Historical Events and Crowds

Depictions of lively scenes featuring historical events with crowds engaged in various activities, emphasizing architectural elements and societal roles.

To Visit the Imprisoned by Wael, Cornelis, de (1592-1667) / Musei di Strada Nuova, Genoa / c. 1640 / Flanders / Oil on canvas / Genre,Mythology, Allegory and Literature / 99x152

Housing the Poor, Joost Cornelisz Droochloot, 1647 painting Housing the poor. A wide road with Italian buildings on either side. Several young men with feathers hats point groups of beggars to a house on the right side of the road where they can get shelter. canvas. oil paint (paint) sheltering strangers, 'hospes colligitur' ~ one of the (seven) Acts of Mercy

Races in Piazza Santa Maria Novella in Florence on the occasion of the celebrations for the arrival of Duke Francis into the city, 1739, Italy 18th Century.

Etienne Jeaurat (1699-1789). French painter. Transport of Prostitutes to the Salpetriere, 1755. Carnavalet Museum. Paris. France.

SEMIRAMIS, (Assyrian Queen Sammu-ramat 9th century BC) hunting lion outside the gates of Babylon

To Visit the Imprisoned by Wael, Cornelis, de (1592-1667) / Musei di Strada Nuova, Genoa / c. 1640 / Flanders / Oil on canvas / Genre,Mythology, Allegory and Literature / 99x152

Pillage in the village, by Pieter Snayers (1572-1666), oil on copper, 48x62 cm.

Arrest and execution of Thomas More (1478-1535). Chancellor to Henry VIII (in red, mounted in archway on left), English statesman, scholar saint and martyr. In right foreground is dog, representing faithfulness. Antoine Caron (1515-93): France, 1591. Musee de Blois.

CARRO DEL AIRE - MASCARA DE LA FABRICA DE TABACOS CON MOTIVO DE LA EXALTACION DE FERNANDO VI - 1748-1749 - OLEO/LIENZO - 137x292 cm. Author: DOMINGO MARTINEZ (1688-1749). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. AEOLUS. FERDINAND VI. VON SPANIEN.

Market Day in Milan (Piazza Fontana), Italy, ca 1650, unknown artist.

Artus Despagne. "The descent of the courtyard, ash Wednesday", 1823. Oil on canvas. Paris, Carnavalet museum. 72353-2 Boat, carnival, carriage, disguise, facade, crowd, building, ash Wednesday, place, roof, oil on canvas

Watercolor and ink painting by Erzherzogin Marie Christine Habsburg-Lothringen depicting a Dutch inn scene, using cover colors and white highlights, 18th century.

'Italian Comedians in the Square'. Holland, 1680. Dimensions: 64,5x77,5 cm. Museum: State Hermitage, St. Petersburg. Author: Hendrick Verschuring.

Stage in the fishing port; Unknown Flemish painter; 1687 () (1687-00-00-1687-00-00);riders, Flemish painting, landscapes, fishing ports, characters, purchase (provenance), boats

Eduardo Rosales Gallinas / 'Queen Joan on the Ramparts of the Castle of La Mota'. 1873. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Claude-Joseph Vernet, A sporting contest on the Tiber, 1750, oil on canvas, National Gallery, London, England, Great Britain.

Bernardo Bellotto called Canaletto the Younger (1721-1780). Italian painter. View of Warsaw from the Terrace of the Royal Castle, 1773. Detail. National Museum. Warsaw. Poland.

The old market in Naples, by Filippo Napoletano (ca 1587-1629), Italy 17th Century.

The Entrance of George IV at the Palace of Holyroodhouse. Date/Period: 1828. Painting. Oil on panel. Height: 556 mm (21.88 in); Width: 914 mm (35.98 in). Author: David Wilkie.

The Return of Louis XVI to Paris, 6 October 1789. Attributed to Robert Dighton the Elder (ca. 1752-1814). Pencil, pen and grey ink and watercolour. 67.3 x 98.4cm.

