod looking on (+ variant)

Copper engraving by Hieronymus Wierix depicting childhood and youth, created between 1573 and 1619, showing young figures in various stages of growth and activity.

The future of the peoples, Lassally, publishing house

Decapitation of Henri de Fleury de Coulan Buat, in The Hague, 1666, 1779 - 1781 print Decapitation of Henri de Fleury de Coulan Buat due to treason in The Hague, October 11, 1666. Northern Netherlands paper etching violent death by beheading. on the scaffold or place of execution The Hague

An old English gentleman pester'd by servants wanting places , Kings, Politicians, Nobility, Authors, Military officers, Erskine, Thomas Erskine, Baron, 1750-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ponsonby, George, 1755-1817, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Canning, George, 1770-1827, Cobbett, William, 1763-1835, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grey, Charles Grey, Earl, 1764-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, George III, King of Great Britain, 1738

The Glorious Deeds and Achievements of Prince Józef Poniatowski. Charon, Louis François (1783-post 1831), graphic artist, Martinet, Pierre (1781-18...), draughtsman, cartoonist, Bulla & Delarue (Paryż ; wydawcy ; fl. ca 1820-1864), publisher

Adoration of the Shepherds by Peter van Lint, executed in gray and white oil paint with a scratched grid pattern.

Marriage of Amaryllis and Mirtillo, Richard van Orley (II), c. 1695 - c. 1705 print The priest Montanus blesses the marriage of Amaryllis and Mirtillo. The marriage takes place in a round temple that is dedicated to Diana. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 9th scene from the 5th deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido

The parties fight for Castile, 1706, 1706 print Cartoon on the parties Vechting for Castile, 1706. On top of a castle are Karel III, the Elector of Bavaria and Louis XIV. Others try to climb on the tower. In the caption verses in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires Castilla y León

Allegory in Vienna, from, True and accurate illustration , rd part, After, Salomon Kleiner -, Drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

PEST, Francesco Faraone Aquila, After Rafaël, 1686 - 1740 print People and animals suffering from the plague. On the right a sick man in bed and a pile of dead sheep. On the left sick people in the open air. In the lower margin a text in Italian and a coat of arms. Italy paper engraving plague

Pyramid van de Vrede, 1609, 1609 print Pyramid of the Vrede, 1609. Allegory on the twelve -year file, printed from two plates. High needle -shaped pyramid or obelisk, flanked by the personifications of piety (Pietas) and justice (Justitia). In the foreground the seven provincial layers with weapons sit around the Hollandse Leeuw. Chained to the pedestal The Personifications of War (Mars) and Enormal (Invidia). Spectators from all countries of the world on either side. On the right the sprouting Oranjeboom, on the left the fame at a cartouche with the assignment in Latin. In the sky angels with the weapons of France and Great Britain, in the middle the radiant Tetragram. Netherlands paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). 'Pietas'; 'Pietí' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. specific aspects, allegorical aspects of Mars; Mars as patron. Envy; 'Invidia' (Ripa) ~ personification of one of the Seve

Etching by Francois Tortebat, dated 1665, depicting Samson at the feast of the Philistines from the biblical narrative.

An Irish howl , Meetings, Devil, Revolutions, United Irishmen, O'Connor, Arthur, 1763-1852, Curran, John Philpot, 1750-1817, Grattan, Henry, 1746-1820. Thomas Rowlandson (1756-1827). Prints and Drawings

Allegory of the benefits for the Turks by the division among the Christian Nations, ca. 1664, 1664 print Allegory on the benefits for the Turks achieved by the division among the Christian Nations, ca. 1664. Central performance in which the Dutchman is cut in a barber shop and shaved by the hairdresser and his assistant The Spaniard with a mirror, while the Turk grinds his crooked sword on the background. Surrounded by twelve small allegorical scenes in which a relevant saying is depicted. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching barber, barbershop. barber; surgeon. proverbs, sayings, etc.

