Historical Ornamental Design

A collection of intricate historical designs featuring floral patterns and decorative elements in various styles, showcasing refined craftsmanship from different eras.

Sheet of lace designs. Prints. 1595 - 1597. Spencer Collection. Lace and lace making, Patterns (Design elements)

Opera Nova Universali intitulata Corona di racammi, page 8 (verso) 1530 Giovanni Andrea Vavassore Italian Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is illustrated with white vines that form 4 heart shapes, right is illustrated by series of black curving leaves.. Opera Nova Universali intitulata Corona di racammi, page 8 (verso) 358316

Sheet of lace designs. Prints. 1595 - 1597. Spencer Collection. Lace and lace making, Patterns (Design elements)

Ein new Modelbuch..., page 3 (verso) October 22, 1524 Johann Schönsperger the Younger German Published by Johann Schnsperger the Younger, Zwickau.From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated with a pattern of horizontal hatch marks. Middle column is decorated with a series of coiling acanthus leaves. Right column is decorated with a curving white line.. Ein new Modelbuch..., page 3 (verso). October 22, 1524. Woodcut. Johann Schönsperger the Younger (German, active 1510-30)

Convivio delle Belle Donne, page 10 (recto) August 1532 Nicolò Zoppino Italian Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century.From top to bottom, and left to right:Design composed of 2 horizontal registers framed by decorative border at top, left, and right. Top horizontal register is decorated with a pattern of vines forming circles; inside each circle is a snowflake at the center. Bottom horizontal register is decorated with large floral design. Top border is decorated with diamond shapes and horizontal flower pattern. Left and right borders show same pattern, but they are printed using reverse colors (section in black on the left appears white on the right, and vice versa).. Convivio delle Belle Donne, page 10 (recto) 659767

Ein ney Furmbüchlein, Page 12, recto ca. 1525-29 Johann Schönsperger the Younger German. Ein ney Furmbüchlein, Page 12, recto 680094

Essempio di recammi, page 4 (recto) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:design composed of large circle above a semi-circle. Black circle is decorated with white curvilinear motifs with "INRI" printed on banner at top. Black semi-circle is decorated with foliage pattern in white.. Essempio di recammi, page 4 (recto) 357722

Livre de Moresques, page 12 (recto) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nure

Bound Print, Garden Design; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Eyn new kunstlichboich, page 6r 1529 Peter Quentel German Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.. Eyn new kunstlichboich, page 6r. 1529. Woodcut. Peter Quentel (German, active Cologne, 1518-46) , Cologne

Two panels with modern grotesken; Deuxieme Cahier, Arabesques .. On the left panel, there is a medallion at the top of a medallion with a centaur on which a boy is sitting with arrow and bow, on the panel right at the bottom two winged horses with a tail and hooves that walk out of leaf.

Opera Nova Universali intitulata Corona di racammi, page 7 (verso) 1530 Giovanni Andrea Vavassore Italian Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is wider and is illustrated as grid with black dots forming a curving grape vine with 2 large leaves, and right is narrower and is illustrated with curving grape vine with 3 (complete) leaves attached.. Opera Nova Universali intitulata Corona di racammi, page 7 (verso) 358316

Ornamento delle belle & virtuose donne, page 15 (verso). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 4 horizontal registers. First register is decorated with a wavy vine with 3 leaves. Second register is decorated with a central floral motif with stems that form 3 hexagons on each side. Third register is decorated with a pattern of diamonds contained within diamonds. Fourth register is decorated with a pattern of white '+'s inside of black squares. Museum: Metropolitan Museum of Art, New York, USA.

La Vera Perfettione del Disegno di varie sorti di recami, page 28 (verso) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated in the center with a pot from which curving vines of leaves emanate; interspersed throughout the vines are a unicorn, squirrel, fox, and deer. Middle register is decorated in the center with a standing rabbit that holds 2 curving vines of leaves; amongst the foliage are a prancing deer, fox, and buck. Bottom register is decorated in the center with a vase of flowers that have curving stems of leaves; birds, rabbits, squirrels, and insects exist among the foliage.. La Vera Perfettione del Disegno di varie sorti di recami, page 28 (verso) 662406

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

Diverses Pieces de Serruriers, page 6 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm)Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663.Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Full design is in the shape of a rectangle and is divided into two vertical columns. Left column is a design for a lock plate; it is decorated with a key hole in the center, which is surrounded by various ornamental architectural elements. Right column is also illustrated with decorative architectural elements and a floral motif characterized by coiling acanthus leaves. Museum: Metropolitan Museum of Art, New Yo

Livre de Moresques, page 5 (recto) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nurem

Etching by Jean Le Pautre from 1625-1682 showing an ornamental frieze with detailed classical patterns and decorative motifs. The print emphasizes linework and design symmetry.

