Historical Figures and Scenes

Etchings and lithographs depict historical figures, everyday scenes, and humorous content with varied characters, typically in 18th-century style.

The Kings. ... / 278 (title registered) | The seat of Paris (title of all)

Joseph Haynes, 1760-1829, British, Two Women and a Man (no.9 of 10), 1780. Etching.

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

This poor boy! He does not have a strong head! It takes little thing to grind it. (Registered title) | News. (Title of the whole)

The Kings. ... / 278 (title registered) | The seat of Paris (title of all)

The Arabs are always entrenched on vast plateau. (IT)

"Hi! Ho-o-o! He Done Come. Jumbolor Tell you Fust" - Drawn by Winslow Homer (The Galaxy, Vol. VII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm)sheet: 9 5/16 x 6 in. (23.7 x 15.3 cm). Date: June 1869.An illustration to "The Duchesne Estate" by John William De Forest (1826-1906). Museum: Metropolitan Museum of Art, New York, USA.

Illustration for Johann Christoph Mayer's 'History of the Crusades'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1781. Prints; etchings. Etching

History of England, 15th century. English gatekeeper, his dog (1480) and a cupbearer (1475). Engraving. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

La voila donc cette Mme. Putiphar Joseph vous n'êtes qu'un polisson! Voilà 4.000 ans que vous nous en imposez! Vous allez de suite rendre le prix de vertu que nous nous avez extorqué.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Honoré Daumier, Sire! Lisbonne est prise, 19th century Sire! Lisbonne est prise...

Francisco Goya (1746-1828). Caprices. Plaque 6. Nobody knows himself. Prado Museum. Madrid. Spain.

Aguarda que te unten.. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works), Supernatural beings

Sitting woman and standing man. Draughtsman: anonymous. Dating: 1700 - 1799. Place: Netherlands. Measurements: h 96 mm × w 74 mm. Museum: Rijksmuseum, Amsterdam.

SAPRISTI! leave me alone ! ... Debts Today we are no longer forced to pay them. (registered title) | News. (Title of the whole)

The Macarony Brothers, Print made by James Caldwall, 1739-1819, British, after Michel Vincent Brandoin, 1733-1807, Swiss, Published by Robert Sayer, 1725-1794, British, and John Smith of Cheapside, active ca. 1750-1789, British, 1772, Line engraving, stipple engraving, and etching on moderately thick, moderately textured, blued white laid paper, Sheet: 11 x 8 3/16 inches (27.9 x 20.8 cm), Plate: 7 11/16 x 5 3/8 inches (19.6 x 13.7 cm), and Image: 5 11/16 x 4 13/16 inches (14.5 x 12.2 cm), breeches (trousers), brocade, brothers, caricature, chain, coats, costume, cravats, fashion, frills, genre subject, hats, humor, leash, macaronis, men, monkey (animal), parody, pipe (smoking equipment), ruffles, satire, smoke, smoking, staff (walking stick), sword, tricornes, waistcoats, wig

SIRE! Lisbon is taken - Aaaah !! ..... also I have seen that I fought care Honoré Daumier (1808-1879). Press cartoon. "Sire! Lisbon is taken - Aaaah !! ... So I came back that I fought careful". Board published in "caricature" of August 15, 1833. Lithography. Paris, House of Balzac.

Honoré Daumier, Un renseignement, 19th century Un renseignement

Finding the corpse of Charlemagne in a swamp, frozen on the ice, January 5, 1477, Jacobus Buys, 1787 - 1789 drawing The corpse of Charlemagne, found in a swamp near Nancy, frozen in the ice, 1477. Design for a print. paper. ink pen / brush the corpse. historical events and situations. historical persons Nancy

Soldiers or Workers in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Solders or workers in landscape., Rome, Italy, 1820-1850, Drawing, Drawing

Soulouque takes advantage of its color to break in the night on the throne of Greece. (Registered Title) | News. (Title of the whole)

Villégiature. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier (French, 1808 - 1879). Qui attrapera-t-il, 1867. From Actualités. Lithograph on newsprint paper. Image: 251 mm x 208 mm (9.88 in. x 8.19 in.). Third of three states.

Les dernières ressources de deux Amériques. Alfred-Henri Darjou (France, 1832-1874). France, 1864. Prints; lithographs. Lithograph

Print made by George Cruikshank, 1792-1878, British, Blear-Eyed Moll, ca. 1832. Etching on moderately thick, smooth, beige wove paper.

Honoré Daumier (French, 1808 - 1879). Le Depart pour le Bal, 1847. From Les Bons Bourgeois. Lithograph on newsprint paper. Image: 256 mm x 214 mm (10.08 in. x 8.43 in.). Second of two states.

