Historical Horseback Art

Vintage illustrations of horseback riders and military figures, blending historical context with artistic expression, showcasing dynamic poses and detailed attire.

Gallic chief (Gaulois). Vintage historical illustration portrait of horseback rider by French Artist Louis Vallet, 19th century artwork

Gallic chief (Gaulois). Vintage historical illustration portrait of horseback rider by French Artist Louis Vallet, 19th century artwork

The dance of death: Death on horseback approaches the city. Woodcut after Alfred Rethel, 1848.

Print made by unknown artist, eighteenth century, Archery, 1794. Mezzotint on medium, slightly textured, cream wove paper.

Canterbury Pilgrims Artist's working dates 1849-1898 England. Pen and black ink, with brush and gray wash and touches of white gouache, over traces of graphite, on tan tracing paper, tipped onto card . Henry Stacy Marks

Abishai (a military leader under David) saves the King's life., Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

The Great Elector

Luigi Sabatelli I, Vidi, quod aperuisset agnus (The Four Horsemen of the Apocalypse), 1809 1810 Vidi, quod aperuisset agnus... (The Four Horsemen of the Apocalypse)

Maskerade by students from the Leidse Hogeschool, 1840 (plate 1), 1840 Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. First plate in a series of nineteen unnumbered plates, with the groups numbered 1-2 . Leiden paper Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. First plate in a series of nineteen unnumbered plates, with the groups numbered 1-2 . Leiden paper

Knights with the family weapons of Brandes and Hirschman, Jan Brandes, 1770 - 1808 drawing Two knights in full armor on horseback. The left knight represents the ancestor of Brandes from Bohemen. Shield, Holster and Schabrak of his horse wear the family crest with seven bees. The blazon of Ridder Hirschman is a deer. paper. pencil. watercolor (paint) brush knight

ST. GEORGE SLAYING THE DRAGON, FROM THE OLD PALACE AT PRAGUE

Joan of Arc on Horseback, c. 1889-1899. Emmanuel Fremiet (French, 1824-1910). Pen and black ink, ink wash and white heightening; sheet: 35 x 20.2 cm (13 3/4 x 7 15/16 in.).

The Holy Family Passing a Pyramid. Giovanni Domenico Tiepolo (Italy, Venice, 1727-1804). Italy, circa 1750-1753. Prints; etchings. Etching

ECONOMIA PRINCIPIOS SIGLO XX. ARGENTINA. "SELECCION DEL GANADO". Grabado del año 1911.

Wolfgang von Polheim (1458-1512). Austrian nobleman and jousting master of Maximilian I. Engraving.

Four soldiers are in a cavalry fight while three others are fighting on the ground. After Leonardo's fresco (now lost) in the Palazzo Vecchio, c. 1500, Florence, Historic, digitally restored reproduction from a 19th century original

Woodcut by Hans Burgkmair the Elder from 1508 depicting the king of Gutzin with entourage, showing natives with camel and elephant in detailed composition.

A Tournament Contest; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf: 43 x 28.9 cm (16 15,16 x 11 3,8 in.)

Equestrian portrait of Josias, Count of Rantzau Jean Aux. "Equestrian Portrait of Josias, Count of Rantzau, Marshal de France (1609-1650), Sketch". Oil on canvas.

Painting titled 'Return from the pilgrimage to the Madonna dell'Arco' by Louis Léopold Robert (1794-1835) a Swiss painter. Dated 19th Century

Based on an allegory by Plato, The Wings of the Soul, Historical, digitally restored reproduction of an original 19th century original

James II of Aragon, so-called "the Just" (1267-1327). King of Aragon, Valencia and Count of Barcelona (1291-1327), King of Sicily (1285-1296), King of Majorca (1291-1295) and Sardinia (1324-1327). Equestrian portrait. Engraving. "Glorias Espanolas" (Glories of Spain). Volume II. Published in Barcelona, 1890.

A 1796 woodcut by Hans Burgkmair the Elder depicting the triumphal procession of Emperor Maximilian I, focusing on the Hirschjäger hunters, showing figures, animals, and landscape.