Luca Carlevaris (1663-1729), The Arrival of the 4th Earl of Manchester, in Venice, 22 September 1707, around 1707 Oil on canvas

MASCARA DE LA FABRICA DE TABACOS CON MOTIVO DE LA EXALTACION AL TRONO DE FERNANDO VI - CARRO DEL AGUA - SIGLO XVIII - BARROCO ESPAÑOL. Author: DOMINGO MARTINEZ (1688-1749). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Jan Steen Sends his Son to the Streets to Exchange Paintings for Beer and Wine, by Ignatius Josephus Van Regemorter, 1828, oil on panel. Steen acknowledged he was a drinker and womanizer. He painted many scenes of such revelry. (BSLOC_2016_2_132)

Allegory of the Triumphal Procession of the Prince of Orange, The Future King Willem II, AS The Hero of Waterloo, 1815. Allegory on the triumphal of the Prince of Orange, the later king William II, as heret of Waterloo, 1815. The Prince Stands on a chariot drawn by four white horses and is crowned by peace. The carriage drives into a city through a triumph port or erooge. In the air fame and angels with a cornucopia and the weapon of the prince. Along the side the grateful inhabitants and soldiers with banners and standards.

An Extensive View of the Oxford Races, Charles Turner, 1774-1857, British

Carlo Gilio ( -1841). The market in Piazza delle Erbe in Vicenza, with Palladio's Basilica, on the right, 1840. Oil on canvas.

Imaginary Renaissance Palace. Architecture fantasy. Palace with open gallery with a company at a banquet, with musicians and dancers. At the front a man playing on a lute and an amor with arrow and bow. On the left a face in the garden with a fountain and a dancing couple.

View of Piazza del Duomo (Cathedral Square), from the Coperto del Figini (Market Hall), Milan, 1842, Angelo Inganni (1807-1880), oil on canvas.

Saul Welcoming David after his Victory over Goliath. Dating: 1640. Measurements: h 60.9 cm × w 84.8 cm × t 1.4 cm; d 3 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerrit de Wet.

Wedding procession on the Bosphorus. Turkse bruiloft. Dating: c. 1720 - c. 1737. Measurements: h 56 cm × w 90 cm; w 5.6 kg. Museum: Rijksmuseum, Amsterdam. Author: Jean Baptiste Vanmour.

Spontaneous Peasants Revolt in the Penza Region on 1861 by Postnov, Alexei Ivanovich (1900-)/ Regional K. Savitsky Art Gallery, Pensa/ Russia/ Oil on canvas/ Primitivism/ 182,5x315/ History

Jan Havicksz. (attributed to) Steen (Leiden, 1626-1679). Country Wedding (ca. 1649 - 1655). Oil on panel. 62.4 x 49.3 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

fine arts, Bellini, Gentile, (circa 1429 - 1507), painting, ""miracle of the cross at the bridge of San Lorenzo"", detail, 1500, tempera on canvas, 323 cm x 430 cm, gallery of the academy, Venice, Italy, Europe, 15th century, renaissance, religion, christianity, procession, river,

Seaport with Christ's Sermon / Brueghel

Architectural Capriccio, by Jacob Peeters, (1675-1721), England, London, Christie's Images

'King Henry VIII. Meeting...Francis at the...Field of the Cloth of Gold', 1520, (c1930). Creator: Unknown.

NAUDET, Thomas Charles (1778-1810). View of the Tuileries from Place de La Revolution. 1799. Fresco. FRANCE. LE-DE-FRANCE. Paris. Mus_e Carnavalet (Carnavalet Museum).

Street Scene Placed among Roman Ruins, by Jan Both, 1640-52, Dutch painting, oil on canvas. A group of figures has gathered at a stall serving wine near the ruins of Rome. In the background the Colosseum (BSLOC_2016_6_293)

The Effects of Good Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. City life scene palaces: buildings porticoes: porches merlons windows city: town work trade: trading: commerce.

The Quack, by Anonymous, c. 1619-25, Dutch painting, oil on panel. In a town square a quack, mounted on a horse before advertising screens, hawks his medicines. In the gathered crowd is a knife sharpener and a pickpocket. To the far right is a rat poison seller. In the background another speaker attracts listener. (BSLOC_2016_1_32)

Regatta on the Grand Canal in Honor of Frederick IV of Denmark. Date/Period: 1711. Painting. Oil on canvas. Height: 135.3 cm (53.2 in); Width: 259.7 cm (102.2 in). Author: LUCA CARLEVARIJS.

EL BORNET, 18th century. BARCELONA. The Citadel in the background. Museum: Museo de Historia, Barcelona.

