Historical Figure Etchings

A collection of historical prints featuring men in distinctive clothing, hats, and accessories, showcasing various poses and settings typical of earlier centuries.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Armed officers and soldiers, Standing officer with walking stick, seen from the side, verso - stamped, Officer, leaning on a long stick. He wears a short jacket with a bow on the back, knee-length breeches with bows and boots up to the knee. In the background a gate and various figures., costume print, prints, Officer with walking stick, seen from the side. In the background people in front of a dilapidated gate. The print is part of a ten-part series with representations of armed officers and soldiers, dressed in Dutch fashion ca. 1625-1635., height 140 mm, width 95 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1630 - 1665, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, 1606 - 1647-06

Young man with hat and cloak, print maker: Jan Gillisz. van Vliet, 1635

Tamboer, 1700 - 1725 print A man with a large drum on his left and a stick in his raised right hand (a tamboer), seen on the back. In the background a hilly landscape in which a mess marches. Under the performance two lines of text in Latin. This print is part of a series of 12 numbered prints of soldiers, displayed against a landscape background in which martial acts are performed, and with a two -line Latin caption. paper engraving ranks in the army. one person playing percussion instrument. troop movements, transportation

Edelman in with swords and boots with traces, to the left, 1624 print paper etching

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Egypt. Twenty-fourth issue of a series of 52 pieces. (A. de Vesme 561; Dutuit 117) (Main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Sitting man with hat in hand, jug on the ground, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching male sex; man

Woman Carrying a Basket. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Bega.

Soldier who puts his stir with his right hand on his shoulder (no. 32), about 1600. A soldier, full, to the right, which places a stir (a certain type of firearm) with his right hand on his left shoulder, the loop Pointing up (no. 32), ca. 1600. In his outstretched left hand, a burning wick (with the smoke in this second state). Plate 32 In the instructions for handling the stir: Corte Underswsinghe on the figuerliicke figure, important T'Rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Armed officers and soldiers, Standing officer with walking stick, seen from the side, verso - stamped, Officer, leaning on a long stick. He wears a short jacket with a bow on the back, knee-length breeches with bows and boots up to the knee. In the background a gate and various figures., costume print, prints, Officer with walking stick, seen from the side. In the background people in front of a dilapidated gate. The print is part of a ten-part series with representations of armed officers and soldiers, dressed in Dutch fashion ca. 1625-1635., height 140 mm, width 95 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1630 - 1665, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, 1606 - 1647-06

A pilgrim with a hat in the left and a staff in the right hand. On his cloak a scallop, Pilgrim with Staff and Hat Pilgrims (series title), print maker: David Teniers (II), (mentioned on object), David Teniers (II), Antwerp, 1626 - 1690, paper, etching, h 94 mm × w 56 mm

Beggar with a stick, a piggy bank and a dog, Jacques Callot, 1622 - 1623 print Man, dressed in rags, seen from the front, a top hat on the head that extracts his eyes from view, a dog on his left, a begging in the form of a piggy bank and a stick in the hands. This print is part of a series of 25 prints with beggars and tramps, such as Callot who probably saw in Italy. Nancy paper etching beggar. dog. begging bowl. walking-stick, staff. head-gear: hat (+ men's clothes)

Gentleman Holding a Sword 1629 Anonymous, French, 17th century French. Gentleman Holding a Sword 387243

Vomiting fool wearing a hat with feathers on his head and a cloak. A snub nose hangs from his nose. The print is part of a series of twelve prints depicting fools, vomiting fool Twelve fools (series title), print maker: Pieter Jansz. Quast, (possibly), Pieter Jansz. Quast, publisher: Frederik de Wit, print maker: Netherlands, Netherlands, publisher: Amsterdam, 1639 - 1706, paper, etching, engraving, h 147 mm × w 113 mm

Lord with hat in hand, left hand in the side; Figures a la fashion ..

A man is sitting on a stool playing a violin. Etching by D. Deuchar.

Gossart, Charles.

