Historical Illustrations and Processions

A variety of historical etchings and lithographs illustrating significant events, processions, and figures from the 16th to early 20th centuries, capturing cultural narratives.

Bombled, Karel Frederik, Soldier on horseback and other figure studies, recto lower right - handwritten, Around the rider are studies of, among others, a woman with a cloak, a running dog, an attacking soldier, a man with a walking stick, horses, an Amazon and a knight., print, prent, prints, very rare, height 278 mm, width 375 mm, 1822 - 1902-01-04, print maker, printmaker, 1832 - 1902, paper, papier, lithografie (technique), Expression creation

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and third board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Procession, with one man playing a drum atop a horse at front, four men playing trumpets on horses at center, and one man following on foot behind 16th century Anonymous, German, 16th century. Procession, with one man playing a drum atop a horse at front, four men playing trumpets on horses at center, and one man following on foot behind. Anonymous, German, 16th century. 16th century. Etching

Vier scènes.Four scenes among each other. The upper shows a car with horse with rider. Bye and two riders, then two people standing at a table with a large piece of textile. The lower scene shows three fishermen in a boat.

Bombled, Karel Frederik, Soldier on horseback and other figure studies, recto lower right - handwritten, Around the rider are studies of, among others, a woman with a cloak, a running dog, an attacking soldier, a man with a walking stick, horses, an Amazon and a knight., print, prent, prints, very rare, height 278 mm, width 375 mm, 1822 - 1902-01-04, print maker, printmaker, 1832 - 1902, paper, papier, lithografie (technique), Expression creation

Artists funeral. Wojtkiewicz, Witold (1879-1909), painter

L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8 1633 Jacques Callot French. L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; first or second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Two Sketches of Figures on the Dunes near Scheveningen, Jan de Bisschop, 1660, Audience in the dunes at Scheveningen at the departure of Charles II to England on June 2, 1660., draughtsman: Jan de Bisschop, 2-Jun-1660, paper, pen, brush, h 96 mm × w 151 mm

The twelfth sledge in the procession. A cradle with four musicians, drawn by a horse, followed by two riders with torches. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Joseph Steuart, active 1821, Cavalrymen, etc, 1821. Etching.

Figures on a stone bridge, draughtsman: Jan van Goyen, 1631, paper, h 111 mm × w 195 mm

Leiden, Arnz & Co., August, Sonderland, Johann Baptist Wilhelm Adolf, Netherlands, Berghaus, Johann Peter, Le Vol du Héron, dessiné au Loo en Julliet 1843, Falconry for herons, 1843, verso - stamped, Falconry held in July 1843 on the heath near Het Loo Palace. In the center on horseback Prince Alexander with his entourage. On the right a lady and some gentlemen on horseback look on. On the left a man with a rack on which several falcons are sitting, in the front some captive herons. Prince Alexander was chairman of the Royal Loo Hawking Club, two other members, Fr. van den Heuvel and Adriaan Mollen are portrayed on the left. Belongs to the prospectus for a series of seventeen plates about falconry, the first part to be published in October 1844, as a sample of illustration., print, engraving, prints, enten, Frederik Muller Historieplaten, height 531 mm, width 698 mm, 1810-04-18 - 1870-10-23, print maker, printmaker, 1844 - 1844, paper, papier, lithografie (techniek), 1805-02-02 - 1878-

A Horse Sale at Hopkins's Repository (An outline), Thomas Rowlandson, 1756-1827, British, undated, Pen and black ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 5/16 x 15 11/16 inches (23.7 x 39.8 cm), auction, genre subject, hats, horses (animals), men, riding crops

National hunt on royal lands. // the former and slow king. (IT)

Desseins a Plusieurs Usages Inventés par M. B. Toro 1718 or after Jean Bernard Toro French. Desseins a Plusieurs Usages Inventés par M. B. Toro. 1718 or after. Etching