Father William standing on his head Illustration by John Tenniel from the book Alices's Adventures in Wonderland by Lewis Carroll published 1891

Quelle barbe mon cher! Abdel Kader serait véritablement z'un homme supérieur s'il ne lui manquait pas z'une hache! Mais la perfection n'est point possible sur cette terre!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1865. Prints; lithographs. Lithograph

En voilà assez! Faut plus que tu grandisses! C'est dans l'intérêt de ta sante, ce que je t'en dis là.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

King Fryderyk II Praises the Soldier for Keeping Cold Blood An illustration to the Publishing House Illustration No. 2 (from 8) to the Publishing House C.G.D. Stone Characteristics of Frederick the Second, King of Preussen. Characteristics of Fryderyk II, King of Prussia. Three parts (with the portraits of Friedrich II) Berlin, 1798, with Joh. Friedr. Chodowiecki, Daniel Nikolaus (1726 1801)

Come on Gredin sucks me that's good licorice for brain colds (IT)

From Eaton December 8, 1776 Philippe Jacques de Loutherbourg French Loutherbourg moved to London from Paris in 1771 and worked for David Garrick at the Drury Lane Theatre, introducing transformative set designs and lighting effects. During this busy decade he produced "Caricatures of the English," perhaps intending them for the French market. This example centers on a thin young man who carries a cane and wears riding boots, a loose coat, and large cravat. Rather than the famous school (Eton College), the title likely refers to Eaton Hall, Cheshire, ancestral home to the nobleman, politician, gambler and racing enthusiast Richard, 1st Earl of Grosvenor. The set of caricatures was in fact only published in London, first by Torre & Co. in 1775 (Giovanni Battista Torre was a friend of the artist who had traveled with him to England), reissued soon afterward by Sayer & Bennett in 1776, and a third time in 1790 by William Holland.. From Eaton. Caricatures of the English. Philippe Jacques de

Édouard Manet (French, 1832 - 1883). The Little Gypsies (Les petits gitanos), 1862. Etching on laid paper from bound volume. Only state.

Talleyrand and the censorship of the press

What jump! WHAT SOTS !!!! (TI)

Mayor Westerwijk in Goes from prison, 1692. Draughtsman: Jacobus Buys. Dating: 1785. Place: Northern Netherlands. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

The drum major of sedition , Nobility, Military officers, Political elections, Cartwright, John, 1740-1824, Hood, Samuel Hood, Viscount, 1724-1816. Thomas Rowlandson (1756-1827). Prints and Drawings

Marius in the ruins of Carthage, from 'News of the day,' published in Le Charivari, August 7, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 10 3/8 × 7 15/16 in. (26.3 × 20.2 cm)Sheet: 12 3/16 × 11 11/16 in. (30.9 × 29.7 cm). Series/Portfolio: 'News of the day' (Actualités). Date: August 7, 1867. Museum: Metropolitan Museum of Art, New York, USA.

Karl Marx in Prom�thea (TF)

Two sailors in the harbor waiting, Louis Bernard Coclers, 1756-1817

Great Britain can not do anything any of his children, so much they have become volunteers! .... (title registered) | News. (Title of the whole)

Printemps. Alfred-Henri Darjou (France, 1832-1874). France, 1865. Prints; lithographs. Lithograph

De Orangiste, 1695, Cornelis Dusart, 1695 - 1704 print Dancing woman in hand an orangist pamphlet. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695. paper festivities on events of national importance

Dansaliers were Jean Baptidence gée groug, at Christophe took 533, 1733, 1732. 1732 print A monkey with a violin in his hand, the dance teacher, takes a younger monkey, the student, at hand and dances with him. print maker: Parispublisher: Parispublisher: ParisFranceParis paper etching monkeys, apes. animals acting as human beings

Tiens, le moineau a été sepercher. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

But he met Lord (this) ,and the Duke of that,And as each politely took off hishat,He saw they were'quite thego'here ilustracja do poematu THE REAL DEVIL'S WALK w: FACETIAE: BEING A GENERAL Collection of the Jeux dEsprit WCHICH HAVE BEEN ILLUSTRATED BY ROBERT CRUIKSHANK IN TWO VOLUMES. VOL. II CONTAING NEARLY SIXTY ENGRAVINGS.LONDON WILLIAM KIDD, 6, OLD BOND STRET. MDCCCXXXI. Bonner, Cruikshank, Isaac Robert (1789 1856)

Allegory of unchastity, Johannes Josephus Aarts, 1881 - 1934 print A group of women are partially dressed and wears high heels shoes. To the right of them is the body of a man. Behind the man is death, dressed in a dress. paper personifications of Death; 'Morte' (Ripa) - FF - Death as female. woman (showing herself) undressed, quasi-nude

The Christmas log / 266

A gray pen and brush drawing by Georg Emanuel Opiz depicting two chipped posts in Hamburg, showing architectural elements and texture around 1800-1814.