Woman at a river; House moss; Genre scenes. A woman with a river stands on the head a hat and around the arm a basket. The print is part of a series of 32 prints with genre scenes.

A pilgrim walking to the right with scallops on his hat and around his neck. In his right hand he holds a staff, Pilgrim, print maker: Jan van den Hecke (II), Southern Netherlands, 1671 - c. 1710, paper, etching, h 95 mm × w 58 mm

Soldier placing his skewer with his left hand and pulls his sword with his right hand; Arms handhe van Roers Musquettes and the Splies. A soldier, full, to the right, which places his skewer (lance) against his right foot with his right foot and pull his sword with his right hand. This print is part of the range of 32 numbered prints of skewers from the arms.

A peasant in a high cap, standing leaning on a stick, Rembrandt van Rijn, 1639 print paper etching the ages of man (+ old male (human being))

Jacques de Gheyn II after Hendrik Goltzius (Dutch, 1565-1629), Drummer, 1587, engraving on laid paper

Soldier who puts the tip of his spies forward with his right hand and grabs the shaft with his left hand (no. 22), ca. 1600, 1597 - 1607 A soldier, to the right, who with his right hand puts the tip of his skewer (lance) forward and grasps the shaft with his left hand (no. 22), ca. 1600. Plate 22 in the instructions for handling Van de Spies: Corte Onderwysinghe on the FigueLiicke image, interested t'recht ghebruyck, from Al t'ghene a soldera int act of the Spies Emergency is. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, to the right, who with his right hand puts the tip of his skewer (lance) forward and grasps the shaft with his left hand (no. 22), ca. 1600. Plate 22 in the instructions for handling Van de Spies: Corte Onderwysinghe on the FigueLiicke image, interested t'recht ghebruyck,

Bricklayer whits a wall; Street vendors in Bologna; L'ARTI PER VIA. A bricklayer with a bucket on his head and a tassel on a long stick, walking along a door. Italian verse in undermarge. The print is part of an album.

Manual man; T 'hearing; The five senses; The Vyf pine. The hearing. A crank man with a stool, and in his hands a piece of paper on which the title of the series. He is wearing a feather hat. The print is part of a series of the five senses.

Le Mesetin, Anonymous, After Jean Antoine Watteau, 1694 - 1725 print print maker: Germanypublisher: Neurenberg paper etching group of actors, troupe; actors on the stage. types in 'commedia dell'arte'

Beggar in a high cap, standing and leaning on a stick, Rembrandt van Rijn, c. 1629 print paper etching Begin

Print made by Henry William Bunbury, 1750-1811, British, Paysanne de la France, 1769-1770. Drypoint prints on moderately thick, slightly textured, cream laid paper.

Paysanne de la France, Print made by Henry William Bunbury, 1750-1811, British, 1769-1770, Drypoint prints on moderately thick, slightly textured, cream laid paper, Sheet: 9 5/8 x 7 11/16 inches (24.5 x 19.5 cm), Plate: 6 7/16 x 5 11/16 inches (16.3 x 14.5 cm), and Image: 5 13/16 x 5 1/16 inches (14.7 x 12.8 cm), apron, cap, caricature, clogs, coat, costume, cross (motif), elderly, fan, French, genre subject, nose, peasant, rocks (landforms), rosary, satire, skirts, ugly, woman, Europe, France

Beggar with two stools; Beggars; By t Geeve Bestaet our Leeve. Seen a beggar with stools on the back

Seller of seven Florentine street vendors (series title), A seller of seven in Piazza Santa Maria Novella in Florence. He walks with seven under his arm and on the back and a bundle of sticks under his arm. Italian text in lower margin., Street trader, merchant, salesman, kitchen utensils: sieve, Florence, S. Maria Novella (Florence), Piazza Santa Maria Novella (Florence), Carlo Lasinio (mentioned on object), 1769 - 1838, paper, etching, h 268 mm × w 180 mm

Soldier carrying his skewer with both hands at his right side, the point diagonally aimed up (no. 15), ca. 1600. a soldier, full of skewer, wearing a skewer (lance) with both hands at his right, the point Slanted upward (no. 15), approx. 1600. This is the first operation for placing the skewer on the ground. Plate 15 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among other things T'recht Ghebruyck, from all T'Ghene, a Soldaet Int acting from the Spies Noodich is. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

The tea dealer Henri Bonnart, Said Henri II Bonnart (1642-1711). The Tean Merchant. Burin.

