Historical Figures and Scenes

Prints depicting historical events with crowds, royalty, and military figures. Detailed engravings reflect a sense of movement and drama in past times.

Groenewoud, J., Scheveningen, Langendijk Dzn, Jan Anthonie, Noordelijke Nederlanden, Roosing, Hendrik, The departure of Mrs. the Princess of Orange from Scheveningen to England. in the Month January in the Year 1795, Departure of the Princess of Orange to England, 1795, Northern Netherlands, verso - stamped, Departure of Princess Wilhelmina of Prussia with her daughter-in-law and grandson from Scheveningen to England, 18 January 1795. Several carriages with the princess and her entourage on the beach of Scheveningen. Luggage and passengers are carried through the water to a waiting sloop. Left and right fishermen and a crowd that has gathered., print, prints, Frederik Muller Historical plates, height 362 mm, width 483 mm, 1763 - 1826-07-07, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, 1780 - 1818-04-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

The statue of Henry IV trained by the people on the dock of the Tuileries (from the Champs Elysées to the New Bridge) on 17 August 1818 (TF)

Groenewoud, J., Scheveningen, Langendijk Dzn, Jan Anthonie, Noordelijke Nederlanden, Roosing, Hendrik, The departure of Mrs. the Princess of Orange from Scheveningen to England. in the Month January in the Year 1795, Departure of the Princess of Orange to England, 1795, Northern Netherlands, verso - stamped, Departure of Princess Wilhelmina of Prussia with her daughter-in-law and grandson from Scheveningen to England, 18 January 1795. Several carriages with the princess and her entourage on the beach of Scheveningen. Luggage and passengers are carried through the water to a waiting sloop. Left and right fishermen and a crowd that has gathered., print, prints, Frederik Muller Historical plates, height 362 mm, width 483 mm, 1763 - 1826-07-07, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, 1780 - 1818-04-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Farrier at work near a ruin Horsemen, horses and battles (series title), print maker: Christian Rugendas, (mentioned on object), after: Georg Philipp Rugendas, (mentioned on object), publisher: Christian Rugendas, (mentioned on object), Augsburg, 1718 - 1781, paper, etching, h 170 mm - w 233 mm

Road from St Jean-Pied-de-Port. / 17 (registered title) | Lithographic album by Charlet. 1828. (Title of the whole)

Receiving and reception of the Hungarians in Vienna on March , Mangold, Lithographers, Ferdinand Tomala, publisher

Taking Madrid Capital of the Kingdom of Spain. (IT)

Juliusz Kossak (1824-1899), adventure on the way toKossak, Juliusz (1824-1899), Kossak, Juliusz (1824-1899)-reproduction, Kurcewiczówna, Helena (lit.), Sienkiewicz, Henryk (1846-1916), Sienkiewicz, Henryk (1846-1916)-literary work, Sienkiewicz , Henryk (1846-1916). With Fire and Sword, Skrzetuski, Jan (lit.), Illustrations for literary works, painting, Polish painting, Poland (culture)

Juliusz Kossak, "Adventure on the way to Łubniów" - illustration to the novel by Henryk Sienkiewicz "with fire and sword"; Z: "Tygodnik Illustrowany" 1884, No. 92, p. 221; Kossak, Juliusz (1824-1899), Kluczewski, Michał (Fl. 1869-1890); 1884 (1884-00-00-1884-00-00);Helena (lit.), Henryk (1846-1916), Henryk (1846-1916). With fire and sword, Henry (1846-1916). Trilogia, Jan (lit.), Juliusz (1824-1899) - reproduction, Kossak, Kurcewiczówna, Sienkiewicz, Skrzetuski, Weekly Ilustrowany (Warsaw - magazine - 1859-1939) - Illust, Illustrated weekly (Warsaw - magazine - 1859-1939) - illustrations, illustrations for literary works, painting, Polish painting, press clippings

Plate # 6 of the 4th Fantasy Series, 1831. (Title Title)

Revue on the day of the birth festival Sr, Majestät, April , Emperor Ferdinand I, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

After Winslow Homer, A Bivouac Fire on the Potomac, 21 Dec. 1861, wood engraving on newsprint.