Ce qu'on appelle, aller jouir a la campagne ... Dated: 19th century. Dimensions: image: 10 x 8 1/2 in. (25.4 x 21.59 cm). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Derby, 1867. Dizzy Wins with Reform Bill: Disraeli introduced a new Reform Bill in 1867. John Tenniel cartoon from Punch, London, 25 May 1867 showing Disraeli beating Gladstone to the winning post.

Captain of the Barons. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Ayant attrapé un coup de soleil. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A fisherman with fur hat on head looks back at a young woman, whom he leads dancing to the left, Dancing couple, print maker: Pieter Jansz. Quast, (mentioned on object), publisher: Arnold Colom, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1615 - 1647, paper, etching, engraving, h 98 mm × w 77 mm

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4-1758, British, after unknown artist, Published by Henry Overton, 1675/6-1751, British, undated, Etching on medium, smooth, cream laid paper, Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm), Plate: 8 1/2 x 6 1/8 inches (21.6 x 15.6 cm), and Image: 7 3/8 x 4 15/16 inches (18.7 x 12.6 cm), animal art, boxers (breed), building, clouds, dogs (animals), genre subject, greyhounds (breed), horn, house, man, peasant, resting, scratching, Spaniels (breed), staff, Terriers (dogs), trees, winter

Honoré Daumier, Nous ne nous serions jamais douté tout de même, 1870 Nous ne nous serions jamais douté tout de même...

Copper engraving and etching by Comte Anne Claude Philippe de Caylus, 1737, depicting a water carrier in 18th-century attire carrying a container.

Jean Baptiste Kléber (1753-1800). General francés y arquitecto. Junto con Napoleón Bonaparte tomó Alejandría y Siria. Murió asesinado por un fanático turco en junio de 1800. Grabado de 1866.

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Que Sacrificio... (What Sacrifice...). Number 14. Aquatint. 1799. Reproduction by M. Segui i Riera.

Money Lenders November 8, 1784 Thomas Rowlandson. Money Lenders. Thomas Rowlandson (British, London 1757-1827 London). November 8, 1784. Etching. Hannah Humphrey (London). Prints

On Nous Avait Dit de Venir Dans Ce Pays... Honoré Daumier (French, 1808-1879). On Nous Avait Dit de Venir Dans Ce Pays..., December 17, 1864. Lithograph on newsprint, Sheet: 16 7/8 x 11 3/8 in. (42.9 x 28.9 cm). European Art December 17, 1864

Une rencontre de jouyeauz augures. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Look at Dumanet ...., they must be comfortable in it's shoe. / It does not matter ...,: I would not, for the moment, find me in their shoes! .... (title registered) | News. (Title of the whole)

'The Fisher Folk's Harvest. Mackerel in the Bay, Sketch in South Devon', 1882. Artist: Unknown

This 1847 wooden stitch book illustration by Eduard Duller, based on Moritz von Schwinds design, portrays Archduke Carl of Austria, emphasizing historical portraiture and Austrian illustration practices.

Inn with three men, Pieter Jansz Quast (Possible), after Pieter Jansz Quast, 1630 - 1678 print In an inn, Robbert van Gent, Luijseveer, Poestenbrij are talking around a table and playing a game. Van Gent is in his money pouch while Poestenbrij points to him. There is a playing card and a broken pipe on the floor. On the left is Potgenbolinck with its back to the viewer. A shelf with beer jugs against the wall. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam paper engraving / etching card games. hotel, hostelry, inn. purse, money-bag. pipe ~ tobacco. jar, jug (used as drinking-vessel)

- They will have the clocks will take .... / 279 (title registered) | The seat of Paris (title of all)

Jacques Callot (1592-1635). "Les Gueux, Frontispie. First issue of a suite of 25 pieces" (Lieure 479, Meaume 685). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99602-16 Etching, engraving

Why do they hide; Porque esconlos; Los Caprichos. One in a dived monk with a bag of money in every hand. He is laughed at by four welfare men. Thirtieth print from the

France or life. Renifting ... sniffing ... sniffing ...

Two Workmen at Tables (recto). Dated: early 1770s. Dimensions: sheet: 21.1 × 34.7 cm (8 5/16 × 13 11/16 in.). Medium: pen and black/brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Rustic Figures: Two Boys, 1801. Thomas Barker (British, 1769-1847). Lithograph hand-colored with brown wash; sheet: 26.3 x 18.6 cm (10 3/8 x 7 5/16 in.); image: 21.8 x 14.6 cm (8 9/16 x 5 3/4 in.); secondary support: 23.5 x 15.7 cm (9 1/4 x 6 3/16 in.).

