Historical Prints and Emblems

A collection of intricately designed prints featuring cartouches, emblematic representations, and historical figures, showcasing artistic styles from the 16th to 18th centuries.

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Buysen jr., Pieter van, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, Conrad Brutal Sergeant Suisse Roman Santinelle Enchanté Baron de Né-Peroquet, The Swiss Roman Yzere Droe, alias Pantaleon Burgman, Pantaleon Burgman on guard of the Swiss Guard in Rome, The dwarf Pantaleon Burgman, 1720, The dwarf Pantaleon Burgman of the Swiss Guard in Rome on guard. In the caption verses in German, French and Dutch. Numbered right center: 15. Print within a decorative frame printed from a separate plate with dwarfs. Part of the second Dutch bound edition of 1720 (and related to the Windhandel of that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, picture, caricature, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 275 mm, width 175 mm, 1755, print maker, printmaker, 1716 - 1720, paper, papier, etc

Cartouche and Emblemata with Valk and Minerva, Anthonie de Winter, 1697 - 1718 print A cartouche and four emblemata with Dutch text and Latin motto on a magazine. Upstairs: Cartouche with series title with an emperor flanked at the top by obelisks and possibly mercury and minerva, two sphinxes on the bottom. Below: emblemata with a falcon on a glove, a coat of arms on a globe with cross and crown, a sword two hearts piercing and Minerva with a lion and a boar. paper etching / engraving ornament ~ cartouche. Abstract Ideas and Concepts (+ emblematical representation of concept). predatory birds: falcon. (story of) Minerva (Pallas, Athena)

Byblis en Caunus; Byblis brother loves.

Nuremberg, Bussemacher, Johann, Solis, Virgilius, Portrait of Clovis I, King of the Franks, verso - handwritten in brown ink, print, book illustration, prints, VS 21, recto - handwritten in brown ink, verso - stamped, 158, height 117 mm, width 78 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

Orpheus shows the abuse by false shepherds, 1625, 1625 The old days Orpheus shows the abuse by the false shepherds, the wolves in sheep's clothes that rob the sheep and slaughter. On the right between the sheep a wolf dressed as a shepherd with Jesuit head lid, in the background heresy burns. Northern Netherlands paper etching / letterpress printing The old days Orpheus shows the abuse by the false shepherds, the wolves in sheep's clothes that rob the sheep and slaughter. On the right between the sheep a wolf dressed as a shepherd with Jesuit head lid, in the background heresy burns. Northern Netherlands paper etching / letterpress printing

Bartholdus Gursalkawiz aus groß Pohlen gebürthig, Unwürdiger auß Gallicien kommendt, Pl. 29. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Buysen jr., Pieter van, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, Conrad Brutal Sergeant Suisse Roman Santinelle Enchanté Baron de Né-Peroquet, The Swiss Roman Yzere Droe, alias Pantaleon Burgman, Pantaleon Burgman on guard of the Swiss Guard in Rome, The dwarf Pantaleon Burgman, 1720, The dwarf Pantaleon Burgman of the Swiss Guard in Rome on guard. In the caption verses in German, French and Dutch. Numbered right center: 15. Print within a decorative frame printed from a separate plate with dwarfs. Part of the second Dutch bound edition of 1720 (and related to the Windhandel of that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, picture, caricature, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 275 mm, width 175 mm, 1755, print maker, printmaker, 1716 - 1720, paper, papier, etc

Pluto, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Pluto sitting on a throne. Text and kicking in the lower margin. print maker: Francepublisher: ParisFrance paper etching (story of) Pluto (Hades), Dis Pater, Orcus

Nicolas Charon 'Nicolas Charon, Viconte de Corbeillac, General de Cavallerie, Gouverneur, et grand Intend.t de l'Isle Enchantée, Pl. 7. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Cartouche with lobe ornament with a fisherman, print maker: Pieter Hendricksz. Schut, Gerbrand van den Eeckhout, Nicolaes Visscher I, 1655.

Lodewijk de Vrome, Karel III and Philip V, Stefano della Bella, 1620 - 1664 print. playing card Play card with performances of the Kings Lodewijk de Vrome, Karel III and Philip V. Text among the performances. Paris paper etching Ruler, Sovereign

Cartouche with a text from the James Bible; Multarum vararumque (...). Cartouche with a text from Jak. 1:27. Oval ornament with middle up and down under a mask. This print is part of an album.