Copper engraving by Philipp Galle showing the destruction of Babylon; created in 1569 using etching techniques, depicting architectural ruins and historical narrative.

Tours, Blaise, Gabriel, Tapestry with a scene from the life of Saint Saturninus of Toulouse, installed at the Exposition Rétrospective of 1873 in Tours, France, photomechanical print, page, photographs, photographically illustrated books, height 177 mm, width 219 mm, French, 1827 - 1897-09-04, maker, manufacturer, 1873 - 1873, paper, papier, Woodburytypie

Leopold I., Roman-German Kaiser.

Aeneas kills Turnus, Jean Baptiste de Poilly, after Antoine Coypel, 1679 - 1728 print publisher: ParisFrance paper etching / engraving Turnus is killed by Aeneas

Allegorical representation with seven-member dragon. Above an allegorical performance including a seven-member dragon, a pope and a wheel hanging on a gallows. Under a text in Italian.

The self-sacrifice of Marcus Curtius; M. Curzio Si Precipita Nella Voragine by l'Amor della Patria; History of the Roman Empire; Frontespizio della Iistantia Romana. Marcus Curtius armed on horseback. He is about to jump into the earth in a tear. The legend goes that the gap could only be poem by sacrificing "the most precious property". Marcus Curtius considered the courage and power of the Roman soldiers as the most precious, he sacrifices and pours into the burning gap.

John Law on the donkey of Sancho Panza, 1720, 1720 Cartoon on John Law driving like a second Don Quixotte on the donkey of Sancho Panza, 1720. The devil lifts the tails of the donkey, so that actien are shed from the rear. The wind traders are moving the donkey towards the Quincampoix coffee house. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix Cartoon on John Law driving like a second Don Quixotte on the donkey of Sancho Panza, 1720. The devil lifts the tails of the donkey, so that actien are shed from the rear. The wind traders are moving the donkey towards the Quincampoix coffee house. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix

Jozef flee Potipars wife and Joseph accused by Potipars wife, Simon Fokke, 1791 print Two Biblical performances from Gen. 39. Numbered at the bottom right: 19. Amsterdam paper etching Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib). Potiphar's wife before her husband: she accuses Joseph of trying to violate her, using the cloak as evidence

The first illustration for Voltaire's writings. Illustration for the epic "La Ligue Ou Henri Le Grand" commonly called "La Henriade"; Chodowiecki, Daniel Nicolaus (1726-1801); 1781 (1781-00-00-1781-00-00);Bronisław Krystall. Testament (Warsaw - exhibition - 2015/2016), Henry IV (King of France - 1553-1610), Henry IV (King of France - 1553-1610) - iconography, Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887- 1983) - collection, Voltaire (1694-1778). Henriade, illustrations, portraits, horse portraits, men's portraits, portraits of rulers, historical scenes

Two performances of the nuds in Amsterdam, 1535, 1721 - 1723 print Two performances in which (above) the re -buyers take off their clothes during a meeting in the house and (sub) nude over the dam in Amsterdam, February 1535. Northern Netherlands paper etching Dam

Kaltconcert, johhan theodor the Bry, After Hans Celerthaler, 1596 print In the middle is a clavichord in which cats and dogs are locked up. The instrument is "played" by stroking their legs and pulling their tails. The Nar next to the fantasy instrument is still voting for his lute. The singer keeps his music magazine upside down, so that the readers can see that a four -part song is sung. In contrast to the music -making company that De Bry previously showed in his series (no.7), this is not about the elevated harmony, but about the discord in music. This form of "tone art" means the disharmonic, "diabolical" sounds that were produced by traveling musicians who were poorly regarded as drinking and potential people. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). pot-and-pan orchestra, rough music. improvised musical instruments (kitchen-utensils, etc.). fool, simpleton, numskull