Alfonso VIII (1155-1214). King of Castile. Called el de las Navas or the Noble. Engraving in Spain Illustrated History, 19th century.

Hudibras The manner how he sallies forth Engraved by C Armstrong after Hogarth from The Works of Hogarth published London 1833

William III on horseback and an enslaved servant, Arnoud van Halen, 1688 - 1732, Equestrian portrait of King William III in armor, behind the horse an enslaved servant wears the king's helmet. Back of a drawing with a cartoon on the wind trade in 1720. This drawing belongs to the group of drawings added to the series Tafereel der Dwaasheid with cartoons on the Wind Trade or Action Trade of 1720., print maker: Arnoud van Halen, (mentioned on object), Northern Netherlands, 1688 - 1732, paper, h 352 mm × w 279 mm

Agamemnon slaying the two sons of Antenor.

Light cavalryman charging. Pillati, Henryk (1832-1894), painter

Fragment, Medium: cotton Technique: printed by engraved copper plate on plain weave, Fragment from toile 'Jeanne d' Arc, a copper plate print. Jeanne is shown in armor, on horseback, bearing a banner with the word 'France'. Following her are two armed horsemen, and a man on foot with the word 'CHARLE-' on the yoke of his shirt. Troops and castle in background., France, ca. 1820, printed, dyed & painted textiles, Fragment

Marquise of Newcastle. Vintage historical illustration portrait of horseback rider by French Artist Louis Vallet, 19th century artwork

The king's hunt: piece of the play the dream of Joel Lucien Marie François Métivet (1863-1932). The king's hunt: painting of the room "Joel's dream".

Chevalier Bayard, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

Wojciech Gerson (1831-1901), Pode of German culture to the east. Teutonic Knights in Poland; Stella (Bochnia; Publisher; 1908-1932), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

CONQUISTA DE MEXICO (1519). SIGLO XVI. "LOS CONQUISTADORES COMIENDO CARNE DE PERRO POR EL HAMBRE". Serie de veinticinco tablas sobre la Conquista de México realizadas en 1698 por Miguel y Juan González. Detalle. Son pinturas "enconchadas", con fragmentos de nácar sobre la madera y suaves capas de pintura. Museo de América. Madrid. España.

Landsknechte in Pluderhosen, eine sehr weit geschnittene, meist bis auf die Knöchel oder Schuhe reichende Hose, um 155, Historisch, digital restaurier...

'The armour of Pyrrhus was richer and more beautiful than that of his soldiers', c1912 (1912). Artist: Ernest Dudley Heath.

Depiction of two riding banners and the artillery pioneer in Emperor Maximilian Is triumphal procession, executed in dark brown pen, brush, watercolor, and gold on parchment by Albrecht Altdorfer, circa 1512-1515.

Procession of Princes, detail, figures Johann, Georg, Albert of Saxony, 19th century, mural on tiles of the Meissen Porcelain Manufactory, Dresden Residence Palace, Dresden, Saxony, Germany, Europe

First span of four horses; Triumphag from Karel V, 1537. First span of four horses for the triumphar. Third plate in the triumphop trip of Emperor Charles V, 1537.

Rupert, Count Palatine on the Rhine, Duke of Bavaria, Duke of Cumberland, Earl of Holderness, Ruprecht Count Palatine on the Rhine, Duke of Bavaria, popularly known as Prince Rupert on the Rhine, Historical, digitally restored reproduction of a 19th century original, Aachen, Germany, Europe

Turkish Lancer and Onlookers Approaching a Town. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: Frame: 18 x 24 in. (45.7 x 61 cm)Sheet: 11 1/4 x 16 3/16 in. (28.5 x 41.1 cm). Date: 1760-70.This sheet belongs to a group of drawings by the Venetian painter Giovanni Domenico Tiepolo of Ottoman Turkish horsemen and chieftains riding or resting in idyllic landscapes, accompanied by exotically clad attendants. Tiepolo's compositions generally reflect the contemporary artistic and literary taste in Venice for tales of exotic Eastern romance. Museum: Metropolitan Museum of Art, New York, USA.