Harvesting on land, 13th century, David van der Kellen (1827-1895), 1857 - 1864 print Workers on land, 13th century. Farmers are working on harvesting grain. Haarlem paper harvest Netherlands

La pesche chinoise (Chinese Fishing), from Chinoiseries. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet: 16 3/4 x 22 1/16 in. (42.6 x 56 cm). Publisher: Chez Huquier (French, 18th century). Series/Portfolio: Chinoiseries. Date: after 1743. Museum: Metropolitan Museum of Art, New York, USA.

After Winslow Homer, August in the CountryThe Sea-Shore, 27 Aug. 1859, wood engraving on newsprint.

Sarratoga sic (October 17, 1777). Artist: Godefroy (French, late 18th century); After Fauvel (French, 18th century). Dimensions: plate (trimmed): 7 5/8 x 8 11/16 in. (19.4 x 22.1 cm)sheet: 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.

Il est défendu de fumer, mais vous pouvez vous asseoir. Denis Auguste Marie Raffet (French, 1804-1860); printed by Chez Gihaut Frères (French, 19th century). Date: 1834. Dimensions: 181 × 237 mm (image); 289 × 401 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A scene for negotiators at the Naschmarkt, March , The end of the Naschmarkt king, Sempta, Lithographer, Franz Werner, publisher

MADRID. MERCADO DE GANADO EN LAS AFUERAS DE LA PUERTA DE TOLEDO. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1872. MADRID PINTADO.

Napoleon returns from Elba, 1815, Anonymous, 1821 - 1899 print Return of Napoleon from Elba in France, March 1, 1815. Under the show De Titels in French and German. Part of a group of twelve illustrations. paper steel engraving arrival and return ~ travelling

The Village Festival Made 1773 France. De Boissieuí s familiarity with Flemish and Dutch genre scenes is evident in this etching. In particular, the peasants are-shown with a simplicity characteristic of his admiration for the details of their daily life.. Etching on ivory laid paper . Jean Jacques de Boissieu

Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action, Anker Smith, 1759-1819, British, after Thomas Heaphy, 1775-1835, British, 1822, Engraving on moderately thick, slightly textured, cream, wove paper, with cream, cream, chine colle, Sheet: 26 1/4 × 36 1/2 inches (66.7 × 92.7 cm), Plate: 26 × 35 13/16 inches (66 × 91 cm), Chine collé: 25 5/16 × 35 5/16 inches (64.3 × 89.7 cm), and Image: 21 13/16 × 33 1/2 inches (55.4 × 85.1 cm)

Francesco I d'Este Goes to Pinarola for the Security of his States, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 15/16 × 6 5/16 in. (12.5 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of th

A brown ink drawing on brown-tinted paper depicting Pope Alexander III presenting a sword to Dogen Zioni, copied after Gentile Bellini, with brown and gray washes and highlights, showing folds and minor damages.

At a polling booth, reserve voters, consisting of disabled and sick men and others, proceed up the stairs to take oaths; in the background Britannia sits in a coach that has broken down while the coachman and footman play at cards. Engraving by William Hogarth and François Morellon de la Cave, 1758.

Raphael. Unknown

Julianus delivers the hostage son back to the leader of the Chamaven, ca. 350-363, Johann Wilhelm Kaiser (I), 1840 - 1884 print With a boat, Keizer Julianus brings the apostate and his men the son of the prince of Chamaven back to his father, around 350-363. Julianus had taken the son of the prince held hostage, but decided to give him back. The prince of Chamaven and his followers await the son with open arms. paper steel engraving rowing-boat, canoe, etc.. kidnapping

Vignette zum Kapitel XIV der Geschichte meiner Zeit. Menzel, Adolph (1815-1905), draughtsman, cartoonist, Vogel, Johann Phillipp Albert (1814-1886), woodcutter