Amsterdam, Allard, Carel, Netherlands, Bouttats, Philibert (I), Hooghe, Romeyn de, Koninklijke Almanach van 1701, 't Lusthof van Momus, Vacarme au Trianon, Or the New Hotel of the Virgin & Childs of Louis le Soleiller for the protection of the fortuitous Martian in Europe, Al-arm at Versailles, Or Spinhuis Consistory, to the consolation of Louis the Sun-there, the King maker, with his pet children and feet-warmers, Louis XIV falls ill after eating hard Spanish nuts, 1706, Cartoon on the French king Louis XIV who falls ill after eating too hard Spanish nuts, 1706. The mistresses bend over the king, in the background crying children and grandchildren of the king. On either side of the plate a verse of 1 column in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706., print, cartoon, prints, Frederik Muller Historieplaten, height 319 mm, width 400 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1706 - 1707, first quarter 18t

Copper engraving by Petrus Clouwet depicting Venus in a Lusthoff scene, showing the goddess with classical symbolism and artistic elements from the mid-17th century.

Martyrdom scene ; (with a description in Italian) unknown

TROMPROD the room, Mathapies Greuter, 1596 print With caption in Latin. paper engraving 'Trionfo della report' 'Triumph "; "Carrel della report" (bank). Horn, trumpet, cornet, trombone, trumpet. The Tower of Babel. Death as Skeleton. Resurrection; "Ressurrettione" (Ripa)

An Irish howl , Meetings, Devil, Revolutions, United Irishmen, O'Connor, Arthur, 1763-1852, Curran, John Philpot, 1750-1817, Grattan, Henry, 1746-1820. Thomas Rowlandson (1756-1827). Prints and Drawings

Etching by Lodovico Mattioli dated 1680-1740 depicting the biblical Massacre of the Innocents, showing figures, gestures, landscape, and dramatic narrative.

Breaking the Ark of the Covenant unknown

Antwerp, unknown, Hooghe, Romeyn de, Netherlands, Arlequin Furieux et pantagion Triumphant, Cartoon on Louis XIV and the dauphin, 1689 (copy), Cartoon on Louis XIV (Harlekijn) and Louis, dauphin of France, 1689. The dauphin on a triumphal chariot pulled by toads, his father Louis XIV is stopped by a German soldier from going to battle. On the right the pope and the cardinal von Fürstenberg. On the left the Jesuit father Peters (Edward Petre) flee with Mary of Modena and the neglected child Jacobus Frans Eduard on a donkey. In the background Jacobus II and Willem III. Below the representation a verse in 3 columns with an explanation of the numbers 1-12 in Dutch. Anonymous copy after the original print from the circle of Romeyn de Hooghe., print, cartoon, prints, Frederik Muller Historieplaten, height 544 mm, width 380 mm, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work concep

Mistreatment of pastor Langerak in the Netelhorst house near Lochum, Joannes Hulstkamp, 1784 - 1786 print Abuse of pastor Langerak from Laren in the Netelhorst house near Lochum by Baron van Heeckeren, the Lochum mayor Doctor de Wolf and Mr. Sölner. The pastor is being abused because he refused to drink the health of the Duke of Brunswijk at the baptism of Baron van Heeckeren, born on 14 June. Pastor Abbink from Lochum is standing to the right of the fighting people. On the right one looks in the delivery room where Mrs. Van Heeckeren is in bed and a sitting woman holds the newborn son. Under an octagonal text in Dutch. Print Maker: Rotterdambookseller: Delfshaven paper etching fist-fight. lying-in room

Statue of the Duke of Alva, 1571, 1600 - 1699 print The statue of the Duke of Alva, founded by himself in the courtyard of the Citadel in Antwerp, 1571. With the two performances on the sides of the pedestal. Low Countries paper engraving piece of sculpture, reproduction of a piece of sculpture Citadel of Antwerp (16th century)

