Historical Figures in Armor

Portraits and engravings of historical figures dressed in elaborate armor, reflecting clothing styles and fashions of their respective eras.

bekend, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Peplus sive Gothorum, Wandalorum, Svevorum, Herulorum, Gepidarum, Marcomannorum et quadorum veterum Imagines ex antiquis monumentis et museo Marci Zuerii Boxhornii, Ancient peoples living here, Quadus, Quaden, unknown, verso - stamped, Warrior of the Germanic people of the Quadi, standing full-length in armor with animal skin, armed with lance and shield., print, engraving, prints, engravings, height 444 mm, width 312 mm, North Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, engraving (printing process), etching, Northern Netherlands, 1601 - 1657-08-16, Publication (Event), Publication, publisher, granter of privilege

Belling, Wilhelm Sebastian von.

Portrait of Charlemagne, Duke of Burgundy. Portrait of Charlemagne, Duke of Burgundy, standing to the left in a harness and a cloak. On his shoulder a coat of arms and a sword in his hand. Middle up: XXX.

Unknown man with carnation, Johannes Wierix, 1578 print Landscape with a 45-year-old man (with the initials P.J.), Dressed according to the fashion of around 1578. He holds an carnation in his hand. In the margin a caption in Dutch. Antwerp paper engraving flowers: carnation. (personifications of) 'Vanitas', the vanity of human life; Fragilití humana, Fugacití delle grandezze & della gloria mondana, Meditatione della morte, Opera vana, Piacere vano, Vana gloria, Vanití (Ripa). clothing for the upper part of the body (DOUBLET) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). sleeves (+ men's clothes). stockings, socks (+ men's clothes). shoes, sandals (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). head-gear: hat (+ men's clothes). flowers. language of flowers Netherlands

A fool with a wooden leg and arm in a sling has a knife in his hand. He wears a beret with long feathers. His face is elongated and resembles the snout of a goat. The print is part of a series of twelve prints depicting fools, Fool with a Knife Twelve Fools (series title), print maker: Pieter Jansz. Quast, (possibly), Pieter Jansz. Quast, publisher: Frederik de Wit, print maker: Netherlands, Netherlands, publisher: Amsterdam, 1639 - 1706, paper, etching, engraving, h 146 mm × w 111 mm

Solse up Hended up, 1600 -year-old girl, 160 30 print A standing soldier with a staff, seen on the back. Italy paper etching the soldier; the soldier's life

Heusler, Sebastian .

bekend, Haarlem, Soutman, Pieter Claesz., Visscher, Cornelis (II), Peplus sive Gothorum, Wandalorum, Svevorum, Herulorum, Gepidarum, Marcomannorum et quadorum veterum Imagines ex antiquis monumentis et museo Marci Zuerii Boxhornii, Ancient peoples living here, Quadus, Quaden, unknown, verso - stamped, Warrior of the Germanic people of the Quadi, standing full-length in armor with animal skin, armed with lance and shield., print, engraving, prints, engravings, height 444 mm, width 312 mm, North Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1650 - 1650, paper, engraving (printing process), etching, Northern Netherlands, 1601 - 1657-08-16, Publication (Event), Publication, publisher, granter of privilege

The Lively Portraiture of John Felton who Most Miserably Kild sic the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830, after Richard Sawyer, active 1820-1830, after unknown artist, 1830, Engraving on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 24 × 17 1/16 inches (61 × 43.3 cm), Sheet: 10 1/16 × 7 11/16 inches (25.6 × 19.5 cm), and Image: 7 11/16 × 6 1/8 inches (19.5 × 15.6 cm)

Portret van Dominique de Giudicci, hertog van Giovenazzo.Portrait of Dominique de Giudicci, Duke of Giovenazzo. He carries a short cloak and holds his gloves in his hand. Above and below the print text in letterpress.

The cries of Paris: a death merchant in rats (dummy title)

Vandrig; Officers and soldiers. A man with a large banner over his left shoulder (a standard bearer), for feet, seen on the right. In the background a hilly landscape in which a junk soldiers marches. Under the show two lines text in Latin. This print is part of a series of 12 numbered expressions of soldiers, feet out against a landscape background in which warning acts are carried out, and with a two-legged Latin caption.

