Historical Events Illustrations

Vivid representations of significant events in history, showcasing crowds, ceremonies, and dramatic interactions, rich in detail and narrative.

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Church scholars including Nicolas Perrenot de Granvelle and Michele Maio, plate 29, plate 29. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, picture, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, engraving, engraving (printing process)

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Witt, Johan De.

The Nijmegen mystery or the complicated marriage, 1619, 1698 print The Nijmegen mystery or the complicated marriage, 1619. Painting hanging on the town hall of Nijmegen with a family portrait with complicated relationships from a marriage concluded there in 1619. On a posted magazine a poem by P. Torenburg in 3 times 4 lines and a verse From 2 times 2 lines in the Dutch of Samuel Sylvius. Northern Netherlands paper etching / engraving / letterpress printing family relationships (first, second, third and fourth degree), generations. picture, painting Nijmegen

Buys, Jacobus, Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Homage to the Duke of Anjou, The Duke of Anjou honored in Antwerp, 1582, Homage to Anjou in Antwerp, February 19, 1582. On a podium he receives the cloak and hat of the Duke of Brabant., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 116 mm, width 73 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1780 - 1795, fourth quarter 18th century, paper, etching, etchings, 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

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The Hague, Boucquet, Engelbrecht, Schijnvoet, Jacobus, Amsterdam, Title page for: P. Cluverius, Batavische oudheden, ofte Verhandeling over de drie uitlopen, en monden van den Rhyn, 1709, Warriors in a landscape, verso - stamped, Warrior in a landscape at a wall on which an allegorical female figure sits with a map., print, engraving, title page, prints, engravings, height 133 mm, width 80 mm, Noord-Nederlands, 1685-05-20 - 1743, print maker, printmaker, 1713 - 1713, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 in. × 8 in. (16.2 × 20.3 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Bouttats, Gaspar, Eight depictions from the life of the De Witt brothers, The Prince of Orange must bow to Johan de Witt, Second print in a series of eight depictions about the life of Johan and Cornelis de Witt. All prints are by Gaspar Bouttats and have a verse of four or two lines. The depiction shows how Prince William III has to ask Johan de Witt and the States for permission for his appointment., print, prints, Frederik Muller Historieplaten, height 116 mm, width 130 mm, 1640 - 1695, print maker, printmaker, 1672 - 1672, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Church scholars including Nicolas Perrenot de Granvelle and Michele Maio, plate 29, plate 29. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, picture, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, engraving, engraving (printing process)

Noah's Ark, Jan Sadeler, the Elder, ca. 1550 - 1600, Marten de Vos, Flemish, 1532-1603, Engraving Support: white laid paper, Netherlands, Netherlands, 1657, graphic design, Print, Print

Print at the top right labeled: i part. PAG. 438.

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Secret Meeting of Civilis with Other Leaders from Trier, A secret meeting between Julius Civilis and other leaders in a house in Colonia Agrippinensis. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais ca. 1784 After Jacques Philippe Joseph de Saint Quentin French. A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais 399193

The copper collar in Sankt Goar, approx. 1680; The merching collars to St. Gewer. The copper collar in Sankt Goar, approx. 1680. A man is chained to the gate with a copper band around his neck and gets a bucket of water cast over his head, right spectators on the terrace for an inn. Right part of a larger album with the Danube river, in a later state, the performance of this album is almost completely cut away and the album is reused for the cartoon at the wind trade in Vianen in 1720. See PRENT 32 in the scene of foolishness with Cartrans at the 1820 wind trade or action trade.

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Cologne troops bring Civilis' wife and sister to Cerialis, verso - stamped, Cologne troops bring Civilis' wife and sister to Cerialis. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

The Lost Son receives his inheritance, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print The youngest son receives his part of the inheritance from his father. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the prodigal son asks for his inheritance; his father gives him (a bag of) money

The masquerade; Genre scenes. A procession of masked men and a woman. One of them holds a broomstick in hand, another a frying pan. Two dwarfs watch. Egg scales broken in the foreground.