Schöne Figuren auß dem Ovidio (Ovid's Metamorphoses), plate twelve from Woodcuts from Books of the XVI Century. Virgil Solis, the elder (German, 1514-1562); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1569. Dimensions: 99 × 131 mm (image, recto); 133 × 132 mm (image/te×t, recto); 99 × 130 mm (image, verso); 131 × 130 mm (image/te×t, verso); 147 × 198 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Second title print for the description of the arrival of Archduke Ernst as Governor of the Netherlands in Antwerp, 1594. Second title print for the description of the festive arrival of Archduke Ernst as Governor of the Netherlands held in Antwerp on July 18, 1594. Title in decorative frame with links with links Time and on the right the fame blowing on a trumpet. At the top Putti with globes of heaven and the world on either side of the double-headed eagle. Part of the description of this entry by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculorum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex officina Plantiniana, Antwerp 1595.

Display of the Cauce (Herentals), 1561; Tpoëteijck point of Herentals. Scene from the play of the cocked, rederijkerskamer in Herentals. Jupiter on his throne, left the three gratients, right Mercury with ATE in buoys. For the land jewel of Antwerp in 1561.

Allegorical representation on the psalms and spiritual songs, Jochem van Stegeren, 1661 print A monument with the title of Willem Sluiter's book is flanked by the personification of poetry, with writing spring in hand, and the music, with a lute. At the top, King David, the writer of the Psalms, plays the harp. His crown is next to him. At the bottom of an open Bible and three cartouches with texts from Psalms. Deventer paper etching / engraving David as psalmist, as author of the psalms, usually playing the harp. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa). cherubs, i.e. children's heads with wings

Radbod, sixth king of Frisians; Radbodus. Rex Frisiae Sextus; Kings and potestocks from Friesland; Frisia, SEV, the viris. Radbod, sixth king of Frisians, refuses to be baptized. In an ornamental frame. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

Title Card from the book: The works of Phiiippes des Portes Abbe de Thiron. A Roven MDCXI Gaultier, Léonard (1561 1641)

Angel with face like the sun and legs as a column of fire; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. The angel with a face like the sun and legs as columns of fire, with one leg at sea and one leg on land, gives the book to Johannes. A four-line caption in Latin in the margin. Twelfth print from a series of twenty-four with the Revelation of John on Patmos.

The dance of death: the astrologer. Woodcut by Hans Holbein the younger.

Black ornament in the shape of a turtle Black ornaments (series title), Black ornament in the shape of a turtle. Below that two fighting men. A third man with a dog tries to calm them down. Numbered bottom left 6. The print is part of an album, ornaments, art, tortoises, turtles, fighting, Jean Toutin, Chteaudun, 1618, paper, engraving, h 110 mm × w 80 mm

Cartoon on the French loss of Tournai, 1709, 1710 print Cartoon on the French loss of Tournai to the Allies in 1709. Above a French lily stripped of Doornen, under a deliberation of the French cabinet. With inscriptions and verses in Dutch and French. Numbered below: 4. Part of the Vorstelyke Staat-Balans, a series of 7 numbered cartoons on the French in the year 1709 of the Spanish Succession War. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish War of Succession. Amsterdam paper etching political caricatures and satires. national government

Theater with personification of the truth, 1578, 1578 - 1579 Theater with personification of the truth. On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels Theater with personification of the truth. On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels

Apollo en Marsyas, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Apollo Die Marsyas felt. Text and kicking in the lower margin. print maker: Francepublisher: ParisFrance paper etching contest between Apollo and Marsyas; the Muses acting as judges

Eyn new kunstlichboich, Titlepage (2 recto) 1529 Peter Quentel German Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.. Eyn new kunstlichboich, Titlepage (2 recto) 680712

Woman from Hungary, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a standing woman with coat of arms from Hungary. Text in STUDMARGE. Numbered in the top left: 5. Paris paper etching Europeans Hungary