In the hotel. From the Life of the Virtuoso series of Henryk Pillati Unknown, Pillati, Henryk (1832 1894)

Barnaby Cheer-up. Peter Dolefull. Peter Fire-lock. Prints, Cartoons (Commentary). 1730 - 1739. George Arents Collection. Soldiers, Military training, Impressment, Marriage

La Retraite après Charleroi..., 1914. Auguste Louis Lepère (French, 1849-1918). Pencil;

A man has fallen through ice into a river: he is clutching at the leg of his companion in an attempt to rescue himself. Etching.

Josi, Christiaan, Netherlands, Marcus, Jacob Ernst, The World in the XIX Century, Dance, Theatre Dance, On the stage a man and a woman are dancing in front of a temple of Diana, satyr plays the pan flute. Audience with binoculars. Eighth print from a series of eight with the aim of providing the contrasts of the then real life around 1800 with the civilized world (beau-monde)., print, prints, Frederik Muller Historieplaten, height 192 mm, width 132 mm, Noord-Nederlands, 1774-03-19 - 1826-10-02, print maker, printmaker, 1803 - 1803, paper, papier, etching, etsen, Work conception, Nederlands, 1768 - 1828-11

Caricature of the seventeenth century, vintage engraving. Caricature of the seventeenth century, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673189

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "The Aegyptiacque troop." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-30 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Illustration from a book depicting a young boy being retrieved from a well. Dated 1913

The New Frankenstein - A glimpse of the horrible fate in store for Jeff Davis at the hands of the monster rebellion - Political Cartoon, 1862

Ah! mon cher monsieur, vous m'avez.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1864. Prints; lithographs. Lithograph

Honoré Daumier, Cocher, Cocher! , 19th century Cocher, Cocher! ...

Off to the Moors, UK 1873, RATHER THE REVERSE OF BRACING

Two ugly rustics enjoying a tankard of beer. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.

Honoré Daumier (French, 1808-1879), Renouvele de Gulliver, 1866, lithograph on newsprint

The Beheading of John the Baptist, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, Interior of dungeon. The decapitated and fettered body of St. John lies in foreground. The executioner stands behind him, sheathing his sword., Netherlands, ca. 1631, figures, Print, Print

Position Aprés Avoir Désarmé sur le Coup de Tierce, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm) and Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.3 cm)

Peasant rebellion by Honore Daumier, lithograph, 1851, 1808-1879, Private Collection, 25, 3x22, 4

Honoré Daumier (French, 1808 - 1879). Le petit frère!Si tu continues toujours à grandir..., 1870. From Actualités. Lithograph on newsprint paper. Image: 244 mm x 209 mm (9.61 in. x 8.23 in.). Second of two states.

A fifer and a drummer from the time of Francis I of France.

'Group of Figures', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm) and Sheet: 9 5/8 × 15 1/2 inches (24.4 × 39.4 cm)

Nicolas Toussaint Charlet (French, 1792 - 1845). Wounded Grenadier of the Imperial Guard Talking to a Peasant and Two Children, ca. 1830. Pen and crayon lithograph on tan wove paper. Sheet: 501 mm x 321 mm (19.72 in. x 12.64 in.).

Une position difficile., from Actualités, published in Le Charivari, November 5, 1859 November 5, 1859 Honoré Daumier. Une position difficile., from Actualités, published in Le Charivari, November 5, 1859. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). November 5, 1859. Lithograph; third state of three (Delteil; Hazard & Delteil). Aaron Martinet (French, 1762-1841). Prints

The Man Wot pays the Taxes! An Artisan bemoaning his plight after the passing of the first Reform Act, 1832. In what better condition am I now that the Reform Bill has past! I have been obliged to Rob my Family to pay Taxs and now they tell me Im Frenchised, that is I suppose lean, meagre and to live upon Frogs. Cartoon by JL Marks , London.

The Jew and Death. Episode from the Dance of Death, painted in 1441 in the Dominican cemetery in Basel. Engraving from an original by Matthäus Merian in 1641. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877. Author: Matthäus Merian (1593-1650). Swiss artist.

Christmas business. / 266 (registered title) | The seat of Paris (title of all)

James Gwin, 1700-1769, De la Parade de Prime sur le Coup de Seconde, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Descendez tous les deux! Je ne veux plus de vous pour cochers! Vous me conduisez tout de travers!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1864. Prints; lithographs. Lithograph

Jean Louis Forain, Le retour du permissionnaire Tu Tombes a pie!, c 1914 1919 Le retour du permissionnaire. -Tu Tombes a pie!

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