Standing man with rifle, seen from the back, draughtsman: Gillis van Scheyndel (I), (attributed to), 1632 - 1679, paper, brush, h 310 mm × w 212 mm

Standing Cavalier with Cape and Pluimed Hat, seen from behind, Salomon Savery, After Pieter Jansz Quast, 1633 - 1665 The print is part of a ten-part series of prints with performances of Cavaliers and wealthy women, dressed according to Dutch fashion ca. 1625-1630. Amsterdam paper etching / engraving warfare; military affairs (+ cavalry, horsemen). clothes, costume (+ men's clothes)

Reverse Copy of Joueur de Vielle (Hurdy-Gurdy Player), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Joueur de Vielle (Hurdy-Gurdy Player), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

The print is part of a twelve part series of prints depicting farmers, Dancing farmer with crucible and knife I. Propdarm T'Leven Der Boeren , print maker: Salomon Savery, Pieter Jansz. Quast, Amsterdam, 1630 - 1665, paper, engraving, etching, w 79 mm × h 126 mm

Standing man; The sign book of Abraham Bloemaert. A standing man with a plume hat on, seen on the back. The man looks at two fighting snakes on the floor.

Soldier who carries his skewers with his right hand on his right side, the point tilted up and near his belly (no. 21), ca. 1600, 1597 - 1608 A soldier, to the right, to the right, who carries his skewers (lance) with his right hand at his right side, the point tilted up and close to his belly (no. 21), approx. 1600. Plate 21 in the instructions for the Handling the skewer: Enseigement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, to the right, who carries his skewers (lance) with his right hand at his right side,

Gentleman with a Sword Before Some Buildings 1629 Anonymous, French, 17th century French. Gentleman with a Sword Before Some Buildings 387244

Man with walking stick in a landscape, Robert Brichet, after Joseph Franz Freiherr von Goez, 1784 print A man, seen from the front, standing next to a stone base, on which the name of engraver. He wears an overcoat that is stretched around his belly, a tie, a stitch on his head and shoes with buckles. He holds a stick in his right hand. paper etching adult man. coat: overcoat. walking-stick, staff. head-gear: bicorne, bicorn

LIKE TRAILER; De Liereman.

Chodowiecki, Daniel Nikolaus, Berlin, Beggar Boy at the Tree, verso - stamped, print, prints, height 146 mm, width 114 mm, German, 1726-10-16 - 1801-02-07, print maker, printmaker, 1758 - 1758, paper, etching, etchings, plate tone, Work conception, after own design by

Leiden, Vliet, Jan Georg van, Standing figures, Piekenier, verso lower left - stamped, print, prints, height 96 mm, width 70 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1635 - 1635, paper, papier, etching, etchings

Farmer with firewood under her arm, Hendrik Bary, 1657 - 1707 print Farmer, standing in a landscape, with firewood under her arm. Right behind is a house. Netherlands paper engraving / drypoint farmers - AA - female farmer, farmer's wife

The Gentleman in the Fur-Trimmed Mantle with his Hands Behind his Back, from the series The Nobility of Lorraine 1620-1623 France. Etching on paper . Jacques Callot

Costume Plate: Galla Serva ca. 1557-58 Engraved by Enea Vico Italian. Costume Plate: Galla Serva 383579 Artist: Engraved by Enea Vico, Italian, Parma 15231567 Ferrara, Costume Plate: Galla Serva, ca. 155758, Engraving, sheet: 6 x 4 7/16 in. (15.2 x 11.3 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1953 (53.600.835)