Race Ground (An Excursion to Brighthelmstone). Artist: Drawn and etched by Thomas Rowlandson (British, London 1757-1827 London); Aquatinted by Samuel Alken (British, London 1756-1815). Author: Related author Henry Wigstead (British, 1745-1800 Margate). Dimensions: Sheet (trimmed): 13 1/4 × 16 1/4 in. (33.6 × 41.3 cm)Plate: 10 7/8 × 13 7/8 in. (27.7 × 35.2 cm). Publisher: G. G. J. & J. Robinson (London). Series/Portfolio: Excursion to Brighthelmstone. Date: June 1, 1790.One of a set of eight aquatints devoted to a journey from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print represents a horse race held on a grass course near the sea, watched by spectators on foot, in carriages and in a covered observation stand at right. The related text tells us that, "The Race Ground is exceedingly well adapted to the purpose for which it was intended; an is one of the most beautifully situated spots in the world. The prospect is wonderfully extensi

How the sound of the constitution came to your ears, caricature on the escape of Metternich and Czapka in March , Franz Werner, publisher

spectacle Advertiser Adam engraver after boilly. The entrance to the theater of the comic ambigu�. Show gratis. Etching.

Cartoon on the regency of Surlet de Chokier, 1831, 1831 print Cartoon on the regency of Surlet de Chokier and his ministers. Surlet de Chokier was appointed Regent of Belgium on February 24, 1831. The Regent and his ministers are presented as animals. Surlet de Chokier standing in front of his throne as a sheep, his adjutant Rogier as fox. On the left a kneeling dog (plaisant, chief of the police), a donkey (van der Linden), a duck (the Coppin), a turkey (gendebien), a peacock (van de Weyer, Foreign Minister), a boar (the the Mérode, minister of worship) And a monkey (Jolly, Minister of War and former painter). Belgium paper animals acting as human beings. regent, substitute ruler; viceroy. ministerial council Belgium

Paris on wheels, the new skating rink in the Champs Elysees, France, engraving 1876

France constrained to a humiliating and disastrous epaix, year 1871 (IT)

Scene at the Mariahilfer line in Vienna, on October , Right, October , Julius R, Lithographer, Franz Werner, publisher

Sigismond III (1566 1632) W: The old Poland, historical and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 David, Jules (1808 1892), Sorrieu, Frédéric (1807 1887), Lithography Villain, Forster, Karol (1800 1879)

What a dream ! Charles Joseph Travies of Villers, says Traviès (1804-1859). Press cartoon. "What a dream !". Board published in "caricature" of June 26, 1834. Lithography. Paris, House of Balzac.

Sketch - Cartoon John Henry Walker (1831-1899)

The faithful people in Tyrol, Franz Gerasch -, Lithographer, Johann Rauh -, printer, Leopold Theodor Neumann -, publisher

Accident of Count Johan Maurits on the bridge of Franeker, 1665, Jan de Visscher, after Philips Wouwerman, after Pieter Jansz. Post, 1665 print Accident of Count Johan Maurits on the bridge of Franeker, January 6, 1665. The drawbridge over which the count drives over and the count falls into the water. paper etching accident with horse (or kindred animal). collapsing building. bridge Franeker

Illustration depicting King Edward VII (1841-1910), arriving in Bombay. Dated 19th Century

Louis XV at the ivouville coast (IT)

Dorps fair, Isaac van Ostade, 1630 - 1700 drawing paper. chalk. pencil brush (annual) fair, trade fair. (annual) fair, trade fair

Jan de Paepe and his co -fittings, 1554, 1833 - 1835 print The over -players Jan de Paepe and his features in 1554 in Ghent convicted by walking the streets, each with a burning torch. Belgium paper etching Ghent

Public Rejoicing Artist's working dates 1805-1836 France. Lithograph in black on ivory wove paper . Charles Étienne Pierre Motte

Place du Pantheon, Night of December 22 to 23, 1830. Denis Auguste Marie Raffet (French, 1804-1860); printed by Chez Gihaut Frères (French, 19th century). Date: 1831. Dimensions: 175 × 287 mm (image); 221 × 311 mm (primary support); 277 × 390 mm (secondary support). Lithograph in black on gray wove chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

