Historical Maritime Prints

Dramatic engravings of ships, coastal landscapes, and stormy seas, showcasing historical marine scenes in monochrome.

Aquarium with lobsters, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 263 mm × w 330 mm

Whitehaven, Cumberland, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 1/16 × 13 inches (25.6 × 33 cm), Chine collé: 9 3/4 × 12 5/8 inches (24.8 × 32.1 cm), and Image: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)

Breakthrough of the Sint -Antoniesdijk on March 5, 1651, 1728 - 1730 print Dike breach of the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on March 5, 1651, caused by the high water flood and the strong Northwester Storm. The water flows through the hole in the dike, spectators on either side of the hole in panic. In the background the towers of Amsterdam. Marked at the top right: Tom: II. Page: 556. Northern Netherlands paper etching Dike-Break Sint-Antoniesdijk

Thomas Goff Lupton, 1791-1873, British, Dover, 1826-1828. Engraver's proof (b).

Aquarium with lobsters, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 263 mm × w 330 mm

Print made by Edward Alfred Goodall, 1819-1908, British, Rye, Sussex, 1814 to 1826. Etching; open etching on medium, slightly textured, cream wove paper.

Tav. 27 Sepolcro delle tre fratelli Curiati in Albano (Pl. 27 Tomb of the Three Curiatii Brothers in Albano), from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per lItalia (Some Views of Triumphal Arches and Other Monuments Erected by the Romans Some of Which Are in Rome and Some Elsewhere in Italy). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Water; L'eau; Four elements. A great flooding of a city, three church towers, a house and number of flight people still visible between the waves. On the right a ship in need on the wild water.

Landscape with wood snipper, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Landscape with a bird catcher (or snippet flower) that has a standing net stretched between trees for woodcock catch (the net is a so -called late floppy) which he holds with a rope. In the morning or evening twilight, he waits for the wood snipping in the air that will soon fly in the net. A small audience watches. There is a mill in the landscape that landscape. paper engraving bird hunting. windmill in landscape. shore-birds and wading-birds: woodcock

William Tombleson, ca.1795-1835, British, Holy Island, Northumberland, 1827-1838. Line engraving, first published state.

Nolpe, Pieter, Amsterdam, Picart, Bernard, The breach of the St. Anthonis Dyk outside Amsterdam on 5 March 1651, Breach of the Sint-Antoniesdijk on 5 March 1651, recto top right - handwritten in brown ink, Breach of the dike in the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on 5 March 1651, caused by the high tide and the strong north-westerly storm. The water flows through the breach in the dike, on both sides of the breach spectators in panic. In the background the towers of Amsterdam., print, prints, verso - stamped, N. 48, height 270 mm, width 356 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), supervision, Work conception, 1614 - 1653

Fuite en Egpyte.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Jesus Christ , Flight into Egypt

William Tombleson, ca.1795-1835, British, Holy Island, Northumberland, 1827-1838. Open etching.

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Weary Ploughman, 1858. Etching and drypoint, with plate tone on thick, smooth, beige wove paper.

Coast Scene with Fishermen Hauling a Boat Ashore, Print made by Edward P. Brandard, 1819-1898, British, after Joseph Mallord William Turner, 1775-1851, British, undated, Line engraving, engraver's proof

Ice face with a brick oven; The brick oven. .

The Angel Appearing to theShepherds. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Assos, William Finden, 1787-1852, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving

La Chaise de Gargantua near Duclair, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, early engraver's proof

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus begun 1858 Samuel Palmer British. The Weary Ploughman, or The Herdsman, or Tardus Bubulcus 362470

David Lucas after John Constable, Summer Afternoon, after a Shower, 1831 Summer Afternoon, after a Shower

Print made by William Radclyffe, 1780-1855, British, Deal, Kent, 1826. Etching and line engraving; first published state on medium, slightly textured, cream wove paper.

Les corderies , Workshops, Rope industry, Alphonse Legros (1837-1911)

Netherlands, Pijnacker, Adam, Landscape with square tower, verso lower left - stamped, Hilly landscape with a square tower. In the foreground a shepherd with two cows., print, prints, height 119 mm, width 147 mm, Northern Netherlands, 1622-02-15 - 1673-03-28, print maker, printmaker, 1649 - 1673, second quarter 17th century, third quarter 17th century, paper, etching

Netherlands, Pelgrom, Jacobus, Springer, Cornelis, The Flood Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, Breach of the Arnhemmer Broekdijk near Arnhem, March 6, Breach of the Arnhemmer Broekdijk, 1855, verso - stamped, 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1811-09-08 - 1861-11-03, intermediary draughtsman