May: a yacht scene (twins); Maggio; The twelve months (part 1). Imagination of human activity in the month of May. Landscape with hunters jagging with the help of falcons. In the foreground on the left a farmhouse wedding and musicians. In the middle above the symbol for the zodiac sign of twins. Italian fresh and title in undermarge.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXXIV. François des Fortarigues sits on the horse of François des Anjolliers, who stands next to him in his shirt, surrounded by men., print, engraving, book illustration, prints, engravings, height 73 mm, width 80 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

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Print marked upper right: I Part. Page 438, Don Clarazel mistreated by coachmen at an inn near Toulon, print maker: Caspar Luyken, publisher: Johannes Broersz, publisher: Nathanael Holbeex, Amsterdam, 1697, paper, etching, h 137 mm × w 85 mm

Torture death from Jan de Bakker, 1525; Jan de Bakker, in s' Hage time and burned.jan de Bakker, former priest of Woerden, due to heresy at the fire stack in the Hague, 1525.

William and Mary proclaimed King of England, and Queen 1689, Jan Luyken, Jurriaen van Poolsum

Burial, Jan Goeree, c. 1680 - c. 1731 drawing Scene from Roman history: a burial. Design for a book illustration. paper. ink. chalk pen / brush burial. male persons from classical history

Northern Netherlands, Luyken, Jan, the Crown of England is dedicated to Prince Wilm III and Maria, in the year 1689, they are proclaimed King and Queen, Willem and Maria proclaimed King and Queen of England, 1689, Sheet with two representations. Above, the English crown is presented to William III and Mary, 23 February 1689. Below, the announcement to the people on the street by a town crier that Prince William III and Princess Mary Stuart have been proclaimed King and Queen of England, 23 February 1689. Marked top right: fol. 828., print, prent, prints, prenten, Frederik Muller Historieplaten, height 119 mm, width 137 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, prentmaker, 1689 - 1689, fourth quarter 17th century, paper, papier, etching, etsen

Lenten, Matham Merian (i), After Sebastiaes Vraanx, After 1622 print paper etching spring landscape; landscape symbolizing spring (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months). dancing around the maypole

In Mainz, the imperial Opperkrijg Commissioner Cronsbruck is beheaded, 1691, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing violent death by beheading Mainz

Horse Racing in a Roman Hippodrome mid-16th-mid-17th century Matthaeus Greuter. Horse Racing in a Roman Hippodrome 692345

Paris, Cochin, Charles Nicolas (I), Callot, Jacques, Carrying the Cross, verso - stamped, Oval representation of Christ walking with the cross on his shoulder in a procession of people towards Golgotha. A man (Simon of Cyrene) helps carry him. In the foreground on the left Mary faints and is caught by some women., print, prent, prints, height 47 mm, width 66 mm, Work conception, French, 1592-08-21 - 1635-03-24, after a print by, 1698 - 1754, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, 1688-04-29 - 1754-07-05, print maker, printmaker

February: a tournament (fish); Febraro; The twelve months (part 1). Imagination of human activity in the month of February. View of a square where festivities and a tournament take place. In the middle above the symbol for the protective zodiac sign. Italian fresh and title in undermarge.

Drum star, Isaac Israels, 1878 - 1934 print A standing woman plays on a drum that rests on a chair. paper etching one person playing an instrument. drum (musical instrument)

Two couples argue; Illustrations at the Blijspel "Julfus". Two couples argue in the outdoors. Left a woman is desperate for her husband knocked down, a woman in the presence of their child scolds her husband's skin. There is a caption in Latin and Dutch in the margin. This illustration is manufactured at the second company of the Blijspel "Julfus" (1668), written by Andries Pels. The print is part of a three-part series with scenes from this comment.

Two representations of one plate.

Print at the top right labeled: fol: 63. In the margin a two-time fresh.

Expulsion from the Brabant Theocrats from Brussels, 1790; Maleficos Non Patieris Vivere / Derniers Adieux des Aristo-Theocrates Brabançons; Brabant Review, 1787-1790. The Brabant Theocrats are driven from Brussels by the Hallepoort. With legend A-S with the names of the advers. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

King Agrippa is chased away by the Jews with stone throws from Jerusalem, Jan Luyken, 1704 print Amsterdam paper etching banishment, exile. violent death by stoning - EE - death not certain; wounded person Jerusalem

The Treaty of Ghent, signed on December 24, 1814 in the city of Ghent, was the peace treaty that ended the War of 1812 between the United States and Great Britain.

