Historical Metal Engravings

Various metal plates and engravings featuring intricate designs related to historical events and decorative art, highlighting craftsmanship from past centuries.

Blaise, Gabriel, Oak relief, depicting a battle during the Siege of Vienna in 1683, photomechanical print, page, photographs, photographically illustrated books, height 63 mm, width 171 mm, French, 1827 - 1897-09-04, maker, producer, 1868 - 1873, paper, papier, Woodburytypie

Shrimp Girl late 18th century Francesco Bartolozzi Italian. Shrimp Girl 385559

Plate with engraved decorations for earthenware with flowers and fire -firming children, Petrus Regout, c. 1801 - c. 1879 Copper plate with engraved performances. On the one hand with two edge decorations with flowers for a plate. In the top right corner the text: Rand Rijsbord 11 (a removed 0) dm. The other side with sets for a sugar bowl: children's fires, children playing with a boat and a girl who plays with a dog. In the top right corner the number 1219. Also five factory stamps, three of which are extended. Drilled holes are in three of the corners. Maastricht copper (metal) engraving Copper plate with engraved performances. On the one hand with two edge decorations with flowers for a plate. In the top right corner the text: Rand Rijsbord 11 (a removed 0) dm. The other side with sets for a sugar bowl: children's fires, children playing with a boat and a girl who plays with a dog. In the top right corner the number 1219. Also five factory stamps, three of which are extended. Drill

Paintings: unidentified post standing and cross; 10th century (751-00-00-950-00-00);Faras (Sudan), Crosses, wall paintings, Polish excavations in Faras (Sudan)

Blaise, Gabriel, Oak relief, depicting a battle during the Siege of Vienna in 1683, photomechanical print, page, photographs, photographically illustrated books, height 63 mm, width 171 mm, French, 1827 - 1897-09-04, maker, producer, 1868 - 1873, paper, papier, Woodburytypie

Plum in Snow Liu Shiru Chinese Flamboyantly interpreting the style of Wang Mian (1287-1359), Liu Shiru used bold black strokes to accent the branches and ink wash in the background to highlight the uninked blossoms and snow. In his inscription in the upper-left corner he revels in the vision of "vertical branches collecting three feet of ice.". Plum in Snow. Liu Shiru (Chinese, active 1550-1600). China. Hanging scroll; ink on silk. Ming dynasty (1368-1644). Paintings

The poes Lola c. 1887 - c. 1888 zinc etching

Bark of the trunk of a city carved in Aspen in Paris France

2006.1040.61. Dalziels' Bible Gallery - The Arrow of Deliverance, 1861-64. Engraved woodblock.. Designer: Arthur Murch. Engraver: Dalziel Brothers

Plum in Snow. Artist: Liu Shiru (Chinese, active 1550-1600). Culture: China. Dimensions: Image: 68 3/4 x 24 3/8 in. (174.6 x 61.9 cm)Overall with mounting: 106 1/4 x 30 7/8 in. (269.9 x 78.4 cm)Overall with knobs: 106 1/4 x 33 9/16 in. (269.9 x 85.2 cm).Flamboyantly interpreting the style of Wang Mian (1287-1359), Liu Shiru used bold black strokes to accent the branches and ink wash in the background to highlight the uninked blossoms and snow. In his inscription in the upper-left corner he revels in the vision of "vertical branches collecting three feet of ice.". Museum: Metropolitan Museum of Art, New York, USA.

Guardian Kings: Dhrtarastra and Virupaksa, 1st half of 1300s. Sino-Tibet, Yuan dynasty (1271-1368). Thangka, ink and color on cotton; overall: 72.5 x 34 cm (28 9/16 x 13 3/8 in.).

Mount; silver plated metal

Textile Fragment, c. 50-650. Peru, Moche, north coast, 1st-7th century. Cotton and camelid fiber; overall: 40.6 x 30.5 cm (16 x 12 in.).