Vienna in the night from October th to October , During the fire, taken from Kahlenberge, Friedrich von Exter -, Lithographer, Johann Höfelich -, printer

Departing Storm 1829 David Lucas British View of a country landscape over which departing clouds reveal a rainbow.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Departing Storm. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint on chine collé; proof before published state. Prints

Countrymen fighting a fire by the side of a stream. 1772. Maria Anna, Archduchess of Austria, 1738-1789. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Pelgrom, Jacobus, Amsterdam, Springer, Cornelis, Dike breach in Arnhem, 1855, verso - stamped, The breach of the Arnhemmer Broekdijk in Arnhem during the flood in March 1855., print, prints, height 144 mm, width 240 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1811-09-08 - 1861-11-03, intermediary draughtsman

Allan Donn Puts to Sea. Dated: 1923. Dimensions: image: 40 x 49 cm (15 3/4 x 19 5/16 in.) sheet: 49.5 x 56.3 cm (19 1/2 x 22 3/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Senna droga, pl. 35, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

Lochiel's Warning (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837

Oblity; Skoczylas, W Adys Aw (1883-1934); 1913 (1913-00-00-1913-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

Anonymous depicts a landscape featuring the ruins of the Palatin using brown ink with brown and gray lavated and white highlights on greenish gray paper, showing architectural and natural details.

Surpret of the city of Ghent , Unknown

Harlech (A Second Plate), 1880. Francis Seymour Haden (British, 1818-1910). Mezzotint, etching and drypoint;

Landscape with Melager and Atalanta hunting the boar of Calydon, Richard Earlom, After Richard Wilson, 1771 print There is Melager on the horse, who pushes a spear in the back of the pig. Atalanta is on the left with arrow and arch. London paper Atalanta and Meleager hunting. boar-hunting. waterfall - HH - ideal landscapes. landscape with tower or castle - II - ideal landscapes

Print made by David Lucas, 1802-1881, British, Hadleigh Castle, 1830 to 1832. Mezzotint and etching on medium, slightly textured, cream wove paper.

Francis Seymour Haden, 1818-1910, British, Harlech, no. 2, 1880. Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper.

North American Bear Hunting (recto); Shell (verso) 1785-1899 England. Pen and brown ink, with brush and brown wash, over graphite (recto), and graphite (verso), on ivory wove paper . Samuel Howett

Auguste Lepère, The Great Apple Market (Le grand marche aux pommes), 1917 The Great Apple Market (Le grand marche aux pommes)

Felix-Hilaire Buhot (1847-1898). "The spirits of the dead islands". Engraving. Museum of Fine Arts of the City of Paris, Petit Palais. 33896-2 Spirit, night, obscure, engraving

Les corderies , Workshops, Rope industry, Alphonse Legros (1837-1911)

Tall Monument at a Roadside, John Skippe, 1741-1812, British, undated, Gray wash, brown wash, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm), column (architectural element), genre subject, landscape, monument, people, ravine, roadside, ruin, woods

Pantalone, from Three Italian Comedians. Jacques Callot; French, 1592-1635. Date: 1618-1620. Dimensions: 215 × 146 mm (image); 226 × 148 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Landscape Nadmorski, pl.1, from: Zwölf Original-Ryrungen. Jubiläums-Ausgabe 1835-1885; Achenbach, Andreas (1815-1910), Kupferdruckerei der Königliche Kunst-Akademie (Düsseldorf; Printing house; 1819-1918), Schwan und SteiFensand (Düsseldorf; Graphic Information; Ca 1850-1900); 1885 (1930-00-00-1930-00-00);

Two sailing ships lifted by the waves during a storm Ships in stormy weather (series title), print maker: Johann Wilhelm Baur, publisher: erven Johann Michael Probst, print maker: Vienna, publisher: Augsburg, 1640 and/or in or after 1809, paper, etching, h 109 mm × w 150 mm

Dike breach at Coevorden, 1673, Romeyn de Hooghe, 1673 print Dike breakthrough at Coevorden, October 1, 1673. Evening riders and guns are washed away by the water, in the distance the city of Coevorden. At the top of the plate the title on a hanging canvas, on the left a legend 1-11, on the right a verse of 6 lines 'on Coeverdens Miraculreuse redemption'. The whole in a frame with wind heads and skulls. Northern Netherlands paper etching / engraving Dike-Break Coevorden

Flood in Groningen, 1686, 1696 - 1700 print Watersnood in Groningen, 1686. A few people sit the storm on a roof over the high water for time, on the right a baby floats unharmed in a cradle. Printed with text on the back. Northern Netherlands paper etching flood Groningen

Storm at sea saving survivors from overturned Łódź (according to Claude Joseph Vernet). Vernet, Joseph (1714 1789), Pedro, Francesco del (1740 1806)

Josua orders the sun to stand still, John Martin, 1835 print paper. etching the book of Joshua (Josue)

Wooden panel by Leonhard Beck depicting a scene from Emperor Maximilian I.'s Weißkunig, showing the military failure at Verona, created between 1514 and 1516.

