Historical Photography

Photographs from the 19th century depicting military figures and scenes, capturing the essence of historical events with a focus on detail and texture.

Graftombe van duchesse de Luynes, c. 1860 photograph France cardboard albumen print

Detail of a Kazuifel, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper chasuble. Temporary exhibition, 'lounge' Tours

Album Allix, 1855-1860 ", General Meszaros. 1853-1855. Photograph by Charles Hugo. Paris, Maison de Victor Hugo. 52170-2 Allix album, at the foot, general, portrait, 19th 19th 19th 19th 19th 19th century

Blacksmith 1895 Germany. Etching on cream wove paper . Fritz Overbeck

The Ploeger; The Plowman; The Christian Ploughing The Last Furrow of Life. A man behind a team pulled by two horses in a field in a woody environment. There is a snake around the trunk of the tree. His head is stopped by a lightning bolt, held by a feminine figure. At the back of the forest, three female figures are making music, right is Christ as a good shepherd with a herd of sheep. An imagination of the spell of Christ's "who takes the hand to the team and keep looking back is not suitable for the kingdom of God" (Luke 9:62), and God's curse of the battle (Genesis 3: 14-15) .

Graftombe van duchesse de Luynes, c. 1860 photograph France cardboard albumen print

Adam en Eva, anonymous, after Bartholomeus Spranger, after Hendrick Goltzius, 1585 - 1596 print Adam and Eva stand for the tree of knowledge in paradise. Eva just takes on the apple of the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the lower margin a two -line Latin text. Copy in mirror image to engraving by Hendrick Goltzius from 1585. Reconstructed from three fragments. Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Autograph manuscript of Victor Hugo (1802-1885). Illustrated travel story in the Chenay album. Folio 26, engraving of a drawing by Victor Hugo (1802-1885) "Souvenir of a fog". Engraving by Paul Chenay (1818-1906). 1861. Paris, house of Victor Hugo. 100200-6 Chenay album, album, drawing, traveling travel, engraving

Fire at the Lauriersgracht in Amsterdam, 1669. Fighting a fire in a sugar bakery on the Lauriergracht in Amsterdam with old fire spraying and water from the canal, December 29, 1669. Nevertheless, the building burned out completely. On the right, households are taken from a bealing building. At the top left of a remaining right to inscription.

Cast of a detail of an archivolt decorated with rankwork, anonymous, 1880 - 1940 photograph baryta paper. cardboard arch, archivolt ~ architecture. trees: oak (+ leaves, putting forth leaves)

Salon of 1852. Gustave Le Gray (French, 1820 - 1884)

Virtue overcomes the war. Allegory of a virtue with star wreath sitting on a personification of war or violence. In the left hand, the virtue holds a pyramid-shaped object. With Latin spell vicit vim virtus. Reconstructed from two fragments.

Adam en Eva, anonymous, Philips Galle (rejected attribution), 1570 - 1590 print Adam and Eva stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermar, the text Genesis 3. Reconstructed from two fragments. Southern Netherlands paper engraving Eve offers the fruit to Adam

Figure photography: Stanisław Szukalski (1893-1987), a monument design with the figure and the inscription: "Colombo. Volviendo Qetzalcoatl"; 20-30 years. 20th century (1920-00-00-1939-00-00);Quetzalcoatl, Stanisław (1893-1987), Szukalski, monuments, drawing (artist), Polish drawing, sculpture (artist), Polish sculpture (artist)

Cecylia, pl. 1, Verein für Original-Radierung in München, IV, 1895; Wetteroth, Heinrich (Munich; Graphic AD; 1860-1925), Diez, Julius (1870-1954), Verein für Original-Radierung (Munich; Association; Fl. 1850-), Bruckmann, Friedrich (Munich; Publisher; 1815 -1898); 1895 (1895-00-00-1895-00-00);Cecylia (Saint), Partage Plus, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, women, goats, modernism (style), shepherds, portatists (musical instruments), religious scenes

Lazio Viterbo Orte Convento di S. Bernardino1. Hutzel, Max 1960-1990 Post-medieval: Architecture and frescos (16th-17th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Loose fragments of a print of Acis and Galatea. Above fragments of Galatea. Left under fragments of the same print.

