Historical Illustrations and Prints

A series of historical prints illustrating significant events and subjects, including battles and mythological themes, showcasing fine line work and etching techniques.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Triumph van Venus, Pierre Brebiette, 1617 - 1626 print paper etching triumph of Venus Marina

Child playing with a cat. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Murder of Floris I, 1061; Count Floris I, in Hemert, killed. Graaf Floris I will be killed under a tree on 28 June 1061 in Nederhemert. At the print a text in handwriting describing the event.

Print, Two Magicians and Two Youths, plate 14 from the from Scherzi di Fantasia; Print Maker: Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.1 x 17.5 cm (8 11/16 x 6 7/8 in.); 1931-67-56

Abraham Casting Out Hagar and Ishmael, James Bretheherton, After Rembrandt van Rijn, 1760 - After 1781 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Etching by Giovanni Battista Tiepolo depicting scenes with magical and symbolic elements, produced in the 18th century.

Ludwig Richter, Monte Circello, 1831 Monte Circello

The high carry , Portages, Canoes, Hills. Frank W. Benson (1862-1951). Prints and Drawings

Sketch magazine with various figures and animals, Nicolas Toussaint Charlet, 1830 print print maker: Parisprinter: Parispublisher: Parispublisher: Parispublisher: London paper riding a horse, ass, or mule; rider, horseman. one person praying

Kneeling Woman and Man with an wounded soldier, Horace Vernet, 1818 print Print is part of an album. paper battle. dying

Siren between two ships, Jacques Callot, 1621 - 1635 print Presentation of a siren that blows on a shell, swimming in the water between two ships. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. Nancy paper etching merman - AA - mermaid, siren. ships (in general)

Ship at a jetty, Stefano della Bella, 1620 - 1664 print Seasing view with a scaffolding with the back of a ship on the right. Men climb from the jetty in a boat. In the background a wall with tower along the coast and a sailing ship at sea. The clothing of the figures waves in the wind. print maker: Italyafter own design by: Italypublisher: Rome paper etching ships (in general). pier, quay, wharf. dock labourer

Lord and Dame in conversation, Léon Brunin, 1885 print paper etching / drypoint conversation, dialogue; conversation piece

Panurge mange son bled en herbe, Livre III, ch. II. Bracquemond, Félix (1833-1914), graphic artist, Lemerre, Alphonse (1838-1912), publisher, Salmon, Alfred (1825-ca 1894), printer of graphic prints

Feuille composée de quatre croquis de sujets de danses , Dancers. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Square figure and a Sado in Buitenzorg, Willem Witsen, c. 1921 print Amsterdam paper squatting, crouching figure. two-wheeled, animal-drawn vehicle Outdoor care

Virtue expires vices, Anonymous, After Gerard de Lairesse, 1679 - 1702 print On the right is the personification of the virtue in the form of a man in armor for a classic building. In his right hand, he has a shield with a laurel wreath and a flaming sword in his right hand. On the left, three putti dive away from him. The upper putto may have a lemon as a symbol of sour love and false friendship. The dagger of the middle putto symbolizes wrath and the lower putto drops playing cards, symbols of twist and laziness. Among them a snake, evil, and an eagle as a symbol of pride. print maker: Low Countriesafter design by: Low Countriespublisher: Amsterdam paper etching strife between Virtues and Vices, Psychomachy. snakes. predatory birds: eagle. playing-cards. cupids: 'amores', 'amoretti', 'putti'

Francisco de Goya y Lucientes, And they are wild beasts., 1810-1820, etching and aquatint.

What more can be done, 1810-1820 (published 1863), Francisco José de Goya y Lucientes, Spanish, 1746-1828, 6 1/16 x 8 1/16 in. (15.4 x 20.48 cm) (image)9 1/2 x 12 7/8 in. (24.13 x 32.7 cm) (sheet), Etching and aquatint, 19th century

UNE LOGE A LOPERA.. Artist: Paul Gavarni, French, 1804-1866

Girl with unicorn; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. A girl with a unicorn in a landscape. Possible Saturn in the form of a unicorn that sucks the chest of Nymph Philyra.

Potato Lifting, from "The Portfolio". Artist: William Strang (British, Dumbarton, Scotland 1859-1921 Bournemouth). Dimensions: Plate: 9 7/16 × 6 3/4 in. (24 × 17.2 cm)Sheet: 17 1/16 × 12 1/2 in. (43.3 × 31.8 cm). Date: October 1882.Born in Scotland, Strang moved to London to studied at the Slade School of Art between 1876 and 1880. Alphonse Legros encouraged him to become an etcher and this early example of the artist's work in the medium portrays women and men harvesting potatoes. Museum: Metropolitan Museum of Art, New York, USA.

