Historical Figures in Art

A collection of engravings and photographs depicting historical figures, religious themes, and ceremonial attire from the 16th century, showcasing intricate details and designs.

Portrait of Grand Prince Vasili III Ivanovich by Anonymous painter, woodcut, 1584, Private Collection

Artist: Albrecht Dürer, German, 1471-1528, SaintBartholomew, Engraving, 12 × 7.5 cm (4 3/4 × 2 15/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Lazio Roma Poli S. Antonio4. Hutzel, Max 1960-1990 Medieval: Exterior views of gothic church with bell cote. Details of rose window and portal. Post-medieval: 16th century frescos and stucco decoration German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago83. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Costume of a Holy Roman Emperor, 16th century. He wears a crown, cape and surplice with order of the golden fleece, adorned with precious stones. He hold an orb and sceptre. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

'St Sebaldus in the Niche', 1518 (1906). Artist: Albrecht Durer.

Lazio Latina Cori S. Oliva46. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Ioanella S. Pietro d'Azzano1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, baptismal font, stoup Post-medieval: Fresco, painting (Pietro di Azzano with Saints) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Grand Prince Vasili III Ivanovich by Anonymous painter, woodcut, 1584, Private Collection

Erasmus

Campania Caserta Aversa S. Francesco6. Hutzel, Max 1960-1990 Post-medieval: Built in 6th century, remodelled in 1645 and 1830. Lower part of the campanile belongs to the original construction. Interior has series of works in the Francesco de Mura school; "Adoration of the Shepherds" by Pietro da Cortona c. 1650; "Ecstasy of S. Francesco" by Ribera, 1649; "Madonna and Child" Byzantine 13th century. Attached is a medieval cloister with fragments of frescoes. Object Notes: TCI states that in 1980 plans were afoot to create a small museum in the monastery to house sculpture, paintings, and other works from the diocese. Not reflected in Hutzel's photo campaign. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as w

Lazio Viterbo Viterbo Museo Civico35. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Lazio Viterbo Viterbo S. Maria Nuova8. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma S. Maria di Galeria S. Maria in Celsano. Hutzel, Max 1960-1990 Exterior views of facade and portal; interior views of main altar with byzantine painting, side altars; frescoes by the school of Antoniazzo Romano; and holy water stoups. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Miani, Giovanni.

Old man with a spear, print maker: Robbert Muys, Rotterdam, 1752 - 1825, paper, h 177 mm × w 126 mm

Campania Salerno Cava dei Tirreni Museo25. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale S. Pietro5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, capital. Post-medieval: Architecture, architectural sculpture, (15-16th century); sculpture, painting, wall painting, tapestry, coats-of-arms Antiquities: Sarcophagus Object Notes: Bibliographic information filed with original worksheets German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Simeon Solomon, King Solomon, British, 1840 - 1905, 1872 or 1874, egg tempera () with touches of varnish on paper mounted to board

A Sculpture of Saint Benedict in a Niche. Dated: 1735. Dimensions: sheet: 50.5 x 27.5 cm (19 7/8 x 10 13/16 in.). Medium: red chalk heightened with touches of white chalk on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Jakob Frey.

Bliżej Kultury Unknown, Eljasz Radzikowski, Walery (1841 1905)

Print from Drawing Book. Dated: c. 1610/1620. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Luca Ciamberlano.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata8. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print, A Pope with a Book, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 29 × 18.8 cm (11 7/16 × 7 3/8 in.); Bequest of George Campbell Cooper; 1896-3-283

Frederick III (21 September 1415) (19 August 1493) of the House of Habsburg was as Frederick V from 1424 Duke of Styria, Carinthia and Carniola, Duke of Austria, as Frederick III from 1440 Roman-German King, Historical, digitally restored reproduction of a 19th century original, original date unknown

Fra Angelico,1870. Sir Edward Burne-Jones (1898) .

CARTAGENA , ALFONSO. ECLESIASTICO Y POLITICO ESPAÑOL. 1381 - 1456. GRABADO RETRATO DE LA COLECCION " VARONES ILUSTRES ". CALCOGRAFIA NACIONAL. MADRID.

Abruzzo Citta Sant'Angelo S. Francesco6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, cupola (18th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Atri Cattedrale, Museo Capitolare9. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diogenes in search of an honest man Rosa, Salvatore, 1615-1673. still image. Portraits, Reproductive prints. 1886. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Beards, Lanterns, Diogenes, d. ca. 323 B.C, Philosophers , To 499, Older people, Robes

Artist, formerly attributed to: Ottavio Leoni, Italian, 1578-1630, Portrait of Pope Urban VIII, Black chalk, 19 × 13.4 cm (7 1/2 × 5 1/4in.), Italian, 17thcentury, Works on Paper - Drawings andWatercolors

Panel with John the Baptist and other saints 19th century European (Byzantine style) This modern carving copies a tenth century ivory panel now in the Victoria and Albert Museum, London (215-1866).. Panel with John the Baptist and other saints 462744

Lazio Latina Cori S. Oliva45. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Neri, Filippo.

