Historical Monarchical Scenes

Dramatic depictions of historical figures, including monarchs and sacrificial rituals, showcasing detailed costumes and expressive interactions.

Two kneeling women and three standing figures near a monarch with a curved sword at his belt, Subjects near a monarch Swept away by such a charming innocence , print maker: Willem van Senus, (mentioned on object), intermediary draughtsman: Jan Willem Pieneman, (mentioned on object), 1811, paper, h 101 mm × w 136 mm

Two kneeling women and three standing figures near a monarch with a curved sword at his belt, Subjects near a monarch Swept away by such a charming innocence , print maker: Willem van Senus, (mentioned on object), intermediary draughtsman: Jan Willem Pieneman, (mentioned on object), 1811, paper, h 101 mm × w 136 mm

Amsterdam, Fokke, Simon, Three figures around a burning sacrificial column in a temple, verso - stamped, A bald man with a beard hands a roll of paper to a laureate man. Next to him stands a boy who holds his hand in front of the fire on the sacrificial column. The trio is dressed in antique clothing. From the air, Apollo looks out with laurel wreath upon them., print, prints, height 150 mm, width 95 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1759 - 1759, paper, papier, etching, etchings, Work conception, after own design by

Photo production of (probably) a print to a design sketch of Rafaël for a carpet in the Sistine Chapel; The Death Of Ananias. Raphael. Part of album with pictures of sights and landscapes in England and of art.

The return of the Prodigal Son 1650-1700 Anonymous, 17th century This is a copy in reverse after Testa's print, for which see B.XX.217.8.. The return of the Prodigal Son. Anonymous, 17th century. 1650-1700. Etching. Prints

The Garden of Love, Right Half. Christoffel Jegher; Flemish, 1596-1652/53; after Peter Paul Rubens; Flemish, 1577-1640. Date: 1625-1635. Dimensions: 461 x 603 mm. Woodcut on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

GRABADO - ALEGORIA DE LA SUCESION EN ESPAÑA EN 1700-SIG.14.765. Author: ROMEYN DE HOOGHE (1645-1708). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. LUIS XIV DE FRANCIA (1643-1715) EL REY SOL.

JOSEPH Y LA MUJER DE PUTIFAR. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

Photo production of (presumably) a print to a design sketch of Rafaël for a carpet in the Sixtine Chapel, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. England paper. photographic support albumen print Ananias, rebuked by Peter, falls down and dies between his gifts

Creusa Pleads with Aeneas as He Leaves for War 1803 France. Moreauís Creusa Pleads with Aeneas depicts the moment in the Trojan War when Aeneas must decide whether to continue to defend Troy or save his family from certain death. This was a final preparatory drawing for an engraving, which would appear in the book of a French translation of Virgilís Aeneid published in 1804. The inscriptionís Latin text is spoken by Aeneasís wife, Creusa ìIf you are going out to die, take us to face it with you.î. Pen and brown ink, brush and brown wash, on cream wove paper . Jean Michel Moreau, the Younger

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Northern Netherlands, Haelwegh, Adriaen, Title page for: E. Benoist, History of the Reformed Churches of France, 1696, Man with whip and personification, verso lower right - stamped, Two representations of one plate. Above: the personification of the French Reformed Church, the Huguenots, is attacked by a wild man with a whip. This takes place with the approval of personifications of the French monarchy and the French Catholic Church. Below is a narrow representation of the persecution and expulsion of the Huguenots., print, title page, prints, height 292 mm, width 183 mm, 1637 - 1696, print maker, printmaker, 1694 - 1696, fourth quarter 17th century, paper, engraving, engraving (printing process), etching, 1649-04-16 - 1712-04-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1639 - 1715, publisher

Lepidus, Octavian en Marcus Anthony Maken een Lijst, Bartolomeo Pinelli, 1818 print Lepidus, Octavianus and Marcus Antonius make a list of names of the main Romans, which they can execute with impunity and expropriate their property (the second trium virate). A army camp in the background. Rome paper etching (story of) Mark Antony. (story of) Marcus Aemilius Lepidus. (story of) Augustus, the Roman emperor

Augsburg, Wolf, Jeremias, Germany, France, Lepautre, Jean, Alcoues a la Romaine, Alkoof met Aegeus, Aegeus prevents Theseus from drinking the poison, while Medea flies away at top right., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 162 mm, width 221 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1628 - 1724, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, German, 1673 - 1724, publisher