The Beggar on Crutches and His Beggar's Wallet, plate ten from The Beggars. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 137 × 87 mm (plate); 141 × 93 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Soldaat die zijn spies met zijn linkerhand bij zijn rechterzijde draagt, de punt schuin omhoog gericht. Ontwerptekeningen voor de Wapenhandelinghe van Jacob de Gheyn (II) (series title). Draughtsman: Jacob de Gheyn (II). Dating: 1596 - 1606. Measurements: h 266 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Soldier wearing his skewer with his left hand at his right-hand side, pointed up the tip obliquely; Design drawings for the arms operation of Jacob de Gheyn (II). A soldier, for feet, which wears a skewer (lance) with his left hand at his right-hand side, pointed up the tip obliquely. This is the second operation for lowering the skewer to continue under a gain. Design drawing for plate 13 in the instructions for handling the skewer in the arms opera of J. de Gheyn (1607). Warnesses around 1600. Design for a print.

Beggar with Basket 1844 France. Etching on white wove paper . Charles Émile Jacque

Man with bucket, Pieter Jansz. Quast, Frederik de Wit, 1639 - 1706

Jacques Callot, Man Washing a Pearl Man Washing a Pearl

Beggar with stools and a wooden leg, Jacques Callot, 1622 - 1623 print Man with a wooden leg, dressed in rags, seen from the front, based on two crutches. This print is part of a series of 25 prints with beggars and tramps, such as Callot who probably saw in Italy. Nancy paper etching beggar. crutches. wooden leg

Smoking man, leaning on a walking stick, print maker: François Joseph Pfeiffer (II), unknown, 1793 - 1835, paper, etching, h 90 mm × w 55 mm

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer Muskets and Spires, Soldier carrying his spear with his left hand at his right side, the point pointed obliquely upwards, A soldier, full-length, carrying a spear (lance) with his left hand at his right side, the point pointed obliquely upwards. This is the second action for lowering the spear to be able to pass under a vault. This print is part of a series of 32 numbered prints of spearmen from the Wapenhandelinghe., print, prent, prints, prenten, height 271 mm, width 192 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Brabant sailor; Diverses Modes Dessinées d'Apres Nature (...). Figure in traditional costume. The print has a title in French and in Dutch.

Soldier wearing his skewer with both hands horizontally at shoulder height, his right hand at the foot of the weapon (no. 14), approx. 1600. a soldier, full of skewer, wearing a skewer (lance) with both hands horizontally at shoulder height , His right hand at the foot of the weapon (no. 14), ca. 1600. This is the third act for lowering the skewer to continue under a gathering. Plate 14 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from all t'Ghene, a Soldaet Int acting from the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Soldier on guard who takes his stir of his shoulder (no. 34), ca. 1600. A soldier waiting, full-time, to the right, which takes a stir (a certain type of firearm) from his left shoulder with his right hand . 34), ca. 1600. In his left hand except the rudder flask also a burning wick. It is therefore about the same position as the person shown on the second print of the series. Plate 34 In the instructions for handling the stir: Corte Underswsinghe on the figuerliicke figure, among other things T'Rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Portrait of a general, standing full-length. Draughtsman: anonymous. Dating: 1590 - 1599. Place: North Italy. Measurements: h 280 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.

Water, anonymous, 1600 - 1699 drawing paper brush kitchen-maid, kitchen servant. fish; still life of fishes. water (one of the four elements)

Peakier; Standing figures. .

