Historical Landscape Engravings

Beautifully detailed engravings of landscapes and historical sites, showcasing natural scenery, architecture, and dramatic skies. Styles range from romantic to historical realism.

Cayer d'Esquices a l'Usage des Artistes, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, landscapes, Print, Print

Rievaulx Abbey, Yorkshire, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Babylon, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, engraver's proof

James T. Willmore, 1800-1863, British, Powis Castle, Montgomery, 1827-1838. Line engraving, first published state.

John Cousen, 1804-1880, British, Honfleur, 1834. Line engraving, engraver's proof.

Dover, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Engraver's proof (b)(touched)

James Baylis Allen, 1803-1876, British, St. Germains, 1835. Line engraving, engraver's proof, touched.

James T. Willmore, 1800-1863, British, Llanthony, Monmouthshire, 1836. Line engraving and stipple engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

John Cousen, 1804-1880, British, Babylon, 1836. Engraving.

James T. Willmore, 1800-1863, British, Llanthony, Monmouthshire, 1827-1838. Open etching.

Cayer d'Esquices a l'Usage des Artistes, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, landscapes, Print, Print

James T. Willmore, 1800-1863, British, Powis Castle, 1836. Line engraving, 3rd state on moderately thick, smooth, cream, wove paper.

Land's End, Cornwall, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Etching and line engraving on thick, rough, cream, wove paper, Sheet: 11 13/16 × 17 1/2 inches (30 × 44.5 cm), Plate: 9 × 11 7/8 inches (22.9 × 30.2 cm), and Image: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm)

William Miller, 1796-1882, British, Stirling, 1836. Etching and engraving, first published state.

View of Europe Point, Gibraltar, John Pye (I), After Adam Pijnacker, 1773 print London paper etching rocky coast. rowing-boat, canoe, etc.. sailing-ship, sailing-boat Gibraltar

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) June 1811 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to detail a subject inspired by Spenser's epic poem "The Faerie Queene" (1590-96). An armored figure, whose shield identifies him as the Redcrosse Knight, sits dejecteded on a rocky mountainside ledge near blasted trees. The image likely relates to lines in Book I where the knight succumbs briefly to the influence of Despayre (Despair) after being abandoned by a companion. The letter "H" in the upper margin places the work within Turner's category of Historical landscap

Das Malerische und Romantische Rheinland: Thurant & Alken, 1928. Henry Winkles (British, 1801-1900), Kurt Schroeder. Etching in blue; sheet: 24.1 x 32.3 cm (9 1/2 x 12 11/16 in.); plate: 15 x 23.8 cm (5 7/8 x 9 3/8 in.).

Robert Wallis, 1794-1878, British, Saumur, 1830. Line engraving, 2nd state on moderatle thick, moderately textured, cream, wove paper, with cream chine colle.

Print made by John Wykeham Archer, 1808-1864, British, Richmond Castle and Town, 1820. Etching and line engraving on thick, moderately textured, cream, wove paper, with cream, chine colle.

George Cooke, 1781-1834, British, Pendennis Castle and Entrance of Falmouth Harbour, 1814-1826. Etching and engraving, Engraver's proof on moderately thick, slightly textued, cram wove paper, with cream chine collé.

Italian landscape in De Storm, Willem van de Lande, After Adriaen van Nieulandt (I), 1635 - 1650 print Italian landscape with figures in the storm, in the distance ruins and a settlement. The print is part of a six -part series of prints with Italian landscapes. paper etching landscape with ruins - II - ideal landscapes. storm

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

St. Germains, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Colchester, Essex, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, first published state

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), sevestre (Fl. CA 1843), lithography of H. Nicolet (Neuchtel)

Italian landscape in the storm; Italian landscapes. Italian landscape with figures in the storm, in the distance ruins and a settlement. The print is part of a six-part series of prints with Italian landscapes.

Zahara. Dimensions: overall: 33.5 x 46.4 cm (13 3/16 x 18 1/4 in.). Medium: pen and gray ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anthony Devis.