Couple and served in an interior, Pieter Serwouters, After Adriaen Pietersz van de Venne, 1625 - 1633 print A man and woman are talking in a rich interior with different paintings on the wall. A hudded dog is sitting at their feet. An old woman turns to the man together with the young person. Amsterdam paper engraving / letterpress printing bed with tester. living-room, parlour, sitting-room. dog. picture, painting. quarrel, argument

Apollo en Daphne, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Apollo that chases the fleeing Daphne. Her raised arms change into branches with leaves. Text and heart in the lower margin. print maker: Francepublisher: ParisFrance paper etching Apollo pursuing the nymph Daphne (as yet not metamorphosed)

Ascon, first Hertog of Friezen, Pieter Feddes van Harlingen, 1618 - 1620 print Ascon, first Duke of Friesland. Standing in front, a branch in hand. In the background, the red cliff fire. In an ornamental frame. Illustration, with text on the back, from the book: Frisia Seu de Viris Rebusque Frisiae Illustribus Libri Duo. Friesland paper etching / letterpress printing Ruler, Sovereign Friesland

Struggle between heavenly and earthly army; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. An angel is in the middle of the sun and calls to the birds. The heavenly army, led by a rider with papal miter and a sword in his mouth, fights against the earthly army. The beast goes down in a fire pit. A four-line caption in Latin in the margin. Twenty-fifth print from a series of twenty-four with the Revelation of John on Patmos.

Meyer, Konrad.

Titelpagina Van Mental van Pliny the Elder, Willem OutGertsz. Akersloot, 1632 print Woman drowning on a landing, in one hand a banner, in the other a winged woman who crowns her with a laurel wreath. On the left a naked woman with a vase, a praying woman on the right. Under the landing four putti with attributes that symbolize the harvest. Leiden paper engraving

Mercure et Argus. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Baudour, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Baudour, the wife of King Clovis II, in a carriage drawn by two unicorns. Text in STUDMARGE. Paris paper etching ruler, sovereign - BB - female ruler

Diverses Pieces de Serruriers, title page (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Illustrated engraved title page that is in the shape of a rectangle. Title is printed in black ink at the center of the page. Encircling the title is a decorative oval frame, which is characterized by two twisting vines that transform into the upper bodies of human figures. At the top of the oval is a winged grotesque head and at the bottom is a lion's head to which the ends of the vines attach. At the very top of the design is a coat of arms flanked at the sides by two lions and at the top by a frieze of armor and foliage. Along the bottom edge of the design is an illustration of houses within a landscape.. Diverses Pieces de Serruriers, title page (recto) 664897

Peregrinatio in terram sanctam. 1486 Bernhard von Breydenbach German. Peregrinatio in terram sanctam.. Erhard Reuwich (German, Utrecht ca. 1455-ca. 1490 Mainz). 1486. Woodcuts. Peter Schöffer the Elder (German, Gernsheim 1425-1503 Mainz). Books

New Year's passage of the Schutterij van den Bosch, 1743; The Nobles Manhaften Ouden Schuts, within 's Hertogenbosch; New year-honor-closed, dedicated to those of the nobles Manhaften Ouden Schuts, or foot-arch within the main city of S'Hertogenbosch, at the year MDCCXLIII. New Year's Spring City Old Schuts or Foot Blinds from the City 's-Hertogenbosch for the year 1743. Emblem with Saint Joris that kills the dragon above a face on Den Bosch, left and right weapons, banners and the armor of Den Bosch and Sint -Joris. On the leaf under the plate a fresh in two columns.

Title page: Historiae Naturalis de Avibus Libri VI; Historiae Naturalis de Avibus Libri VI. The title stands in a cartouche with an angel whose lower body in leaf raft on either side.

House Fly, Lavender Cotton, and Money Plant; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Mercury and Argus. Thirty-first number of a suite of 52 pieces. (A. de Vesme 507; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Joshua, from De Biblie uth der uthlegginge Doctoris Martini Luthers Erhard Altdorfer German. Joshua, from De Biblie uth der uthlegginge Doctoris Martini Luthers 429665

Framework with justice sitting on the Dutch lion.; Title page for: Arnold Diederik van Vossen, Specimen Juridicum Inaugural de Servo Sine Domino, 1760. An ornamental picture frame with coats of arms, trophies and a cartouche with justice sitting on the Dutch lion. Behind her stand caution with mirror and snake, minerva with lance and shield and an allegorical figure with column and dog. Right is a kneeling woman. On the top of the picture frame two on bazuin blowing women with laurel wreath and a cartouche with figures kneeling and standing for a throne man.