Drie friezen met een medaillon.Three Frisians side by side. In the middle fries a medallion with two loving figures on a cloud. Furthermore, flowers, vases and insects. The print is part of an album.

Livre de Moresques, page 6 (recto). Artist: Francesco di Pellegrino (Italian, born Florence, died 1552). Dimensions: Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm). Published in: Paris. Publisher: Published by Hiérosme de Gormont; Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Date: 1546.This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino's designs were reordered and presented in compressed form in the Livre de Moresque,

Splendore delle virtuose giovani, page 10 (verso). Designer: Iseppo Foresto (Italian, active Venice, 1557). Dimensions: Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm). Published in: Venice. Publisher: Jeronimo Calepino , Venice. Date: 1564.Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 2 vertical columns printed upon a grid. Left column is decorated with a pattern of 2 intertwining black lines forming ovals that contain a flower at the center surrounded by leaves. Right column is decorated with a central gridded quatrefoil motif containing a 4-petaled flower that is flanked on both sides by foliage. Museum: Metropolitan Museum of Art, New York, USA.

Lucidario di Recami, page 4 (recto) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564.From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated in the center with a flower in a vase that is flanked by curving vines of leaves on which 2 serpentine creatures climb. Middle column is decorated in the center with a flower in a vase that is flanked by 2 vines shaped like figure-8s, which 4 nude boys climb. Right column is decorated with 2 curving vines that meet at a bull's head in the center with 2 nude boys at the sides; at the ends of each vine are leaves in form of a bird.. Lucidario di Recami, page 4 (recto) 660827

Print, Arabesque Design; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Opera Nova Universali intitulata Corona di racammi, page 20 (verso). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is wider and is illustrated with geometric interlace pattern to which leaves are attached, and left is illustrated with 4 leaves wrapping around a straight vine. Museum: Metropolitan Museum of Art, New York, USA.

Albumblad Met Vijf OrnamentPrenten, Virgil, after Cornelis Bos, 1500 - 1599 print Album magazine with five cut out ornament prints: two Frisians, Venus on a triumphal wagon pulled by forest nymphs and two semi -circles with saters and wagons. paper engraving / etching (other) ornaments derived from objects (with NAME). cupids: 'amores', 'amoretti', 'putti'. satyr(s) (in general). ornaments ~ art

Page from Ein new kunstlich Modelbuch...(Page 10r) 1544 Peter Quentel German Published by Peter Guentel, Cologne.Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).. Page from Ein new kunstlich Modelbuch...(Page 10r). 1544. Woodcut. Peter Quentel (German, active Cologne, 1518-46) , Cologne

Modelbuch aller Art Nehens vn Stickens (Page 8r). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Published in: Frankfurt am Main. Publisher: Christian Egenolff (German, Hadamar 1502-1555 Frankfurt). Date: 1535.Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn.Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving and etching by Johann Sadeler the Elder portraying the Christ child holding a globe and in a triumphant emblematic pose, created between 1576 and 1600.

Splendore delle virtuose giovani, page 9 (verso) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 3 vertical columns printed upon a grid. Left column is decorated in the center with a 4-petaled flower enclosed in a diamond that forms part of 2 intertwining vines with leaves. Middle column is decorated with a central floral element that is flanked on both sides by a lion with a spotted body, which sits upon a vine that coils outward. Right column is decorated with a central interlace motif formed by black lines with whtie dots, flanked by foliage on both sides.. Splendore delle virtuose giovani, page 9 (verso) 660659

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 40 (recto) 1603 Federico de Vinciolo Italian Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and has a central section consisting of 2 squares; each square is decorated with a different quatrefoil motif. The middle section is framed on the left and right by a border ornamented with a diverse floral pattern.. Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 40 (recto) 358421