Slave girls dancing naked and playing music in front of being executed, 1610, Historic, digitally restored reproduction from a 19th century original

Men become "Ontnard": Hisce Modis ... Dura Pati; Pugillus Facetarium Iconographicarum ... Strasbourg 1608. In a room there are six gentlemen (professors) At a table and look at how young men are being stripped of "Ontnard", either of their narrapers (heads) (probably to make heads of study) . Four lines of Latin caption in the margin: Hisce modis ... Dura Patis. R.O. Numbered 18. Print from: Pugillis Facetarium .... Strasburg.

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Fabel from Emperor Tiberius and his servant; Illustrations for fabber stories from Phaedrus. A servant has taken his hat to bend for the emperor who speaks to him. This illustration is made at the aesopic fables of the Latin poet phaedrus.

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Pilatus on the right chair in Cesarea / Pilatus lets a Jewish gathering vary, Jan Luyken, 1698 print Two performances of a plate. Numbered at the top right: 156 and 157. Amsterdam paper etching Pilate in debate with the Jews

The assassins of Julius Caesar flee the wrath of the Roman people. The scene is explained in the two-line caption. The print is marked at the top left and right: I. Part. - Pag: 79. Created to accompany the tragedy 'The Deaths of Julius Cezar,' translated from the French, written by Marie-Anne Barbier, Murderers of Julius Caesar Flee, print maker: Jan Lamsvelt, (mentioned on object), Jan Lamsvelt, (mentioned on object), Roeland van Leuve, 1728, paper, etching, h 133 mm × w 82 mm

Title page for the leaflet: the repeat shadow, 1701; The relying shadow; Esopus in Europe. The shadow of the deceased King Charles II appears in the middle of a circle with magic characters. Title is on separate text sheet.

Bellinde de Corzora on the stake, Jan Luyken, 1699 print Bellinde de Corzora, daughter of the Portuguese nobleman Emanuel de Corzora, is burned alive at the stake. While the executioner lights the stake with a torch, Bellinde makes a cross sign. In the background the city of Estremoz. Amsterdam paper etching violent death by burning at the stake; pyre. on the scaffold or place of execution. making the sign of the cross Star

The rout / and confusion of / jansseniste (IT)

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Design for a Book Illustration. Artist: Attributed to William Faithorne the Elder (British, London ca. 1616-1691 London). Dimensions: sheet: 5 1/8 x 3 1/2 in. (13 x 8.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

. Apollo like a young man with laurel wreath, walking for a large tent at a water, flanked by four young women (the four seasons). There is a putto with fruit basket for the company. A vessel, drawn by two pigeons and managmed by a putto in the water.

Reforms pulled out of their houses in Zurich, 1637, persecution of heretics, Zurich, Jan Luyken (mentioned on object), Amsterdam, 1685, paper, etching, h 119 mm × w 144 mm

Print at the top right labeled: foli 123.

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

. Queen Anna Boleyn, blindfolded and kneeling on the scaffold. The Beul is ready to behead her. In the background the Tower.

Duke Moritz von Saxony is lagging in Augsburg with the spa dignity. Copper engraving 290 on p. 777 out: so far from the beginning of the world to the year of Christ 1619. In: Johann Ludwig Gottfried's historical chronic label or description of the most merciful stories / with copper little studies of Matthao Merian; Part 1. Dresden: Slub Hist.Univ.A.81-1

Illustrations for Oliver Goldsmith's 'The Vicar of Wakefield'

Construction of the Tabernakel, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the making of the Tabernacle and its accessories ~ Exodus

De Kwakzalver, Jacopo Leonardis, After Giovanni Domenico Tiepolo, 1765 print A crowd on the street for a quack on a stage. Twoere -like Italian fresh in the lower margin. Venice paper etching quack, charlatan, mountebank, 'saltimbanco'

Speech by a captain of the Schuttersgilde, Frans Greenwood, 1733 print For an inn a speech from a man on a ton. Around him members of the Schuttersgilde, women and children. Rotterdam paper etching farmers. sharpshooting (~ games of skill) (+ sportsman, player, etc.). person addressing a group, orator. inn, coffee-house, public house, etc.