A sitting drummer. Draughtsman: anonymous. Draughtsman: Cornelis Saftleven (rejected attribution). Dating: 1600 - 1699. Measurements: h 178 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Hunter with two dogs, Esaias van de Velde, 1610 - 1614 print Haarlem paper etching hunter. dog

Family father Ruben, 1596 - 1652 print Family father Ruben, Ten Halven Lijve, in architectural surroundings, a crown in the right hand, a staff in the left hand. The left arm rests on a jug from which water flows. There is a second staff next to the jug. In the background a scene from the life of Ruben: a man (Ruben) steps in bed with a woman (Bilha, the big woman of his father Jakob). Under the performance two lines of text in Latin. This print is part of a series of twelve Family Fathers van, Sraël; Each print in this series consists of an image of an ancestor, halfway, and a two -way caption in Latin. print maker: Netherlandspublisher: Amsterdam paper engraving the twelve patriarchs together, i.e. the twelve (grand)sons of Jacob, eponymous ancestors of the twelve tribes of Israel. the twelve tribes of Israel (with NAME) (not in biblical context). Reuben (not in biblical context). Reuben's sin: he angers his father by committing adultery with Bilhah, Jacob's concubine (Genesis 35:22,

Foolish Sam, a mentally defective man in London. Etching by B. Nebot, ca. 1773.

Le duelliste a l'épée et au poignard The Duelist with a Sword and Daggar. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Edelman with plumed hat, seen from the front, Jacques Callot, 1620 - 1623 Standing Lord, more or less seen from the front, dressed in a cape trimmed with fur, shoes with rosettes at the feet, a hat with a wide edge and spring on the head. In the background a river landscape with a town and a bridge. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. Nancy paper etching clothes, costume (+ men's clothes). nobility and patriciate; chivalry, knighthood. shoes, sandals (+ men's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ fur used for clothes). cape (+ men's clothes). cape (+ fur used for clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). hacking and thrusting weapons: dagger Lorraine

15th century French peasant. Engraving after a miniature of the "Danse macabre". "Moeurs, usages et costumes au moyen-age et a l'epoque de la Renaissance", by Paul Lacroix. Paris, 1878.

Standing man with stick, Pieter Nolpe, 1623 - 1653

Rijn, Rembrandt van, Little Persian, Old man in Persian clothing, The Persian, verso - stamped, print, prints, 68, height 106 mm, width 78 mm, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Chili. Thirtieth number of a sequel of 52 pieces. (A. de Vesme 591; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Nuremberg, Beham, Barthel, Dancing man and woman, verso below - stamped, print, prints, height 57 mm, width 40 mm, 1502 - 1540, print maker, printmaker, 1524 - 1524, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Copper engraving by Sebald Beham depicting a figure with gesture suggesting painlessness, showing detailed figure and expressive posture.

La Révéranse d'Arlequin. Dated: c. 1730. Dimensions: plate: 30.4 x 19 cm (11 15/16 x 7 1/2 in.) sheet: 34.6 x 24.2 cm (13 5/8 x 9 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: François Joullain after Claude Gillot.

Foot-Soldier with Fire-Pan and Bucket. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 2 1/2 × 1 9/16 in. (6.4 × 3.9 cm). Date: 1529. Museum: Metropolitan Museum of Art, New York, USA.

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Bertoldo with a hare; History of Bertoldo, Bertoldino and Cacasenno. Bertoldo is wearing a hare in his cloak, his index finger to his lips. Under the show a three-legged rhyme in Italian. Print from a series of six with the experiences of Bertoldo, part of a series of twenty prints.

Standing Soldier in a Long Cloak. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: FILIPPO NAPOLETANO.

Brown feather drawing with gray and red wash by Sébastien Le Clerc depicting a courier from Ragusa, glued on a leaf with a pierced decorative strip, showing figure and attire details, dated 1650-1664.

Portrait of Johan Pieters Reael. Draughtsman: Jacobus Versteegen. After Anthony van Dyck. Dating: 1758. Measurements: h 300 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Cartoon on Admiral Appleton, 1653, 1653 - 1654 print Cartoon on the English Admiral Henry Appleton, commander of the English fleet defeated during the sea battle at Livorno by a State Fleet under the command of Jan van Galen, March 14, 1653. The Admiral is on shore, in the background the names of the name of the name of Jan van Galen. Part of a series of copies to prints of beggars and farmers in which various unfortunate figures from the first English war are also included. Northern Netherlands paper etching / engraving Battle of Leghorn

Brush and graphite drawing by Adriaen Pietersz. van de Venne showing a seated female beggar with a cat, using gray wash and graphite, depicting posture, interaction, and clothing.