A photograph taken of the Festival Hall of Thutmose III (Akh-menu) is an ancient shrine in Luxor (Thebes), Egypt. It is located at the heart of the Precinct of Amun-Re, in the Karnak Temple Complex. The Hall is situated at the end of the Middle Kingdom court. It was initially built to celebrate the Jubilee (Heb-Sed) of the 18th dynasty Pharaoh, Thutmose III, and later became used as part of the annual Opet Festival. circa 1425 BC

Relief with architecture and head ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with architecture and head. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten). Dynasty 18

Lazio Roma Nazzano S. Antimo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper plate with a map of the river Merwede, David Coster (attributed to), in or after 1741 The Hague copper (metal) engraving Merwede

Das Paar in der Daemmerung (The Couple in theTwilight). Artist: Paul Klee, Swiss, 1879-1940

ABRIGO DE BELEN (153/1R): PARTE IZQUIERDA DEL PANEL CON LAS FIGURAS 1, 2, 3, 4 Y 5.

Map of the Polish Bernardine province; Opacki, Sebastian (fl. Ca 1794-1797), Szumowski, Franciszek (Flow. Ca 1796), Gołębiowski, Bonawentura (Flow. Ca 1796); 1796 (1796-00-00-1796-00-00);

Piece 18th-19th century Japan. Piece 66531

An Album containing 86 drawings: Views of Devonshire, Exeter, Exmouth & Totnes, William Brockedon, 1787-1854, British, 1800, Graphite, Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm)

Sketchbook with 41 magazines, Johannes Taventrate, 1833 - 1839 Sketchbook consisting of 41 sheets with landscapes and faces on country estates in and around Rotterdam, Gelderland and Kleef. Also studies of birds, horses and other animals and some figure studies. Draughtsman: Gelderlanddraughtsman: Ginneken paper. ink. boekband: paper. boekband: cardboard. chalk. pencil pen / brush landscapes. landscapes with waters, waterscapes, seascapes (in the temperate zone). horse. city-view, and landscape with man-made constructions Cleves. Gelderland. Arnhem. Rozendaal. Elten. IJzendoorn. Mants. Tiel. Bucket

Jonah and the whale. 3rd cent. AD. Roman period. Relief.

Plea in flight, Suzuki Kason, c. 1880 - c. 1919 A fan painting of a swarm of plea in flight. In wooden box. Japan Painting: Paper. Mounting: Silk brush A fan painting of a swarm of plea in flight. In wooden box. Japan Painting: Paper. Mounting: Silk brush

Wall in Melon Ground, Lacock Abbey. William Henry Fox Talbot (English, 1800 - 1877)

Sheet with branches with flowers and people, Anonymous, 1750 - 1820 brocade paper Leaf with tendrils with flowers and people, at the top left a standing woman, below a horse and carriage, sitting at the bottom right figures at a table. Used as a cover. paper. paint (coating) relief printing ornament derived from plant forms. anthropomorphic ornament

John Robert Cozens, 1752-1797, British, Ronciglione, undated. Graphite on thin, slightly textured, beige laid paper.

The capture of Astamaku in Hamath.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Magnoliatak, 1870 - 1923 zinc etching

Fresco Fragment. Unknown

Fragment of an Embroidery, 1100s. Iran or Iraq, Seljuk period, 12th century A.D.. Embroidery in silk and gold filé on mulham tabby ground; overall: 7 x 23.5 cm (2 3/4 x 9 1/4 in.).

Sidewall and border, Machine-printed, Small-scale light green scrolls printed on darker blue-green ground, contains sidewall and border fragments., France, USA, 1868-69, Wallcoverings, Sidewall and border

Lamella. Unknown

Roman fresco. Villa of the Papyri. Herculaneum. National Archaeological Museum. Naples. Italy.