John Nixon, ca. 1760-1818, British, A Review on Epson Downs, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Napoleon and Josephine Visiting the Studio of David, January 4, 1808. Artist: Charles Motte (French, 1785-1836); after Jean Pierre Norblin de la Gourdaine (French, Misy-Fault-Yonne 1745-1830 Paris). Dimensions: Image: 11 3/8 14 7/16 in. (28.9 36.7 cm)Sheet: 15 7/16 19 1/2 in. (39.2 49.5 cm). Date: ca. 1820-30.This lithograph is based on a drawing by Norblin depicting the visit of Napolon, Josephine, and their entourage to the studio of Jacques Louis David (1748-1825) to see the recently completed Coronation of Josephine. Napoleon, gesturing towards the picture with his tricorne, looks back towards the artist to praise his achievement. Museum: Metropolitan Museum of Art, New York, USA.

Hudibras Encounters the Skimmington (Plate 7: Illustrations to Samuel Butler's Hudibras) 1725-30 () After William Hogarth British. Hudibras Encounters the Skimmington (Plate 7: Illustrations to Samuel Butler's Hudibras) 415390

Amsterdam, Schenk, Leonard, 't Aapenspel in de Werelt, Apenspel in de wereld, Apen in oorlog, verso - stamped, Apen strijden in de oorlog. Part of a series consisting of a title print with 16 unnumbered plates from ca. 1720 in which monkeys appear as people in all kinds of scenes from everyday life. Each print with a two-line verse in the caption., print, prints, Frederik Muller Historieplaten, height 160 mm, width 195 mm, Noord-Nederlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Binger, Charles, Rochussen, Netherlands, Kesteren, Christiaan Lodewijk van, The eight-year-old Charles of Egmond honored by the inhabitants of Nijmegen as Duke of Guelders, 1473, The eight-year-old Charles of Egmond honored by the inhabitants of Nijmegen as Duke of Guelders and led through the city in armor on horseback, 1473., print, history print, prints, Frederik Muller History plates, height 164 mm, width 230 mm, 1832-08-09 - 1897-06-25, print maker, printmaker, 1853 - 1861, fourth quarter 18th century, paper, lithography (technique), Dutch, 1814-08-01 - 1894-09-22, intermediary draughtsman, after a drawing by, 1830-02-25 - 1916, printer

PROCLAMACION DE LA REINA ISABEL II - GRABADO SIGLO XIX. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904).

In the upper image a prisoner is brought before a judge. In the lower image the prisoner is taken away and beaten. Two scenes with a Chinese prisoner Session of a Chinese court of justice. A thief led and executed by court officials , print maker: Carel Christiaan Antony Last, (mentioned on object), printer: P. Blommers (Steendrukkerij van), (mentioned on object), The Hague, 1842 - 1887, paper, h 275 mm × w 180 mm

Print, A Snow Slide in the City; After Winslow Homer (American, 1836-1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; 28.7 × 42 cm (11 5/16 × 16 9/16 in.)

Ivan Gro Gorazdowski, Edward (1843-1901), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

The complexion.

Memory of the proclamation of his Emperor, on June , Eduard Weixelgärtner Weixlgärtner -, Lithographer, Horegschy Horegsy, Printer

Colonel Mordaunt's Cock Match at Lucknow, Richard Earlom, 1743-1822, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), Published by Robert Sayer, 1725-1794, British, 1792, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm), Plate: 20 7/8 x 27 inches (53 x 68.6 cm), and Image: 18 1/2 x 26 1/4 inches (47 x 66.7 cm), canopy, chairs, cock-fighting, costume, elephant (animal), entertainment, event, fighting, gamecocks, historical subject, hookah, men, racket, recreation, roosters, sandals, sitars, sofas, spear, sporting art, tennis, tents, turbans, women, Asia, India, Lucknow, Uttar Pradesh

Napoleon Returning from the Island of Elba by Vernet, Jules (1792-1843) / Private Collection / 1815 / France / Watercolour on paper / History / 26,2x34,7

Scene on the Back Bay Lands, Boston, 1859. Winslow Homer (American, 1836-1910). Wood engraving;