Ten representations with the most important representations from the year 1700. From top left to bottom right: the introduction of the Gregorian calendar, the entrance of the imperial ambassador to Constantinople, the siege of Tönning, the siege of Riga, the Peace of Traventhal, the siege of Narva, battles in Poland, Philip of Anjou being proclaimed King Philip V of Spain, the sacking of Narva, and the blessing of the new Pope Clement XI. In the center of the print a representation with a tombstone on the left with the names of important deceased monarchs. On the right are the personifications of Time and Love on either side of an oval shield with the births of important princes, Ten representations of the most important events of the year 1700 Historische Denckwürdigkeiten des 1700sten Jahrs , print maker: Caspar Luyken, publisher: Christoph Weigel, (mentioned on object), Neurenberg, 1700 - 1708, paper, etching, h 348 mm × w 458 mm

The Quincampoix coffee house in Amsterdam, 1720, 1720 Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Coffee house Quincampoix Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound first edition (304 B 11) of the great scene of fool

Allegory of the majority of Willem V, 1766, 1766 print Allegory of the majority of Prince Willem V at the age of eighteen on March 8, 1766 and his installation as a stadholder. As a telemachus, the prince is abandoned by his mentor Minerva and led to the Dutch Virgin as a personification of the Republic through time (with a belt on which the XVIII) figure. Sitting at a monument with the inscription Educatio Pia, she offers him the symbols of the Stadhouderijke dignity. On the magazine under the plate a caption in Latin and Dutch followed by an interpretation. Northern Netherlands paper etching / letterpress printing (story of) Telemachus - specific aspects, allegorical aspects, as patron of. personifications of countries, nations, states, districts, etc.. Father Time, man with wings and scythe Netherlands

Session of the English Parliament, 1708, Anonymous, 1706 - 1708 print Leaf over the customs of the English parliament, 1708. Above a presentation of a joint session of the higher and lower house, chaired by the queen. At the bottom left a session of the Hogerhuis, on the right the Lower House. With legends and explanations in French. At the top right marked: Tome 2 No. 49. From Chatelains Atlas Historique. paper etching / engraving Lower House, Parliament, Chamber. Upper House, Senate Houses of Parliament

Figures in worship for Justitia, Michel Dorigny, after Simon Vouet, 1640 print paper engraving / etching Justitia (justice) as Roman personification

Etching by Pieter Nolpe, created between 1630 and 1652, showing an allegorical depiction of the Battle of the Slaughter with Spanish troops near Antwerp, including figures, landscape, and military elements.

Engraving by Nicolaas Verkolje showing hunters and military sharing a meal in a garden, produced between 1693 and 1746.

Verhaal met voorstellingen van moord en doodstraf (F. 770.).Story in eight scenes with some performances of murder and death penalty. At the top right two men in a bedroom. Including men with hunting dogs in a forest. At the bottom right two men at a gallows and two men on a stake. Top left: F. 770. At the bottom right: N.

Allegory on the peace of Utrecht, 1713; Double passing to the peace / l'aspect de la tête biforme à la paix; Plates about the peace of Utrecht from 1713 / 't Lusthof from MoMus. Allegory on the Peace of Utrecht, 1713. A naked women's figure sitting on a monument with two heads, male and feminine. Refers to the role of the English Queen Anna in the peace process. In the plate inscriptions and verses in Dutch and French. Part of a group of 28 new and old plates adapted to illustrate the Peace of Utrecht in 1713. Part of the print work is issued under the collective title 't Lust-Hof of Momus with the bundled series of cartriders during the 1901-1713 of the Spanish Succession War.