Champaigne, Jean-Baptiste de, Paris, Schuppen, Pieter van, Young Man between Truth and Deception, verso lower left - stamped, A young man in Roman clothing walks between Veritas and a man holding a mask and a dagger in his hand. Under his arm he carries a book with the inscription 'Seneca'. In the margin a line of text in Latin., print, engraving, prints, engravings, height 130 mm, width 80 mm, French, South Netherlands, 1627-09-05 - 1702-03-07, print maker, printmaker, 1677 - 1677, paper, papier, engraving (printing process), Work conception, 1631-12-10 - 1681-10-27

The arrest of Paulus Buis, pensionary of Utrecht, July 19, 1586, Jacobus Buys, 1785 - 1787, Paulus Buis, pensionary of Utrecht, by night on the order of the Earl of Leicester in his bedroom, captured, July 19, 1586. Design for a print., draughtsman: Jacobus Buys, (signed by artist), Netherlands, 1785 - 1787, paper, pen, brush, h 149 mm × w 89 mm

Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in Manuta. The priests and a boy are at right beside the altar. Two men approach from left with a ball. Date: ca. 1781. Lead pencil, pen and dark ink, brush and black and gray watercolors on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Léon Davent after Francesco Primaticcio, Mars Seated on Trophies Mars Seated on Trophies

Antwerp, Galle, Philips, Goltzius, Hendrick, Cornelis (I), Litis Abusus, Abuse in litigation, Abuse of property rights, verso - handwritten, The personification Procesvorming (Lis), a man with a wolf's head, a hell's mouth for a belly and screws for legs sits on a throne. He devours a house that is offered to him by an accuser (Litigiosus). Next to the throne are the personifications Neglect of Houses (Negligentia domus) and Waste of Time (Negligentia temporis). Neglect of the Soul (Negligentia animae) places the soul of the accuser (Anima Litigiosus) on a rack. The print has three captions (two in Latin and one in Dutch) and is part of an eight-part series on the abuses of litigation., print, prints, verso center - stamped, Corneille Galle. Dit le vieuf grave nr. Estampe en Anvers. Cet habile artiste travaille long temps in Nome. He surpassed all Galle by the beauty of his engraving and the correction of his dervir, height 202 mm, width 273 mm, South Netherlands, 1576 - 1650-03-29, pr

The torture of Hans Bret, an Englishman captured in Antwerp in 1576: Bret is sitting chained to a rock having his tongue removed with hot pliers in preparation to be burnt on the stake at a later stage. Etching.

On 4 November 1576; mutinying Spanish forces began the sack of Antwerp; leading to three days of horror among the population of the city; which was the cultural; economic and financial center of the Netherlands. 1576

A red chalk drawing by Jean Jacques Forty from 1792 depicting Lysimachos and Philippos killed in their mother Arsinoë's arms on the command of Keraunos.

The suicide of Cato de Jeroere; Catone Non Volendo Sopravivere Alla Schiavitù della Sua Patria Si Uccide Lacerandosi Le Intertina; History of the Roman Empire; Frontespizio della Iistantia Romana. Marcus Porcius Cato Uticensis Minor commits suicide by pulling his own guts out of his body. A group of men looks.

Stadsbestuur Amsterdam, Amsterdam, Smit, Johannes (publisher), Vinkeles, Reinier (I), Illustratie der Vreugdebedrijven en Solegtigheden, Allegory of the arrival and stay of Willem V, verso - stamped, Title print for the print series of the reception of stadholder Willem V and princess Wilhelmina of Prussia in Amsterdam, 30 May - 4 June 1768. Allegorical representation with in front of a monument the Art of Drawing inspired by Honour with on the left Commerce, Freedom and Peace, in the foreground the river gods of Amstel and IJ. In the background the Amsterdam City Hall. On the monument portrait medallions of the prince and princess and putti with flower garlands., print, engraving, title print, prints, enten, height 395 mm, width 238 mm, Noord-Nederland, 1741-06-19 - 1816-01-30, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, engraving (printing process), Work conception, Noord-Nederlands, after own design by, Publication (Event), Publication, publisher, granter

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), The League of Nobles, 1565, The League of Nobles at the Castle of Hendrik van Brederode in Vianen, 1565., print, picture, history print, prints, pictures, Frederik Muller History plates, height 232 mm, width 150 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1787 - 1787, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

The death of Gemellus, Reinier Vinkeles (I), 1804, draughtsman: Reinier Vinkeles (I), 1804, paper, pen, brush, h 135 mm × w 85 mm

Jean Baptiste Poquelin, llamado "Molière" (1622-1673). Dramaturgo y actor francés. Murió en plena representación de la comedia "El Enfermo Imaginario". Grabado de 1866.