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 31 (recto) 1603 Federico de Vinciolo Italian Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and has a central section consisting of 2 squares; each square is ornamented with a different quatrefoil motif. The middle section is framed on the left and right by a border ornamented with a diverse foliage pattern.. Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 31 (recto) 358421

La Vera Perfettione del Disegno di varie sorti di recami, page 37 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 4 horizontal registers. First register is decorated with a curving vine of an alternating pattern of upside-down and right side-up flowers and leaves. Second register is decorated with a curving vine of leaves and flowers. Third register is decorated with an alternating pattern of flowers and birds. Fourth register is decorated with a pattern of flowers with curving stems.. La Vera Perfettione del Disegno di varie sorti di recami, page 37 (recto) 662584

Splendore delle virtuose giovani, page 7 (recto) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 3 vertical columns; only right column is printed upon a grid. Left column consists of a central section that is decorated in the middle with a white dotted flower with curving stems and leaves; the central section is framed on the top and bottom by a border ornamented with other intertwining vines with leaves. Middle column is decorated with a wavy vine with an alternating pattern of white dotted leaves and solid black leaves. Right column is decorated with a central interlace pattern that is flanked on either side by curving vines of leaves and flowers.. Splendore delle virtuose giovani, page 7 (recto) 660772

Livre de Moresques, page 2 (recto). Artist: Francesco di Pellegrino (Italian, born Florence, died 1552). Dimensions: Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm). Published in: Paris. Publisher: Published by Hiérosme de Gormont; Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Date: 1546.This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino's designs were reordered and presented in compressed form in the Livre de Moresque,

Trionfo Di Virtu. Libro Novo..., page 24 (verso) 1563 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 6 horizontal registers that consist of rectangles of diverse sizes. The rectangles that make up the first 5 registers are all illustrated with different animals and fantastical creatures. The sixth register is decorated with 3 different ornamented vases.. Trionfo Di Virtu. Libro Novo..., page 24 (verso) 662266

Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 9 (recto) ca. 1532 Alessandro Paganino Italian Published by Alessandro Paganini, Italian, active 16th century.Embroidery design composed of 2 vertical columns. Left column is decorated with curving vines, each terminating in a leaf with a face. Right column is decorated with curving vines with a human figure as a leaf as well as two other leaves with faces. This is the same design printed on page 7, but instead of being printed in white, it is printed in black.. Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 9 (recto) 659839

Lucidario di Recami, page 6 (recto) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564.From top to bottom, and left to right:Design composed of 3 vertical columns; only left column is printed upon a grid. Left column is decorated with a wavy vine of leaves and grapes. Middle column is decorated with a pattern of large flowers that bloom out of small vases. Right column is decorated with a curving vine of leaves, flowers, and acorns.. Lucidario di Recami, page 6 (recto) 660832

Opera Nova Universali intitulata Corona di racammi, page 19 (recto) 1530 Giovanni Andrea Vavassore Italian Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is illustrated with thick grape vine, and right is illustrated with thin intertwining vines with small leaves and flowers.. Opera Nova Universali intitulata Corona di racammi, page 19 (recto) 358316

Designs of curling vegetal shapes. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Splendore delle virtuose giovani, page 3 (recto). Designer: Iseppo Foresto (Italian, active Venice, 1557). Dimensions: Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm). Published in: Venice. Publisher: Jeronimo Calepino , Venice. Date: 1564.Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 3 vertical columns printed upon a grid. Left column is decorated with curving vines with flowers and grapes that attach to a central flower element. Middle column is decorated with curving leaves that flank a central interlace pattern containing a 4-petaled flower. Right column is decorated with a central interlace motif with leaves at its sides. Museum: Metropolitan Museum of Art, New York, USA.

Print, Arabesque Ornament Design; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Il Monte. Opera Nova di Recami, page 5 (verso) after 1557 Giovanni Antonio Bindoni Italian Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 2 vertical columns. Left is wider and is decorated with 2 different sets of floral motifs; left set appears to be decorated with pineapples. Left column is decorated with a central flower with 2 curving stems of leaves.. Il Monte. Opera Nova di Recami, page 5 (verso) 660599

Eyn new kunstlichboich, page 23r 1529 Peter Quentel German Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.. Eyn new kunstlichboich, page 23r 681068

Diverses Pieces de Serruriers, page 5 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle and is decorated with three foliage elements, each surrounding a grey-shaded key hole at the center.. Diverses Pieces de Serruriers, page 5 (recto) 664904

La Vera Perfettione del Disegno di varie sorti di recami, page 27 (recto). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design is decorated in the center with a statue upon a 3-tiered base. Flanking each side of the base is a sphinx. Surrounding this central element are other decorative objects and foliage. Museum: Metropolitan Museum of Art, New York, USA.