Agrippina Landing at Brundisium with the Ashes ofGermanicus. Artist: Benjamin West, American, active Great Britain, 1738-1820

Hunting landscape. Painting attributed to Juan de la Corte (ca. 1585-1662). 17th century. Oil on canvas. Museum of Santa Cruz. Toledo. Spain. Author: Attributed to Juan de la Corte (ca. 1585-1662). Spanish painter of Flemish origin.

Play in the park; Dietrich, Christian Wilhelm Ernst (1712-1774); 18th century (1700-00-00-1799-00-00);Fiorentini, Piotr (1791-1858) - collections, School of Fine Arts (Warsaw - 1844-1864) - collections, gift (provenance), German painting, gardens, parks, genre scenes against the background of landscape, multi -stone scenes, theaters, games

Painting titled 'The Entry of Don Juan of Austria into Brussels' by David Teniers the Younger (1610-1690) Flemish artist. Dated 17th Century;

Deer Hunt at The Chateau de L'Isle-Adam by Olivier, 1766, France 18th Century.

Cornelis Jansz Snellinck, Cityscape of Rotterdam, fruit market by candle and moonlight, with statue Erasmus, cityscape painting visual material wood oil, Snellinck has positioned its market against the façades on the north side of the Grotemarkt, although there probably was no sale of fruit or vegetables there. The cityscape, on the other hand, is topographically fairly accurate. The statue of Erasmus stands where it was put down in 1622, namely on the east side of the Grotemarkt on the bridge. Behind the image the houses along the Westnieuwland are visible topography cityscape Rotterdam City Triangle Grotemarkt Westnieuwland statue Erasmus

Reception of French Ambassador in Venice 1725/26 Giovanni Antonio C. Canaletto (1697-1768 Venetian) Hermitage Museum, St. Petersburg, Russia

'Village Feast', ca. 1650, Flemish Baroque, Oil on copper, 69 cm x 86 cm, P01785. Author: DAVID TENIERS THE YOUNGER. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Netherlands / Tunisia: 'The Continence of Scipio'. Oil on copper painting by Karel van Mander the Elder (1548-1606), 1600. Scipio (235-183 BCE), also known as Scipio Africanus and Scipio the Elder, was a Roman general in the Second Punic War. He is best known for defeating Hannibal and the Carthaginians at the Battle of Zama near Carthage on October 19, 202 BCE. 'The Continence of Scipio' refers to an episode in which Scipio refused a hefty ransom for a young female prisoner, instead returning her unharmed to her fiance Allucius, who in turn pledged his tribe's support to Rome.

'Carnival in a Village'. Netherlands, 1579. Dimensions: 75,5x106 cm. Museum: State Hermitage, St. Petersburg. Author: Marten van Cleve I.

Venice - A Regatta on the Grand Canal, circa 1735 - Canaletto

HOHENLEITER, FRANCISCO DE PAULA. PINTOR ESPAÑOL. CADIZ 1899-1962. PAQUIRO EN RONDA. OLEO DEL AÑO 1941. COLECCION PARTICULAR. MADRID. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Attributed to Abel Grimmer, The Marketplace in Bergen op Zoom, probably 1590 and 1597 The Marketplace in Bergen op Zoom

View of the Brenta, near Dolo late 18th century Giambattista Cimaroli Italian Little is known of the career path of Venetian painter Giambattista Cimaroli, apart from a brief collaboration with Canaletto, Giovanni Battista Piazzetta, and Giovanni Battista Pittoni. Cimaroli provided valuable records of scenes in Venice, the Veneto, and the region of Verona. This splendid view of life on the Brenta near the town of Dolo, a short distance from Venice, is a case in point. We know that the large house in the center, here animated with resident life, was recently demolished. When Robert Lehman bought this picture in 1955, it was ascribed to the better known Francesco Zuccarelli. But we recognize from other Cimaroli paintings his distinctive foliage and thickly impastoed, stiffly posed figures. The picture offers an affecting glimpse of eighteenth-century life as it played out amidst the heterogeneous architecture in the Veneto.. View of the Brenta, near Dolo. Giambattista Cimaroli (Italian,

Reception at the Chateau de Versailles, watercolour, 1874

Angelo Inganni. 1807-1880. View on the Piazza Duomo from the Coperto dei Figini. 1842. oil painting on canvas cm 103 x 130.