. Female Personification Good Judiciary (Bona Causa) must run a road between positive and negative personnifications of the right. On the left are the personnifies just judge (Judices iusti), skilled legal official (advocati periti), loyal civil service (Procurate Res Fideles) and fair witness (testes Veraces). On the right are unreliable witness (testes falsi), negligent civil service (ProCuratores Negligenites), inexperienced lawyer (imperiti advocate) and unjust court (Iudices iniusti). Each of these personifications threatens good justice with a spear. At the end of this dangerous road waits victory (Victoria) on her with a laurel wreath. The print has three captions (two in Latin and one in Dutch) and is part of an eight-language series about the abuses in process.

Isidore Stanislas Helman after Jean Duplessi Bertaux, Le charlatan francais, 1777 Le charlatan francais

Leden van de senaatspartij zijn vastberaden om Julius Caesar te doden.Members of the Senate Party have decided to bring Julius Caesar and pull their sword. The conspiracy is explained in the caption. The print is left and at the top right labeled: I. part. - Pag: 1. Manufactured by the torrent game "the kills of Julius Cezar", written by Marie-Anne Barbier.

Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) early 17th century Jacques Callot French. Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Jacques Callot (French, Nancy 1592-1635 Na

Allegory on the Defeat of the Duke of Alva at Brielle. Artist Unknown; Northern or Southern Netherlands, late 16th century. Date: 1580. Dimensions: 180 × 277 mm (plate); 196 × 293 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA. Author: UNKNOWN ARTIST.

Roman youth Mucius Scaevola thrusts his right hand into a fire after failing to kill the Clusian king Lars Porsena, 508 BC. Scaevola had killed Porsena's scribe in error. Attentat de Mucius Scevola sur la vie de Porsenna. Copperplate engraving by Joseph Stöber after a design by Hubert-François Gravelot from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

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Abraham Bosse (1602-1676). "Marriage in the countryside (1633), Plate of the suite of three subjects. (Duplessis 1382, Blum 9641, Tii)". Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-17 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Mariotto, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Mariotto, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

Autumn; AVTVMNVS; Four Seasons. Interior of a large hall with men and women. In the middle, two donkeys of their load of grapes are stripped, which they carry in baskets on their backs. On the right in the background the grapes are thrown into a barrel to squeeze them.

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Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), Civilis makes peace with the Romans on the broken bridge, Civilis and Cerialis negotiate on the broken bridge, 69-70, Civilis and Cerialis negotiate and make peace on the demolished bridge., print, history print, prints, Frederik Muller History plates, height 183 mm, width 115 mm, Northern Dutch, 1741-06-19 - 1816-01-30, print maker, 1788 - 1788, fourth quarter 18th century, paper, etching, 1724-11-19 - 1801-04-07, intermediary draughtsman

Plate 2: Alexander Cutting the Gordian Knot, from The Deeds of Alexander the Great 1608 Antonio Tempesta Italian. Plate 2: Alexander Cutting the Gordian Knot, from The Deeds of Alexander the Great. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1608. Etching, first state of two (Bartsch). Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 15751610). Prints

Cologne, Hogenberg, French, Series 4: French, German and English Events, 1576-1610, Murder of the Guise Brothers, 1588, in Blois, 23 and 24 December 1588. In the background the perpetrators are executed, with an inscription in Latin. With a 4-line caption in Latin and 4 lines in German. Unnumbered. Sheet from from a dismantled album. Numbered (in pen) at top right: 14., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1588 - 1590, fourth quarter 16th century, paper, papier, etching, etsen

. The interior of a palace. In the foreground, the count of d'Etampes refuses to listen knight palays de Beaufort, which is accused of witchcraft. Beaufort is captured and conducted in the background to prison.

Ruychaver at the corpse of a Spanish counselor in Alkmaar, 1573; Naughty Deed of Ruijkhaver, in Alkmaar, Ao. 1573; Scenes from the life of Prince Willem I, 1568-1584. Nicolaas Ruychaver at the corpse of a Spanish counselor that he has thrown out of the window, Alkmaar 1573. Ninth vocals. Behind the print a leaf with handwritten text about Ruychaver's life.