Il Monte. Opera Nova di Recami, page 8 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Giovanni Antonio Bindoni. Dimensions: Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm). Publisher: Giovanni & Marchio Sessa (Italian, active 1557) , Venice. Date: after 1557.Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated with a wavy vine of flowers and dotted white fruit. Middle column is decorated with a central floral element flanked by a curving stem on each side upon which 2 putti playing horns sit. Right column is decorated with a curving vine of leaves. Museum: Metropolitan Museum of Art, New York, USA.

Livre de Moresques, page 16 (recto) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nure

Le Pompe: Opera Nova, title page (verso) 1557 Giovanni Battista & Marchio Sessa Italian Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right:Design is for bobbin lace and is composed of 2 vertical columns. Left column is decorated with various linear motifs and 2 figures standing under arches formed by rounded and zigzagging lines. Right column is decorated with 3 flowers attached to a curving vine that rests upon a series of ornamented squares.. Le Pompe: Opera Nova, title page (verso) 356989

Three vertical trophies with agricultural and building tools, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1572 print Three vertical trophies: two with agricultural equipment and one with building tools. From series, consisting of a title page and 16 magazines. paper etching crafts and industries (+ tools and appliances ~ crafts, industries, agriculture). tools and machines ~ building. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Lucidario di Recami, page 11 (verso) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564.From top to bottom, and left to right:Design composed of 2 vertical columns; only left column is printed upon a grid. Left column is decorated with 2 branches with leaves and acorns that flank an upside-down rooster. Right column consists of a central section that is decorated with a pattern of curving vines forming heart shapes with 2 dolphin heads at the bottom; this central section is framed on the top and bottom by a border ornamented with vines of leaves and grapes.. Lucidario di Recami, page 11 (verso) 660847

Diverses Pieces de Serruriers, page 15 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle and is decorated in the center with a composite nude figure whose bottom half and head form acanthus leaves that attach to two twisting and intertwining vines. Each vine terminates in a bird's head.. Diverses Pieces de Serruriers, page 15 (recto). Jean Berain (French, Saint-Mihiel 1640-1711 Paris). ca. 1663. Engraving

Diptych of Ivory with performances from the New Testament, from the Onze-Lieve-Vrouwekathedral in Tournai, drawn up at an exhibition about religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ bone, ivory ~ arts). New Testament Mechelen

Livre de Moresques, page 14 (verso) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nure

La Pratique de l'Aiguille, page 54 (recto). Author: Matthias Mignerak. Dedicatee: Dedicated to Marie de Medici (Florence 1575-1642 Colgne). Dimensions: Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm). Engraver: Title by Pierre Firens (French, born Paris 1641). Publisher: Published by Jean Le Clerc , Paris. Date: 1605.Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris.From top to bottom, and left to right:Design is printed upon a grid and is decorated in the center with 2 squares that are ornamented with a different floral and foliage motif. The squares are framed on the left and right by borders with diverse foliage patterns. Museum: Metropolitan Museum of Art, New York, USA.

Seven images of decorations of the house on Kurfürstenstrasse 55 in Berlin, Germany, Anonymous, c. 1872 - in or before c. 1877 photomechanical print This print is part of a cover with a hundred prints and six text magazines. Berlindresden publishers: Berlin paper collotype ornaments ~ art Berlin

La Vera Perfettione del Disegno di varie sorti di recami, page 17 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers that are printed upon a grid. Top register is decorated with a pattern of interlace motifs formed by vines and leaves. Middle register is decorated in the center with a pot of flowers that is flanked on either side by a griffon followed by a circle framing a 2-headed bird (left side) or a siren (right side). Bottom register is decorated with a pattern of diamonds superimposed with an 'X', which is then surrounded by other geometric motifs.. La Vera Perfettione del Disegno di varie sorti di recami, page 17 (recto). 1567. Woodcut. Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice

New Modelbüch (Page 4r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 4r). 1615. Woodblock