Design for a New Order of Architecture, Samuel Ireland, active 1760-died 1800, British, after William Hogarth, 1697-1764, British, May 1, 1799

Sloop with Queen Maria van Scotland and Crew sails from Lochleven Castle, Adolphe Mouilleron, 1830 - 1881 print Paris paper. rowing-boat, canoe, etc. Scotland. Lochleven Castle

Ship In Nood close to the harbor, Edgar Alfred Baes, 1847 - 1909 print paper etching / drypoint harbour. storm at sea

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "The Necromancer of the Fallotte." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101790-11 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Harlech, no. 2, Francis Seymour Haden, 1818-1910, British, 1880, Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper, Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm), Plate: 8 11/16 x 12 5/16 inches (22.1 x 31.2 cm), and Image: 7 7/8 x 11 3/8 inches (20 x 28.9 cm), animal art, architectural subject, castle, cliffs, clouds, dark, goats, grazing, hills, landscape, light, meteorology, river, rocks (landforms), science, sheep, smoke, steam, towers, weather, Cymru, Europe, Gwynedd, Harlech, United Kingdom, Wales

Breakthrough of the Sint -Antoniesdijk on March 5, 1651, Pieter Nolpe, After Willem Schellinks, 1651 - 1653 print Dike breach of the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on March 5, 1651, caused by the high flood and the strong northwester storm. The water flows through the hole in the dike, spectators on either side of the hole in panic. In the background the towers of Amsterdam. Bottom left the first part of the legend A-C. See the corresponding plate (FMH 2020). Amsterdam paper etching / engraving Dike-Break Sint-Antoniesdijk

Unknown artist: landscape with shipbreaking. 18th century. Oil. Dresden-Pillnitz: Bergpalais S 597

Figures on a Rocky Pass, Black chalk, brush and black wash, on paper, A mountain underpass opens to a wooded hilly landscape traversed by a road. A man on a horse and one walking next to him stand in the beneath the underpass., Italy, ca. 1800, landscapes, Drawing, Drawing

The Empire means Peace, from 'News of the day,' published in L'Album du Siège, 1870 1870 Honoré Daumier. The Empire means Peace, from 'News of the day,' published in L'Album du Siège, 1870. L'Album du Siège. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1870. Lithograph on wove paper; third state of three (Delteil). Prints

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus begun 1858 Samuel Palmer British. The Weary Ploughman, or The Herdsman, or Tardus Bubulcus 362471

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

George Barret RA, ca. 1728/32-1784, Irish, The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road, undated. Pen and black ink, gray wash, graphite, and white gouache on moderately thick, slightly textured, cream laid paper.

Francisco de Goya y Lucientes, They escape through the flames., 1810-1820, etching and aquatint.

Before the Storm. Artist: Ivan Ivanovich Shishkin (Yelabuga 1832-1898 St. Petersburg). Dimensions: Plate: 5 1/16 x 4 1/8 in. (12.8 x 10.5 cm). Date: 1873. Museum: Metropolitan Museum of Art, New York, USA.

Félix-Hilaire Buhot, La Traversée (The Passage), French, 1847 - 1898, 1879-1885, etching, drypoint, roulette, aquatint and stop-out in brown-black on laid paper

John Martin, 1789-1854, British, The Opening of the Seventh Seal, c.1837. Mezzotint.

In 1687 Ludolf Bakhuizen drew a stormy sea with a ship in distress, using brown wash and graphite pencil.

Catania, Sicily, Print made by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, ca. 1825, Mezzotint, printed in black-brown ink, touched in graphite and white chalk, trial proof, Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)

Woodcut by Leonhard Beck depicting the Bohemian battle scene in the Weißkunig series for Emperor Maximilian I, executed on wooden stick between 1514 and 1516.