Soldier who wears his skewer with his right hand at his right-hand side, pointed up the tip and near his stomach (no. 21), ca. 1600. a soldier, full of, to the right, which are skewer (lance) with his right hand At its right-hand side, the tip is sloping up and near its belly (no. 21), approx. 1600. Plate 21 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant recte of brush, from all T ' Ghene a Soldaet int Trading of the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms of Roer Muskets and Spires, Soldier on guard holding his rudder with his left hand at his right side, pointing diagonally upwards, his right hand extended, A soldier on guard, full-length, facing right, holding a rudder (a type of firearm) with his left hand at his right side, the barrel pointing diagonally upwards. In his left hand, besides the rudder, he also holds a burning fuse. He extends his right hand. This print is part of a series of 42 numbered prints of gunners from the Wapenhandelinghe., print, prent, prints, prenten, height 263 mm, width 185 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Recueil des modes de la cour de France, 'Crieur d'Eau de vie'. Henri Bonnart (France, 1642-1711). France, Paris, 1678-1693. Prints. Hand-colored engraving on paper

Biron de Gontaut, Armand Baron.

Costantini, Angelo.

Portrait of Robert Dudley, Count of Leicester; Robertus Dudleus Comes Lecester Gub. Bel .. Portrait of Robert Dudley, Count of Leicester. He supports a command staff and holds the hilt of his sword with the other hand.

Farnese, Alessandro.

Mary Darly, active 1762 -1772, British, Tommy Trifle the Male Milliner. Etching.

Faxicura, Philip Francis .

Soldier holding his stir with his left hand oriented (no. 12), ca. 1600. A soldier, full, to the right, which holds a stir (a certain type of firearm) with his left hand, after it has fired, The loop aimed upwards to prevent him from injured a companion (no. 12), approx. 1600. In his left hand except the stir also a burning wick. Plate 12 In the instructions for handling the helm: Corte Underswsinghe on the figuerliicke figure, among others T'Rechthe Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

The cries of Paris: the song merchant. (Title Title) | Songs New twelve thundles for a soul. (Title registered)

Jacques Callot (1592-1635). "The nobility, the gentleman with fur platron. Sixth number of a suite of 12 pieces" (Lieure 554, Meaume 678). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99602-3 Etching, engraving

Artist: Pier Leone Ghezzi, Italian, 1674-1755, Portrait of Gennaro deScà, Pen and brown ink, Sheet: 27.8 × 19.9 cm (10 15/16 × 713/16in.), Made in Italy, Italian, 18thcentury, Works on Paper - Drawings andWatercolors

Florence V., Count of Holland.

Soldier who carries his skewers with both hands on his right side, the point tilted up and near his belly (no. 20), ca. 1600, 1597 - 1608 A soldier, to the right, to the right, who carries his skewer (lance) with both hands on his right side, the point tilted up and near his belly (no. 20), approx. 1600. Plate 20 in the instructions for the Handling the skewer: Enseigement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, to the right, who carries his skewer (lance) with both hands on his right side, the point tilted u

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse 1620-1623 France. Etching on paper . Jacques Callot

Soldier who carries his skewers with both hands far apart above his right shoulder, the point slanted to the ground, Jacques de Gheyn (II) (workshop or), after Jacques de Gheyn (II), 1597 - 1607 print A soldier, in full, who carries a skewer (lance) above his right shoulder, the point tilted to the ground. His hands far apart for the skewer. This is the first action for lowering the skewers to be able to go through under a vault. This print is part of the series of 32 numbered prints of skewers from the arms handling. Netherlands paper engraving manoeuvre ~ military training. warfare; military affairs (+ mercenary troops, e.g.: lansquenets). helved weapons, polearms (for striking, hacking, thrusting): lance

Sky; Aër; The four elements. A falconer with a hunting trap on his left hand. The man symbolizes the air element. He has a stately attitude and is dressed. The print has a Dutch caption that describes the Valkenier. The print is part of a four-part series over the four elements.

Soldier who wears his musket on his left shoulder and holds his furks in his right hand (no. 1), ca. 1600, 1597 - 1608 A soldier, to the right, to the right, with a musket (a certain type of firearm) leaning on his left shoulder (no. 1), ca. 1600. In his left hand, apart from the butt of the musket, also a burning wick. In his right hand a Furket (musket fork). Plate 1 in the instructions for handling the musket: Letter Enseigement, Sur Les Pourtraitz Figurez, Touchant le Droit Maniement du Mousquet. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, to the right, with a musket (a certain type of firearm) leaning on his left shoulder (no. 1), c

Portrait of Dirk V, Graaf van Holland, Hendrik Sushman, After Tako Hajo Jelgersma, After Anonymous, 1745 print Portrait of Dirk V, Graaf van Holland, standing to the right in a harness and a cloak. On his shoulder the weapon of Holland and a sword in his hand. In the middle of the top: X. Haarlem paper etching nobility and patriciate; chivalry, knighthood

Albrecht VII. The Pious, Archduke of Austria.