College Life in New England, Winslow Homer, American, 1836-1910, Harper's Weekly, Wood engraving in black ink on paper, Double page spread, showing, at top: The Match Between the Sophs and Freshmen - The Opening; at bottom, vignettes showing: Freshmen; Sophs; Juniors; Seniors., USA, August 1, 1857, figures, Print, Print

Industry and Idleness The idle prentice executed at Tyburn From the original design by Hogarth from The Works of Hogarth published London 1833

Rome, Rossi, Giovanni Giacomo de', Italy, Bella, Stefano della, Entrata in Roma dell' Eccel.mo Ambasciatore di Pollonia, Entry of the Polish Ambassador into Rome, Part of a procession with men on horseback, verso - stamped, Part of a procession with men on horseback. In the background people walking with carts and wagons going up a hill. Legend (QY) in Italian in the lower margin. Top left: 5., print, ornamental print, prints, recto - stamped, height 155 mm, width 510 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, 1627 - 1691, publisher

Entering Cairo Made 1827 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Distribution of the hunter bridricade, on October , Bachmann-Hohmann, Lithographer, Ludwig Christian Förster -, Printer, Gustav Veith, publisher

Nicolas Toussaint Charlet, L'Allocution, 20 juillet, 1830, 1830 L'Allocution, 20 juillet, 1830

Prise de Constantine (Capture ofConstantine). Engraver: Charles-Amédée Colin, French, 1808-1873 After: Horace Vernet, French, 1789-1863

Engelberts, Engelbertus Matthias, Netherlands, Vinkeles, Reinier (I), Religious practice among the Batavians, Religious practice among the Batavians., print, picture, history print, prints, pictures, Frederik Muller History plates, height 231 mm, width 154 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1788 - 1790, fourth quarter 18th century, paper, papier, etching, etchings, Dutch, 1731-12-03 - 1807-03-25, intermediary draughtsman

India/France: 'The Manner of Burying Themselves Alive with their Husband's Corpse' a form of sati or suttee, engraving, Bernard Picart (1673 - 1733), 1728

GUERRA DE LA INDEPENDENCIA. ESPAÑA 1808-1814. REINADO DE FERNANDO VII. " ACCION GLORIOSA EN SAN CUGAT DEL VALLES ". DIBUJO DE ANTONIO RODRIGUEZ. GRABADO DE JUAN FOLO EN 1822. MUSEO MUNICIPAL. MADRID.

Sheet of Sketches. Denis Auguste Marie Raffet (French, 1804-1860); published by Chez Gihaut Frères (French, 19th century). Date: 1829. Dimensions: 237 × 286 mm (image); 263 × 340 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Winter Scene on the Frozen Canal near the Kalverhekkenpoort, Kampen / verso: Sketches of Figures on the Ice, Hendrick Avercamp, before 1607 drawing Match paper. ink. deck paint. watercolor (paint). graphite (mineral). chalk pen / brush winter sports Hagenpoort

John Harris, 1811-1865, British, The Four-in- Hunt Club-Hyde Park, 1820. Aquatint, hand-colored.

Allusion to the peace negotiations in 1706 (), Friedrich Ebisch, 1706, Allegory, possibly related to the peace negotiations in 1706. Writing woman (Faithful) seated at a quay with ships, beside her two large keys. In front of her a group of men cheering with arms raised. Next to the woman a dog., draughtsman: Friedrich Ebisch, (mentioned on object), Germany, 1706, paper, pen, brush, h 130 mm × w 240 mm

The death of the Great Wolf. British Cartoon Prints Collection , This record contains unverified data from caption card.

Nancy, from Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux 1640-1679 Israel Silvestre French. Nancy, from Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux 399554

Michel, Henri-Napoleon, La Glacière in 1877. (Title attributed), 1877. Black pen and ink, gray wash on paper. Carnavalet museum, history of Paris.