Essempio di recammi, page 22 (recto) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design composed of 5 horizontal registers. 1st register is decorated with a linear geometric pattern, resembling a series of ' ' turned on their side. The other 4 registers are decorated with different interlace patterns.. Essempio di recammi, page 22 (recto) 357722

Print, Plate 7, from Diverses pièces de serruriers (Various Designs for Locksmiths); Designed by Hugues Brisville (French, active ca. 1663); Engraved by Jean Bérain the Elder (French, 1640-1711); Published by Nicolas Langlois, Pierre Mariette II (French, 1634 - 1716); France; engraving on laid paper

Three Frisians and a candelabé. Left Three Frisians with vines, hop and grain, right a candelala with a wine barrel at the bottom and in the middle a plate with the text: a bon vin bonne enseigne. Top left: 1RE partie, top right: A n ° 13., Bottom right: 45.

Bound Print, Grand Trumeau de la Galerie dApollon.; Designed by Jean Bérain the Younger (1674-1726); France; etching on laid paper

Le Pompe: Opera Nova, page 15 (recto). Dimensions: Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm). Publisher: Giovanni Battista & Marchio Sessa , Venice. Date: 1557.Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right:Design is decorated with intertwining lines that form diamonds and quatrefoils, inside which are 4-petaled flowers. Interspersed throughout the whole design is another floral motif. Museum: Metropolitan Museum of Art, New York, USA.

Sketchbook of ornamental and decorative designs, 18th century, pencil, pen, and wash drawings, Late 18th century, The sketchbook of an unidentified artist, French school, likely dating to the late eighteenth century, contains ornamental and decorative designs for friezes, grotesques, paneling, sections of chimneys, and vases.

Livre de Moresques, page 14 (recto) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nure

Eyn new kunstlichboich, page 5v. Designer: Woodcut border designed by Anton Woensam von Worms (German, active first half 16th century, died 1538). Dimensions: Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1529.Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet. Museum: Metropolitan Museum of Art, New York, USA.

Splendore delle virtuose giovani, page 15 (recto). Designer: Iseppo Foresto (Italian, active Venice, 1557). Dimensions: Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm). Published in: Venice. Publisher: Jeronimo Calepino , Venice. Date: 1564.Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 4 vertical columns printed upon a grid. First column is decorated in the center with an interlace motif surrounding a 4-petaled flower in the middle, which is flanked on the top and bottom by leaves. Second column is decorated in the center with a double-headed bird that forms into leaves followed by coiling stems. Third column is decorated with a curving vine of leaves. Fourth column is decorated with a pattern of leaves that attach to illustrations of a bull's head. Museum: Metropolitan Museum of Art, New York, USA.

Two panels with modern grotesken; Panels with arabesken and modern grotesken. The panels are separated by a wide strip. Left keeps two figures that Victoria portrays a crown up, on the right are two monkeys under a weapent trophy. From series of 6 blades, including 4 blades with the four elements and two blades on which two vertical panels are always.

Lucidario di Recami, page 14 (recto). Designer: Iseppo Foresto (Italian, active Venice, 1557). Dimensions: Overall: 7 7/8 x 5 7/8 in. (20 x 15 cm). Published in: Venice. Publisher: Jeronimo Calepino , 1564. Date: 1564.Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564.From top to bottom, and left to right:Design composed of 3 vertical columns; each column is printed upon a grid. Left column is decorated with a curving vine of leaves and dotted flowers. Middle column is decorated with a curving vine of leaves and 2 different types of fruit. Right column is decorated in the center with 3 hanging acorns (1 in the center and 1 on the left and right) that attach to large leaves that form part of a coiling stem. Museum: Metropolitan Museum of Art, New York, USA.

Three ornaments projects with grotesque motifs for armchairs; unknown, Marot, Daniel (1661-1752; st.); after 1703 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, armchairs, grotesque (ornament), paintings in composition, ornamentations, projects, tapes

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano (PL.11) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Two ornaments and two backrests in Kwabstijl, 1600 - 1699 Two performances on a two -part album magazine. On the left two ornaments in lobe style. On the right two Stoelleuningen in Kwabstijl in which different masks are incorporated. The left backrest has two fish heads at the bottom. The judge has a cherub at the top. The print is part of an album. Germany paper engraving Two performances on a two -part album magazine. On the left two ornaments in lobe style. On the right two Stoelleuningen in Kwabstijl in which different masks are incorporated. The left backrest has two fish heads at the bottom. The judge has a cherub at the top. The print is part of an album. Germany paper engraving

Wanddecoratie met twee bloemen en bladwerk.Wall decoration with two flowers and leafwork, against a speckled background. The print is part of an album.