Looting of the house of Captain Martinus Spaaroog, Simon Fokke, 1781 print Plunning through a furious crowd of the house of Captain Martinus Spaaroog on the Reguliersgracht during the speaker riot. In the middle of the top: 59. Amsterdam paper etching plundering ~ riot Amsterdam

Ferbruiz: Lenting evening, Jan Caspar Philips, 1736 - 1775 print The month of February: scene on the street with in the foreground a nar and a soldier and figures masked in the background, who celebrate fasting evening. In the margin a two -way poem in Dutch and in French. Amsterdam paper etching / engraving February and its 'labours'. Shrove Tuesday, 'Mardi gras' ~ non-liturgical celebrations of carnival

Whoever litigates must be shameless, patient and rich, Hendrick Goltzius, 1597 print A litigating man (litigator) runs a staircase with two things in their hands and behind him three women who wear sinks with the inscriptions 'shamelessness', 'patience' and 'money' in Latin. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation. print maker: Haarlempublisher: Low Countries paper engraving 'Pecunia' (Ripa). Indecency, Impudence; 'Sfacciatigine' (Ripa). Patience; 'Patienza' (Ripa). litigation, legal proceedings, lawsuit

Staten van Holland en West-Friesland, Amsterdam, Allard, Carel, Hooghe, Romeyn de, Noordelijke Nederlanden, Allegory in honour of William III on his arrival in England, 1688, Northern Netherlands, Allegory on two plates in honour of William III on his arrival in England, 1688. On the upper plate William III with his entourage standing between Eendracht and the Duke of Schomberg. Behind the prince are Bentinck and Torrington. Opposite him kneels Brittania with yoke and the portrait of Mary Stuart. On the lower plate on the left under the coat of arms of James II three scenes of the atrocities during his reign, including the birth of the miller's child, in the middle the arrival of William III in England and his entry into London, on the right under the coat of arms of William III three scenes of the departure of the prince from the Netherlands and the arrival of his boat on the coast. All scenes numbered I-VIII and with captions in English and Dutch. At the bottom in the middle the form

Civilis Thanks His Loyal Supporters. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Arrival of Mr. Necker at the city hotel Arrival of Mr. Necker at the City Hall ". Print.

Monument in memory of the folly of the year 1720; Monument Consacré a la Posterité and Memoire de la Foil Incoyable de la xx. Année du XVIII. Siecle / for more preferred the foolishness of the XX. year of the XVIII. century; The great scene of foolishness. Monument in memory of the folly of the year 1720. On a large car laid down by a jet the fortune of the action shares in the round. The cart is drawn by, among other things, Personifications from the companies of the South Sea and Mississippi (an invalid Indian). The car is led by the fame in the direction of the poor house and madhouse. Treatment and duplies around the cart. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearance is deceiving in Latin. In the question the statement of the show in French and Dutch. Print 27 (late pressure from no. 18) In the series the great scene of foolishness with cartring prints at the wind trade or action trade of 1720.

Man met hoed bij de Piazza Santa Maria Novella te Florence; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Lord in the foreground is a Lord with a hat. In the background the Piazza Santa Maria Novella in Florence, on which car rings take place. This print is (probably) part of a series of prints with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Deliberation between Aeneas and its followers interrupted; Illustrations at the torment game "Didos Doot". The deliberation that Aeneas carries with its followers is interrupted by Dido and its sister Anna. There is a two-legged caption in Dutch in the margin. This illustration is made at the second company of the torrent game "Didos Doot" (1668), written by Andries Pels. The print is part of a four-part series with scenes from this torrent game.

Triumphal tour of Argenis, Jan Luyken, 1680 print Print at the top right marked: f: 325. Amsterdam paper etching conqueror triumphing, triumphal entry of victor

Writer Marie-Catherine D'Aulnoy greeted in a sedan chair by five riders, Jan Luyken, 1696 print print maker: Amsterdampublisher: Utrecht paper etching (carrying a person in a) sedan-chair. saluting. riding a horse, ass, or mule; rider, horseman. coat of arms (as symbol of the state, etc.)

Queen Philippa of Hainault, Queen of England, rallying her army against the Scots at the Battle of Nevilles Cross, 1346. Queen Philippa haranguing her troops before the battle of Neville's Cross. Woodcut after an illuminated manuscript from Sir John Froissart's Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV, George Routledge, London, 1868.