Schöne Figuren vor alle Fabeln Esopi (Aesop's Fables), plate eleven from Woodcuts from Books of the XVI Century. Virgil Solis, the elder (German, 1514-1562); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1566. Dimensions: 49 × 67 mm (image); 126 × 67 mm (image/te×t); 150 × 99 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: the Elder Virgilius Solis.

Misandere visits Euglottus at night. Misandere is looking for her husband Euglottus at night to address him on his adultery. Euglottus is in bed in a shabby. Misandere holds a candle in her hand. Page from a book with text on recto and verso.

Hongrie 1644 Etched by Stefano della Bella Italian. Hongrie 382647 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Made for Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Hongrie, 1644, Etching, state iii. The Metropolitan Museum of Art, New York. Gift of the Estate of James Hazen Hyde, 1959 (59.654.19(5))

Scheucher, Johann Jakob.

Title print of the leaflet: Iamertiens oft Aventuersche Repentation Clavan made aen den Ouwe Geus, 1619; Iamertiens oft Aventuersche Verreouw Clachten / Aen den Ouwe loyal geus from the Cort Rijcke lords to a new-jaer. Cartoon on the fall of Johan van Oldenbarnevelt. The Dutch Lion chatts the wheel of fortune in which Van Oldenbarnevelt is down and Prince Maurits, d'Ouwe Geus, in the top. The prince gets a laurel wreath from the clouds of God, left Fortuna. Behind the wheel are a monk and a mennist.

Woe is Pronounced on the Scribes and Pharisees. Dated: 1549. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia21. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Display of the Peoene (Mechelen), 1561; Poëtelijck point of Mechelen. Scene from the play of the Peoene, Rederijkerskamer in Mechelen. Orpheus playing for the animals. For the land jewel of Antwerp in 1561.

CARTAGENA, Alonso de (1384-1456). GenealogÕa de los Reyes de EspaÐa. 1463. Above: OrdoÐo I (821-866) King of Asturias, with portraits of his wife NuÐa and his father Ramiro I (c.790-850). Below: OrdoÐo IV 'the Wicked'(c.925-962) King of LeÑn (958-960), with portraits of his wife Urraca Fernàndez ( -1007) And his father Alfonso IV 'the Monk' (c.899-933) King of LeÑn (926-931). Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Spain. Sixth issue of a sequence of 52 pieces. (A. de Vesme 545; Dutuit 117) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Similarity of the workers in the vineyard; The workers in Den Wyngaart. After their work in the vineyard, the workers receive the wages of one denarie of the steward of the landlord. At the top of the façade medallions showing how the landlord hires both in the morning and at three o'clock, six hours and nine workers. The times can be read at the position of the sun on the horizon. The steward gives every worker just a lot of money. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Matthew 20: 1-8. The print is part of an album.

King Antiochus VII Eueretes; Antiochus Pius; Liber chronicarum. A flower celk with a king, turned his head to the left. The man has a migger and a scepter in his hands. The show is part of the succession Syrian kings in the Liber Chronicarum. The text identifies him as Antiochus Pius, the King Antiochus VII Eueretes may be, nicknamed Sidetes or Pius. The print is part of an album.

Exempel und Lehr Jetziger Welt Lauf. Dated: published 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Andreas Bretschneider III.

Theseus En Ariadne, Stefano Della Bella, 1620 - 1664 print. playing card Playing card with a performance by Ariadne who sees the Ship of Thoseus sailing away. Text and clover in the lower margin. print maker: Francepublisher: ParisFrance paper etching Ariadne left behind on the island of Naxos

Certificate for Johan Coutereels with dead with scythe as a warrior on horseback attacks closer, Johan Barra, 1604 print Certificate for Johan Coutereels with death sitting on a prancing horse, the skeleton with wings attacks a poet with laurel wreath. A king and a farmer have already been killed. A naked woman with a mirror in hand lies on the floor. Left, right and under the performance are Latin Versen and the whole has a rectangular frame of fine ornaments. Middelburg paper engraving mirror. Death battling with Life, or with the living. scholar, philosopher

