Historical Figure Studies

Drawings and etchings portraying various figures in historical garb, capturing expressive poses and emotions, showcasing the art of figure studies from different periods.

Standing figure in long coat and hat, left hand in his cardigan, draughtsman: Johannes Ziesenis, 1780 - 1799, paper, brush, h 386 mm × w 252 mm

After Jacques Callot, Fat Beggar with Eyes Cast Down Fat Beggar with Eyes Cast Down

Hans Urlich von Schaffgotsch in field costume; Scholtz, Julius (1825-1893); 1850-1855 (1844-00-00-1844-00-00);Schaffgotsch (family), Schaffgotsch, Hans Ulrich von (1595-1635), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - Dar, Men, Portraits, Men's Portraits, Men's Portraits, German drawings, swords, thirty-year war (1618-1648), armor

The Prince's Progress - Figure Study of the Prince for 'You should have wept her yesterday'. Date/Period: 1865/1866. Black ink over pencil on paper. Width: 79 mm. Height: 156 mm. Author: Dante Gabriel Rossetti.

After: Jacques Callot, French, 1592-1635, Le mendiant obese aux yeuxbaisses, Etching on antique laid paper, platemark: 13.8 × 8.8 cm (5 7/16 × 3 7/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

Standing farmer's.

Swiss farmer's. .

The Actress Ellen Andrée 1879 Edgar Degas French. The Actress Ellen Andrée 358797

Hungarian Repairman. Johann Adam Klein (Germany, Nuremberg, 1792-1875). Germany, 1812. Prints; etchings. Etching

Reverse Copy of Le Mendiant a la Tête Découverte et aux Pieds Nus (The Beggar with Bare Head and Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Mendiant a la Tête Découverte et aux Pieds Nus (The Beggar with Bare Head and Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

Standing figure in long coat and hat, left hand in his cardigan, draughtsman: Johannes Ziesenis, 1780 - 1799, paper, brush, h 386 mm × w 252 mm

Lierdraaier, Anonymous, After Adriaen van Ostade, 1647 - 1735 print paper etching Hurdy-installed player. Hurdy-installed

Sébastien Le Clerc the elder, Standing Man Viewed from Behind, 1685 Standing Man Viewed from Behind

Portrait of the artist Adam Silo, full of ..

The Hurdy-Gurdy Player, plate two from The Beggars 1617-1627 France. Etching on paper . Jacques Callot

Figure Study, 1890. James McNeill Whistler (American, 1834-1903). Lithograph;

Print from a series of eight prints based on representations by A. van Ostade, Lierdraaier Caprice, print maker: Abraham Bloteling, (possibly), Adriaen van Ostade, (mentioned on object), publisher: Abraham Bloteling, Amsterdam, 1655 - 1690, paper, etching, h 128 mm × w 106 mm

Drinks Vendor. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 5/16 × 6 13/16 in. (23.7 × 17.3 cm)Image: 9 in. × 6 3/4 in. (22.8 × 17.1 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Second Set(Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite). Date: 1737. Museum: Metropolitan Museum of Art, New York, USA.

Gentleman in a Cape and Plumed Hat Seen from the Back. Artist: Anonymous, French, 17th century; After Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet (trimmed): 5 1/2 × 3 11/16 in. (13.9 × 9.4 cm). Series/Portfolio: The Garden of the French Nobility(Le jardin de la noblesse française). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Winieta do rozdziału XV "Historii wojny siedmioletniej". Menzel, Adolph (1815-1905), graphic artist

Jacques Callot (1592-1635). "The beggars, the beggar at the Couvet. Sixth number of a suite of 25 pieces" (Lieure 484, Meaume 690). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99602-27 Etching, engraving

Standing king with censer, print maker: William Young Ottley, print maker: Charles Walker, (rejected attribution), Jacob Duck, print maker: London, print maker: London, Utrecht, 1828, paper, etching, h 125 mm × w 90 mm

Glossy.

Aesop, Goya, Francisco, de (1746-1828)

Organ, Jacobus Laurentius van Ishoven, 1880 - 1931 drawing The man wears clogs and clothes with holes and adjusted pieces of fabric. paper. chalk barrel-organ player. clothed in rags

Chef des Huissiers, plate fourteen from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 195 × 131 mm (image); 204 × 136 mm (plate); 264 × 204 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

A 1737 copper engraving and etching by Comte Anne Claude Philippe de Caylus depicting reselling, showing figures, objects, and marketplace composition.