Newes Modelbuch in Kupffer (Page 19r). Artist: Johann Sibmacher (German, active 1590-1611). Dimensions: Overall: 5 11/16 x 7 1/16 x 3/4 in. (14.5 x 18 x 1.9 cm). Date: 1604.Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Schulz Bruno (1865-1932), Dom and S. Maria Fosca in Torcello (1899-1899): 2 views of the marble relief from the 9th century. On the western front of S. Fosca. Ink on paper, 23.7 x 27.5 cm (including scan edges) Schulz Bruno (1865-1932): Dom S. Maria Assunta und S. Fosca, Torcello

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto) 1591 Matteo Florimi Italian Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 triangular motifs: the left and right motifs are ornamented with a different floral pattern, whereas the middle motif is ornamented with a double-headed bird with a crown. Bottom register is decorated with 3 triangular motifs, each ornamented with a different floral pattern.. Fiori di Ricami Nuovamente Posti in Luce, page 8 (recto) 660975

Reproduction of a print of seven decorations of wood carving by Balthazar van den Bos, Anonymous, After Balthazar van den Bos, after Petrus Phalesius, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography sculpture (+ relief ~ sculpture)

Paul Flindt the Youngers etching (c.1600) depicts trophies and ornamental designs, illustrating decorative patterns and European printmaking techniques.

Le Pompe: Opera Nova, page 10 (verso). Dimensions: Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm). Publisher: Giovanni Battista & Marchio Sessa , Venice. Date: 1557.Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated with a base ornamented with a zigzagging line with a 3-sided leaf pattern at top. Middle column is decorated with a checkerboard patterned base with 5 triangular motifs at top. Right column is decorated with a base of squares ornamented with diagonal lines and 'X's with 5 triangular motifs at top. Museum: Metropolitan Museum of Art, New York, USA.

Three half claws and the like, 1565 Three segments with six half claw pieces and three swing pieces, decorated with cartouches, fittings, grotesks, mascarons and garlands. The large attachments on the left side of the segments are crowned by a dog's head, an eagle head and a horse's head. In addition, three separate small vases. The print is part of an album. Antwerp paper etching Three segments with six half claw pieces and three swing pieces, decorated with cartouches, fittings, grotesks, mascarons and garlands. The large attachments on the left side of the segments are crowned by a dog's head, an eagle head and a horse's head. In addition, three separate small vases. The print is part of an album. Antwerp paper etching

Spechio di pensieri delle belle et Virtudiose donne, page 12 (verso). Dimensions: Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1546.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top bottom, and left to right:Design composed of 4 vertical columns of an akin pattern. First 3 columns end in an ornamental motif: an 8-pointed star, vase with a flower, and a pair of shaking hands with a cross below. The fourth pattern continues from the top edge all the way to the bottom edge. Museum: Metropolitan Museum of Art, New York, USA.

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano (PL.8) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (recto). Dimensions: Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm). Printer: Willem Vosterman (Netherlandish, active Antwerp). Date: after 1527.Printed by Willem Vosterman.From top to bottom, and left to right:Design composed of 2 vertical columns; each column has a gridded background. Left column is decorated with a curving vine of leaves and fruit. Right column is decorated with a curving vine of leaves and flowers. Below these two columns is a frieze ornamented in the center with a winged putto who flies above a small flower with 2 stems that curve outward. Museum: Metropolitan Museum of Art, New York, USA.

Opera Nova Universali intitulata Corona di racammi, page 33 (verso). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is illustrated with rectangles containing white 'S' pattern, and right is illustrated with linear geometric interlace pattern with leaves. Museum: Metropolitan Museum of Art, New York, USA.

