Historical Etchings and Figures

A series of etchings illustrating historical and mythological figures, showcasing artistic styles and narratives from different eras.

"The more beautiful the drama, the more sad the orchestra is to hear " from Scenes from the Private and Public Life of Animals ca. 1837-47 J. J. Grandville. "The more beautiful the drama, the more sad the orchestra is to hear " from Scenes from the Private and Public Life of Animals. Scenes de la Vie Privèe et Publique des Animaux. ca. 1837-47. Wood engraving. Joseph Hippolyte Jules Caqué (French, 1820-1885). Prints

Portret van Jan Bart, Victor Florence Pollet, after Tony Johannot, 1835 - 1837 print Paris paper etching historical persons. ranks in the navy

Etching by Giacopo Giovannini showing Mars entering battle while held back by a genius, created between 1687 and 1717, depicting mythological figures and dynamic movement.

Declaration by interpreter / n ° 1. (Registered title (letter)) | Declarations (title of all)

Etching from 1833-1844 by Moritz von Schwind depicting vignette No. 6 from Album for smokers and drinkers, showing figures engaged in smoking and drinking within an interior setting.

Etienne Frédéric Lignon (1779-1833). "Theatrical gallery, 1st. Lon. N ° 3.bis. Henry le Grand, dit, Turlupin, year, 1630". Etching. Paris, Carnavalet museum. 123846-13

Etching by Johann Elias Ridinger from 1718-1767 depicting Karl Eugen of Württemberg, showing noble attire and formal posture.

An etching by Johann Heinrich Ramberg from 1785-1840 depicting a warrior with a club, illustrating Siegfried von Lindenberg in the third act.

Etrennes / M. Linguet and his friends / eloquence.

"The more beautiful the drama, the more sad the orchestra is to hear " from Scenes from the Private and Public Life of Animals ca. 1837-47 J. J. Grandville. "The more beautiful the drama, the more sad the orchestra is to hear " from Scenes from the Private and Public Life of Animals. Scenes de la Vie Privèe et Publique des Animaux. ca. 1837-47. Wood engraving. Joseph Hippolyte Jules Caqué (French, 1820-1885). Prints

Napoleon, looking at the ocean, St. Hélène

Mr Verouette / Principe / We must never go against the wind. (IT)

Pas le sol (sic) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Actualités, Les Burgraves s´enrôlant dans la légion du dix décembre, Publishing house

Cosnois at Dieppe, 1820, England, maker unknown. Acquisition history unknown.

Vladislaw III., King of Poland.

Family Ch Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Qu'est-ce qui sonne là - C'est la cloche du diner, dépêchons-nous, ma tante ne badine pas... - Depuis que mon oncle ne badine plus, ils sont embêtants. - Cousin, les oncles ont le droit d'être ennuyeux, pourvu qu'il payent régulièrement des pensions - bien amusantes ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The dissolved cloverleaf by Johann Nestroy theatrical picture gallery for the theater newspaper, st year, No, After, Johann Christian Schoeller -, Artist, Andreas Geiger -, Copper Engraver

Seresserer u, Croaten, From a series of troop representations from October , Eduard Weixelgärtner Weixlgärtner -, Lithographer, after, Friedrich Wilhelm Fritz LAllandand -, Drawer, Johann Höfelich -, Printer, Leopold Theodor Neumann -, publisher

PIERRE.. Artist: Paul Gavarni, French, 1804-1866

HENRI IV ENFANT.. Artist: Paul Gavarni, French, 1804-1866

Le ChapeauChinois.. Artist: Paul Gavarni, French, 1804-1866

Oh! The beautiful child ... I want to teach him a little game / n ° 18. (registered title) | Mr Mayeux's ways. (title of all)

Lolo-Phiphi / Housekeeper Casimir-Firefighter, Barrel, Cannula and Cie., Tour de France. (IT)

Last guest role of a Commödianten from the National Theater , to St, Paul, Caricature on Robert Blums deployment in Vienna in October , Lithographer

Equestrian portrait of Joseph II, German emperor, Georg Mathäus Probst, 1765 - 1772 print Augsburg paper engraving historical persons. armorial bearing, heraldry. land forces

The loss of our goods and freedoms. (IT)

"Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer," plate 47 from Moeurs Conjugales. Honoré Victorin Daumier; French, 1808-1879. Date: 1842. Dimensions: 252 × 224 mm (image); 334 × 249 mm (sheet). Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

Man with outstretched arm. A man standing on a dune at a house extends the right arm. In addition to him a signboard with in mirror writing the text: aux vieux grongnards. At the bottom of mirror magazine: Il M'en Reste Encore Unpour La Patrie.

Fetus, Jules.