July - Society Masquerading, Print made by Adelaide Claxton, 1858-1905, British, undated, Wood-engraving, Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm), costume, dress, genre subject, leisure, masquerade, men, society, women

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Antony and Cleopatra, Act I, Scene II, 1794. Engraving.

The seizure of Roger de Mortimer in Nottingham Castle, October 19th,1330. Roger de Mortimer, 1st Earl of March, 1287-1330. De Facto ruler of England after deposing and ordering the murder of King Edward II. Engraved by T. Brown after the cartoon by Sir J. Noel Paton. From the book 'Illustrations of English and Scottish History' Volume 1

Odysseus as beggar at the door of his house, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 As a beggar, Odysseus is under a tree in front of his palace on Ithaca. The print is part of an album. Paris paper etching / engraving / letterpress printing As a beggar, Odysseus is under a tree in front of his palace on Ithaca. The print is part of an album. Paris paper etching / engraving / letterpress printing

Ancient Romans celebrate with a drink Date: circa 200 BC

Joseph Presents His Father to Pharoah 1864-81 After Sir Edward John Poynter British, born France. Joseph Presents His Father to Pharoah 642881

The Physician. Drawing and engraving by Jost Amman in the 16th century. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Jost Amman (1539-1591). Swiss-German artist.

Arias Montanus, Benedictus, Antwerpen, Jode, Gerard de, Blocklandt, Anthonie, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Lot, Lot and the two angels, Antwerp, Lot bows to the two angels he meets at the city gate of Sodom. The angels each carry a staff. In the background a square in Sodom. Below the representation an explanatory text in Latin. The print is part of an album., print, prent, albumblad, prints, engravings, height 222 mm, width 285 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1571 - 1572, paper, papier, engraving, graveren (drukprocedé), Work conception, 1532 - 1583, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher, uitgever, 1528 - 1598, schrijver

Margaret of Austria Being Carried in a Chaise. Dated: 1612. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Raffaello Schiaminossi.

Belisarius Begging for Alms. Artist: Heinrich Friedrich Füger (German, Heilbronn 1751-1818 Vienna). Dimensions: 10 1/8 x 14 1/8 in. (25.7 x 35.9 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Conversion of the Proconsul, Print made by George Baxter, 1804-1867, British, after Raphael, Italian, 1483-1520, Italian, Printed by Bradshaw & Blacklock, active ca.1850, British, Published by Bradshaw & Blacklock, active ca.1850, British, after 1855, Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper, Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm), at Paphos Paul and Barnabas are led before Sergius Paulus, the Roman governor, beards, beards, blind, chair, Christian, cloaks, columns, disciples, discussion, domes, eyes, fear, gesturing, governor, laurel crown, magi, marble, men, New Testament, pointing, power, religious, religious and mythological subject, Roman, tapestry, temple, the Raphael Cartoons, togas, wrath

Geldleer donates lagging warriors grace; Ground principle of Roman politics. Two reports of warriors receive grace from a Roman general. They are bending they are hand in which he holds a scepter. This print illustrates the first part of the principle of Roman politics included by Vergilius: "Parcere sub-forming, Sed Debellare Superbos" (Vergilius, Aeneïs 6.853). According to this principle, the subjects would be spared, but they were persisting stubbornly were destroyed. Pendant of a print over the second part of this rule.

Madrid, Real Academia de Nobles Artes de San Fernando, Goya, Francisco de, Spain, Los Proverbios (The Proverbs), Los Disparates (The Follies), Disparate pobre, Poor Folly, verso lower right - stamped, A woman with two heads, her arms raised in the air, and a group of old people. From a series of eighteen prints., print, prent, prints, height 245 mm, width 352 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, printmaker, 1815 - 1820, first quarter 19th century, third quarter 19th century, paper, etching, etchings, aquatint, drypoint, dry needle, burin, Work conception, after own design by, Publication (Event), Publication, publisher

The Wartburg War. Drawing after Moritz von Schwind, historical illustration from Otto von Leixner: Illustrated history of German literature. Leipzig and Berlin 1880, First volume

Italy, Bonasone, Giulio, Raphael, Christ in the Temple, recto lower right - handwritten in brown ink, print, prints, verso - stamped, R. URB. I., height 262 mm, width 354 mm, print maker, printmaker, 1500 - 1599, paper, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07, after a design by, Italian, 1510 - 1576

'The End of Julius Caesar', 1852. Artist: John Leech.