Two resting figures in a landscape, François Boucher, after Abraham Bloemaert, c. 1735 print publisher: ParisFrance paper etching sitting on the ground. container made of plant material other than wood: basket

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

Artist: Charles-Jean-Louis Courtry, French, 1846-1897, LeCuvier, Etching, platemark: 9 × 13.5 cm (3 9/16 × 5 5/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

The Disasters of War: And There's No Help for it, 1810-1820. Francisco de Goya (Spanish, 1746-1828). Etching, drypoint and burin;

Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!) 1810 (published in 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!) 381334 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra):'Barbarians!' (Brbaros!), 1810 (published in 1863), Etching, burnished aquatint, burin and burnisher, Plate: 6 1/8 8 1/16 in. (15.5 20.5 cm) Sheet: 9 15/16 13 9/16 in. (25.2 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(38))

Chinese Muzikant, Edme Jeaurat, After Jean Antoine Watteau, 1731 print France paper etching Chinese (+ costume). musician - CC - out of doors

Two cows and a farmer's wife, Leendert de Koningh, 1826 print The farmer's wife is wearing a yoke with a bucket and a barrel of milk. This print belongs to a series of six prints, tied together with a title page. Dordrecht paper carrying something with yoke. cow

Lithograph by Francisco José de Goya y Lucientes from 1825 titled 'The Bull of Burdees: Diversion of Spain', depicting a bullfighting scene using lithographic technique.

Wed next to a fort, William Unger, after Philips Wouwerman, 1861 - 1889 print Vienna paper. etching ford. washing and bathing

Chinese fish seller, Pieter Schenk (I) (Possible), After Romeyn de Hooghe, 1682 - 1711 print A Chinese fish seller sells fish to a richly decorated man. Amsterdam paper etching Chinese. persons engaged in trade and commerce

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1816. Dimensions: 210 x 310 mm (image); 250 x 352 mm (plate); 325 x 445 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The hog. Bisson Frères (French, active 1840 - 1864)

Sans Débrider, final condition; Jasi Ski, Feliks Stanis AW (1862-1901), Meissonier, Jean Louis Ernest (1815-1891); around 1887 (1886-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, riders, horses, musketeers, purchase (provenance)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the hunter. (Registered title (letter)), 1828. Maison de Balzac.

Mars and Venus on a cloud, monogrammist FG (Possible), Giacomo Riccio (Possible), 1600 - 1699 print paper engraving Mars and Venus as lovers

Christ Tempted in the Wilderness 1824 England. Mezzotint, with etching on cream laid paper . John Martin

Psyche travels through the Styx River; Rafael (1483-1520), 19th century (1801-00-00-1900-00-00);

Christoffel carries Christ through the water, Anonymous, After Lucas van Leyden, 1822 - 1834 print Paris paper the giant and martyr Christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant Christ

Landscape with a rider fight between two putti, Christoph Jamnitzer, 1573 - 1610 print Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Interior with woman at Wieg, Camille Venneman, c. 1857 print paper etching / drypoint cradle, crib

Artist: Gustave-Marie Greux, French, 1838-1919, La Jument du ComperePierre, Etching, platemark: 9 × 13.5 cm (3 9/16 × 5 5/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

The Satyr's Family 1763 Jean Honoré Fragonard French Few painters in eighteenth-century France were formally trained in printmaking and, for the most part, they left the engraving of their work to professionals. Around 1763-64, Fragonard tried his hand at etching, ultimately producing a small oeuvre of under thirty prints, of which the four Bacchanals are among the most admired. His facility with the etching needle, which he treated as a drawing instrument, is breathtaking. Loosely inspired by antique motifs, the Bacchanals depict playful scenes of satyrs and nymphs in the form of reliefs set in shallow landscapes, framed by the fecundity of nature. In this whimsical scene, a satyr and nymph kneel facing one another, each holding a child resembling the other, perhaps a pair of fraternal twins.. The Satyr's Family 334642

Photo production of (presumably) a print to a mural in Pompeii, representative Actaeon and Diana, c. 1860 - c. 1900 photograph Part of photo album with recordings of excavations in Pompeii by Giorgio Sommer. Pompeii paper. photographic support albumen print Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193). Actaeon as a stag is devoured by his own dogs Pompeii

Sans Débrider, Stan I; Jasi Ski, Feliks Stanis AW (1862-1901), Meissonier, Jean Louis Ernest (1815-1891); around 1887 (1886-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, riders, horses, musketeers, state prints, purchase (provenance)

Reduction of Prometheus, pl. 14, fantasy of Brahms, op. XII; Klinger, Max (1857-1920); 1894 (1894-00-00-1894-00-00);Brahms, Johannes (1833-1897), Hermes (Mitol.), Jowisz (Mitol.), Partage Plus, Prometheus (Mitol.), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, mythology, eagles (Zool .)