Exodus of 10th century German warriors, Joab's exodus against the Syrians and Ammonites, from the Psalterium aureum of St. Gall, Switzerland, Historic...

Alexander Mosaic. Battle of Issus (333 B.C.). Battle between Alexander the Great and the Achaemenid Empire, Darius III. Mosaic. Pompei, Casa del Fauno (VI, 12, 2). 2nd century AD. National Archaeological Museum, Naples. Italy.

Emiliano Zapata's supporters attacking a train, scene from the Mexican Revolution José Guadalupe Posada Mexican ca. 1911 View more. Emiliano Zapata's supporters attacking a train, scene from the Mexican Revolution. José Guadalupe Posada (Mexican, 1851-1913). ca. 1911. Zincograph. Prints

Equestrian statue of Victor Emanuele II Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso di Savoia, Vittorio Emanuele II (14 March 1820 to 9 January 1878 in Rome) from the House of Savoy was King of Sardinia-Piedmont from 1849 to 1861, Historic, digitally restored reproduction of an original from the 19th century, exact original date not known

Illustration showing Geoffrey Chaucer (1343 - 1400) English poet and author. Widely considered the greatest English poet of the Middle Ages, he is best known for The Canterbury Tales.

Arabian fantasy, 1833, by Eugene Delacroix (1798-1863), 60x74 cm.

Fourteenth part of the Maskerade of the students of the Utrecht University of Applied Sciences on 17 June 1846, represented the entry of Prince Philips II in Utrecht on October 3, 1549.

Red Lancer. From 'Napoleon 1er et la Garde Imperiale' by Eugene Fieffe, Paris, 1858.

Sheet 3: Trophies of war, from The Triumph of Julius Caesar. Artist: After Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua); Andrea Andreani (Mantua, 1558/1559-1629); Intermediary draughtsman Bernardo Malpizzi (Italian, 1555-1623). Dimensions: Sheet: 14 15/16 × 14 13/16 in. (38 × 37.6 cm). Series/Portfolio: The Triumph of Julius Caesar. Date: 1599. Museum: Metropolitan Museum of Art, New York, USA.

Death of Eleazar. Eleazar slays the elephant and is crushed to death. Old Testament. Antique digitally colored Biblical illustration by Gustave Doré (1832-1883)

Germany, Amman, Jost, The month of June (Rider battle), Frieze with a rider's battle, Slightly curved frieze with a rider's battle in the foreground. In the background is a tent camp and a besieged city on a bay. June (top center is the sign of Cancer) from a series of 12 sheets with representations of months., print, ornament print, prints, ornament prints, height 64 mm, width 265 mm, width 236 mm, print maker, printmaker, 1549 - 1591, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Work conception, Swiss, 1539 - 1591-03-15, after a design by, Publication (Event), Publication, publisher

Carriage who wants to wade a stream, Charles Rochussen, 1824 - 1894 drawing A scene from the legend of Sint Aldalbert, coach who wants to wade a stream during rain and lightning. paper. watercolor (paint). pencil brush storm. lightning, flash of lightning, thunderbolt. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. horse

Sikhowie. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Burgkmair, Hans (I), Triumphs of Emperor Maximilian I, Hunters on foot during the bear hunt, verso lower left - stamped, Hunters walking with large spears during the bear hunt, they make arm gestures. In the series of the triumph of Emperor Maximilian I, the hunters walk to the right behind bears. These bears are depicted in the print that adjoins this sheet on the right., print, prent, prints, prenten, height 395 mm, width 350 mm, German, 1473 - 1531, print maker, prentmaker, 1483 - 1526, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

The fall of Antiochus. Death of Antiochus IV Epiphanes, Greek king of the Seleucid Empire. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

Don Quijote y Sancho Panza a caballo. Museum: COLECCION PARTICULAR MADRID ESPAÑA.