Italian Theater. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 10 1/16 x 7 5/16 in. (25.6 x 18.6 cm). Printer: Printed by Charles Motte (French, 1785-1836). Date: 1821.Like many young painters at work in Paris in the 1820s and 1830s, Delacroix tried out the relatively new printmaking process of lithography by making caricatures for the popular press. Such prints were usually created by drawing with a lithographic crayon directly on a block of limestone. However, in this instance, Delacroix's design was retraced and transferred from paper to stone by means of red chalk applied to the back of the drawing sheet. Reversed in the process of printing, the caricature pays homage to the composer Gioacchino Rossini (1792-1868), shown balancing leading characters from his operas Otello, Rosina, and Barber of Seville over his head. Museum: Metropolitan Museum of Art, New York, USA.

Cromwell. Prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cromwell, Oliver, 1599-1658

Un cityoen exaspéré par les buffleteries , Artists, Daumier, Honoré, 1808-1879. Honoré Daumier (1808-1879). Lithographs

Napoleon.

Beggar on stools and two wooden legs; Beggars. A beggar on stools with two wooden legs. He lost his legs, according to the verse under the print in the war, warring for the home country.

Mais, voyons, Limousin, avec un mechant budget d’une cinquantaine de mill’ons, qu’est-ce que tu peux fiche?. Artist: Paul Gavarni, French, 1804-1866

Caricature of King Louis Philip I of France in the war against Spain, Honoré Daumier, 1835 print Paris paper political caricatures and satires. caricatures (human types). historical persons. hacking and thrusting weapons: sword

This 1746 copper engraving and etching by Étienne Fessard shows domestic activities including sweeping a fireplace and baking apples, highlighting 18th-century household practices.

Print made by A. M. Ireland, active before 1801, Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, 1794. Etching on medium, slightly textured, cream wove paper.

Hercules and Lichas. Hercules and Lichas. Print No. 8 on Leaf 5 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Henry Monnier, / in the smuggler. (registered title)

Man with mountain guide at an abyss, Honoré Daumier, 1846 Paris paper caricatures (human types). mountain climbing, mountaineering. ravine, chasm, abyss, canyon

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Lost Time (Registered title (Letter)). Colored lithography, laid paper. Balzac house.

We always want the patriots, these j ... f ... of lawyers / are very guilty, thunder of d ...! / No. 47. (registered title)

Cartoon with Lord Bentinck like the Centaur Nessus, John Doyle, After Guido Reni, 1847 print Cartoon from 1847 with Lord Bentinck as the Centaur Nessus who kidnaps Deïanira (Ireland). In the background Lord Russell as Hercules with bow and arch. Published as no. 883 in the HB Sketches series. paper Hercules shoots Nessus, the centaur, who attempts to carry off Deianira. political caricatures and satires Ireland

Artist: Honoré Daumier, French, 1808-1879, Passe Ton Chemin,Cochon, Lithograph on wove paper, image: 17.2 × 13.8 cm (6 3/4 × 5 7/16in.), French, 19thcentury, Works on Paper -Prints

Print made by A. M. Ireland, active before 1801, Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, 1794. Etching on medium, slightly textured, cream wove paper.

The Court renders services and not stops! (The new S�guier.) (Registered Title)

Let's be celebrating the Constitution. (IT)

Voyez le restant de la vent! Voyez messieurs etdames!…. Artist: Paul Gavarni, French, 1804-1866

Orsini, Angel.

When Mr. Bernard drinks he does not like being bought. (Title registered (letter))

'so Skiffy-Skipt-on, with his wonted grace' , Authors, Skeffington, Lumley St. George, Sir, 1771-1850. John D. Merriam Collection

Sing, celebrate; The meeting of the three orders. (IT)

Orchestre et Théatre Ambulant ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Dutch man skating on a frozen river on ice skates with hat and staff, 17th century. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Silver cutlery / 7

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Pass-temps" (Pl.73). Lithography, 19th century. Paris, Carnavalet museum. 78051-23 Passe-time album, rider, hunting, hunter, hunter, drawing, illustration, lithography, prey, return, 19th 19th 19th 19th 19th 19th century, dog

Napoleon / in 1815

The Rich Man Playing Violin on a Jaw Bone ca. 1568 After Pieter Bruegel the Elder Netherlandish. The Rich Man Playing Violin on a Jaw Bone 385444

Portret van Jean d'Orléans, Graaf van Dunois en Mortain, Alexandrine André, After Hippolyte Lalaisse, After Octave Tassaert, 1839 - 1848 print print maker: Franceafter drawing by: Franceafter painting by: Francepublisher: Paris paper etching / engraving historical persons. armour

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. There is fullness we will bleed to you tomorrow, while waiting to continue the diet. There's redundancy of blood and humours, We'll bleed you to-Morrow, till then, very little food". Colored lithography, 1829. Paris, Maison de Balzac. 34929-20 Diete, doctor, humorous, lithography colored, sick, medicine, moral, dying, patient, personification, animal, caricature, scene

Scenen , from the , Italian campaign , sheet , Franz Gerasch -, Lithographic, Johann Rauh -, Printer, Leopold Theodor Neumann , publisher

Portrait of the book of Józef Poniatowski; Langlois, Eustache-Hyacinthe (1777-1837), Maurin, Antoine (1793-1860), Houdaille, Etienne (1808-18 ..); before 1838 (1825-00-00-1838-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Woźnicki, Kazimierz (1878-1949)-collection, cannons, gift (provenance), Napoleonic era (1799-1815), French graphics, Poland (culture), portraits, portraits en Pied, men's portraits