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Cephale and Procris. Forty-fourth number of a suite of 48 pieces. (A. de Vesme 540; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Illustration from 'Les oeuures dAmbroise Pare?' 1585 by Ambroise Pare?, 1510-1590 French surgeon and anatomist

Better State Xxi. Better State Xxi. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Jacques Callot (1592-1635). "Les Caprices, frontispiece. First issue of the suite of 50 pieces engraved in Nancy" (Lieure 428, Meaume 769). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-4 Etching, engraving

Margl Woltzenthoulerin, Mayr-Thirn auf der grossen Olbm im Zillersberg, 12. Jährige Brauth, Pl. 40. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Facsimile of Ornamented Page by Geofroy Troy from Horae in laudem beatiss semper Virginis Mariae printed Paris 1524 From A Catalogue of a Collection of Engravings Etchings and Woodcuts by Richard Fisher published 1879

Count Willem III De Goede, 1586 - 1587 Count William III the good to the right turned and head out, with sword. Four climbing lions on his coat of arms. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Count William III the good to the right turned and head out, with sword. Four climbing lions on his coat of arms. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

Mary and Child. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

April.

Politics; Polyecye; Lands from Dutch society, around 1625. Politics. In the foreground on the right, Lady Justice is with balance, for a building. At the left behind a courthouse with prisoner. Part of a series of representations of Dutch society, approx. 1625. The print with the corresponding verse on a separate leaf.

Tuscany Siena Montalcino Museo Civico59. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Persian; Collection of the diversity of clothes .... Richard Breton, 1562 of 1564 ..

Wittenberg, Cranach, Lucas (I), Miraculous catch of fish on the Sea of Galilee, Christ stands in a fishing boat on the Sea of Galilee and preaches to people on the shore. In the background fishermen on the lake are pulling in nets with fish. Book illustration in a rectangular frame with fine ornaments. Below the image is a fragment of the German text from the edition., print, engraving, book illustration, prints, engravings, height 77 mm, width 111 mm, height 185 mm, width 161 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1521 - 1522, first quarter 16th century, paper, woodcut

Emblem with philosopher Democritus, François Van Bleyswijck, 1737 print Emblem with philosopher Democritus, he is laughing next to the globe and points to figures on the globe who stand for the foolishness of man. The poem expresses this cheerfulness with the words: I laugh my self weak. Leiden paper etching Heraclitus, the weeping philosopher, and Democritus, the laughing philosopher

Allegory on the Peace of Osnabrück, 1648, Crispijn van de Passe (II) (Attributed to), 1648 print Allegory on the Peace of Osnabrück, 1648. Leaf with a print and a poem in Dutch and in German. The performance shows how the peace, who was descended from heaven, wipes the tears of the face of the kneeling personification of Germany. On the broken symbols of the war. In the background the signing and the announcement of the peace treaty. Northern Netherlands paper engraving / letterpress printing peace and prosperity, 'Pax et Abundantia'. signing of peace treaty, concluding the peace

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Madeira. Fifty-second number of a suite of 52 pieces. (A. de Vesme 559; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Amelius en friend Anonymous, 1486 - 1493 print Two naked children sitting on the floor. Above them are the names Amelius and Amicus. On a loose leaf the corresponding text from the book. Germany paper child

Illustration to Comedia di Danthe Alighieri, Purgatory, Canto XXIII, plate 88 from Woodcuts from Books of the XVI Century. Unknown Artist (Italian, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1529. Dimensions: 66 x 66 mm (image); 254 x 177 mm (image/text); 291 x 214 mm (sheet). Woodcut on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: UNKNOWN ARTIST.

Amsterdam, Blancken, Abraham van, Visscher, Cornelis (II), Title page for: J. de Deckers Rym-oeffeningen, 1659, verso - stamped, Title page for J. de Deckers Rym-oeffeningen. The title is flanked by Hercules and a woman with donkey ears and a laurel wreath. Above the title a woman with harp and scepter. Behind her the sun shines., print, title page, prints, images, height 133 mm, width 84 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1659 - 1659, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Portrait of a young man with hat with feather.