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Plate 21 from the 'Tauromaquia': Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon 1816 Goya (Francisco de Goya y Lucientes) Spanish The most extraordinary bullfighting episode that Goya might have witnessed is undoubtedly that depicted here, the death by goring of the mayor of Torrejón in the bullring at Madrid. While the circumstances and the identity of the actual victim are unclear, similar accidents were documented in 1790 and 1801. The diminutive figure watching in the background resembles Goya. This bystanders attentive yet detached expression, compared with the other figures looks of horror, might allude to the creative distance that separates artist from subject.. Plate 21 from the 'Tauromaquia': Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon 359814

Francisco Goya (1746-1828). "Tauromachie- pl.17- Palenque of the Moors made with donkeys to defend against the bull Embolado- H 220 I1". Eau-Forte, Pointe Sèche et Burin. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Tauromachie - PL17 - Palenque de los Moros Made with donkeys to defend the Embolado Bull - H 220 I1 Ane, Bull, Bullfighting, Donkey, Etching, Etching, Man, Pierce, Taurus, Purchase, Lance, Man, Spear

Don Quixote and Sancho Panza. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 7 7/8 x 11 3/4 in. (20 x 29.8cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), varies Figure. A skirmish. Fourth issue of a series of 8 rooms. (A. de Vesme 176; Dutuit 109) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The fourth sledge in the procession. A slide in which the personification of freedom, with Willem van Oranje and a knight, drawn by a horse and followed by nobles on horseback. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Animals in the Ark of Noah, Leo Gestel, 1891 - 1941 drawing paper. ink. pencil pen the animals enter the ark

Philippus II of Macedonia and Alexander the Great at the age of 17 in the fight against Thebes, Leonaert Bramer, c. 1655 - c. 1665 Philippus II is in the chariot during the fight against Thebes. Next to him, Alexander the Great drives his sword in the air. Numbered at the top right: 7. Drawing is part of an album. prepared paper. ink pen / brush Philippus II is in the chariot during the fight against Thebes. Next to him, Alexander the Great drives his sword in the air. Numbered at the top right: 7. Drawing is part of an album. prepared paper. ink pen / brush

Kwakzalver, Willem Hendrik Stam, after Jan Havicksz. Steen, 1841 - 1874 print A quack is on a podium to sell their goods to the public. Next to him, a woman and her assistant are cutting a stone out of the head of a man. In the foreground, a figure pushes a wheelbarrow with a drunk man. The Hague paper quack, charlatan, mountebank, 'saltimbanco'. stone-operation, e.g.: by the witch of Malleghem. drunkard. monkeys, apes. dog

A couple promenading in the woods, left. Before them, moving toward the right, a small girl is seated on a donkey, accompanied by a young woman holding a parasol; a doll seated on another donkey, led by a little girl. Pen and ink, brush and sepia wash on paper. Date: 1835-1840. Museum: Cooper Hewitt, Smithsonian Design Museum.

View of the tower and KaralyMszczyz; Romanowicz, Walenty; 1938-VII.1941 (1938-00-00-1941-00-00);

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1816. Dimensions: 210 x 310 mm (image); 250 x 353 mm (plate); 320 x 445 mm (sheet). Etching, burnished aquatint and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Figures for a tent in a harbor, Jean Baptist Leprince, 1769 print paper etching harbour. tent. sheep

Galata bridge over the golden horn in Constantinople. Different figures on a bridge, including two men with a caretaker, men with bother animals and some veiled women. On the left in the background a mosque with two minarets.