Male Saint Standing, with Folded Arms, Facing to the Left. Dated: 1781. Medium: chiaroscuro woodcut in ochre and olive green. Museum: National Gallery of Art, Washington DC. Author: John Skippe after Parmigianino.

Etching by Rembrandt Harmensz. van Rijn from around 1631 depicting a man holding a pole, stick, and saber to the left, showing figure, costume, and gesture with cold needle details.

Artist: Jacques Callot, French, 1592-1635, The hurdy-gurdy player, from The Beggars (Le Joueur deVielle), Etching, sheet: 13.9 × 8.7 cm (5 1/2 × 3 7/16in.), French, 17thcentury, Works on Paper -Prints

Honored poet. Draughtsman: Cornelis Saftleven. Dating: 1652. Measurements: h 310 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Study of a Groom. Jean-Baptiste Greuze; French, 1725-1805. Date: 1755-1765. Dimensions: 507 × 294 mm. Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A 1523 study by Albrecht Dürer of the apostle John under the cross, executed with lead-tin handle on light green primed paper, with needle holes around the edges.

Beggar with his left hand extended, Rembrandt van Rijn, c. 1629 print paper etching Begin

Roman polichinelle in Lent costume, draughtsman: Charles Louis Clérisseau, 1731 - 1820, paper, pen, brush, h 310 mm × w 199 mm

Ambassadeur de la Chine, plate fifteen from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 195 × 130 mm (image); 203 × 135 mm (plate); 262 × 207 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Seated Man with Raised Arm Artist's working dates 1849-1898 England. Pen and brown ink on cream wove paper . Henry Stacy Marks

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, The Life of the Farmers, Father of the God-less, Peddler Leaning on a Stick, verso - stamped, The print is part of a twelve-part series of prints depicting farmers., print, prints, width 77 mm, height, 123 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1630 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06

Marskramer leaning on a stick, Salomon Savery, after Pieter Jansz Quast, 1630 - 1665 print The print is part of a twelve -part series of prints with performances by farmers. Amsterdam paper engraving / etching wandering or travelling merchant. walking-stick, staff

The Delphic Sibyl, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations.. The Delphic Sibyl, from Prophets and Sibyls 626013

Jean-Francois de Troy, Director of the French Academy in Rome, no. 8 in Recueil decaricatures. Etcher: Ange-Laurent de La Live de Jully, French, 1725-1779 After: Jacques François Saly, French, 1717-1776

Mercier Ambulant. Paul Gavarni (French, 1804-1866). Lithograph;

Chimney Sweep. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 5/16 × 7 5/16 in. (23.6 × 18.6 cm)Image: 8 7/8 × 7 5/16 in. (22.6 × 18.5 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Second Set(Études Prises dans le Bas Peuple où les Cris de Paris: Deuxième Suite). Date: 1737. Museum: Metropolitan Museum of Art, New York, USA.

. .

(ETUDE DENFANT.). Artist: Paul Gavarni, French, 1804-1866

Child Holding a Tray (L'Enfant Portant un Plateau). Dated: 1862. Dimensions: plate: 24.2 x 16 cm (9 1/2 x 6 5/16 in.) sheet: 36.2 x 28.4 cm (14 1/4 x 11 3/16 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

Lierdraaier.This print is part of an album.

Chalk and feather drawing by Giov. Battista Internari depicting a Levantine figure in back view to the left, wearing headgear, holding a crooked saber, counting with the left hand, with minor cracks at the bottom right.

Standing man with walking stick in left hand, Cornelis Troost, 1706 - 1750, draughtsman: Cornelis Troost, 1706 - 1750, paper, h 206 mm × w 157 mm

Beggar with a stick. Bartels, Artur (1818-1885), draughtsman, cartoonist

Pittakos.

Man leaning against a table. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Jacques Saly (), pl. VI from "Recueil de caricatures". Artist: Ange-Laurent de La Live de Jully (1725-1779); After Jacques François Joseph Saly (French, Valenciennes 1717-1776 Paris). Dimensions: Sheet: 11 1/8 × 7 7/8 in. (28.3 × 20 cm)Plate: 10 11/16 × 7 5/16 in. (27.1 × 18.6 cm). Date: ca. 1754.This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman. Museum: Metropolitan Museum of Art, New York, USA.

Saint Peter holding a large open book, keys by his side, from 'Christ and the Apostles'. Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice). Dimensions: sheet: 8 11/16 x 4 5/16 in. (22 x 11 cm). Series/Portfolio: Christ and the Apostles. Date: ca. 1548-50. Museum: Metropolitan Museum of Art, New York, USA.

Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339612

Chinese Young Lady. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Sheet (trimmed): 8 3/8 × 5 5/16 in. (21.2 × 13.5 cm). Publisher: Chez Huquier (French, 18th century). Series/Portfolio: Collection of Diverse Chinese Figures(Recueil de diverses figures chinoise). Date: 1738-45. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

August Xaver Karl von Pettenkofen created a pencil study of a knight, focusing on figure and posture.

ThePersian. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Edelfelt, Albert, work, Sketchbook, sketchbook 1874-75, drawing, 22x30; 68 pages, 2 cut out, Edelfelt, Albert, sketchbook 1874-75, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Man in short coat and high cap (Hollstein 15) Bega, Cornelis Pietersz. Man in short coat and high cap (Hollstein 15). Etching.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Nicola Zabaglia, pl. XVII from "Recueil de caricatures". Artist: Ange-Laurent de La Live de Jully (1725-1779); After Jacques François Joseph Saly (French, Valenciennes 1717-1776 Paris). Dimensions: Sheet: 11 1/8 × 7 7/8 in. (28.3 × 20 cm)Plate: 10 13/16 × 7 5/8 in. (27.5 × 19.3 cm). Date: ca. 1754.This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman. Museum: Metropolitan Museum of Art, New York, USA.

Man Playing The Violin. Artist: Hendrick Sorgh (Dutch, Rotterdam 1609/11-1670 Rotterdam). Dimensions: sheet: 5 1/2 x 4 13/16 in. (13.9 x 12.2 cm). Date: 1645. Museum: Metropolitan Museum of Art, New York, USA.

Rembrandt van Rijn, Beggar with His Left Hand Extended, 1631 Beggar with His Left Hand Extended

Standing man with stick, Ignace -Joseph de Claussin (attributed to), after Rembrandt van Rijn, 1805 - 1844 print France paper etching / drypoint / engraving standing figure

Untitled (Boy withdog). Artist: Pierre-Paul Prud’hon, French, 1758 -1823

Character Study. Dated: 1820s. Dimensions: sheet: 28.3 × 19.2 cm (11 1/8 × 7 9/16 in.). Medium: black chalk and graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles Wesley Jarvis.

Michel Eugène Chevreul. Wood engraving by E. Froment after C. P. Renouard, 1886.

Beggar Woman Receiving Charity. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Rembrandt van Rijn (Dutch, 1606-1669), Clement de Jonghe, 1651, etching, drypoint and burin counterproof

Orgelder.

French nobleman, belonging to the Order of Saint Esprit, dressed according to the fashion of ca. 1630, Abraham Bosse, After Jean de Saint-Eigny, 1629 Edelman belonging to the Order of Saint-Esprit, in the right hand a raised Karwats. He is wearing a wambuis with a flat collar and a shoulder mantle, on which the cross of the Order of Saint Esprit is embroidered. Calf pants with bows and shoes with bows. Hat with plume on the long curled hair. Those alongside. In the background an avenue with riders; On the right a castle with a moat. Paris paper etching / engraving clothes, costume (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). neck-gear: collar (+ men's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ feathers used for clothes). stockings, socks (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes).. shoes, sandals (+ men's clothes). whip. knighthood order of the Holy Spirit - insignia of a knighthood order, e.g.

Old trader; Rapacki, Józef (1871-1929), Wierzbicki B. and S-ka (Warsaw; Graphic Zady; 1897-1944), Bibljoteka of the Polish House (Warsaw; Nak ADCA; 1903-1930); 1926 (1926-00-00-1926-00-00);Poland, Warsaw (Masovian Voivodeship), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Polish graphics, Poland (culture), genre scenes, types genre, Jews

Johan Thomas Lundbye (1818-1848), small regine in Vallekilde, 1959-03-01-1959-03-31

Study of a Standing Youth in a Hat. Artist: Dirck Hals (Dutch, Haarlem 1591-1656 Haarlem). Dimensions: sheet: 11 1/8 x 6 in. (28.3 x 15.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

On a chair sits a man in seventeenth-century dress. He wears a hat with a feather on his head. In his hands he holds a pitcher and a glass. On the wall behind him hang some pipes, Man with pitcher and glass on a chair, print maker: Jan Weissenbruch, (mentioned on object), The Hague, (possibly), 1837 - 1880, paper, etching, h 148 mm × w 122 mm

Pauvresse holding his child Gustave Golden (1832-1883). "Pauvresse holding his child". Feather, ink of China.