Historical costumed procession in Amsterdam at the 25-year-old government anniversary of King Willem III in 1874 (plate 17); Plate 17. - Association of shopkeepers, manufacturers and companions in the field of golden, silver and diamonds work; Historical and Allegorical procession in Amsterdam. 12 May 1874.plate No. 17 With the Part of the Procession with Members of the Association of Retailers, Manufacturers and Companies in The Box of Golden, Silver and Diamonds Working in historical Costume. Part of a Series of 24 Plates of the Costumed Historical and Allegorical Procession Hero in Amsterdam on 12 May 1874, As part of the festivities During the Celebration of the 25-year-old Government Anniversary of King Willem III.

Procession nrs 25-28, 1840 print Procession nrs 25-28: knights with banners. Part of the press series of the Maskerade of the entry of Hertog Jan van Beieren in Leiden on August 18, 1420 by the Leiden students on February 8, 1840. Netherlands paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Students' Pageant To lead. university of Leiden

Triumph of Maximilian. Hans Burgkmair, the elder; German, 1473-1531. Date: 1493-1531. Dimensions: 425 x 585 mm (unfolded). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Eastern musicians; Pawliszak, Wac AW (1866-1905); around 1888 (1885-00-00-1890-00-00);Dobrzański, Łukasz, Dobrzański, Łukasz - collection, orient, oriental architecture, banners, gift (provenance), musical instruments, musicians, donkeys

Italy. Risorgimento. Satical cartoon. 19th century. Color.

'St George'. Italy, 1543/1544. Dimensions: 122x92 cm. Museum: State Hermitage, St. Petersburg. Author: JACOPO TINTORETTO.

Germany, Saxony, Dresden, Furstenzug Or Procession Of The Dukes In Auguststrasse A Mural On 25 000 Meissen Tiles That Depicts 35 Noblemen From The 12Th Century Konrad The Great To Friedrich August Iii Saxonys Last King Who Ruled From 1904-1918. It Was Originally Painted By Wilhelm Walter Between 1870 And 1876 But Eventually The Stucco Began To Crumble And Around 1906-07 It Was Replaced By The Tiles. Detail Showing Albrecht Ii.

Medieval knights fighting a duel with swords. Sir Ethelbert fights Alan over the body of Adelaide. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament, or Days of Chivalry, William Sams, London, 1823.

Two farmers who lead horses by hand. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 97 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

THE NEWCASTLE PLATE

Campania Caserta Caserta Palazzo Reale66. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Azulejo, Infante D. Henrique, Henry the Navigator, at the Conquest of Ceuta, Porto Sao Bento Station, Porto, Portugal, Europe

Allegory of the victory in 1920. Jasiński, Zdzisław (1863-1932), painter

Photos Series mountain peoples in the Caucasus / Bilderserie Gebirgsvölker, im Kaukasus, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei.

Saltan Saltanovich,. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Arab Horseman Giving a Signal, Delacroix, Eugene

"Apollo gave him a pair of ass's ears" -- an illustration to the children's story, Harry and Herodotus, or Tales of an Old Traveller. Midas, King of Phrygia, was called upon to judge a musical contest between Apollo, the God of music, and Pan, the God of flocks and herds. Midas decided in favour of Pan, whereupon Apollo, in token of his scorn of Midas' judgment, gave him a pair of ass's ears. Date: 1900

THE WINNING OF OLWEN Kilwch arrives at the gate of Arthur's palace.

How Four Queens Found Sir Lancelot Sleeping. William Frank Calderon (1865-1943). Oil on canvas. Dated 1908. 122 x 182.9cm.

Pomegranate explosion; Batowski-Kaczor, Stanis AW (1866-1946); 1937 (1937-00-00-1937-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

La suerte de la capa

Friedrich Wilhelm, Elector of Brandenburg (1620-1688).