Feather drawing by Vincenzo Camuccini showing the death of Lucrezia in a hall with three statues in niches, executed on brownish paper with white highlights.

Illustration of Jean Nicot presenting the tobacco plant to Queen Catherine de Medicis and the Grand Prior of the House of Lorraine. Dated 1655

Print, The Angel Appearing to Joseph; Print Maker: Richard Dighton (British, 1795-1880); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); England; engracing in brown ink on paper; 33.3 × 44.4 cm (13 1/8 × 17 1/2 in.); Bequest of George Campbell Cooper; 1896-3-363

Het gezandtschap der Neêrlandtsche Oost-Indische Compagnie, aan den grooten Tartarischen Cham, den tegenwoordigen keizer van China: waar in de gedenkwaerdigste geschiedenissen, die onder het reizen door de Sineesche landtschappen, Quantung, Kiangsi, Nanking, Xantung en Peking, en aan het keizerlyke hof te Peking, zedert den jaare 1655 tot 1657 zyn voorgevallen, op het bondigste verhandelt worden. . ., Nieuhof, Hendrik, Nieuhof, Johannes, 1618-1672, Engraving, 1693, at the top of page 87. This is not an oveall view of page 87.

Louis XIII carries the globe; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Tableau Vivant. Lodewijk XIII, dressed as Hercules, takes the globe from the French empire restored to a unit on his shoulders. Minerva and Mars help him. Presentation used in the water theater on the Rokin. Plate 13 of the illustrations in the description of the festivities in the visit by Maria de 'Medici to Amsterdam from 31 August to 5 September 1638.

Photo reproduction of drawing by F. Barrias: Virgilius scene from the Aeneidos, standing dead.

Historic steel engraving, illustration on Peregrinus Proteus, by Christoph Martin Wieland

Relief with a sacrificial scene in a cave; Roman sculpted reliefs; Icone et segment (...). Relief with a sacrificial scene in a cave. An old woman sacrifices fruit. Links make two musicians music. Text in Latin in undermarge. Print is part of an album.

The Return of the Hadjis, vintage engraved illustration. Magasin Pittoresque 1882.

Emperor Valerianus in captivity to the Persian king Sapor, Reinier Vinkeles (I), 1804, draughtsman: Reinier Vinkeles (I), 1804, paper, pen, brush, h 135 mm × w 85 mm

Prince Alfred later Alfred the Great before Pope Leo IV From The National and Domestic History of England by William Aubrey published London circa 1890

Queen Philippa (1314-1369) was the wife of Edward III of England and thus queen of England. Edward had lay seige to the French city of Calais in 1346 during Hundred Years War, and the French king Philip IV had told the inhabitants to hold out. When Philip could not lift the siege and the people were starvng, the inhabitats offered to surrender. Edward agreed but asked for six of the city's chief leaders to surrender to him. Six did and they thought they would be executed- Philippa interceded for them, as seen here, and they were not. They are remembered as the Burghers of Calais, and the famed French sculptor Auguste Rodin memorialized them with his bronze statue of the Burghers, fashioned 1884-1889. This drawing by Edward Dalziel accompanied Charles Dickens' account of the tale in his book "A Child's History of England.".

CRUZ VZQUEZ, Manuel de la (1750-1792). El Trato de Argel. 1784. Illustration of Miguel de Cervantes' work 'El Trato de Argel'. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Losel, Philippus, Nijmegen, Dionys van, Amsterdam, Punt, Jan, Homecoming of the prodigal son, verso bottom center - stamped, The prodigal son returns home. He is met there by his father, who welcomes him warmly. He takes his son in his arms while the latter begs for forgiveness. In the background other family members are waiting., print, prints, height 207 mm, width 162 mm, Northern Netherlands, 1711-04-02 - 1779-12-18, print maker, printmaker, 1743 - 1743, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1705-04-07 - 1798-08-28, after a design by, Publication (Event), Publication, publisher

Lazio Viterbo Bolsena Palazzo del Drago82. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dance of the witches. Romanticism. Etching.

The blacksmith and his family, Russia. Drawing by Claude Durand-Berger. From kyiv to Berezov, memories of an exile in Siberia, 1839 by Ewa Felinska (1793-1859) Le Tour du Monde 1862

Between 1518 and 1519, the Italian master painter Raphael painted "The Construction of the Temple" (pictured here).