Seated farmer with jug, Cornelis Ploos van Amstel, after Adriaen van Ostade, 1763 - 1768 print A farmer sits on a chair with a glass in one hand and a jug in the other hand. Amsterdam paper etching jar, jug (used as drinking-vessel). sitting figure

Fish Vendor. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 7/8 in. (23.4 x 17.5 cm)Image: 8 11/16 x 6 7/8 in. (22.1 x 17.4 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Third Set(Études Prises dans le Bas Peuple où les Cris de Paris: Troisième Suite). Date: 1738. Museum: Metropolitan Museum of Art, New York, USA. Author: comte de Caylus Anne Claude Philippe de Tubières. After Edme Bouchardon.

Woman with a stew ..

Mr. Pot De Naz, pl. 270 from the series Célébrités de la Caricaturem from the journal La Caricature no.130. Artist: Honoré Daumier, French, 1808-1879Printer: L. de Becquet, French, active Paris, ca. 1832-61 Publisher: Aubert et Cie, Paris, founded 1829

The donkey changed condition (IT)

Memory of the March Days , National Gardist, Eduard Weixelgärtner Weixlgärtner -, Lithographer, after, Johann Matthias Ranftl -, Drawer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publishers

Lierdraaier, Adriaen van Ostade, 1797 - 1820 print Haarlem paper etching Hurdy-installed player. Hurdy-installed

Marie Geistinger in leg dresses title page of Der Floh, Karl Klic -, Artist, Johann Tomassich, realization

"Beggar with a Duffle Coat" by Manet. Anatole Godet (French, 1839 - 1887)

Woman standing in the water, J. van Strieland, 1800 - 1822 print A woman stands, with a basket on her arm, with her feet in the water. Netherlands paper etching wading, paddling - AA - female human figure

Portrait of Hermanus Jan Hendrik Rijkelijkhuizen, David van der Kellen (1804-1879), 1814 - 1879 print Portrait of the painter and print maker Hermanus Jan Hendrik Rijkelijkhuizen, standing in a landscape near Utrecht, full. The painter wears a top hat and a bouffante. Under his arm he has a portfolio, and a glove in his left hand. paper etching windmill

August Xaver Karl von Pettenkofen's ink and feather illustration with laved technique depicts a scene from 'Gil Blas', showing figures, interior elements, furniture, gestures, and clothing details.

Seated Gentleman Holding a Pipe (recto); Half-Length Study of the Same Man (verso). Artist: Francisco Bayeu y Subias (Spanish, Madrid () 1734-1795 Madrid). Dimensions: 11-13/16 x 9-1/2 in. (30.0 x 24.1 cm). Date: 1734-95. Museum: Metropolitan Museum of Art, New York, USA.

Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico Mulier Belgica in Vestitu Domestico

Title print with a draftsman sitting on a tree stump, Robert Brichet, after Joseph Franz Freiherr von Goz, 1783 print Draftsman, dressed in overcoat, boots and flat hat with a wide edge, sitting on a tree stump, characteristic in a sketchbook, in his left hand a drawing of a young woman. On the sketchbook the text 'L'Amour Maitre de Tous les Arts'. For him on the ground an antique head and a men's head with grimas. paper etching / engraving draughtsman at work - CC - out of doors. title-page. piece of sculpture, reproduction of a piece of sculpture

Coachman. Bartels, Artur (1818-1885), draughtsman, cartoonist

A farmer sits on a chair with a glass in one hand and a jug in the other., Seated farmer with jug, print maker: Cornelis Ploos van Amstel, intermediary draughtsman: Adriaen van Ostade, (mentioned on object), Amsterdam, 1763 - 1768, paper, etching, h 103 mm × w 74 mm

Portrait bust by artist Nicolas Poussin, Jacopo Bernardi, After Dumont Fils., 1818 - 1848 print Paris paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. historical persons. portrait, self-portrait of artist

Etching by Rembrandt van Rijn circa 1630 depicting a standing beggar with a flap hat, showing posture, figure, and costume details.

Edouard Manet, The Philosopher (Le philosophe), 1866 The Philosopher (Le philosophe)

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; She follows him Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. She follows it. Engraving (color-water).

Rijn, Rembrandt van, Netherlands, Beggar with a stick, verso middle bottom - stamped, Beggar with a cap and walking with a stick., print, prints, verso middle - stamped, height 83 mm, width 39 mm, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, Northern Netherlands, 1606-07-15 - 1669-10-08

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