Lazio Rieti Tarano L'Assunta, Parish church1. Hutzel, Max 1960-1990 Medieval: Exterior: architecture: late romanesque facade, portal with re-used Roman fragments, rose window, and campanile (1114). Post-medieval: Interior: frescoes 12-13th, 14th, 15th centuries; painting dated 1562 from ruins of S. Francesco; wooden sculpture 17th century by Iacopo da Maiano; painting by Girolamo Troppa, and 15th century terracotta polychromed Pieta German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Malowidło ścienne: Biskup Faras (Stefanos). unknown, painter

Relief from the tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief from the tomb of Meketre 545350

Door Wall. Antoni Tapies (1923-2012). Mixed media on canvas. Executed in 1970. 162 x 130cm.

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Wall graffiti in the ruins of the former Intercontinental hotelMonrovia, Liberia, Africa

Table Screen with Stand, 1644-1911. China, Qing dynasty (1644-1911). Jade; overall: 29.8 x 24.4 cm (11 3/4 x 9 5/8 in.).

GRAFISMO CON CARACOL-1930-MADERA TALLADA 37,2X23,7 CM. Author: JOAQUÍN TORRES GARCÍA (1874-1949). Location: GALERIA JORGE MARA. MADRID. SPAIN.

Sheet with six ornaments, anonymous, after monogrammist NDB, after Hans de Bull, 1500 - 1600 print A lobster hangs on the leftest, the right -most fish. One of four sheets with small ornaments, decorated with arabesks and geometric motifs. The decorations are white on a black stock. Netherlands (possibly) paper etching

Four signs of the zodiac: Pisces (the fish), Libra (the scales), Scorpio (the scorpion) and Taurus (the bull). Gouache painting by a Persian artist.

Colorful embroidery project for a pillow Old Ska, Janina

Woman and a Mascaron, Biagio Puppini, 1521 - 1580 drawing A woman with a rod bundle over her shoulder and a sketch of a mascaron. prepared paper. ink pen / brush

Hearing stone with representation of two climbing lions, c. 1875 - c. 1900 Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware

Hearing stone with representation of two climbing lions, c. 1875 - c. 1900 Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware

Table Screen with Stand, 1644-1911. China, Qing dynasty (1644-1911). Jade; overall: 29.8 x 24.4 cm (11 3/4 x 9 5/8 in.).

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral4. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Herd Boy with Ox. Culture: Japan. Dimensions: Image: 8 7/8 × 18 1/2 in. (22.5 × 47 cm)Overall with mounting: 53 1/8 × 27 11/16 in. (135 × 70.3 cm)Overall with knobs: 53 1/8 × 29 5/16 in. (135 × 74.5 cm). Date: late 15th century.The bucolic scene of a herd-boy mounted on a water buffalo together making their way past rice paddies across a shallow river evokes a universally understood sense of harmony with nature while simultaneously sparking multiple associations in the context of early Japanese ink painting. While an affinity to didactic Zen Buddhist parables such as the Ten Ox-Herding Songs is obvious, the image of an ox and ox-herd was also emblematic of spring and agriculture, and enjoyed a long history in secular landscape painting in both China and Japan. This painting, in ink on a gilded fan, was probably based on a similar composition in a round fan-shaped painting by the thirteenth-century Chinese court painter Xia Gui, whose works were treasured in prominent Japanese collec

Album met voorstellingen van jachtscènes naar ontwerp van Marcus Gheeraerts (I); Venationes Marcus Geerart.Album with a series of yacht scenes consisting of nine prints. Album from Carl Franz Georg Richard Schwtt hunting library. Pumbers band, decorated with marbled paper, with two blank sheets and in the back three blank sheets.

Lunivers est créé (The Universe Is Being Created), from the Noa Noa Suite 1893-1894 France. Wood-block print in black ink, with selective wiping, on pink wove paper (faded to pinkish tan) . Paul Gauguin

Bark of the trunk of a city carved in Aspen in Paris France

Figure with Dragon and Phoenix. Date/Period: -475/-221. Painting. Width: 22.5 cm. Height: 31 cm (Without frame). Author: UNKNOWN.