Portret van Oliver Cromwell, unknown, in or before 1690 print Portrait of Oliver Cromwell. He carries a command staff in his hand. Below and above the print text in book print. paper etching / letterpress printing

Soldier, seen from the front, which holds his skewer with his right hand upright (no. 1), ca. 1600. A soldier, for feet, which holds a skewer (lance) with his right hand stature (no. 1), CA. 1600. Plate 1 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from Al T'Ghene, a soldaet Int acting from the SPIES Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Dourette, Claude.

Mantu Womes in a manteau, la santine / n ° 18/1. 20. (District factice) | I figures at la monde in English M. LUIT Duc de Bourville (IFF 982 to 1005) (title of the ensount)

A man in eccentric military costume, perhaps personifying mulled sherry. Etching.

Soldier, seen from the front, holding his skewers upright with his right hand (no. 17), ca. 1600, 1597 - 1608 A soldier, who holds a skewer (lans) with his right hand upright (no. 17), ca. 1600. Plate 17 in the instructions for handling the skewer: Enseignement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, who holds a skewer (lans) with his right hand upright (no. 17), ca. 1600. Plate 17 in the instructions for handling the skewer: Enseignement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un sol

Soldier who carries his skewers with both hands far apart above his right shoulder, the point slanted to the ground (no. 12), ca. 1600, 1608 A soldier, who carries out a skewer (lance) above his right shoulder, the point slanted to the ground (no. 12), ca. 1600. His hands far apart around the skewer. This is the first action for lowering the skewers to be able to go through under a vault. Plate 12 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal bruck, of all T'Ghene a Soldaet int act of the Spies Emergency. Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, who carries out a skewer (lance) above his right shoulder, the point slanted to the ground (no. 12), ca. 1600. His hands far apart around the skewer. This is the

Portrait of Cornelis Engebechtsz. at the age of 60, 1610 - 1618 print Print is part of an album. paper engraving historical persons. portrait, self-portrait of painter

Soldier who carries his skewers with both hands on his right side, the point tilted up (no. 15), ca. 1600, 1597 - 1608 A soldier, who carries out a skewer (lance) with both hands on his right side, the point tilted up (no. 15), ca. 1600. This is the first act for placing the skew . Plate 15 in the instructions for handling the skewer: Enseigement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, who carries out a skewer (lance) with both hands on his right side, the point tilted up (no. 15), ca. 1600. This is the first act for placi

Bravo Venetian; Ancient habits, modern et all over the world .....

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

James Hamilton. Etching by J. Kay, 1789.

Hans Buling, an itinerant medicine salesman, demonstrating his wares with the aid of a monkey. Engraving by G. Walker, 1792, after M. Laroon.

Soldier loosing his rotation from his rudder (no. 13), ca. 1600. a soldier, full, to the right, which holds a stir (a certain type of firearm) with his left hand (no. 13), 1600. With his right hand, he releases the burning wick that lies on the rooster (part of the inflammatory mechanism) of his rudder. Plate 13 In the instructions for handling the rudder: Corte Underswsinghe on the figuerliicke figure, interesting T'Rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Man with turban at a city; Standing figures. On the edge of a town is a man in oriental clothing, with a turban on the head. The print is part of a series of twelve prints with standing figures.

Costantini, Angelo.

Soldier, seen from the front, which holds his skewer with both hands upright for himself slightly above the ground (no. 2), ca. 1600. A soldier, for feet, which is a skewer (lance) with both hands upright for himself Solidifies above the ground (no. 2), approx. 1600. This is the first action for the upright of the skewer. Plate 2 In the instructions for handling the skewer: Enseignement letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Soldier carrying his skewer with his left hand at his right-hand side, the tip aimed upwards (no. 13), ca. 1600. a soldier, full of skewer, wearing a skewer (lance) with his left hand at his right, the point Slanted up (no. 13), approx. 1600. This is the second operation for lowering the skewer to continue under a gain. Plate 13 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rivese truck, from all T'Ghene a Soldaet Int acting ventiest is emergency. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Mr Shuter in the character of Falstaff in William Shakespeare's King Henry IV, Part 2, Covent Garden Theatre, December 11, 1761. In plumed cap, ruff collar, riding cloak, padded doublet, breeches and boots, with sword and stick. Edward Shuter, 1728-1776, English comic actor and wit. Copperplate engraving after a portrait by Thomas Parkinson from John Bell's Edition of Shakespeare, London, Feb. 19th, 1776.