CARAVANA A VISTA DE TIRO - SIGLO XIX - 97 x 128. Author: JENARO PEREZ VILLAAMIL (1807-1854). Location: COLEGIO SANTA MARCA. MADRID. SPAIN.

'Kermesse (The Rural Market)'. Holland. Dimensions: 90,4x124,6 cm. Museum: State Hermitage, St. Petersburg. Author: Rutger Verburgh ( ).

ARTE S. XIX. ESPAÑA. BLANCHARD, Pharamond (1805-1873). Pintor francés. "PASEO DE LOS DUQUES DE MONTPENSIER, POR LA CALLE DE LA MONTERA". Oleo realizado en el año 1846. Palacio de Orleans. Villamanrique. Sevilla. Andalucía.

Piazza di Spagna (Spain Square) in 18th c.. Italian anonymous. Oil on canvas. ITALY. LAZIO. Rome. Rome Museum and Roman Art Gallery.

Samuel Colman (4 March 1832 - 26 March 1920) was a US painter, here the painting St. James Fair, St. James Fair, Historic, digitally restored reproduction of a 19th century original, exact original date not known

England, London, Bloomsbury, Brunswick Square, The Foundling Museum, Painting of The March of the Guards to Finchley by Hogarth dated 1750

Ecce homo , brunswijkse monogramst, c. 1525 - c. 1535 painting Ecce Homo. Christ is shown by Pilate on the stairs of the palace to the people. In the foreground a large crowd of people, on the left a market scene with stalls, cars and street vendors. In the distance masts of ships and a city gate. In front of the palace are workers on the scaffolding around a column. Southern Netherlands drager: panel. oil paint (paint) painting Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). stall, booth (~ market). building-site. city-gate

St John the Evangelist Resuscitating Drusiana, Filippino Lippi, 1502, Filippo Strozzi Chapel, Basilica di Santa Maria Novella, Church of Santa Maria Novella, Florence, Tuscany, Italy, Europe

The flower market, flower wharf, around 1840; Current 4th arrondissement. View of Saint-Gervais-Saint-Protais Church and the port of the Town Hall. Jean-Fran�ois DEMAY. The flower market, flower wharf, around 1840; Current 4th arrondissement. View of Saint-Gervais-Saint-Protais Church and the port of the Town Hall. Oil on cardboard. 1835-1845.

Tournament in Castle Square, celebrated to commemorate the wedding of Victor Amadeus I, Duke of Savoy with Christine Marie of France. Baroque art. Oil. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

French School, early 19th century. 'Harbour' after Claude Lorraine Louvre, Paris.

Eugenio Lucas Velazquez (1817-1870). Spanish painter. Procession at the Hermitage, 1861. Lazaro Galdiano Museum. Madrid. Spain.

The preaching of John the Baptist on the banks of the Jordaan, Nicolaes de Bruyn, 1619 - 1672 print John the Baptist, preaching for a large crowd. There is a boy in the tree above him. In the middle of an elegant dressed lady and gentleman with dog. The Jordaan river flows in the background. The engraving is colored and heights with gold by Magdalena Fürst who in this way turned the print into a 'painting'. paper. gouache (paint) engraving / brush John the Baptist disputing. dog (with NAME of kind). climbing up a tree

Leandro Bassano (1557-1622). The banks of the Schiavoni in Venice. Details.

GOYA Y LUCIENTES, Francisco de (1746-1828). Fair at Madrid. 1778-1779. Delivered for the execution of a tapestry for the Princes' Bedroom at El Pardo. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Hipolit Lipinski (1846-1884). Polish painter. Zwierzyniec Hobby-Horse, c.1881. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

TENIERS II, David, 'the Younger' (1610-1690). Bird-shooting at Brussels. 1652. Detail in the centre. Flemish art. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Italy, Capriccio with Ruins, Sculptures and figures

Jan Miel / 'El barbero del lugar', 17th century, Flemish School, Oil on canvas, 66 cm x 51 cm, P01576. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Procession of Gondolas in the Bacino di San Marco, 1742, Venice, Italy, after a painting by Antonio Joli, Historic, digitally restored reproduction from an 18th or 19th century original.

The assassination of Capodistria. Date/Period: 1850. Painting. Height: 600 mm (23.62 in); Width: 800 mm (31.49 in). Author: Tsokos Dionysios.