Punitzer Martin (1889-1949), propiedad de Sr. Francisco Fonck, Valdivia (1941): window details. Pencil on transparent, 103.7 x 69.2 cm (including scan edges) Punitzer Martin (1889-1949): Propiedad de Sr. Francisco Fonck, Valdivia

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

The campaign against Urkhileni of Hamath, including the capture of Qarqara.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Recto: Verso: fragment of subtitles in German; after 1737 (1738-00-00-1800-00-00);

Fragment (Japan)

Relief fragment from a row of vulture figures ca. 2051-2030 B.C. Middle Kingdom Several examples of the griffon vulture, bird of the goddess Nekhbet of el-Kab in Upper Egypt and hieroglyph for mother,” appears in this group of fragments. Such depictions would have served to evoke the protection of this powerful deity.For other reliefs from the tomb of Neferu, see 26.3.353* and 31.3.1.. Relief fragment from a row of vulture figures. ca. 2051-2030 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, MMA 31), MMA excavations, 1923-25, 1930-31. Dynasty 11

Decorative motif - a model of concentric diamonds; the beginning of the 20th century (1900-00-00-1910-00-00);Jabłoński, Witold (1901-1957) - collection, Chinese (culture), gift (provenance), graphic prints, Chinese art

Piece 18th century Japan. Piece 67419

14 DE DICIEMBRE DE 1992. Author: MARTA CARDENAS. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Pont du Triege. Florentin Charnaux (Swiss, 1832 - 1883)

Reliefs found on Stele at Bir El-Dreder.

Verona Sketchbook: Head (page 30), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

Unknown photographer, wall detail in Baalbek (without date): jewelry stone. Photo, 18.2 x 13.2 cm (including scan edges) unbek. Fotograf : Wanddetail in Baalbek (ohne Dat.)

Marble relief depicting the earthquake of 62 AD, the collapse of the capitolium in the forum and a sacrificial scene of atonement, House of Lucio Cecilio Giocondo, Pompeii, Campania, Italy. Roman civilisation, 1st century AD.

Rectangular purple border tile on white ground with decorated decor, with flowers, leaves, yellow pottery, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Study of a Male Nude. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 19-9/16 x 10-1/8 in. (49.7 x 25.7 cm)Arched top.. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A photograph capturing Hofrat Junk giving a lecture, including posture, gestures, and audience environment, recorded by Hermann Kaiser.

Vogel E., chapter (after 1911): View. Oil on linen, 12.6 x 19.2 cm (including scan edges) Vogel E. : Kapitell

Wooden stick panel illustrating the network of an icosahedron with emphasis on the rhomboicosodododahedron, created after 1538, showing geometric patterns and polyhedral connections.

death with a scythe resting next to some cypresses, Inca municipal cemetery, established in 1820, Majorca, Balearic Islands, Spain.

Fragment, Panel; wood, carved

Domino Paper, ; France; block-printed and stenciled on handmade paper; 44.5 x 35 cm (17 1/2 x 13 3/4 in.); 1984-62-1

Relief from the tomb of Queen Neferu: a scribe and a cupbearer approach the queen's offering table Middle Kingdom ca. 2051-2030 B.C. For web label, see 26.3.353-1-related. View more. Relief from the tomb of Queen Neferu: a scribe and a cupbearer approach the queen's offering table. ca. 2051-2030 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, MMA 31), MMA excavations, 1923-25. Dynasty 11

Capture of Kulisu, and ceremonies at the source of the river.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

British, 'Carlo Maratta' frame, Unknown framemaker, 2nd half of 18th century, Carved wood and compo, later patinated oil and water gilding over original gilding

'Cutting off. The South Side of the West Wall'. Russia, Pskov, Late 14th century. Dimensions: 175,0x170,0 cm. Museum: State Hermitage, St. Petersburg.