Crowd and karossen on a square, Bernard Picart, 1683 - 1733 drawing Design for a print. paper. ink. pencil pen / brush

Military Figures in a Landscape, recto; Tree Study, verso, 1825, Théodore Rousseau, French, 1812 - 1867, 6 9/16 x 8 3/8 in. (16.67 x 21.27 cm) (recto)8 3/8 x 6 9/16 in. (21.27 x 16.67 cm) (verso), Brown ink over graphite on white wove paper, France, 19th century

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Sixty-second board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Landscape with four putti; Das Neuw Grottesken Buch Nürnberg 1610; Leaf of the "Neu Grotesken Buch" 1610. In the middle there are two putti at the foot of a tree. The putto left plays on a lute, the putto right on a violin. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Note, 1859 - 1864 Leaf 42 Recto from a sketchbook with 77 sheets. paper. pencil

Pencil sketches by Ferdinand Georg Waldmüller from 1829 depicting a variety of subjects and compositional studies in a sketchbook.

Dorpskermis (right part), Anonymous, Hans Sebald Beham, in or after 1539 print paper public festivities

The adoration of the shepherds who gather at left, angels holding a banderole upper right 1700-1800 Anonymous, 18th century. The adoration of the shepherds who gather at left, angels holding a banderole upper right. Anonymous, 18th century. 1700-1800. Etching. Prints

Ehrström, Eric O. W., work, Bunch of rowan berries in snow, 1908, color lino drawing, graphics, 11 cm x 5.5 cm

Patriotic memories / by Eugene the Poitevin. / N ° 1. (IT)

Leiden, Immerseel Mounier, CA van, Netherlands, Mensing & Last, Last, Carel Christiaan Antony, Image of the costumed procession, representing the entry of Philip II, Prince of Spain, into Utrecht, on 3 October 1549, held on 17 June 1846, by HH Students of the Utrecht University, Masquerade of the Utrecht students, 1846 (plate 7), Historical costumed procession of the students of the Utrecht University held on 17 June 1846 on the occasion of the 210th anniversary of the University. The procession depicts the entry of Philip II into Utrecht on 3 October 1549. Plate with the groups numbered 38-39. Part of the series of 22 loose sheets that can be glued together., print, picture, books, Frederik Muller History Plates, height 240 mm, width 310 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1847 - 1847, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

The Cattle Vendor, 1790s. Giovanni Domenico Tiepolo (Italian, 1727-1804). Pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphite; sheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); image: 29.5 x 41.7 cm (11 5/8 x 16 7/16 in.).

Noah's Ark. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1650-1669. Dimensions: 203 x 248 mm. Pen and brown ink and brush and brown ink wash on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

An ink and brush drawing by Georges Lallemand depicting Melager and Atalante, with gray and ocher washes emphasizing form and movement.

Plate 8, from 'Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes', Stefano della Bella, Italian, 1610-1664, Italy, France, 1610-1664, Print, Print

Drawing, Design for Two Friezes with Putti; Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink on paper

Sketch to the painting "Branka Tatarska" ; Verso: Galloping study, eaten, architectural sketch; Pawliszak, Wac AW (1866-1905); around 1901 (1886-00-00-1905-00-00);Tatar, Nations, Witke-Jeżewski, Dominik (1862-1944)-collection, east, genre scenes, fighting, genre scenes, for image, study, female, act, files, collection stamp, recovery, collective scene, purchase, purchase (provenance)

Petites figures XXI.. Artist: Paul Gavarni, French, 1804-1866

Two secondary to romantic literature a boat on a rough wave; Survivors of survivors Johannot, Alfred (1800 1837), Johannot, Tony (1803 1852)

WILLEM IV, 1752, plate 5, 1752 - 1755 The Swiss guard, with musicians. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 5. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft The Swiss guard, with musicians. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 5. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Thomas Ross, active from 1753, British, Riders, Figures and a Dog, undated. Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige, laid paper.