Spanish Republic's Constitution. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

Satyrian picture, No, The Bohemian beer host Faster as Duke of the Czechen, Image supplement to the theater newspaper, Andreas Geiger -, Etcher, after, Anton Elfinger -, drawer

Print

Faust et Wagner (Faust andWagner). Artist: Eugène Delacroix, French, 1798-1863

Overtaking the bridge at Lodi, den 11den Meij 1796 , print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Brouwer, (mentioned on object), intermediary draughtsman: Vernet, (mentioned on object), Amsterdam, 1796 - 1798, paper, etching, engraving, h 202 mm × w 262 mm

Bacchanal or bacchii cortege, 1808, watercolour by Count Fyodor Tolstoy (1783 - 1873). Russian artist who served as Vice-President of the Imperial Academy of Arts for forty years (1828-1868

Servational group, From the series Sketches of Vienna in October , Carl Anton Goebel also Göbel -, Lithographic, Johann Rauh -, Printer, Anton Paternos widow, publishing house

The gentleman intensified me that have to be worried , that I have been increasing, Elector Max Emanuel of Bavaria, Elector Johann Georg III of Saxony, Count Starhemberg and Count Georg Friedrich von Wadeck before Vienna, Unknown

Julian Fałat, Coal carriers. Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Łoskoczyński, Józef (1857-1928), woodcutter

Pierre-Jules Jollivet (Lithographer) (After Cajés, Eugenio); Félix Castello (The original work, according to inscriptions, attributed to); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Recapture of San Juan in Puerto Rico'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper; 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

One who wants to lower himself to become a German emperor, Caricature on King Friedrich Wilhelm IV and the discussion about the person of the future German emperor, Unknown

The stopping place of the gypsies: the fortune-tellers (La halte des bohémiens: les diseuses de bonne aventure). Engraving after an etching by Jacques Callot (1592-1635), from the series 'The Gypsies' (Les Bohémiens), 1621-1631. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

RECIBIMIENTO DEL CONDE DE LA PEROUSE EN LA MISION DEL CARMELO EN LA CALIFORNIA-DIBUJO S XVIII. Author: GASPARD DUCHE DE VANCY (1756-1788). Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN. PEROUSE LA CONDE DE. GALAUP JEAN FRANCOIS.

Honore Gabriel Riqueti, comte de Mirabeau (1749-1791). Leader of the early stages of the French revolution. President of the National Constituent Assembly. Mirabeau in Champs-Elyses, Paris, France. Engraving. 18th century.

Constantin Guys (French, 1805 - 1892), The Queen, watercolor and graphite on wove paper

TORQUAY, 1870

Probable Effects of Over Female Emigration, or Importing the Fair Sex from the Savage Islands in Consequence of Exporting All Our Own to Australia!!!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853. George Cruikshank (English, 1792-1878); published by Pickering & Chatto (English, 19th century). Date: 1851. Dimensions: 162 × 412 mm (primary support); 251 × 502 mm (secondary support). Steel etching in black on cream India paper, laid down on off-white card (chine collé). Origin: England. Museum: The Chicago Art Institute, USA.

GRABADO-JUEGOS MEXICANOS.

The Amazon Corso of Rotten-Row in Hyde Park, London, woodcut from 1864

Failed air travel from A. Hopman (plate I), 1804; The year 1804 !!!. Chaos on the street during the unsuccessful attempts to fill the air balloon of Abraham Hopman and Louis Samuel LOUDE with hot air, on the Overtoom in Amsterdam on July 5, 1804. Right a dog cart with nails and vitriol. Hopman and Loude undempted on 5 and 6 July 1804 attempts to make a journey in a hot air balloon called 'lust to research'. Ultimately, the hot air balloon without passengers has been delivered. See also the pendant.

JOSE I BONAPARTE - GRABADO SIGLO XIX. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN. BONAPARTE JOSE I. JOSE I BONAPARTE. NAPOLEON JOSE I O JOSE NAPOLEON I.

Le repas des moissonneurs. Dated: 1774. Medium: color aquatint and etching with roulette work. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Pierre Alexandre Wille.

The move in SR Majesty at the Schottenthor in Vienna, August , Ferdinand I, and Maria Anna Carolina, Franz Werner, publisher

Print made by John Doyle ('H.B.'), 1797-1868, Irish, The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring, 1847. Lithograph in tan and black ink on moderately thick, smooth, beige wove paper.

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