Above the dunes the masts of sailing ships protrude. Sheet 8 recto from a sketchbook with 30 sheets, Two figures in the dunes, draughtsman: Alexander Shilling, Mar-1908, paper

The Three Trees, after Rembrandt. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam); Captain William E. Baillie (Irish, County Kilbride 1723-1810 London). Dimensions: plate: 8 1/4 x 11 in. (21 x 28 cm)sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm). Date: 1758. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with farm, 1775 - 1800 print Landscape with farm with smoking chimney. In the foreground, a man and a woman talk to each other, while next to them a boy is milking a cow. Netherlands paper etching landscapes. farm or solitary house in landscape

Amsterdam, Danckerts, Justus, Nooms, Reinier, Netherlands, Various embarkations and the like, Divers Embarquements et autre Faicts, Seascape with shipwrecked ships, verso top left - pencil, Ships thrown on the rocks after a storm. On the shore among parts of the wrecked ship, five crew and three dead., print, prints, verso lower left - stamped, verso lower right - stamped, two interlocking C's, height 82 mm, width 177 mm, Noord-Nederlands, 1624 - 1664, print maker, printmaker, 1651 - 1652, third quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

after Robert Brandard, 1805-1862, British, Dustanborough Castle, 1830. Line engraving, 3rd state on moderately thick, moderately textured, cream, wove paper.

Rocky coast with ships and fishermen. Draughtsman: Dirk Kuipers. Dating: 1775. Measurements: h 226 mm × w 357 mm. Museum: Rijksmuseum, Amsterdam.

Rope-yards (Les corderies). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Flight into Egypt (Night), 1613. Hendrik Goudt (Dutch, 1585-1630). Etching and engraving;

A fox-trap in the forest: a dead fox in a trap which kills by releasing weights on to the victim. Etching by M.E. Ridinger after J.E. Ridinger.

Mountain Torrents Flooding a City. Dated: before 1839. Dimensions: overall: 19.1 x 29.2 cm (7 1/2 x 11 1/2 in.). Medium: pen and brown ink with brown-gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antonio Basoli.

Les Folies de la Commune! Criez donc contre la commune! Elle allait la résoudre, la question des loyers!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1871. Prints; lithographs. Lithograph

Umbria Terni Collescipoli S. Nicolo9. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketches of a prark and two bamboo slots; Travel sketches made in India. Sketches of burning a prark and two bamboo slots on the water.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

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The Flight into Egypt. Dated: 1613. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goudt after Adam Elsheimer.

Copper engraving and etching by Nicolas Delaunay depicting a figure on a swing, created between 1760 and 1792, showing movement, leisure, and outdoor setting.

Jonah and the whale. Engraving after P. Brill.

Catwater, Plymouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint, proof before letters

Jonah spit out by De Walvis, Jan Luyken, 1698 print Amsterdam paper etching after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

Paris, Cadart, Alfred, Delâtre, Auguste, France, Daubigny, Charles-François, Voyage en bateau, Series of landscapes and events around water, La recherche d'une inn, Two walkers with lantern, recto - stamped, print, prints, verso - stamped, height 128 mm, width 181 mm, 1817 - 1878-02-19, print maker, printmaker, 1867 - 1867, paper, papier, etching, etchings, drypoint, dry needle, French, 1822 - 1907-07-26, printer, printer's, Publication (Event), Publication, 1828 - 1875, publisher

Landscape with ruin and waterfall, Jan Smees, 1705 - 1729 print Landscape with a ruin of a building with arc constructions. In the foreground is a shepherd with a herd of sheep. Behind a waterfall. Amsterdam paper etching waterfall. landscape with ruins - II - ideal landscapes

Mill Near Brighton 1829 David Lucas British View of a mill in a stormy landscape. In the bottom left foreground, a woman approaches the mill.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Mill Near Brighton. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint with drypoint; proof before published state. Prints

Test Van Hagel and Scrap, Jan Luyken, 1708 print View of a landscape where it thunder, lightning and where people and animals are struck by enormous hailstones. In the background the contours of a city. The print is an imagination of the seventh plague that God brought over Egypt. Amsterdam paper etching the plague of hail: Moses raises his rod towards the sky, and hail and fire fall to the ground

The Crossing, c. 1880. Félix Hilaire Buhot (French, 1847-1898). Etching, aquatint, drypoint, and roulette ; sheet: 44.2 x 31 cm (17 3/8 x 12 3/16 in.); platemark: 32.4 x 24.4 cm (12 3/4 x 9 5/8 in.).

The Lonely Tower 1879 Samuel Palmer British. The Lonely Tower 362646

Fuoco Artificiale detto la Girandola (The Fireworks above Castel Sant'Angelo), Piranesi, Francesco (1756-1810)

Woodcut by Hans Burgkmair depicting the destruction of Ypres during the time of Emperor Maximilian I, created on pear wood between 1514 and 1516.

Plymouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Artist's proof (1856)

Steel Being Poured Into Open Hearth Furnace. Dated: c. 1922. Dimensions: image: 444 x 559 mm sheet: 520 x 660 mm. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Roderick D. MacKenzie.

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