The Wounded Goetz von Berlichingen Takes Refuge in a Gypsy Camp ca. 1836 Eugène Delacroix French Delacroix was fascinated by Goethes "Goetz von Berlichingen," the tale of a late medieval knight (translated into French in 1823). In an 1827 sketchbook he listed seven possible subjects based on the story, including "Goetz arrives wounded on his horse among the gypsies." This loose wash drawing is the only known compositional study for the lithograph he produced of the scene. Delacroix worked on the series intermittently from 1836 to 1843, eventually completing seven designs, but never published the lithographs as a suite.. The Wounded Goetz von Berlichingen Takes Refuge in a Gypsy Camp 336586

Delfos, Abraham, Northern Netherlands, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Tenth sleigh, verso - stamped, The tenth sleigh in the procession. A sleigh with Asclepius (Aesculapius), pulled by a horse. Part of a series of twelve plates (etching before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prent, prints, prenten, Frederik Muller Historieplaten, height 229 mm, width 441 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, papier, etching, etsen, 1731-03-08 - 1820-07-13, intermediary draughtsman

Rembrandt van Rijn (1606-1669), Eunkkens Daab, 1641

Repin, Ilya Yefimoviš (uncertain), work, Karakozov on his way to be hanged, 1866, drawing, 29.7 cm x 23.8 cm

Six oxen for a team, above a sketch of a sitting boy. Draughtsman: Johan Daniël Koelman. Dating: c. 1841 - c. 1857. Measurements: h 303 mm × w 476 mm. Museum: Rijksmuseum, Amsterdam.

The trip to Norrige, Kanalvägen July 1855 ". Wallfire to Vreta Monastery. Watercolor by Fritz von Dardel Nordic

Trap set for escaping Fehim Pasha. unknown, graphic artist

Heraldic Garland surrounded by Engelen, Nicolaes Pietersz Berchem (Possible), 1630 - 1683 drawing Heraldic Garlande, depending on a coat of arms and surrounded by winged angels who retain shields. paper. ink pen / brush ornament ~ festoon, garland. armorial bearing, heraldry. cupids: 'amores', 'amoretti', 'putti'

Woodcut by Hans Burgkmair the Elder depicting a drummer in Emperor Maximilian I's triumphal procession, showing figure, gesture, and 16th-century German ceremonial iconography.

Horse Market in Algiers, 1898. Albert Besnard (French, 1849-1934). Etching; sheet: 27.2 x 37.5 cm (10 11/16 x 14 3/4 in.); plate: 17.5 x 23.7 cm (6 7/8 x 9 5/16 in.).

Francisco de Goya (1746-1828), the people steel the bull with lances, seals, bannerillas and other weapons, 1815-1816

Satirical drawing (from the Zanoza" journal). unknown, graphic artist, Borell, P. (18..-1901), draughtsman, cartoonist

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: eighth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Procession, with one man playing a drum atop a horse at front, four men playing trumpets on horses at center, and one man following on foot behind. Artist: Anonymous, German, 16th century. Dimensions: Sheet: 6 1/2 in. × 17 in. (16.5 × 43.2 cm)Plate: 6 1/8 × 15 1/2 in. (15.6 × 39.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Blommers, P. (Lithographic printing house of), Netherlands, Last, Carel Christiaan Antony, Io Vivat, Cartoon from the Leiden student almanac, 1849, verso - stamped, Cartoon from the student almanac of the University of Leiden from the year 1849. A singing student group under the inscription 'Io Vivat', surrounded by small representations of student life., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 364 mm, width 548 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1849 - 1849, chine collé, lithography (technique), printer

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Peniments: Radbraken, Jacques Callot, 1633 print In an open space near a city wall, many soldiers have been gathered around a platform on which a man is broken. Under the show an empty margin. This print is part of a series of 17 (18 incl. Title print) prints with performances of various types of misery that warfare entails. print maker: Nancypublisher: Paris paper etching physical punishment ~ military service. warfare; military affairs (+ outside city-wall or fortress)

Ice convenience at the Zijlpoort in Haarlem ..