Engraving depicting Samson being betrayed to the Philistines by Delilah. His enormous strength left him with the loss of his hair. Dated 19th century

Virgil reading the Aeneid to Gaius Maecenas

The Pearl of Great Price (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm)sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864.It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light--each Parable I illustrate perhaps a dozen times before I fix the image." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of the

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Twelve prophets, David, Daniel and Elijah, The prophets David, Daniel and Elijah stand next to each other in a landscape. King David with crown and harp, Daniel with staff and next to him a goat, Elijah with a sword and a kneeling child next to him. Below the image explanations in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 219 mm, width 281 mm, Work conception, Zuid-Nederlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, papier, engraving, graveren (drukprocedé), print maker, prentmaker, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Plate 8 Bedlam from the Rake's Progress. Plate one of a series of eight by 18th-century English artist William Hogarth. 1735. The series shows the decline and fall of Tom Rakewell; the spendthrift son and heir of a rich merchant; who comes to London; wastes all his money on luxurious living; prostitution and gambling; and as a consequence is imprisoned in the Fleet Prison and ultimately Bethlem Hospital; or Bedlam

Marcantonio Raimondi (Italian, ca. 1470/1482 - 1527/1534) after Raphael (Italian, 1483 - 1520). St. Paul Preaching in Athens, ca. 1515. Engraving on laid paper. Plate: 266 mm x 352 mm (10.47 in. x 13.86 in.).

Portrait of Greek slaves who draw water from a fountain. Ancient Greece. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), Johan de Witt attacked and seriously injured, 1672, verso - stamped, Grand Pensionary Johan de Witt is attacked on the street by a group of armed men and is seriously injured, June 1672., print, history print, prints, Frederik Muller History plates, height 241 mm, width 151 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1788 - 1788, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

drawing by F. Barrias: Virgil scene from the Bucolica, three half-naked men in landscape, Anonymous, 1858.

ANIBAL. GENERAL CARTAGINES. 247 - 183 AC. GRABADO SECCION ESTAMPAS. BIBLIOTECA NACIONAL. MADRID.

A young man plays a violin in front of a Punch and Judy stand with the puppeteer nearby. Engraving by Giovanni Volpato after Francesco Maggiotto.

Ossian playing the harp and singing and Malvina. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Rahab and Joshua spies. She made them descend with a rope through the window, because her house was in the city wall. Sacred biblical history Old Testament. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras

Count William V goes insane and murders Gerrit van Wateringen, 1357, draughtsman: Johann Wilhelm Kaiser (I), 1843, paper, pen, brush, h 166 mm × w 124 mm

French Revolution. Revolt of 1 Prairial Year III. Popular revolt in Paris on 20 May 1795 against the policies of the Thermidorian Convention. A mob stormed the Convention demanding bread. The deputy Jean-Bertrand Feraud (1759-1795), in charge of supplies in Paris, tried to hold back the crowd while waiting for the National Guard to arrive, but a woman shot him, killing him on the spot. The enraged crowd cut off Feraud's head, nailing it to a pike and carrying it to the Convention chamber. A man in his fifties named Jean Tinelle raised it in front of the President, Theodore Vernier. Assassination of Deputy Feraud in the Convention. Engraving by Jonnard. ""History of the French Revolution"". Volume I, part 2, 1879.

SLAVE REVOLT Spartacus, slave and gladiator, leads revolt of slaves against the Roman establishment Date: 73 BC

Etruscans. Musician and Etruscan dancer's costume. Chromolithography. "Historia Universal" by César Cantú. Volume II, 1881.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., The six Works of Mercy and the Last Judgement, Dressing the naked, verso lower middle - stamped, An older man dresses a naked man standing in front of him in a dress. In the doorway of the room, at the back left, there are two more naked figures. Behind them stands Christ, whose only the head is visible. The print has a Dutch caption and is part of a series with the six Works of Mercy., print, prints, verso bottom center - stamped, height 257 mm, width 195 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1551 - 1551, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1498 - 1574

Daily scene in the peristyle of a women room, Ancient Greece. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Joseph in Prison Interpreting Dreams Lucas van Leyden (Dutch, 1494-1533). , 1512. Engraving on laid paper, 6 1/2 x 4 15/16 in. (16.5 x 12.6 cm). European Art 1512

Historia. Publio Cornelio Escipión Emiliano Africano (185 a. C.-129 a. C.) liberando de los cartagineses al jefe de los númidas Masinisa (238 a. C.-148 a. C.) el año 149 a. C. Grabado de 1871.