Lafayette

Maskerade of the Leiden students, 1850 (plate 5), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Fifth plate with the groups numbered 42-48. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Fifth plate with the groups numbered 42-48. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

Jan Bogumil Plersch (1732-1817). Polish painter. Battle Scene, ca.1800. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Painting the entry of Mehmed II (1432-1481) into Constantinople

James Tissot, Ces dames des chars, 1885, etching and drypoint on laid paper.

Portrait of Jan III Sobieski (1629-1696), King of Poland; unknown Polish painter; 2. PO. XVII century (1651-00-00-1700-00-00);Jan III Sobieski (King of Poland - 1629-1696) - iconography, Szwarc, Szymon (1884-1959) - collection, gift (provenance), horse portraits, Sarmatian costumes, sabers

Start of hunt. Baader, Louis-Marie (French, 1828-ca.1919) (designed after) painter Braquenié, Alexandre (Netherlandish (after 1600), act.1856-1885) (workshop) weaver Braquenié, Henri (Netherlandish (after 1600), act.1856-1885) (workshop) weaver c. 1880 Tapestry Dimensions: H 184" x W 575" Tapestry Materials/Techniques: cotton (warp: 19/in.; 7-8/cm); wool & silk (wefts) Culture: Flemish Weaving Center: Mechlin Ownership History: French & Co. received from John Bass per Milton Samuels 4/22/1960; returned 3/9/1964. United States, Florida, Miami Beach, Bass Museum of Art, accno. 64.95. Inscriptions: Woven signature in central field, left not visible in photograph: BRAQUENIE et CIE Inscriptions: Woven signature in central field, right not visible in photograph: L. BLADDER Ladies & gentlemen dressed in medieval costumes set out on hunting party; gentleman mounted on horseback holds falcon with gloved hand; foot attendants carry birds, weapons & hunting dogs' leashes; large castle in backgro

Hudibras First Adventure Engraved by C Mottram after Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

The image of Erasmus in Rotterdam shot at by the Spaniards, 1572, Jacobus Buys, 1789 - 1791 drawing Spanish soldiers Under Bossu, the statue of Erasmus in Rotterdam, 1572. On the left a gesting priest. Design for a print. Netherlands paper. ink pen / brush historical events and situations. piece of sculpture, reproduction of a piece of sculpture. the (nude) human figure; 'Corpo humano' (Ripa). iconoclasm. monument, statue Rotterdam

The fall of Phaeton, Ricci, Sebastiano (1659-1734)

Reproduction of a painting: Wojciech Kossak (1856-1942), Attack, 1907; reproduction on a post card. Wydawnictwo Salonu Malarzy Polskich (Kraków ; 1895-1949), publishing house

Illustration of russian song, ""Moscow was on fire-fragment""

Biegimas Jezaus and Egypt. (Escape to Egypt); Czerski, Stanisław (1777-1833); 1822-1832 (1822-00-00-1832-00-00);

Painting of cowboys riding horses and shooting

Carpenter, 16th cent. engraving by Amman, Germany.

middle ages knights riding to tournament coloured lithograph after woodcuts by Hans Burgkmair to ""Freydal"" by emperor Maximilian I circa 1513,

To Cairo, the caravan F�lix Ziem (1821-1911). To Cairo, the caravan. Watercolor on paper. Nineteenth century.

Tile panel, twelve tiles, purple on white, Wilhelmina de Pruysen, Princesse van Oranje on horseback, tile picture ceramic earthenware glaze, baked 2x glazed painted Three wide four high Yellow shard Wilhelmina de Pruysen Princesse of Orange Jerusalem Orange princess Wilhelmina of Prussia Princess Wilhelmina of Prussia Frederica Sophia Wilhelmina of Prussia stadholder Prince Prince William V Willem V Rotterdam Retired from home Delftsevaart 75 Rotterdam House Jerusalem demolished in 1918.

'The Rain Cloud', mid 19th century. Creator: William J Webb.

Mural The Count's Leap, in Trinkhalle, spa garden Baden-Baden, Baden-Wuerttemberg, Germany, Europe

Francisco Camilo / 'The Apostle Saint James, or Saint James the Moor Slayer'. 1649. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Indians Migrating. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.

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