Italy, Tintoretto, Jacopo, Fialetti, Odoardo, The Wedding at Cana, verso - stamped, View of a large hall with the wedding at Cana. On the left is a long table at which the wedding guests are seated, with Christ at their head. Mary sits next to Christ and tells him that the wine has run out. In the foreground on the right, servants are filling the wine barrels with water. A banderole with text in the bottom margin., print, prints, height 354 mm, width 434 mm, Italian, 1573-07-18 - 1638, print maker, printmaker, 1583 - 1638, paper, papier, etching, etchings, 1519 - 1594

Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond, from the series 'The Triumphs of Petrarch' ca. 1539 Georg Pencz German. Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond, from the series 'The Triumphs of Petrarch' 399625

Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) 1614-20 Jacques Callot French According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.. Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles). La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis. Jacques Callot (French, Nancy 1592-1635 Nancy). 1614-20. Engraving; first state of two (Lieure). Prints

Phineus disturbs the wedding of Perseus and Andromeda, Antonio Tempesta, 1606 print The wedding party of Perseus and Andromeda is disturbed by Phineus and his soldiers. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching the wedding-feast of Perseus and Andromeda is interrupted by Phineus, a former suitor; a fight ensues

Skating at the Sint-Jorispoort Antwerp Belgium, Frans Huys, Pieter Brueghel I, Hieronymus Cock, 1556-1560

Abraham Bosse (1602-1676). "The works of mercy: bury the dead. Seventh number of a sequence of 7 pieces". Etching. 1650. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-27 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Antwerp, Galle, Philips, Goltzius, Hendrick, Cornelis (I), Litis Abusus, Abuse in litigation, Dangers of the process, verso - stamped, The female personification Good Justice (Bona Causa) must make her way between positive and negative personifications of law. On the left are the personifications Just Judge (Judices iusti), Skilled Lawyers (Advocati periti), Loyal Civil Service (Procurate res fideles) and Honest Witness (Testes veraces). On the right are Unreliable Witness (Testes falsi), Negligent Civil Service (Procuratores negligenites), Inexperienced Lawyers (Advocati imperiti) and Unjust Judge (Iudices iniusti). Each of these personifications threatens Good Justice with a spear. At the end of this perilous road, Victory (Victoria) awaits her with a laurel wreath. The print has three captions (two in Latin and one in Dutch) and is part of an eight-part series on the abuses of litigation., print, prints, height 205 mm, width 275 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, p

Doctor against Will and Dank, Gilbert Schoute, 1713 print Illustration for the play 'Doctor against Will and Thanks' van Moliere. Utrecht paper etching woodcutting, woodcutter ~ forestry

Man with hat at the Piazza Santa Maria Novella in Florence, Anonymous, After Jacques Callot, 1621 - 1699 print On the left in the foreground is a gentleman with a hat on. In the background the Piazza Santa Maria Novella in Florence, on which Wagenrennen take place. This print is (probably) part of a series of prints with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. France (possibly) paper etching village square, place. wagon racing (with horses) Florence. Piazza Santa Maria Novella

Southern Netherlands, Diepenbeeck, Abraham van, Neefs, Jacob, Martyrs of Gorkum, 1572, lower right - stamped, Atrocities committed against the martyrs of Gorkum, July 9, 1572. In the peat barn in Den Briel the monks and priests are tortured by the water beggars, their noses and ears are cut off and they are hung from the beams. With a 5-line caption in Latin. Below the representation are the coats of arms of the Franco couple, to whom the print is dedicated., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 235 mm, width 326 mm, Noord-Nederlands, 1610-06-03 - 1660, print maker, prentmaker, 1620 - 1660, first quarter 17th century, eerste kwart 17e eeuw, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, graveren (drukprocedé), Zuid-Nederlands, 1596-05-09 - 1675, intermediary draughtsman

Diogenes, sitting in front of his barrel and being offered whatever he wants by Alexander the Great, asks Alexander to step aside so that he can see the sun. Etching by S. Rosa.

Attributed to Philip Galle after Pieter Bruegel the Elder, Justice, published 1559 Justice

Image of the reception, by a professor of the Utrecht University of Applied Sciences, of Prince William IV as a student in Utrecht.

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