Campania Caserta Teano Cathedral24. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

SaintPeter. Artist: Carlo Crivelli, Italian, ca. 1430-1495

Tuscany Grosseto Seggiano S. Rocco3. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print made by Elias Nessenthaler, 1664-1714, S. Jacobus, undated. Mezzotint on medium, moderately textured, cream laid paper.

Umbria Perugia Perugia Convent S. Pietro23. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rembert Dodoens (1516-1585), Flemish botanist and doctor, from A new herbal or historie of plants by Rembert Dodoens, London, England, 1578

DET-PROFETA- PERTENECIENTE AL RETABLO DE SAN BENITO-1526-MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Marches Macerata Camerino Museo Diocesano6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gambacorta, Pietro.

FRESCOS DE LA BOVEDA-DETALLE DE DON BERNADINO DE MENDOÇA. Author: CESARE ARBASIA (1540-1614). Location: PALACIO DEL MARQUES DE SANTA CRUZ. VISO DEL MARQUES. CIUDAD REAL. SPAIN. MENDOZA BERNARDINO DE.

Lazio Roma Rome SS. Giovanni e Paolo45. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Tympanum of the abbey church in Egmond. Draughtsman: Chrétien Théodore Tinne (signed by artist). Dating: 1802 - 1804. Measurements: h 80 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

SAN LORENZO. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN.

Lazio Roma Rome S. Cecilia in Trastevere13. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Rena

Ramon Llull (1235-1316). Spanish writer and philosopher. Portrait of author according to Apostrophe Raimundi edition,1504.

Sudarium, Anonymous, after Hans Sebald Beham, After Albrecht Dürer, 1510 - 1550 print paper True icon '' napkin '' Veronica-portrait

Campania Napoli Naples S. Lorenzo Maggiore63. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Hans Sebald Beham (1500-1550). "Saint Sébald. (Hollstein (volume 3, page 44); Bartsch 65)". Chisel. 1521. Museum of Fine Arts of the City of Paris, Petit Palais. 123049-3 Chisel, 16th 16th XVI 16th 16th 16 Center

Donatello (Donato di Niccolò di Betto Bardi) (1386-1466), Or´ San Michele in Florence. Statue St. Markus (without dat.): View. Photo, 32.2 x 24.4 cm (including scan edges)

Engraving. Christopher Columbus. Explorer. 1446-1506.

Lazio Roma Rome Gesu13. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CALVO, LAIN JUEZ DE CASTILLA. 798-870 GRABADO " VARONES ILUSTRES ".RETRATO.

Museu de Mallorca, Palma, Majorca, Spain.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata0. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bevagna S. Silvestro. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Leonessa S. Pietro4. Hutzel, Max 1960-1990 Medieval: Exterior views of architecture, and architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes (15th century), wall painting (17th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vestigia delle Terme di Tito. Philosopher. Quadro from wall ornamentation in room 15. Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Carlone, Marco (1742-1796), engraver, Mirri, Ludovico (1738-1786), publisher

Bartolomé Esteban Murillo / 'St Francis of Paola', c.1670, Drawn on paper, 33,2 x 23,2 cm. Museum: BRITISH MUSEUM, LONDRES, UK.

Print made by Johann Jacobus Haid, 1704-1767, Ressource pour la memoire, undated. Mezzotint on moderately thick, slightly textured, cream laid paper.

Saint Jerome. Dated: 1583/1585. Dimensions: sheet: 9.5 x 8.8 cm (3 3/4 x 3 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Annibale Carracci.

Woodcut portrait of the death of Jerome of Prague (1379 - 1416), a Czech scholastic philosopher, theologian, reformer, and professor. Jerome was one of the chief followers of Jan Hus and was burned for heresy at the Council of Constance.

'Athelstane', (c894- 939), 1830. Athelstan (c894- 939) King of the Anglo-Saxons from 924 to 927 and King of the English from 927 to 939 when he died. From "Biographical Illustrations", by Alfred Howard. Thomas Tegg, R. Griffin and Co., J. Cumming, London, Glasgow and Dublin, 1830

Borgia, Francesco Stecher: Bolswert, Schelteverleger: Bolswert, Scheltdatory: 1626/1659

Head of a man. nieznany malarz polski, painter

'St Romuald ()'. Italy, 1370s. Dimensions: 122,5x42,5 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni di Bartolomeo Cristiani.

Historical illustration from the 19th Century, portrait of Wilhelm von Grumbach, 1503 - 1567, a knight and adventurer

Saint Matthias. Line engraving by M. Pitteri after G.B. Piazzetta.

Lazio Roma Anguillara Sabazia S. Francesco7. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Portrait of Pope Paul III (1468-1549) born Alessandro Farnese. Painted by Titian (1490-1576). Dated 16th Century

Campania Napoli Naples S. Lorenzo Maggiore44. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Horace, Quintus Horatius Flaccus (65-8 BC). Latin poet. Portrait of Horace. Engraving.

Francisco de Zurbarán / 'Saint Francis of Paola'. 1659. Oil on canvas. Museum: Museo del Prado, Madrid, España.