Lazio Roma Subiaco S. Francesco8. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Two children fighting". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-6

Virtue overcomes the war, Hendrick Goltzius (School of), 1580 - 1596 print Allegory of a virtue with star wreath sitting on a personification of war or violence. In the left hand, virtue holds a pyramid -shaped object. With Latin spell vicit vim virtus. Reconstructed from two fragments. Northern Netherlands paper engraving Figures Representing to Virtue VS. to deputy. Vehemence, Violence, Fierceness; 'Sforza with deception', 'Violence' (Ripa)

Lazio Roma Monterotondo Palazzo del Municipio5. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study for Composition Alastor. Theodore Roszak; American, born Poland, 1907-1981. Date: 1931. Dimensions: 158 x 240 mm (image); 257 x 331 mm (sheet). Lithograph in black on orange wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

XI. Initial L M with camellias - poplar blood and holly. State state plan Hamburg, collection of the history of photography

Capital of a column in the crypt of the Abbey Church in Rolduc, Anonymous (Monument Care) (Attributed to), 1890 photograph Rolduc photographic support. cardboard albumen print capital (~ column, pillar). parts of church interior (crypt) Rolduc

Photo production of the execution of Maria I Stuart in Fotheringhay Castle by Robert Herdman, Thomas Annan, after Robert Inerarity Herdman, c. 1863 - in or before 1868 photograph paper carbon print death penalty, execution. queen

Abduction (plate nine from Paraphrase on the Finding of a Glove) 1881 Max Klinger German. Abduction (plate nine from Paraphrase on the Finding of a Glove) 420618

Detail of a plaster model for decorating the second floor of the Pavillon de Turgot, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Lazio Roma Rome S. Balbina1. Hutzel, Max 1960-1990 Medieval: Architectural plans, architecture, cosmati tiling, sculpture, fresco painting, sculptural fragments. Post-medieval: Sculptural relief, architectural sculpture, architecture, painting, fresco painting, sculpture. On viale Baccelli. General Notes: Hutzel accounts for 65 prints; however, #9, #10, #39, #59, #61 and #62 are not included in the group of photos. (Perhaps they are with wall painting or mosaics). There is also a note (from Emily) that unmatched negatives are in mylar sleeves at the front of the group - but these are also not located. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

Face on the lyngenfjord; Lyngenfjord. .

Interior of the tomb of Sultan Mahmood, Guznee; Khan Sheereen Khan, chief of the Juwansheer Kuzzilbashos; Hajee Khan, Kauker. Hart, Lockyer Willis. Prints, Illustrations. 1843. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , South Asia, Mahmud, Sultan of Ghazni, 971-1030 , Tomb, Tombs & sepulchral monuments , Afghanistan , Ghaznî

George Lloyd's mural sketch for the Boston Public Welfare Bldg. , Occupations. The Massachusetts WPA Federal Art Project Photograph Collection

Two men in figure with closed eyes, Samuel Jessurun de Mesquita, 1921 print On the left a figure with closed eyes and rays around the head. On the right two men with beards and tulips are watching. cardboard counterproof caricatures (human types). adult man. head-gear: turban. beard

Umbria Terni Amelia Palazzo Petrignani1. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

De Ploeger, Edward Calvert, 1893 print A man behind a team pulled by two horses in a field in a wooded area. There is a snake around the trunk of the tree on the left. His head is stopped by a lightning bolt, held by a female figure. At the back of the forest, three female figures are making music, on the right Christ stands as a good shepherd with a herd of sheep. An imagination of the spell of Christ's 'Whoever puts the hand to the team and keeps looking back is not suitable for the Kingdom of God' (Luke 9:62), and God's cursing of the Battle (Genesis 3: 14-15) . paper 'No one who ... looks back is fit for the Kingdom of God'. ploughing. snakes. Christ as Good Shepherd

Sir Toby Belch and Sir Andrew Aguecheek (Shakespeare, Twelfth Night, Act 2, Scene 3). Artist: After Thomas Uwins (British, London 1782-1857 Staines). Dimensions: Plate: 9 3/4 × 7 1/16 in. (24.8 × 18 cm)Sheet: 17 3/16 × 11 1/2 in. (43.7 × 29.2 cm). Engraver: Henry Chawner Shenton, the elder (British, baptised Winchester 1803-1866 London). Publisher: Hurst, Robinson & Co. (London); Robert Jennings, London. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1825-27. Museum: Metropolitan Museum of Art, New York, USA.

Suburban. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1961-1962. Dimensions: 720 x 495 mm (image); 1048 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Laughing model I (soft ground etching) , Artists' models, Smiling

Tristan and Isolde, Act II: Signal in the Night, c. 1886. Henri Fantin-Latour (French, 1836-1904). Lithograph; sheet: 56.9 x 39.5 cm (22 3/8 x 15 9/16 in.); image: 22.3 x 14.6 cm (8 3/4 x 5 3/4 in.).

Photo production of a drawing of a man who sharpens knives and children who watch; Ernst & Scherz ..