William Finden, 1787-1852, British, The Drachenfels, 1832-1834. Etching and engraving, First published state on moderately thick, moderately textured, cream, wove paper, with gray chine colle.

Print, The Winding Road, 1747; Print Maker: Johann Georg Wille (German, active France 1715-1808); France; engraving on paper; 9.3 × 13.8 cm (3 11/16 × 5 7/16 in.); Bequest of George Campbell Cooper; 1896-3-241

Telic OP Sonnenberg, Friedrich Geissler, after Ernst Fries, 1810 - 1845 print Heidelberg paper etching / engraving landscape with ruins Sonnenberg

Vue des Environs de Nerva. Le Prince, Jean-Baptiste (1734-1781), graphic artist

View of all, Martinus Antonius Kuytenbrouwer Jr., 1831 - 1897 print Medallion with a view of the Belgian village all with the contours of the Sint-Mauruskerk. Netherlands paper etching / drypoint church (exterior). mountains. village. river Belgium

Landscape with three figures at a waterfall, Joseph Wagner (Possible), 1739 - 1780 print Venice paper etching waterfall. landscapes

Deal, Kent, Print made by William Radclyffe, 1780-1855, British, Joseph Mallord William Turner, 1775-1851, British, 1826, Etching and line engraving; first published state on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm), Plate: 9 1/4 × 12 1/4 inches (23.5 × 31.1 cm), and Image: 5 5/8 × 9 3/8 inches (14.3 × 23.8 cm)

Sepolcro antico in via nomentana, vicino al ponte nomenano; Frauenholz, Johann Friedrich (1758-1822), Reinhart, Johann Christian (1761-1847); 1792 (1792-00-00-1792-00-00);

William Miller, 1796-1882, British, Hougoment, 1834. Etching and engraving, engraver's proof.

Print made by David Lucas, 1802-1881, British, The Plough, 1837. Mezzotint.

Honfleur, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Harlech Castle, after W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm), Plate: 10 × 13 1/16 inches (25.4 × 33.2 cm), and Image: 6 3/8 × 9 5/8 inches (16.2 × 24.4 cm)

Tancarville, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof (early)

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

The Circle of Gavarnie, Pyrenees, Print made by Joseph C. Bentley, 1809-1851, British, after Thomas Allom, 1804-1872, British, Published by Fisher, Son & Co., active 1821-1848, British, undated, Line engraving on medium, slightly textured, cream wove paper

View of the Grand Cascade at Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1766. Dimensions: 471 x 702 mm (image); 505 x 720 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Hellmuth (Fl. 1840 1843), lithography of H. Nicolet (Neuchtel)

Tivoli. Dated: 1793. Dimensions: plate: 28.3 x 37.2 cm (11 1/8 x 14 5/8 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Carlo Paolo Agazzi, Landscape (Paesaggio), before 1915 Landscape Paesaggio

Robert Brandard, 1805-1862, British, Chateau Hamelin, 1833. Line engraving on thick, moderately textured, beige, wove paper, with cream, chine colle.

Puteoli, port in the bay of the Neapolith; on the first plan theater ruins; Cleve, Hendrick Van, III (Ca 1525-1589), Galle, Philips (1537-1612), Galle, Theodor (1571-1633); 1557-1612 (1587-00-00-1587-00-00);

Larc-en-ciel (Vendée) (The Rainbow [Vendee). Artist: Auguste Lepère, French, 1849-1918

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, Engraver's proof

Portsmouth, Hampshire, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1814 to 1826, Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 6 1/4 × 9 1/4 inches (15.9 × 23.5 cm)

East & West Looe, Cornwall, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1818, Etching and engraving on thick, slightly textured, cream, wove paper, with cream, chine collé, Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm), Plate: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm), Chine collé: 8 15/16 × 11 15/16 inches (22.7 × 30.3 cm), and Image: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)

Laugharne Castle, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, 3rd state on moderately thick, slightly textured, beige, wove paper, Sheet: 11 × 15 inches (27.9 × 38.1 cm), Plate: 9 1/2 × 12 1/8 inches (24.1 × 30.8 cm), and Image: 6 5/16 × 9 7/16 inches (16 × 24 cm)

Artist: Jules Dupre, French, 1811-1889, Vue Prise a Alencon; from L’Artiste, Lithograph, sheet: 18.3 × 24.4 cm (7 3/16 × 9 5/8in.), French, 19thcentury, Works on Paper -Prints

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Nineveh, Moussul on the Tigris, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, engravers proof

William Miller, 1796-1882, British, Modern Italy, 1859-1879. Steel engraving.