Telemachus separates the gladiators and loses his own life

Etruscans. Musician and Etruscan dancer's costume. Chromolithography. "Historia Universal" by Cesar Canto. Volume II, 1881.

Adriana: O, bind him, bind him! let him not come near me,” illustration for Act IV, Scene iv, Comedy of Errors. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

RICARDO I DE INGLATERRA (1157-1199), conocido como Ricardo Corazón de León. Rey de Inglaterra 1189-1199, Duque de Normandía y Aquitnaia y Conde de Anjou. Casa Real de Plantagenet. Grabado. "Escena de corte. Rey escuchanod música".

The Hague, Royal Dutch Lithographic Printing House of CW Mieling, Bles, David, Volkom, Anthonie van, Musing of a Lawyer Anno , David and Saul, Musing Lawyer and David and Saul, verso - stamped, Two representations on one sheet. Above: A lawyer sits musingly on a chair, looking into space. On the ground are books and a cat. Below: David plays his harp for King Saul. To Saul's right lies his spear., print, engraving, prints, engravings, height 332 mm, width 254 mm, Dutch, 1821-06-06 - 1860-10-03, print maker, printmaker, 1847 - 1865, paper, papier, lithografie (techniek), Work conception, 1821-09-19 - 1899-09-03, after a design by, printer, drukker

Antwerpen, Cock, Hieronymus, Heemskerck, Maarten van, Cort, Cornelis, Nederlanden, Verhaal van Tobias, Terugkeer van Tobias, Antwerp, recto top right - handwritten in brown ink, Tobias embraces his mother Anna when he returns home. Behind her, a boy leads the blind Tobit outside. The archangel Raphael points in the direction of Sara and the animals laden with gifts. At the bottom in the margin a one-line caption in Latin from Tobit 11., print, prints, verso bottom center - stamped, 29, height 197 mm, width 240 mm, print maker, printmaker, 1556 - 1556, paper, engraving, engraving (printing process), Northern Netherlands, 1533 - 1578, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

SUBMISSION OF THE VANQUISHED TO THE VICTOR.

Collusion; Wentworth, Frederick (Fl. Ca 1865-1894), Selous, Henry Courtney (1811-1890); 1876-1890 (1876-00-00-1890-00-00);

Abruzzo, L'Aquila, Sulmona, S. Panfilo, Cathedral, Italy, 20th century, photo, photography, Europe

Cushi Brings to David News of the Death of Absalom (Dalziels' Bible Gallery). Artist: After William Small (British, Edinburgh 1843-1931 Worcester). Dimensions: Image: 8 13/16 × 6 5/8 in. (22.4 × 16.9 cm)India sheet: 10 13/16 × 8 7/16 in. (27.5 × 21.5 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Shakspeare. Merry wives of Windsor, act IV, scene II : A room in Ford's house : Falstaff in women's clothes led by Mr. Page , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merry wives of Windsor. Thomas Pennant Barton Collection

Hannibal's death still image. Portraits. 1882. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Grief, Suicides, Arms & armament , To 499, Hannibal, 247-182 B.C, Tripods

Roman times. Tribunes. Chromolithography. "Historia Universal", by César Cantú. Volume II, 1881.

PEDRO II DE ARAGON Y I DE CATALUÑA. EL CATOLICO. REY DE ARAGON.1177 -1213. " PEDRO II DE ARAGON Y SU ESPOSA MARIA DE MONTPELIER ". DIBUJO DE JANET. GRABADO.

EL DILUVIO. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

As One Came Near with Curl'd Gray Beard, Sharp Eyes, and Smooth Bald Crown. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 459 x 355 mm. Black, gray and white gouache, with traces of black chalk, on cream wood-pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Will Hicock Low.

The 1906 caption reads: Zenobia in the Triumph of Aurelian. Aurelian was one of the last able Emperors of Rome. A powerful Arab kingdom had grown up on the edge of the Arabian deserts. It was ruled by Queen Zenobia, equally renowned for her courage, beauty, and intellect. Her armies had defied and defeated the predecessors of Aurelian. He overthrew her empire, and celebrated his victory by a grand triumphal procession in which Zenobia was compelled to walk in chains through the Roman streets. The truth about Zenobia is difficult to ascertain. It is believed Zenobia died after 274 AD and hist

Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

This 1592 copper engraving by Hendrick Goltzius shows death with a young man holding flowers sitting on a tombstone, symbolizing mortality and the transience of life.

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