Kozak bevrijdt de geketende Nederlandse Leeuw, 1813.A kozak discloses the Dutch lion of his yoke and the chain with which he was chained to a column with French lily, 1813. Allegory on the liberation of the Netherlands in 1813.

The Horrors of War: Charity, 1810. Francisco de Goya (Spanish, 1746-1828). Etching;

Arabe du Desert baron Antoine Jean Gros French 1817 View more. Arabe du Desert. baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). 1817. Lithograph. Prints

Le secret du Maitre Cornille (The Secret of Master Cornille), illustration for Daudets Lettres de mon moulin (Letters from my Windmill). Artist: Félix Hilaire Buhot, French, 1847-1898

Muleteers of Tetuan. Eugène Delacroix; French, 1798-1863. Date: 1833. Dimensions: 197 × 275 mm (chine); 350 × 455 mm (sheet). Lithograph in black on light-gray chine, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Tsar Peter the Great working on the Werf in Amsterdam, 1697, 1814 - 1899 print Tsar Peter the Great working on the Werf of the VOC in Amsterdam and talking with two mayors, August 1697 Netherlands paper etching shipyard-workers Amsterdam

La Fiancée du Roi deGarbe. Etcher: Amedee-Paul Greux, French, 1836-after 1874 After: Jean-Honoré Fragonard, French, 1732-1806

This freedom wins despite us (IT)

Genezing van Tobit, Jacques de Gheyn (II) (attributed to workshop of), Zacharias Dolendo (rejected attribution), after Karel van Mander (I), 1580 - 1596 print Tobias and the Archangel Rafaël return to Niniveh in the background. Upon returning home, Tobias puts the bile of the fish on the eyes of his blind father Tobit. Then Tobit can see again. Anna and the angel watch. In the lower margin a four -line Latin text. Amsterdam paper engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Cheerful foolishness, Francisco de Goya, 1864 print Three women and three men dance. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching / drypoint more than one couple dancing (with NUMBER of couples)

Discipelen Te Emmaüs, Jean Honoré Fragonard, After Sebastiano Ricci, 1763 - 1764 print Cleopas and Peter, sitting at a table in an inn. Italy paper etching the two disciples Cleopas and Peter without Christ at the table ~ supper at Emmaus

They Escape through the Flames, plate 41 from The Disasters of War 1810-1812 Spain. Etching and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 209 x 307 mm (image); 248 x 355 mm (plate); 325 x 446 mm (sheet). Etching, aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Away!, plate seven from Othello 1844 France. Etching, engraving, roulette, drypoint, and aquatint on paper . Théodore Chassériau

A Cabriolet with a Groom Parked Beside an Outhouse A Gig, from A New Book of Horses and Carriages 1784 Thomas Rowlandson. A Cabriolet with a Groom Parked Beside an Outhouse A Gig, from A New Book of Horses and Carriages. A New Book of Horses and Carriages: The Rhedarium. Thomas Rowlandson (British, London 1757-1827 London). 1784. Etching and stipple. Elizabeth Jackson (British, active 1785-87). Prints

HUZAAR on horseback, a Charge Executive, with a saber in his hand, Joannes Bemme, After De Ceva, 1800 - 1841 print paper etching warfare; military affairs (+ cavalry, horsemen)

Fish vendor , Fishmongers, Peddlers, Rivers, Boats. Thomas Rowlandson (1756-1827). Prints and Drawings

L. amaranth. Evening talks. (Dummy title)

. .

Algiers is taken. (IT)

Letting the Sheep Out. Charles Émile Jacque; French, 1813-1894. Date: 1876. Dimensions: 196 × 163 mm (image); 229 × 181 mm (plate); 441 × 278 mm (sheet). Etching and aquatint on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Apollo in Daphne, Jean Michel Lilitard, after Carlo Cignani, print Venice paper etching / engraving Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548)

Study sheet with riders and couples. Study magazine with various riders and couples in medieval clothing. A number of riders in combat at the top. Two of the riders are stabbed with a lance of their horse. At the bottom left of a walking couple, the man whose bat and wife wears a goose. On the right a woman who, sitting on the back of her husband, pulls yarn from a spinning.

Lion Devouring a Horse. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: image: 7 1/2 x 11 13/16 in. (19 x 30 cm)sheet: 10 13/16 x 14 5/8 in. (27.5 x 37.1 cm). Date: 1818. Museum: Metropolitan Museum of Art, New York, USA.