Plymouth, Devonshire, William John Cooke, 1797-1865, Irish, after Joseph Mallord William Turner, 1775-1851, British, 1832, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm), Plate: 10 1/16 × 11 13/16 inches (25.6 × 30 cm), Chine collé: 9 11/16 × 11 9/16 inches (24.6 × 29.4 cm), and Image: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm), bay (body of water), cityscape, genre subject, picnic, Devon, Plymouth

Hadleigh Castle. Dated: 1832. Dimensions: plate: 18 x 25.3 cm (7 1/16 x 9 15/16 in.) sheet: 20.4 x 27.9 cm (8 1/16 x 11 in.). Medium: mezzotint on laid paper touched proof. Museum: National Gallery of Art, Washington DC. Author: David Lucas after John Constable.

Siege van Sluis, 1794, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Sluis, besieged and taken by the French on August 25, 1794. Amsterdam paper etching Victory, position was Lock

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Scene on the Loire, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Etching by Pierre François Tardieu between 1750 and 1771 titled 'Felsenbrandung' depicts waves breaking against rocks, characteristic of European 18th-century engraving.

Coastal landscape in stormy weather, Anonymous, After Claude Joseph Vernet, 1750 - 1788 print print maker: Franceafter painting by: Francepublisher: ParisFrance paper etching / engraving rocky coast. storm at sea. fisherman

Capt. Thomas Hastings, 1778-1854, British, Part of the West Cliff, Hastings, 8 October 1820, 1820. Graphite; verso: watercolor on medium, slightly textured, cream wove paper.

Dunstanborough Castle, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 5/8 × 16 3/4 inches (29.5 × 42.5 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), castle, houses, landscape, ruins, sea

Salerno drawings, works on paper

Brick cable car to the Sofien-Alpe near Vienna, Overall presentation of the wire cable car on the Sophienalpe near Vienna, Johann Josef Kirchner -, Artist, Rudolf von Waldheim, artistic institution, book printing, xylography and publisher, printer

Print made by William Bernard Cooke, 1778-1855, British, Fowey, Cornwall, 1820. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

View of Ouren, Alle, Mouzaive and Chairière, Martinus Antonius Kuytenbrouwer Jr., 1831 - 1897 print Decorated magazine with four medallions with faces on Belgian villages. At the top left a medallion with a face on the village of Ouren on the river Our and at the top right the village all with the contours of the Sint-Mauruskerk. Bottom left a medallion with a face on Mouzaive on the River Semois and below the village of Chairière and the Eglise Saint-Walfroid church. In the middle of the medallions a four -way jump, with the village names. There is a walker at the Viersprong. Netherlands paper. etching / drypoint 'en route', traveller under way. church (exterior). prospect of village, silhouette of village. river. mountains. cross-roads, bifurcation

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

A landscape motif at Mödling drawn by Carl Philipp Schallhas using light brown brush and laved technique with chalk designations for details.

Brueghel, Jan (I), unknown, Sadeler, Aegidius, Rocky landscape with Saint Jerome, verso lower middle - stamped, kneeling in prayer before a crucifix. His lion lies beside him., print, prent, prints, prenten, height 219 mm, width 278 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, 1568 - 1625-01-13

Modern Italy, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Etched by Joseph Mallord William Turner, 1775-1851, British, The Fifth Plague of Egypt, 1808. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Prudhoe Castle, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, 3rd state on moderately thick, sligtly textured, cream, wove paper, Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm), Plate: 10 3/16 × 11 15/16 inches (25.9 × 30.3 cm), and Image: 6 9/16 × 9 1/4 inches (16.7 × 23.5 cm)

No. 72. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Hooischip in a city, Claes Jansz. Visscher (II), After Willem van Nieulandt (II), 1618 print A sailing ship and a haystep sail along a city wall. Within the city walls you can see a sitting woman and a man with a rod on a donkey. Amsterdam paper etching harbour. agricultural products and by-products: hay. sailing-ship, sailing-boat. riding a horse, ass, or mule; rider, horseman

A gray ink drawing by Johann Heinrich Schönfeld from before 1670 showing Jakob leading his herd to Kanaan, executed with gray ink and squared lead handle.