Portret van Fernando Alvarez de Toledo, hertog van Alva.Portrait of Fernando Alvarez de Toledo, Duke of Alva. He has a command staff in hand and stands next to a pedestal, on which his helmet lies. There are coat of arms on the pedestal. His right glove is on the floor. In the background a city and fortress on the water, with a scaffolding on which someone is beheaded. Under the print in Latin Alva's name and function. Under the Print Dutch text in letterpress. Around an ornamental frame.

John Henderson as Don John in Beaumont and Fletcher's "The Chances.". John Henderson (1747-1785) was a British stage actor who appeared most notably as Iago in Othello and Falstaff in the "Merry Wives" and "Henry IV.". Engraving by Thornthwaite from a portrait by J. Roberts in "Bell's British Theatre" 1777.

A obstetrician dressed in a grand manner, wearing a sword and carrying a tall cane. Etching, 1773.

Soldier who wears his skewer with his right hand at his right-hand side, pointed up the tip and near his stomach (no. 21), ca. 1600. a soldier, full of, to the right, which are skewer (lance) with his right hand At his right side, the point is tilted up and nearby his belly (No. 21), approx. 1600. Plate 21 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from All t'Ghene a Soldaet Int acting ventiest is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Wapenhandelinghe van Roers Musquetten ende Spiessen, Soldier giving the fuse on the cock of his rudder the right place and shape, A soldier, full-length, facing right, holding a rudder (a type of firearm) with his left hand. With the thumb and middle finger of his right hand he gives the burning fuse on the cock (part of the ignition mechanism) of his rudder the right place and shape. This print is part of a series of 42 numbered prints of gunners from the Wapenhandelinghe., print, prent, prints, prenten, height 259 mm, width 186 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, fourth quarter 16e eeuw, first quarter 17th century, first quarter 17e eeuw, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Walker, Jan Lauwryn Krafft (I), 1704 - 1765 print In a hilly landscape, an old man walks to the right. He has a walking stick and a hat in his hand and is dressed in a cloak. Southern Netherlands paper etching walking, hiking (recreation). old man

This 1524 copper engraving by Barthel Beham depicts a farmer holding two jugs, showing figure detail, attire, and rural activity in early 16th-century Germany.

Gouda, Waes, Aert van, De vagebond, verso lower left - stamped, A vagrant stands in front of a farm. He has his hands clasped between his legs., print, prints, 622, verso lower left - handwritten in brown ink, height 160 mm, width 100 mm, Noord-Nederlands, 1620 - 1664, print maker, printmaker, 1639 - 1684, paper, papier, etching, etchings

Soldier, seen from the front, holding his spear with both hands upright in front of him slightly above the ground, Jacob de Gheyn (II), 1596 - 1606, Design for a print., draughtsman: Jacob de Gheyn (II), 1596 - 1606, paper, pen, brush, h 261 mm × w 165 mm

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roers Musquettes and Spies, Soldier Carrying His Musket on His Shoulder, A soldier, full-length, facing right, with a musket (a type of firearm) resting on his left shoulder. In his left hand, besides the butt of the musket, he also holds a burning fuse and a furket (musket fork). This is therefore (almost) the same position as the one shown in the second print in the series. This print is part of a series of 43 numbered prints of musketeers from the Wapenhandelinghe., print, prent, prints, prenten, height 267 mm, width 190 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Portret van George Rooke, Joseph Friedrich Leopold, 1678 - 1726 print paper engraving historical persons. commander-in-chief, admiral

Heinrich Friedrich, Prince of England.

Taste 17th century Gilles Rousselet French. Taste 645450

Otto II., Count of Habsburg.

Cartoon on the high folding car. Cartoon on the high folding car: warrior in costume with high collar, hat on, standing to the left in a landscape. His left hand rests on the hilt of his sword that comes out under his cloak.