Strong one who breaks his chains, / when with flowers we do them. / 26. (Registered title) | Childness. (title of all)

A woodcut by Leonhard Beck showing heralds in Emperor Maximilian Is triumphal procession, illustrating figures, composition, and early 16th-century German printmaking techniques.

Ships on the Oudezijds Kolk at the Nicolaaskerk. Leaf 7 Recto from a sketchbook with 47 sheets.

Freedom will go around the world. (TF)

Amaryllisdancing. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Three putti with a flower basket and butterflies, Jan Wandelaar, 1750 print North Netherlands paper etching / engraving container made of plant material other than wood: basket. flowers. insects: butterfly

The braconnier. (Turitity Informing (letter))

A veiled lady and two masked musicians; The masquerades. Two musicians dance and music for a veiled woman, which is extremely right. This print is part of a series of nine numbered prints, on which two or three masked and / or declared figures are fed up.

Plate 32 from 'The Disasters of War' (Los Desastres de la Guerra): 'Why' (Por qué) 1810 ( published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 32 from 'The Disasters of War' (Los Desastres de la Guerra): 'Why' (Por qué). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810 ( published 1863). Etching, lavis, drypoint, burin, burnisher. Prints

Lier playing wife and two children playing, Philippus Velijn, after Gerrit Jan Michaëlis, 1822 print A winching woman and two children playing with flowers on the floor on her feet. In the foreground a mask and a broken yoke. Netherlands paper etching / engraving lyre, cithara, psaltery. flowers. mask. yoke

Three men stone a dragon. Three men stone a dragon, while three dressed men watch.

March. 1559. Brun, Franz (German draftsman and engraver, active ca. 1559-1596). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Memorial for the flood of 1809, Abraham Lion Zeelander, After Hermanus Fock, 1809 print Koning Louis Napoleon hands out food and drinks and blankets to victims of the flood in Gelderland, 1809. On a piece of land surrounded by the water is a group of desperate people, the emergency facilities are supplied on the right. Netherlands paper etching / engraving Dike-Break Gelderland

, University ring - University - Detail - Ornament, Römmler , Jonas, Printer, Ernst Wasmuth Verlag, Producer

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.65). Lithography, 19th century. Paris, Carnavalet museum. 78055-12 Album The good and the evil, tree, tie, horse, drawing, woman, braking, illustration, binding, lithography, umbrella, portrait, rock, head, passenger transport, trunk, face, car, traveler, 19th XIX 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19th 19 Century, road, scene

Four figures on the ice; Designs for the edge of an octagonal dish, with scenes of country life. A person is sitting on a sled.

The cimbrish flood, 113 BC.; The kimbric flood. The people of the Cimbren threatened by the washing water, 113 BC. The flood that according to Roman historians was the cause of the people of the people of the Cimbren from Northern Europe (possibly denmark) to the south.

An owner. (Dummy title)

The rural ... / Farm of the so-called national shame assembly / Trochu / J.Simon / E.PICARD / THIERS / J.FAVRE ...

Allegory on the arrival of Hendrik IV in Paris, Frans Lauwers, after Peter Paul Rubens, 1864 - 1896 print paper. etching symbolic triumphs of individual persons Paris

Hardware; Wojtkiewicz, Witold (1879-1909); 1905 (1905-00-00-1905-00-00);Czernicni-Żalińska, Wanda ( -1986), Czernici-Żalińska, Wanda ( -1986)-collection, young Poland (Styl), Partage Plus, Art Salon "Skarbiec" (Warsaw-Antiquariat-1940-1950), Poland (Poland ( Culture), Revolution of 1905, Polish drawings, symbolic scenes, symbolism (style), prisoners, purchase (provenance)

Seven in one fell swoop, Max Slevogt, 1878 - 1932 print paper tales and fairy tales

Wandering monkeys, 1830, Anonymous, 1830 - 1831 print Cartoon in which the Belgian rebellion Jambe de Bois lets King William I jump through a hoop on a stage, to the entertainment of the Belgian audience. The king loses his crown. On the right on an elevation are three other princes such as monkeys: Charles X, Hussein Dey van Algiers and Karel II Hertog van Brunswijk. Belgium paper circus animals. monkeys, apes. monkeys (circus performance)

Two figures and branches on an ezelkar. Leaf 7 Recto from a sketchbook with 13 sheets.

Young people in medieval clothing lies with a lake, Jean -Baptiste Anthony (attributed to), 1864 - 1909 print paper. etching / drypoint sleeping on the ground - BB - out of doors. youth, adolescent

Lithography by Théodore Géricault from 1822 depicting a charcoal cart, showing the vehicle and its contents in detailed composition.

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