ELF Furniture Decorations, 1695 print Number 10 to 13. Number 10 shows the right half of a mirror list, number 11 are three backs of seats, at number 12 three festons with fruit and flowers and number 13 are two corner styles and two smaller ornamental parts of frames. print maker: Neurenbergprint maker: Neurenbergafter design by: Bopfingenpublisher: Neurenberg paper engraving

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 24 (recto). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm). Publisher: Matteo Pagano (Italian, 1515-1588). Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 1 vertical column and 6 circles framing a central image. Vertical column on the left side is decorated with 3 hearts. Top left circle frames a diamond, top right circle frames a bird, center left circle frames an urn, center right circle frames a composite human figure with plant stems for legs, bottom left circle frames a heart, and bottom right circle frames a lion. Museum: Metropolitan Museum of Art, New York, USA.

Esemplario di lavori, page 11 (verso). Dimensions: 9 5/16 x 7 1/4 x 15/16 in. (23.7 x 18.4 x 2.4 cm). Published in: Venice. Publisher: Nicolò Zoppino (Italian, Ferrara 1478/80-1544 Venice) , Venice. Date: August 1529.Published by Nicolo Zoppino, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 7 horizontal registers: 2 thinner bands framing central zigzag pattern, 4 '*'s among wavy line, 5 small clovers among wavy line, various patterns including 2 birds on left half, flower followed by tree and repeated, rectangle of 'x's followed by 's' and repeated, line of diamonds. Museum: Metropolitan Museum of Art, New York, USA.

Ornamento delle belle & virtuose donne, page 23 (recto). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is decorated with a geometric interlace pattern. Right column is decorated with a pattern of diamonds, each containing a 4-petaled flower in the center. Museum: Metropolitan Museum of Art, New York, USA.

Tire with a floral motif, c. 1901 Leaf 15 Verso from a sketchbook with 42 pages. paper. chalk flowers ~ ornament

Eyn new kunstlichboich, page 9r. Designer: Woodcut border designed by Anton Woensam von Worms (German, active first half 16th century, died 1538). Dimensions: Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1529.Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

New Modelbüch (Page 42r). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Album n � 1. Stained glass project: Decorative grounds Gsell-Laurent workshop. Album n � 1. Stained glass project: Decorative motifs. Pencil and gouache on layer paper.

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (verso). Dimensions: Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm). Printer: Willem Vosterman (Netherlandish, active Antwerp). Date: after 1527.Printed by Willem Vosterman.From top to bottom, and left to right:Design composed of 2 horizontal registers that are each framed on the top and bottom by a diverse decorative border. Top register is decorated with a pattern of diamonds that contain a quatrefoil motif in the center. Bottom register is decorated with a pattern of 'X's that contain a snowflake in the center. Museum: Metropolitan Museum of Art, New York, USA.

La Pratique de l'Aiguille, page 65 (recto). Author: Matthias Mignerak. Dedicatee: Dedicated to Marie de Medici (Florence 1575-1642 Colgne). Dimensions: Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm). Engraver: Title by Pierre Firens (French, born Paris 1641). Publisher: Published by Jean Le Clerc , Paris. Date: 1605.Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris.From top to bottom, and left to right:Design is printed upon a grid and is decorated in the center with a curving vine to which grapes, rounded fruit, acorns, and leaves are attached. Birds are also perched upon protruding points on both sides of the vine. Museum: Metropolitan Museum of Art, New York, USA.

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 17 (recto) 1610 Isabella Catanea Parasole Italian Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome.From top to bottom, and left to right:Design composed of 4 horizontal registers that are framed on the left and right by 2 vertical columns decorated with foliage. First register is decorated with a wavy vine of an alternating pattern of a fleur-de-lis and a small flower. Second register is decorated with a curving vine with 2 fleurs-de-lis. Third register is decorated with a pattern of 3-petaled flowers with curving stems. Fourth register is decorated with coiling stems that frame a heart-shaped flower in the center.. Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 17 (recto) 661657

GSELL-Laurent workshop. Album n ° 3; stained glass project; Fragment of a window: 2 characters adorning a statue of the Virgin. Pencil on layer. Paris, Carnavalet museum. Adoir, album n ° 3, worship, Catholic, Christian, Pencil on layer, two, child, son God, fragment, window, character, project, holy, statue, virgin, stained glass

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 50 (verso) 1603 Federico de Vinciolo Italian Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and is composed of 2 horizontal registers. Top register is decorated with birds that are perched upon curving vines. Bottom register is also decorated with birds perched upon curving vines; however, the registers are not identical.. Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 50 (verso) 358421

New Modelbüch (Page 4r). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

New Modelbüch (Page 42r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 42r) 680940

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