SAN FRANCISCO DE BORJA - TRANSITO DEL MANIERISMO AL BARROCO - S XVI/XVII. Author: JUAN DE ROELAS (1558-1625). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. DUQUE DE GANDIA. FRANZ VON BORGIA. FRANCISCO DE BORJA Y TRASTAMARA. BORJA Y TRASTAMARA FRANCISCO.

Saint John the Baptist, Boccaccino, Boccaccio, 1510.

Hippocrates (460-370 BC), Greek Physician, Woodcut from "Les Vrais Pourtraits et vies des Hommes Illustres", Andre Thevet, 1584

Nullar; The Miser. A bearded gray-horse is behind a table and counts coins. On his nose he has a squeeze glasses and a hat on the head.

florenz, italien - 09.02.2024 - statue von paolo mascagni an der außenfassade der uffizien florenz, italien - 09.02.2024 - statue von paolo mascagni an der außenfassade der uffizien Copyright: xZoonar.com/ArTox 22448797

Protodeacon by Repin, Ilya Yefimovich (1844-1930) / State Tretyakov Gallery, Moscow / 1877 / Russia / Oil on canvas / Portrait,Genre / 124x96

Dyachenko, Yuri Alexandrovich (*1954) Private Collection Sculpture Portrait,History Portrait of Hetman Pavlo Teteria

FRANCISCO RODRIGUEZ DE LAS VARILLAS-FUND COLEGIO S MILLAN. Location: ESCUELAS MENORES-MUSEO UNIVERSITARIO. SALAMANCA. SPAIN.

Zurbaran, Francisco de (Fuente de Cantos, 1598-Madrid, 1664). Spanish painter. FRIAR FRANCISCO ZUMEL. Museum of Fine Arts of San Fernando. Madrid. Spain.

S. Petrus, Print made by Johann Lorenz Haid, 1702-1750, German, after Giovanni Battista Piazzetta, 1682-1754, Italian, Published by Johann Christian Leopold, 1699-1755, German, early 1750s, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 20 1/8 x 13 15/16 inches (51.1 x 35.4 cm), Plate: 15 3/16 x 10 9/16 inches (38.5 x 26.9 cm), and Image: 13 7/8 x 10 9/16 inches (35.2 x 26.9 cm), apostle, beard, Christian, Christianity, cloak, curls, disciple, gaze, halo, historical subject, keys, moustache, religious, religious and mythological subject, solemn, thoughtful

Wszyscy Święci w MNK Unknown, Correggio, Antonio Allegri da (Ca 1489 1534)

Tomb of Lucas Cranach the Elder, St. James' Churchyard, St. James' Cemetery, Weimar, Thuringia, Germany, Europe

Andreas Vesalius (1514-1546), Belgian Anatomist & Physician 1542 Johann Stephan van Calcor (Dutch) Wood engraving

Ericsson, Henry, work, Sketchbook, 49 leaves, 1933, drawing, Tivoli, amusement park, 13.5 cm x 21.8 cm, Ericsson, Henry, section: Dancing figures, 1933, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

San Bruno. Date/Period: From 1540 until 1545. Painting. Oil on wood. Height: 1,120 mm (44.09 in); Width: 425 mm (16.73 in). Author: JUAN DE JUANES.

Spinola, Carlo.

APOSTOL - DETALLE DEL PANEL IZQUIERDO - PINTURA MURAL DE LA ERMITA DE LA VERA CRUZ DE MADERUELO - SIGLO XII - ROMANICO ESPAÑOL. Author: ANONYMOUS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Portrait of ancient soldier by Leonard Limousin, Enamel on copper, porcelain, circa 1540, circa 1505- circa 1577, Usa, Baltimore, Walters Art Museum, 29,2x23,6

Detail from the Vatican Museums, an immense collection of classical, renaissance masterpieces etc. Founded in the early 16th century by Pope Julius II they are considered to be some of the world's greatest museums. This image shows a portion of the beautifully painted walls.

Roger I de Lauria (o de Loria) (1245-1305). Marino y militar italiano al servicio de la Corona de Aragón. Retrato. Ilustración por Cava. Grabado por A. Roca. Historia de Cataluña y de la Corona de Aragón, por Victor Balaguer. Barcelona,1861.

Theophrastus (c372-c287 BC) Ancient Greek philosopher and scientist. Pupil of Plato and of Aristotle who he succeeded as President of the Lyceum, 272 BC. From 'Vies des Savants Illustres' by Louis Figuier. (Paris, 1866). Engraving after antique bust in the Villa Albani, Rome.

Votive tile with Sant'Ottone Frangipane, patron saint of the city of Ariano Irpino, painted maiolica. Italy, 20th century.

Moses Smashing the Tablets of the Law. Date/Period: 1659. Painting. Oil on canvas. Height: 168.5 cm (66.3 in); Width: 136.5 cm (53.7 in). Author: Rembrandt Harmensz van Rijn.

Study Of An Arab Sheikh Lewis, John Frederick(1805-1876 British)

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