The Amazons' banquet, by Claude Deruet (1588-1660). Detail.

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen, Willey Reveley, (), 1760-1799, British, ca. 1785, Watercolor, with pen in brown ink, over graphite, with white gouache and gum arabic on medium, slightly textured, cream, laid paper, mounted on thick, smooth, brown, wove paper, Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm), aqueduct, architectural subject, cityscape, cows, genre subject, goats, herdsmen, houses, men, mountains, ruins, viaduct, Europe, Italia, Italy, Lazio, Roma, Rome

Anacapri, 1874, by Marco De Gregorio (1829-1876), Italy 19th Century, 55x78 cm.

The Grand Canal, Venice. Francesco Guardi; Italian, 1712-1793. Date: 1755-1765. Dimensions: 73 × 119.4 cm (28 3/4 × 47 in.). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Moorish rowers at Constantinople. A boat with Moorish rowers on the water at Constantinople (Istanbul). Standing in the boat plays a woman on the tambourine.

Jan Nepomucen Bizanski (1804-1878). Polish painter. The building of the Kosciuszko mound, 1838. Depiction of the inauguration ceremony of the mound building in honor of the Polish national hero Tadeusz Kosciuszko (1746-1817), on October 16, 1820. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

The Man Mundil or Hindoo Observatory. James Prinsep (1799-1840). Pencil and watercolour. Dated 1 July 1829. 17.5 x 26.4cm.

Hyde Park Corner with the Duke of Wellington's Residence. Attributed to Charles Cranmer, Jr. (1780-1841). Oil on panel. 70 x 92cm.

Moscow by Fyodor Yakovlevich Alexeyev, Oil on canvas, 1801, 1753-1824, Russia, Moscow, State Tretyakov Gallery, 81,3x110,5

The Peace Negotiations Between Julius Civilians and the Roman General Cerialis, Otto Van Ven, 1600 - painting The peace negotiations between Claudius Civilis and Cereeal. The commanders approach each other on a partly destroyed bridge over a river outside a city. Twelfth performance in a series of twelve scenes of the uprising of the Batavians against the Romans (SK-A-421/432), purchased by the States General in 1613. panel. oil paint (paint) negotiations for truce on a demolished bridge. non-aggressive activities of Julius Claudius Civilis Courtyard

Antonio Cioci (1700-1792). Florence, the Palio dei Cocchi (chariot race) in Santa Maria Novella square for the coronation of Ferdinand III of Lorraine A Grand Duke of Tuscany June 1791.

Southern harbour scene with merchants - Abraham Storck

Tamerlane and Bajazet. Oil on canvas - Andrea Celesti, circa 1700

Fish shops and washerwomen at Quai de la Megisserie in Paris, France 17th Century.

Entrance to a Village with a Windmill, Jan Brueghel the Elder, 1606

Tiber Island, by Gaspar van Wittel (1652 or 1653-1736).

Henryk Siemiradzki (1843-1902). Polish painter. Torches of Nero, 1876. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Parade by Mihaly Zichy, color lithograph, 1856, 1827-1906, Russia, Moscow, State History Museum,

Anonymous. Inauguration of the Statue of Louis XIV, place des Victoires, current 1st and 2nd arrondissemets, March 28, 1686. Oil () On paper (non -cut wooden range on wood). 1681-1691. Paris, Carnavalet museum. 76089-28 2nd 2 iieme II 2nd 2nd arrondissement, Eventail, crowd, oil on paper, 1st 1st 1st arrondissement, inauguration, inaugurate, maroufle on wood, place des Victoires, king France, statue

Little St Mark's Square (Piazzetta San Marco) in Venice, Italy 16th Century. Detail.

Stage design for the experimental theatre of V. Meyerhold by Shukhaev, Vasili Ivanovich (1887-1973) State Central A. Bakhrushin Theatre Museum, Moscow Watercolour, Gouache on Paper Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

'Catherine II on the Balcony of the Winter Palace Cheered by the Guards and People on the Day of the Palace Coup D'etat on 28 June 1762 (Sheet 5)'. Author of original watercolour by Kaestner, I. K. Series of watercolours showing the events of the palace coup d'etat of 1762. Russia, late18th - first third of the 19th century. Dimensions: 25.6x34.5 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

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