Plaque with the Presentation of Isis, Nephthys and Horus

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Umbria Perugia Todi S. Fortunato1. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

Belgian photo album with 107 photos, anonymous, various manufacturers, 1860 - 1920 Photo album with a total of 107 photos on 32 pages. The album contains 29 cabinet photos and 78 cartes-de-visiting with golden lines for images in chromolithography framed passe-partouts. Portraits of unknown men, women and children are depicted. The majority of the photos were made by Belgian photographers, including F. Meeus-Verbebeke, Henri Blanckart and Ghémar Frères. From 21 photos the photographer is anonymous, in some cases because the photo could not be removed from the album to view the back. Belgium cardboard. paper. photographic support. leather. metal albumen print / carbon print / decorated paper historical persons. historical persons - BB - woman. child

Bas relief du Temple de Dendarah. 1860 - 1869. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Dandara (Egypt), Hieroglyphics, Temple of Hathor (Dandara, Egypt), Archaeological sites , Egypt , Dandara, Bas-reliefs , Egypt , Dandara

Animals face to face and zig-zag pattern from Sant Joan de Boí. Date/Period: Ca. 1100. Mural painting. Fresco transferred to canvas. Height: 1,210 mm (47.63 in); Width: 1,950 mm (76.77 in). Author: UNKNOWN.

ornamental brick with an architectural design for a tower, from a Mayan funerary temple, Comalcalco, Tabasco, Mexico 600-900 AD

Base for a funerary kouros. Marble, found in Athens in the Kerameikos. Built into the Themistokeian wall. The kouros would have stood on the grave of an athlete. 510 - 500 BC

Adoration of the Magi, c. 1500-1525. Attributed to Giulio della Torre (Italian, c. 1481-bef 1563). Bronze; overall: 23.5 x 31.9 cm (9 1/4 x 12 9/16 in.).

First Pylon at the Temple of Rameses II at Medinet Habu, Egypt. The Mortuary Temple of Ramesses III at Medinet Habu was an important New Kingdom period temple structure in the West Bank of Luxor in Egypt. The temple has inscribed reliefs depicting the advent and defeat of the Sea Peoples during the reign of Ramesses III. Initial excavation of the temple took place sporadically between 1859 and 1899

Museo de Bellas Artes, Bilbao, Spain.

The Annunciation early 17th century Niccolò Roccatagliata Italian Appearing in a burst of clouds and celestial radiance, the Archangel Gabriel announces to the Virgin Mary that she will bear the Son of God. Mary raises her hands in astonishment. Draperies, flowers, and the pages of her book flutter in the divinely charged air. Through the pictorial rendering of space and light, the sculptor opens a window onto a miracle and encourages contemplation of heavenly glory.This bronze relief served the same purpose as small paintings that visually aided private Christian prayer.. The Annunciation. Niccolò Roccatagliata (Italian, born Genoa, active 1593-1636). Italian, Venice. early 17th century. Bronze. Sculpture-Bronze

fragmento de jarra de ceramica de tradicion indigena, Necrópolis de Carratiermes, siglo I-II d.C. museo del Yacimiento arqueológico de Tiermes, Soria, comunidad autónoma de Castilla y León, Spain, Europe.

Model for an Overdoor Lunette with Putti and Wolves for the Amsterdam Town Hall (now Royal Palace) at Dam Square, Artus Quellinus (I), c. 1652 Amsterdam terracotta (clay material) Amsterdam terracotta (clay material)

Views in England, Scotland and Wales, Amos Green, 1735-1807, British, Harriet Green, 1751-1807, British, 1803, Album of drawings

Saint-Germain-en-Laye, France , 1921 - Seine -et -Oise - Auguste Léon - (June) (French - Saint-Germain-en-Laye , France). Museum, represented animal , fantastic animal, archaeological vestige, sculpture, crafts, prehistory, Animal, habitat , architecture, art, economic activity, France, St Germain-en-Laye, museum: shuttle with serpent (Lorthet cave) 47 .418 1 spoon (gourdan) 47440, 1 bison (lhortet) 47280, Mas of Azil solar disc.

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