Caricature of a Polish Count ca. 1694-1755 Pier Leone Ghezzi Italian. Caricature of a Polish Count. Pier Leone Ghezzi (Italian, Comunanza near Ascoli Piceno 1674-1755 Rome). ca. 1694-1755. Pen and brown ink. Drawings

Amsterdam, Visscher, Nicolaes (I), Bloemaert, Abraham, Utrecht, Frederick, The four elements, Ignis, Fire, verso - stamped, A soldier with a sabre stands in a landscape next to a barrel of gunpowder from which smoke is coming. Next to the barrel are cannonballs. A fire is burning in the background., print, prints, height 132 mm, width 98 mm, 1614 - 1669, print maker, printmaker, 1632 - 1670, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Northern Netherlands, 1566-12-25 - 1651-01-27, after, after painting by, Publication (Event), Publication, 1618-01-25 - 1679, publisher

Gentleman with a Sword 1629 Abraham Bosse French. Gentleman with a Sword 387452

Koning Darius II, anonymous, 1585 print King Darius II of Persia standing with a stick in his hand. In the background a landscape in which Darius drives on horseback and hunts for a deer. Left birds at a waterfall. Above the show a two -line text in Latin. paper engraving ruler, sovereign. male persons from classical history. hunting horn. game, hunted animals

Man dressed according to Corsian fashion, Anonymous, After Pieter Lastman, 1720 - 1772 print Landscape with man, dressed in fashion from Corsica, Italy. The man is shown from the front and feet, behind him is a dog. On his shoulder a gun rests with a shot animal hanging, his head is adorned with a plumy hat. The print is part of a twelve -part series of prints with Italian costumes. Amsterdam paper etching Europeans (with NAME) (+ costume)

Batthyány, Franz Freiherr von.

Herr Conradt Mair (recto) and Herr Hanns Paulus Herwardt (verso) from Augsburger Geschlechter Buch, plate 25 from Woodcuts from Books of the XVI Century 1550 Germany. Woodcut on paper . Christoph Weiditz, I

Portrait of Willem Hyacinth, Count of Nassau Siegen. Portrait of Willem Hyacinth. Three lines of Latin text in the undermarge.

Forté .

Statue of Marcus Aurelius, 1636 - 1647 print Statue of Marcus Aurelius. At the bottom of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Marcus Aurelius, the Roman emperor. classical history (+ full length). adult man

Ligne, Karl Joseph Prince of.

Jean de la Tour, French smuggler, tried for piracy and murder, hanged in 1744. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

A man wearing a cloak and a wide-brimmed hat is carrying a hurdy-gurdy. Etching by R. Blake after J. Callot.

Fernández de Córdoba and Aguilar, Gonzalo.

Portrait of Willem III, Prince of Orange. Portrait of Willem III. In the background a equestrian fight. Name and titles in the undermarge.

Finskie narody Ostiak pri reke Ob', 1799, by Johann Gottlieb Georgi (1738-1802). Additional, Finnish peoples, Ostiak, Ob River. Published in Saint Petersburg by the Imperial Academy of Sciences, Russia. Focuses on the ethnology of Russia and its peoples

Copper engraving by Albrecht Altdorfer depicting a violin player, created circa 1519-1525.

Mercier (registered title)

Johann Wilhelm, Duke of Sachsen-Weimar 1601/1700

Marskramer; Genre scenes. A fader with around the neck a bin with merchandise announces his merchandise. In hand he has a bundle of paper with the text: "Almen Nieu Nieu Almenac." Title print of a series of 32 prints with genre scenes.

Drawing by Francesco Ponte depicting Demetrius (Mr. Annibali), executed in gray brush and pen with lavings, dated 1744.

Hoorne, Philips van Montmorency Count Stecher: Passe, Simondatting: 1610/1647

GUERRERO CARTAGINES. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

It is with regret that my master ... Abraham Bosse (1602-1676). It's with regret that my master ....

Portrait of Emperor Peter I, Anonymous

Portrait of William I, Prince of Orange, Charles Turner, After Johannes Wierix, c. 1814 print Portrait of Willem I. He is in a departure next to a table, then the gloves and helmet of his harness. He holds a command staf in his hand. In the background a face on Dillenburg. England paper etching

Petr I, izd. Landri Portraits of Peter the First, published by Landry. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Sueben; Svevus; Old peoples living here; Peplus Sive Gothorum, Wandalorum, Svevorum, Herulorum, Pidarum, Marcomannorum et Quadorum Veterum Imagins Ex Antique Monumentis et Museo Marci Zuerii Boxhornii. Warrior from the Germanic people of the Sueben or Sueven, standing for feet, armed with sword in the right hand.

Woodcut by Melchior Lorch showing a Turkish cannonian holding a fussy stick, created in 1581.

Árpád, Fürst von Ungarn.

Images of the common Volks zu Vienna, sheet , Kelner, Garcon de Cave Kellner

Ambassadeur de la Perse, plate eighteen from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 195 × 131 mm (image); 204 × 135 mm (plate); 262 × 206 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Portrait of King Henry II of France, Frans Huys, Hans Liefrinck (I), 1546 - 1562

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