The month of September. In the foreground a youth watching birds in the sky from behind a fence. Behind him a bird catcher. In the left background birds entangled in nets. The print has a four-line German caption about the month of September, September The twelve months (series title), print maker: Caspar Luyken, Caspar Luyken, anonymous, Neurenberg, (possibly), 1698 - 1702, paper, etching, engraving, h 312 mm × w 204 mm

Soldier, seen from behind, holding his spear upright with his right hand, Jacob de Gheyn (II), 1596 - 1606, A soldier, full-length, seen from behind, holding a spear (lance) upright with his right hand. This is the third action for bringing the spear to the ground upright. Design drawing for plate 7 in the instructions for handling the spear in J. de Gheyn's Wapenhandelinghe (1607). Martial arts around 1600. Design for a print., draughtsman: Jacob de Gheyn (II), 1596 - 1606, paper, pen, brush, h 266 mm × w 175 mm

Portrait of an unknown man with sword; Ritratto del Tiranno Cavalca; Lucien Bonaparte gallery. Numbered: Stanza VI (top left) and no. 59 (top right).

Taste; The five senses. A man smokes a pipe in an inn. He sits on a reverse basket with the legs beaten about each other. Four figures in the background. Under the show a two-legged fresh in Dutch. The print is part of a series of five prints with the five senses.

Quack; Street vendors in Bologna; L'ARTI PER VIA. A quack with large glasses, standing on an elevation, with a snake in hand. Italian verse in undermarge. The print is part of an album.

Paysan de Meudon (registered title)

Standing man with round belly and hat, Anthonie van den Bos, 1778 - 1838 print Top right: p. 40. paper etching standing figure (canon, proportions)

Farmer with a hat, Gillis van Scheyndel (I), 1618 - 1638 print A farmer with a hat on the head and a stick on his shoulder runs to the left. The print is part of a series of 32 prints with genreta scenes. print maker: Netherlandspublisher: Haarlem paper etching farmers

15th century French peasant. Engraving after a miniature of the "Danse macabre". "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Woman with buckets and a scarf over her head, from behind. Draughtsman: Harmen ter Borch. Dating: c. 1650. Place: Zwolle. Measurements: h 120 mm × w 74 mm. Museum: Rijksmuseum, Amsterdam.

Pencil drawing by Georg Philipp Rugendas showing a figure sitting on a wall facing right, focusing on posture and movement.

Ragged peasant with his hands behind him, holding a stick, Rembrandt van Rijn, c. 1630 print paper etching / drypoint

Soldier with a helm that his powder horn opens (no. 22), ca. 1600. a soldier, full of, to the right, holding a stir (a certain type of firearm) with his left hand at his left bone (a certain type of firearm), pointing up the course diagonally (No 22), ca. 1600. He opens a Kruithoorn with his right hand. Plate 21 In the handling instructions: Letter Enseignement, Sur La Representation des Figures, du Droit Maniement de l'Harquebuse. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Lucas Cranach the Younger, John William, Duke of Saxe Coburg John William, Duke of Saxe-Coburgtitle QS:P1476,en:John William, Duke of Saxe-Coburg label QS:Len,John William, Duke of Saxe-Coburg label QS:Lde,Johann Wilhelm, Herzog von Sachsen-Coburg

Richard Tarlton, a comic actor. Stipple engraving by S. Harding, 1792, after himself.

Man with stick, seen from his back, print maker: Ernst Willem Jan Bagelaar, intermediary draughtsman: Jan Luyken, (possibly), Netherlands, 1798 - 1837, paper, etching, h 117 mm × w 79 mm

Pier Leone Ghezzi as the "knight of caricature", carrying a stick and making a gesture with both hands. Etching by M. Tuscher, 1743.

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