An angel with St John the Baptist before Jerusalem, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

Gezicht op eilanden Ischia en Procida. Vue des îles d'Ischia et de Procica (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 161 mm × w 517 mm. Museum: Rijksmuseum, Amsterdam.

The Homeward Star, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), etching begun ca. 1880; impression printed in 1924, Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper, Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm), Plate: 5 3/16 x 7 1/2 inches (13.1 x 19 cm), and Image: 3 15/16 x 6 inches (10 x 15.2 cm), animal art, apples, astronomy, bench, birds, buildings, bushes, cattle, chestnut, chimney (architectural element), cows, cup, drinking, eating, figures, food, food, fruit, gathering, goats, hats, landscape, light, literary theme, meal, men, moon, mountains, night, oxen, people, science, sheep, sky, smoke, star, table, town, village, west, woman

Etching and copper engraving by Daniel Lerpinière from 1750-1785 showing a landscape scene with figures representing the legend of Saint George, including natural scenery, architecture, and detailed composition.

Albert Christoph Dies, Sepolcro di L Cellio a Tivoli, 1795 Sepolcro di L. Cellio a Tivoli

William John Cooke, 1797-1865, Irish, Plymouth, Devonshire, 1832. Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle.

Loch Leven Castle, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1844, Line engraving

Scholten, Hendrik Jacobus, Flood area with collapsed house, verso center - stamped, Flooded river landscape with farms, one of which has collapsed. On the water some rowing boats. Numbered: No. 9. Signed MtK(), print, prints, HJ Scholten fec., recto lower right - stamped, height 144 mm, width 240 mm, Dutch, 1824-07-11 - 1907-05-29, print maker, printmaker, 1836 - 1907, paper, papier, etching, etchings, roulette

Adieu aux Karpatz 1857 Félix Bracquemond French. Adieu aux Karpatz. Félix Bracquemond (French, Paris 1833-1914 Sèvres). 1857. Etching on chine collé; first state of two. Prints

The top of the Großvenediger presentation of the first ascent on September , Mrs, Pracher, Lithographer

Sidmouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint

Robert Wallis, 1794-1878, British, Warwick Castle, Warwickshire, 1832. Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle.

Giant's Causeway. John Clevely, II; English, 1747-1786. Date: 1722. Dimensions: 218 × 290 mm. Pen and black ink and brush and gray wash with black chalk, on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: John Clevely, II.

Tenth Plague of Egypt, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), branches, cityscape, death, mourning, Old Testament, people, plague, religious and mythological subject, sons, stairs, the ten plagues (Exodus 7:14 - 11:10, 12:21-30), towers, walls

Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, Inverary Pier, Loch Fyne, Morning, 1811. Etching and mezzotint, printed in brown ink Engraver's proof (b)(touched) on medium, slightly textured, cream wove paper.

The Acropolis of Athens, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Etching and engraving on moderately thick, slighlty textured, beige, wove paper, Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm), Plate: 8 7/8 × 10 15/16 inches (22.5 × 27.8 cm), and Image: 3 15/16 × 5 1/2 inches (10 × 14 cm)

Bliżej Kultury Bourkhardt (Fl. CA 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Joris Hoefnagel's drawing depicts Hardales, executed with brown pen and lavated brown and blue ink, showing figures, gestures, and composition from 1564.

Old Sarum 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Old Sarum. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; first state of two. Prints

Hohenlinden (Vignette), Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837

Falmouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Engraver's proof (1856)

Village de Saint-Pierre: Effet d'orage , Villages, Hills, Storms, Alphonse Legros (1837-1911)

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