Batavians at Trier defeated by Cerialis, 69-70, 1768 - 1770 print The Batavians are defeated by Cerialis at Trier. Print 25 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Trier

Felicitas with her seven sons beheaded; Jan Woutersz van Kuyk and Adriaanken Jans in Dordrecht burned, 1572, Ernst Willem Jan Bagelaar, after Jan Luyken, 1805 print A plate with two performances. Above a market scene, in the foreground a man who beheads one of Felicitas Sons on the right, the Holy Felicitas stands between two guards. Under a scaffold on a busy populated market. Jan Woutersz van Kuyk and Adriaansken Jans are tied to wooden pillars on the scaffold. Netherlands paper etching / brush execution of heretic, e.g. by burning at the stake, 'auto-da-fé'. violent death by burning at the stake; pyre. the seven sons of St. Felicity are beheaded; Felicity may be shown comforting them, or she is beheaded also Dordrecht

The preaching of riot under the farmers / storming of the Noordpoort in Middelburg, 1672. Sheet with two performances. Above: the preaching of riot among the farmers in a farm barn. Under: the storming of the Noordpoort in Middelburg by the rebellious farmers, 1672. Illustrations No II and III in a poem by Petrus Johannes Beronicius on the rebellious Zeeland farmers and the Tumult in Middelburg around Mayor Philip van den Brande on July 21, 1672.

The first fallen victims before the Ständehaause in Vienna , on March , Unknown

The greedy world, 1720, 1720 print Allegory in the greedy world, or the up and down and downfall of the action trade. Central a figure sitting on a globe with a coin of John Law as head. The performance is further filled with all kinds of examples of the foolishness of man in his desire for money, fights, quacks, farmers, etc. Copy to an old print. At the top a verse in five columns in Dutch. Print 70 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper engraving money. fighting. Greed, Covetousness, Cupidity; 'Cupidití' (Ripa)

Procession of Jan van Leyden in Münster, 1535, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Procession of Jan van Leyden, as the leader of the reverse runners, in Münster. Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Conqueror Triumphing, Trimphal Entry of Victor (+ Variant) Münster

Heroic act of Jacob Hobein, 1831, 1831 - 1832 print Sailor Jacob Hobein conquers the Dutch flag left on a sloop at Fort Philippine on the Scheldt, lying under heavy Belgian fire, March 19, 1831. The figure of Jan van Speijk can be discerned between the trees and the ship. Netherlands paper Fort Philippine

Monument for the third century celebration of reform, 1517-1817, Willem Hendrik Hoogkamer, After Haatje Pieters Oosterhuis, 1817 print Monument for the third century festival of reform, 1517-1817. Allegorical performance with a pyramid with a portrait by Martin Luther. Hereby the fame that blows on her trumpet. Father Time writes the inscription on the pyramid. Above the pyramid the all -seeing eye. Putti in the clouds with books left and right. At the bottom of Luther who defends his positions on the Reichstag in Worms (1521). On the left the Dutch Lion with a bundle and weapon. Netherlands paper etching / engraving Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). monument, statue. Father Time, man with wings and scythe. the all-seeing eye, triangle with eye ~ symbol of God the Father

Copper engraving and etching by Jean Audran between 1685 and 1756 depicting the biblical and historical event of the Robbery of the Sabine women.

A drawing by Raymond Lafage depicting the Adoration of the Shepherds, executed in black ink with gray wash.

Salomon Savery (1594-1678); , The man of life, 1594-1678

Photo production of a part of the frescoes on the wall of the Sixtine chapel by Michelangelo in Vatican City, representing the Last Judgment and the throwing of the damned in hell, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print Last Judgement. the fall of the damned ~ Last Judgement. devil(s) and demons. Charon, the ferryman Sixtine Chapel (Vatican)

Offer from Cain and Abel / Cain killed Abel, Pieter Tanjé, 1791 print Two biblical performances. Above: the sacrifice of Cain and Abel. Cain's sacrifice is refused, because the smoke goes down. Abel's sacrifice is accepted by God. Cain therefore becomes so angry that he wants to kill Abel with a bat. Below: Cain raises his bat to kill Abel. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving the fume of Abel's sacrifice goes straight to heaven, whereas the smoke of Cain's offering is beaten down. the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

The ratship; Children who made this Oyt more made up / that rats started the Kryg with cats. The ratship. Satirical representation of the war between rats and cats. A ship full of rats a tower full of cats.