Chopin's statue in a park in Paris, France. The photograph was taken on December 1918 by Signal Corps photographers during World War One. The statue is a symbol of the renowned composer Frederic Chopin.

Buckwheat seventh young woman, Frédéric Auguste la Guillermie, 1875 print paper etching / drypoint cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet) (+ agricultural processes). sorting, selecting of material by sieving, sifting, screening

The Horrors of War: What is the Use of a Cup. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Lazio Roma Subiaco S. Francesco6. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

I see everything and I see nothing (Je vois tout et je ne vois rien), with hidden silhouettes of the French royal family 1796 D. Martin. I see everything and I see nothing (Je vois tout et je ne vois rien), with hidden silhouettes of the French royal family. D. Martin (American, active New York, 1796). 1796. Etching

The Horrors of War: They Make Use of Them. Francisco de Goya (Spanish, 1746-1828). Etching;

Marches Macerata Matelica Museo Piersanti8. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chloë in the Riet, Aristide Maillol, 1937 print paper plants and herbs: reed. reeds, rushes ~ building material. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Artist in his studio, Jacobus Ludovicus Cornet, 1825 - 1882 print paper etching artist at work, in his workshop

Lazio Roma Rome S. Maria in Domnica3. Hutzel, Max 1960-1990 Exterior views of facade and arcade of Renaissance church founded on remains of Roman construction in 7th c. Views of neighborhood portals. Interior views of nave, altar, carved wooden ceiling, 9th c. mosaics, apse fresco by Lazzaro Baldi. Views of crypt statue and fragments of Medieval pluteus. Antiquities: 2 Roman sarcophagi General Notes: Views of Fontana della Navicella, which stands in front of the church, have been extracted from this numerical sequence and stored in separate file. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

Kloostergang, Henri Emile Lefort (Attributed to), after Johannes Bosboom, 1862 - 1880 print France paper. etching / drypoint monk(s), friar(s)

Possible photo production of a painting by a painter in a studio, Edward Steichen, After Anonymous, c. 1897 - in Or Before 1902 photomechanical print Berlin paper graphic artist. painter at work, in his studio

The Horrors of War: One Can't Look. Francisco de Goya (Spanish, 1746-1828). Etching;

Umbria Perugia Gubbio Palazzo dei Consoli3. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Wood carving of a peacock at the Yōmeimon gate in Nikko. .

Lazio Roma Velletri S. Clemente, Cathedral8. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Lazio Viterbo Corchiano S. Biagio2. Hutzel, Max 1960-1990 Medieval: Early Romanesque architecture (12th century); facade renovated in the 15th century. Post-medieval: Renaissance portal; frescos Object Notes: Unable to locate negatives for this site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

28. Hothests, borts and filling made of citrones, laurel and shell. State state plan Hamburg, collection of the history of photography

Robert Smirke, 1752-1845, British, Untitled: Medieval Domestic Scene. Engraving.

The angel of collateral on the horizon and the dark sky an interrogating look; A l'Horizon, L'Ange des Certitudes, et dance Le Ciel Sombre Un Regard Interrogateur. A sea with a bust of an angel on the horizon. A light sphere with an eye in the sky. Fourth of six prints from the album "A Edgar Poe".

The Knight Did Not Die at the Crusade, plate five from Love. Maurice Denis (French, 1870-1943); published by Ambroise Vollard (French, 1867-1939). Date: 1898-1899. Dimensions: 385 × 276 mm (image); 530 × 406 mm (sheet). Lithograph in peach, pale green, and yellow on light ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child writing what he is trying to see from afar". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-8

The Brighton Fancy Basket Maker..

Edgar Degas, Actresses in Their Dressing Rooms, 1879 1880 Actresses in Their Dressing Rooms

Umbria Terni Collescipoli S. Nicolo5. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cards for the United States Centennial depicting flags, roosters, eagles, lions and humorous illustrations.. Proofs, Cards. 1875. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flags, Eagles, United States , Centennial celebrations, etc , Collectibles, Labels

Aquatint by Nicolas Poussin depicting God appearing to Abraham, showing two figures, gestures, and surrounding landscape.

Allegory of Life late 16th-early 17th century Anonymous, Swiss, late 16th to early 17th century Swiss. Allegory of Life 380389 Artist: Anonymous, Swiss, late 16th to early 17th century, Allegory of Life, late 16thearly 17th century, Pen and grey ink, sheet: 2 1/4 x 2 15/16 in. (5.7 x 7.5 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.16)

Floor-level photographs by Ernst Mach captured between 1892 and 1893, emphasizing subjects from low perspectives and detailed compositions.