The Pardon of Saint-Anne-La-Palud 1858 Eugène Boudin Boudin described this scene in a letter to his brother: "Imagine an immense plain in the middle, a small gothic chapel surrounded by trees around that a hundred tents made of white canvas in open-air kitchens huge pots of boiling soup, incredible ragouts..." Rather than depict the sacred procession of the Pardon of Saint-Anne-la-Palud, a major religious festival in Brittany that Boudin witnessed during a visit to the region in 1857, the artist chose to sketch the animated preparations for the celebratory picnic with the Chapel of Saint-Anne-la-Palud in the background. Boudin ultimately selected this subject for his first major painting and Salon début in 1859. Although Charles Baudelaire praised the picture, the painter was unsatisfied, writing in his journal that the finished canvas lacked "grandeur, suppleness, and novelty." This drawing retains the vitality that Boudin feared lost in the final work.. The Pardon of Saint-Anne-La

Six different figures, Paulus Lauters, 1828 - 1839 print Brussels paper working situations of artist - BB - out of doors. walking-stick, staff. hanging the wash to dry

Unknown (-); J�rgen Ovens (1623-1678), acquired on the occasion of Kiel University's inauguration. Blackboard 15, 1666

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Diversi Capricci. Two horses. Seventh number of a suite of 24 rooms. (A. de Vesme 134; dutuit 139) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Reprint of Le Chars et Les Personnages (The Chariots and The Characters), from La Guerre d'Amour (Guerra d'Amore) (War of Love) Jacques Callot French. Reprint of Le Chars et Les Personnages (The Chariots and The Characters), from La Guerre d'Amour (Guerra d'Amore) (War of Love). Guerre d'Amour (Guerra d'Amore). Jacques Callot (French, Nancy 1592-1635 Nancy). Etching. Prints

Torero with burning banderil shaft; Banderillas de Fuego; La Tauromaquia; Bullfighting. Two picadors (patches) and a number of men on foot in the arena. The Torero (bullfighter) holds two banderillas in his hands: decorated sticks with barbs. From the neck of the bull that is opposite him stitches two banderillas where smoke comes from.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica. Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Dimensions: 16-3/4 x 44-9/16 in. (42.7 x 113.2 cm) maximum, unevenly cut upper and lower borders. Date: 1652.Composed of three joined sheets, this magisterial design represents a vision of the Apocalypse, with the division of risen souls on the Day of Judgment. It is a study for the mosaic decoration of a dome in the right nave of Saint Peter's basilica. (The oval lantern piercing the dome is lightly indicated at the center.) Work on this important commission began in 1668, the year before Cortona's death, and was overseen by his talented pupil Ciro Ferri (1634-1689).In 1652 Cortona was at work on cartoons for the mosaic decoration of the first three bays in the right nave of Saint Peter's Basilica. For the elliptical cupolas of these bays lie supplied scenes from the Apocalypse - the mosaic of the third cupola re

Men and Boys Throwing Snowballs, Adriaen Pietersz van de Venne, 1638, draughtsman: Adriaen Pietersz. van de Venne, 1638, paper, pen, h 166 mm × w 222 mm

Craterus kills the lion who attacks Alexander the Great, Leonaert Bramer, c. 1655 - c. 1665 Alexander the Great, on the right, is attacked by a lion during hunt. Craterus, left, kills the lion. Numbered at the top right: 28. Drawing is part of an album. prepared paper. ink pen / brush Alexander the Great, on the right, is attacked by a lion during hunt. Craterus, left, kills the lion. Numbered at the top right: 28. Drawing is part of an album. prepared paper. ink pen / brush

The ninth sled in the procession. A slide with the personification of justice, drawn by a horse. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

Don Quixote et Sancho Panza ca. 1865 Honore Daumier (1808-1879 French) Chalk & wash Christie's Images, New York

Small seascape with a sloop, Reinier Nooms, 1650 - 1664 print A sloop with people by a rocky coast. Netherlands paper etching rowing-boat, canoe, etc.. rocky coast

Studies of farmers, horses and a stork's nest. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 170 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

George Chinnery, 1774-1852, British, Lady Louisa Duncombe on Horseback, ca. 1824. Graphite and pen and black ink, squared for transfer on medium, slightly textured, cream wove paper.