Ceiling with the Apotheosis of Hercules, Matthijs Pool, After Bernard Picart, After Charles Le Brun, 1718 print The apotheosis of Hercules: elongated ceiling divided into compartments. From left to right: Hercules arrives in his horses drawn, the Olymic gods on the clouds, Hercules frees Hesione and, below, Hercules' fight with the centers, and Ceres and Cybele prepare the marriage of Hercules and Hebe. Reproduction of the painted ceiling of Charles Le Brun in the gallery of Hercules in the Hôtel Lambert. Print is part of a series of prints, which together present the painted ceiling with the apotheosis of Hercules in the Hôtel Lambert in Paris. At the bottom a legend with explanation in French. publisher: Amsterdampublisher: Paris paper etching / engraving (decorated) ceiling. vault ~ architecture. apotheosis of Hercules: he is borne to heaven in a four-horse chariot and reconciled with Juno. Hercules and Hebe

Keizer Constantijn, Pietro Sante Bartoli, After Giulio Romano, 1645 - 1700 print Keizer Constantijn stands for an altar. Soldiers are standing next to him. Two men kneel at the left. On the far left and right are two river gods. Title and legend in the lower margin. print maker: Italyafter design by: Italypublisher: Rome paper etching / engraving the Roman emperor Constantine the Great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross

November: parable of the wedding party, 1585 In the middle of the constellation archer. In the foreground the imagination of the parable of the wedding party. A king sends messengers to invite everyone for a big party for the marriage of his son. In the background, the city is on fire from earlier guests who refused to come. The king therefore sent troops to the city to besiege them and burn her flat. Under the performance four lines of Latin in two columns. The print is part of an album. Antwerp paper engraving In the middle of the constellation archer. In the foreground the imagination of the parable of the wedding party. A king sends messengers to invite everyone for a big party for the marriage of his son. In the background, the city is on fire from earlier guests who refused to come. The king therefore sent troops to the city to besiege them and burn her flat. Under the performance four lines of Latin in two columns. The print is part of an album. Antwerp paper engraving

Minerva frees the truth from the underworld, Louis Desplaces, After Antoine Coypel, 1715 print Minerva is sitting on a cloud in the sky and extends an arm to the truth, which floats up for her with a sun above her head and behind her father time. Among them the blindfolded confusion and ignorance in the underworld. paper engraving / etching (story of) Minerva (Pallas, Athena). Time revealing Truth; Time carrying Truth aloft

Top the pavement! Barricades !! ... / Pl. V. (title registered) | Death (title of all)

The oppressive announcer of Versailles, 1692; The cloche of Versailles. The oppressive announcer of Versailles. Cartoon on the French king Louis XIV as a city caller. The king is sick of the news of the defeat in the naval battle at Kaap La Hogue where the French among Admiral the Tourville were defeated by the combined fleet of England and Holland among the Admirals Russel and Almonde, 29 May to June 3, 1692. A smiling Englishman and Dutchman want him with a pot to vomit and heal a shredder. In the foreground a dog with the long list with the names of the burnt French ships, in the background the sea battle. At the bottom of a verse in three columns in Dutch.

Map of the Delfland Water Board (twenty -five part), Luggert van Anse, After Arnold Houbraken, After Pieter Haringh, 1712 - 1735 print Twenty -five part of a map of the Delfland Water Board consisting of twenty -five parts. paper engraving / etching maps of cities. coat of arms (as symbol of the state, etc.). armorial bearing, heraldry Delfland

Bonaparte à Jaffa (Bonaparte atJaffa). Engraver: Jean-Jacques Frilley, French, born 1797 After: Antoine-Jean Gros, French, 1771-1835

Louis XIV falls sick after eating hard Spanish notes, 1706, 1706 - 1707 print Cartoon on the French king Louis XIV who gets sick after eating too hard Spanish notes, 1706. The mistresses bend over the king, children crying on the back -wide and grandchildren of the king. On either side of the plate a verse of 1 column in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper etching / letterpress printing political caricatures and satires. patient, sick person

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