1912. text. 1911 - 1913. General Research Division. Art , Poland

Standing Bather. Henri Fantin-Latour; French, 1836-1904. Date: 1879. Dimensions: 240 × 165 mm (image); 425 × 334 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Three nudes and rider, Aat Verhoog, 1966 print Three female nudes under rider on horseback (also nude) with vast arm. paper etching

Campania Caserta San Prisco S. Prisco6. Hutzel, Max 1960-1990 Medieval: 6th century mosaics. Post-medieval: 18th century architecture, architectural sculpture and decoration; baldacchino; wooden organ; paintings on canvas; frescos German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of a drunken faun by John Hogan, exhibited on the Great Exhibition of the Works of Industry of All Nations from 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print satyrs, fauns, Sileni. piece of sculpture, reproduction of a piece of sculpture London

Italian faience. Delivery of Myrrha Italian faience. The goodness of myrrha black and white projection. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Description: Cyprus Antiquities Location: Cyprus Date: 1876-1942 mediterranean, mediterraneanthroughalens

Gypsum Models for Sculptures at the Louvre Palace: "Justice and Fraternity by Victor Edmond Leharivel-Durocher. Part of Meeting of Tuileries at Louvre 1852-1857, Album 2.

The approach to the fortress of Kwettah. Atkinson, James, 1780-1852. Illustrations, Prints. 1842. General Research Division. Afghanistan, Quetta (Pakistan)

Abruzzo L'Aquila S. Giuliano (L'Aquila environs) Museo51. Hutzel, Max 1960-1990 Views of the four collections housed in museum: Roman coins; Pre-Columbian art brought from Central America in 17th century; Greek and Roman sculpture; Egyptian sculpture and minor arts. Museum Roman coins; Greek and Roman sculpture; Egyptian sculpture and minor arts; Pre-Columbian sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mother bathing , Nudes, Bathing, Bodies of water

Initial T, Reinier Willem Petrus de Vries (1874-1953) (Possible), After Reinier Willem Petrus de Vries (1874-1953), 1884-1952 photomechanical print paper printing block initial

"Copper engraving and etching by Henri Guillaume Chatillon depicting ancient statues of children, showing figures, gestures, classical style, and compositional details around 1818."

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral09. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Anonymous, broches (main title), 1929. Graphite, ink and gouache on Gray Carton A. Petit Palais, Museum of Fine Arts of the City of Paris.

Stemes inside round arch, Kees Stoop, 1944 - c. 1990 print Stems inside arched arch, also stems in the residual space. paper etching plants and herbs

Woman in landscape; Carmoisine; Trois Projets the program; L'Epreuve.

Boomvarens; S 4 No 43. Boomvarens.

, Bräunerstraße - Detail - Gang- wrought -iron grille, Bruno Reiffenstein -, photographer

Le retour des artistes. Au Palais des Champs Élysées, le 20 mars à 6 heures du soir.. Buhot, Félix Hilaire (1847-1898). 1877. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Streets, Rain, Champs-Elysées (Paris, France), Umbrellas

Handing Line. This image depicts Coast Guardsmen checking and coiling line, painted by Coast Guard Combat Artist Jacob A. Lawrence.

Au jardin, aprés la leçon, pl. 16. Muller, Alfredo (1869-1939), graphic artist, Maison Moderne (Paryż ; wydawnictwo ; 1897-1903), publishing house

Lazio Viterbo Caprarola Palazzo Farnese25. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detail of the AdamSpForte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Downfall, from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1884. Dimensions: 295 x 238 mm (image); 344 x 286 mm (plate); 331 x 273 mm (primary support); 788 x 575 mm (secondary support, approx.). Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Astronomy". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-12

Adolph kittendorff (1820-1902); Johannes Wilhelm Runnies (1824-1870), a Medestald, 1880's

Alone at last , Brides, Weddings, Grooms Weddings, Honeymoons

Three Studies: Standing Figure Facing Left; Interior with Figures and a Dog; Landscape (from Sketchbook) ca. 1838 and after Francis William Edmonds American The execution of sketches and studies was a crucial part of Edmondss creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.. Three Studies: Standing Figure Facing Left; Interior with Figures and a Dog; Landscape (from Sketchbook). Francis William Edmonds (American, Hudson, New York 1806-1863 Bronxville, New York). American. ca. 1838 and after. Graphite on off-white wove paper

Henri de Toulouse-Lautrec, Elles: Woman with Tray: BreakfastMme Baron and Mlle Popo, 1896, lithograph on paper.

Stravinsky I, II, and III. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1967. Dimensions: 712 x 1,032 mm (image); 750 x 1,046 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

It was perhaps the first vision made in the flow portfolio: Les Origines / Beginnings pl. II (M. 46) Redon, Odilon (1840 1916)

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