Two carts with horses stand in front of a ruined church. Soldiers are loading corpses onto the carts., Retrieving corpses with carts, print maker: Joannes Bemme, (mentioned on object), Dirk Langendijk, (mentioned on object), print maker: Netherlands, Rotterdam, c. 1820, paper, h 250 mm × w 365 mm

Charles Williams, active 1796-1830, British, The Union Club, undated. Pen and black ink over graphite on moderately thick, moderately textured, beige laid paper.

Cartoon on the retreat of Napoleon from Russia, after 1813 print paper etching political caricatures and satires. retreat of the defeated Russia

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: fourteenth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Plate 10 from Pietro Paulo Bissari, Antiopa. Artist: Mathäus Küsel (German, 1621-1682); After Kaspar Amort; After Francesco Santurini (German, 1627-1682). Author: Pietro Paulo Bissari (Italian). Dimensions: Sheet (Trimmed): 10 1/16 × 9 5/8 in. (25.5 × 24.5 cm). Date: 1662.Celebrates the birth of the Bavarian Crown prince, Max Emanuel, in Munich, 1662. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Black man in party costume holds a horse. Draughtsman: anonymous. Dating: 1800 - 1900. Measurements: h 125 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Conversation on the beach at a boat converted into a housing, Wijnand Nuijen, 1833 drawing paper. chalk

First floats in the parade for the Holy Rombout, 1825, 1825 The first floats in the Ommegang for the Holy Rombout. On the wagon the city -wit of Mechelen accompanied by virtues. The parade was held on June 28, 5 and 12 July 1825. Illustration in a publication on the occasion of the 1050-year celebration in 1825 of the death of Saint Rumoldus or Rombout, patron saint of the city of Mechelen, who was thought that he was died in 775. Print Maker: Mechelen Printer: BrusselsPublisher: Mechelen paper Mechelen The first floats in the Ommegang for the Holy Rombout. On the wagon the city -wit of Mechelen accompanied by virtues. The parade was held on June 28, 5 and 12 July 1825. Illustration in a publication on the occasion of the 1050-year celebration in 1825 of the death of Saint Rumoldus or Rombout, patron saint of the city of Mechelen, who was thought that he was died in 775. Print Maker: Mechelen Printer: BrusselsPublisher: Mechelen paper Mechelen

Penitent Magdalene with Angels in a Landscape recto. Dimensions: overall (approximate): 20.4 x 29.5 cm (8 1/16 x 11 5/8 in.). Medium: pen and brown ink with brown wash and traces of graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Donato Creti.

Schutters van de Compagnie van Kapitein Joan Huydecoper and Lieutenant Frans van Waveren, 1648. Schutters of the Company of Captain Joan Huydecoper and Lieutenant Frans van Waveren, 1648. Sketch to the painting. Group portrait on the occasion of closing the peace of Munster, Amsterdam, 1648.

Lazio Viterbo Caprarola Palazzo Farnese88. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diogenes a man looking at a man.

Black and gray chalk drawing by Peeter Snayers depicting two tired riders and a farmer in a low position on brownish tinted paper, with graphite pencil lettering.

Part of a triumphal procession with soldiers with spears and bullet lies; Stucco in the Sala Degli Stucchi in Palazzo del in Mantua; Triumphal of Emperor Sigismund I in 1432; Sigismundi Augusti Mantuam Adeuntis Profectio AC Triumphus. Caption in Latin. Print is part of an album.

Image reproduction: Juliusz Kossak (1824-1899), da for us, for a bonaparte, as is the winner We have; from: "Pie legions. With illustrations of Juliusz Kossak and the text, he included Dr. Ludwik Finkl"; Paulussen, Richard (Vienna; Graphic Zak after 1893 (1889-00-00-1914-00-00);

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