Australian warrior with the head of an enemy, Jacques Etienne Victor Arago, Pierre Langlumé, 1822 print Paris paper Australian and Oceanian races. head of a beheaded person. casting weapons: spear Port Jackson

Le Janissire Polonois; Le Prince, Jean-Baptiste (1734-1781); 1770 (1770-00-00-1770-00-00);Tarasowicz Konstanty and Helena - collection, Turks, gift (provenance), French (culture), army

No. 13 / Conquest of Africa. (IT)

Trojden, Prince of Czerski; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Faut que je voye après mon poulet...voyons, mosieu Charmé, ne fais - pas de bêtises!...et tiens l'échelle ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Time. The pleasantly used time. (Dummy title)

PATRON DE BATEAU. Chemise de merinos.…. Artist: Paul Gavarni, French, 1804-1866

So let sergeant with a little good will and the hat / hair I will make a beautiful Voltigeur. / No. 58. (registered title)

Danson the carmagnolle lives the sound brings the sound / dance the carmagnolle lives the sound of the cannon. (IT)

Engraving by Frederick Bloemaert depicting a man with a wooden stick and scythe, part of a sign book with figure studies, using copper engraving and etching between 1650 and 1656.

Charles II de Cosé Te Paard, Adrien Migneret, After Jean Alaux, after pol. ITUS, 1804 - print Numbered at the top right: 40. Paris paper etching historical persons. nobility and patriciate; chivalry, knighthood

Every constitution requires movement , March , Satire on the escape of Metternich, Anton Zampis -, Lithographer, Johann Höfelich -, printer

Hendrik van Leuven tears the Belgian flag, 1831, Anonymous, 1831 print The Dutch fuselier Hendrik van Leuven is tackling with his hands the Belgian flag placed by the Belgians for the Citadel of Antwerp, 26 May 1831. Netherlands paper flag, colours (as symbol of the state, etc.) Citadel of Antwerp (19th century)

. Membership card of the Patriotic Society in Middelburg, 1798. Card to which the name of the Jacobus Egmondt Lid is completed and the names of the president and secretary. Plaque standing in the clouds and against which the spear leans with freedom hat, with burning altar, book, eras of oak leaves and ribbon with inscription: freedom, equality, brotherhood.

Bertoldo with his face hidden behind a sieve, Giuseppe Maria Crespi, 1710 - 1715 print Bertoldo holds a cake in his hand and points to it. His face is hidden behind a sieve. Under the show a three -faced rhyme in Italian. Print from a series of six with the experiences of Bertoldo, part of a series of twenty prints. Italy paper etching literary characters and objects. kitchen-utensils: sieve. cake, tart, pastry

Pöck, Josef.

Scottifiying the Palate, from Boswell's Tour of the Hebrides. Thomas Rowlandson; English, 1756-1827. Date: 1786. Dimensions: 275 × 380 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Man with Hellebaard, Herman Boulenger, After Titiaan, 1881 - in Or Before 1909 print paper etching / drypoint helved weapons, polearms (for striking, hacking, thrusting): halberd

Merci! ce monsieur m'invite à chasser.... Honoré Daumier (1808-1879). Lithographs

Merci! ce monsieur m'invite à chasser.... Honoré Daumier (1808-1879). Lithographs

De small mens liendl schnekenfist, approx. 1710, 1705 - 1715 The little man Liendl Schnekenfist as an inspector in Vienna. In the caption under the title a four -line verse in German. Numbered at the top right: 46. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper engraving The little man Liendl Schnekenfist as an inspector in Vienna. In the caption under the title a four -line verse in German. Numbered at the top right: 46. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper engraving

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

What hangs him on the nose !!!!!!!!

Honoré Daumier, Merci! Ce monsieur m'invite a chasser , 19th century Merci! Ce monsieur m'invite a chasser ...

Rien, sur ma parole! comme un pot d'ale amère pour donner - des jambes aux chevaux! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), foolishness and vanity. Pride and Vanity. (Registered title (letter)), 1827. Maison de Balzac.

The misanthrope ... / 6 (registered title) | Lithographic album by Charlet. 1832. (Title of the whole)

Montpensier, Karl Graf.

Keeps there, my young comrade, the new are worth the elders! (IT)

Minerva. Minerva in armor with a spear, helmet and shield. Leaf 20 Recto from a sketchbook with 63 sheets.

Freedom (TF)

M. de la Jobardière arrives in Paris Anonymous. "M. de la Jobardière arrives in Paris". Water-Loud Colored.

Viennese characters in pictorial representations , XXVII, Hunds-washbub am Schantzel, Ignaz Franz Castelli -, Auteur, Anton Zampis -, Artist, Johann Rauh -, Printer, Leopold Theodor Neumann -, publishing house

They will take the clocks, they will not prevent the time of revenge to ring. (IT)

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