Death and the Lansquenet. Dated: 1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

A 1563 woodcut by Lucas Cranach the Younger showing text inscription on the portrait of Rudolf I, Duke and Elector of Saxony, alongside the figure.

Title page: Disegni Varii; Disegni Varii. The title stands in a cartouche with a rooster on top. Title page from series of 10 blades with vertical panels full of leaf refrences, figures and animals.

God enthroned on Mars column with war booty and portrait of Tacitus in cartouche flanked by two Roman soldiers, Cornelis van Dalen (I), Joost Hartgers, 1645

HORACIO. QUINTO HORACIO FLACO. POETA LATINO. 65-8 AC. ILUSTRACION DE SU OBRA " POEMATA OMNIA ". BIBLIOTECA NACIONAL. MADRID.

A 1521 woodcut title border by Urs Graf the Elder illustrating the Triumph of Culture, referencing Erasmus, using detailed white line engraving characteristic of early 16th-century prints.

View of a fountain. In the background a row of trees. Print from a book in which 36 prints with sentence images. Print used in: F. van Hoogstraten, the schooly of the world, 1682.

Augustin Hirschvogel, Woe is Pronounced on the Scribes and Pharisees, 1549 Woe is Pronounced on the Scribes and Pharisees

Minerva stands in full armor next to a pedestal. She presents an open book with written in it: Télémaque. A putto kneels in front of the pedestal. He has a open book with written in it: Numa. With a French caption.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Daedalus and Icarus. Twenty-eighth issue of a series of 52 pieces. (A. de Vesme 510; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Jupiter and Calisto. Forty-third number of a suite of 48 pieces. (A. de Vesme 500; Dutuit 116) (main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), renowned queens' game. Esther. Thirtieth number of a sequel of 52 pieces. (A. de Vesme 634; Dutuit 118) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Depicts the resurrection of Christ, created by Lucas Cranach the Elder in 1548 as a woodcut. The composition shows Christ emerging from the tomb with attendants or witnesses, illustrating the biblical event.

Karel De Grote, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Keizer Charlemagne. Text under the show. Paris paper etching Ruler, Sovereign

IX Elck are waerom. IX Elck are waerom. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Woman dressed in Dierenhuiden, François Desprez, 1562 print Paris paper clothed in rags. the poor. fashion plates. wild man, wodewose, woodehouse - AA - female

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of various costumes, Le capitaine sauvage, Captain from Scotland, recto - stamped, print, prints, height 145 mm, width 86 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

XLIV Penetrat et Solidiora. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Emblem with allegory on poetry; Close-royal. Emblem with allegory on poetry imagined as a man with paper roll and pen and laurel wreath on his head. The eagle illustrates the flight that the poetry can take the poet thus the poem under the show. In the landscape the muses are on the Parnassus mountain and plays Apollo on his harp while Pegasus is flying by. The poem is being prosecuted on the verso.

Frontispiece for Epigrammi de Guelfi. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Date: ca. 1636. Museum: Metropolitan Museum of Art, New York, USA.

Birth Certificate, Heinrich Ebner, active United States, 1783 - 1850, Calligraphy in brown ink, brush and watercolor on paper, Printed form in German. Record of ? Jonir ?, born 1799, filled in with ink. Five verses in horizontal rectangle, maker's name and date below. Upper left and right, angels of Type I, a putti above, eagle below, center, and lower left and right, birds in branches. Printed in black, colored by hand., Allentown, Pennsylvania, United States, Paris, France, 1821, Calligraphy, Calligraphy

The Sincere and the Goldeny Koopman, 1720, 1720 The sincere and the greedy merchant. On the left the sincere merchant with Mercury and Virtue for the throne of truth, on the right the greedy merchant (the wind trader) with deception and scable for the throne of wealth. On the balustrade Bible quotes. In the background a garden with a maze with the narrow and the wide road. In the caption De Legenda 1-14 in Dutch. Printed separately on the leaf under the plate the title and a verse of 2 columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving / letterpress printing The sincere and the greedy merchant. On the left the sincere merchant with Mercury and Virtue for the throne of truth, on the right the greedy merchant (the wind trader) with deception and scable for the throne of wealth. On the balustrade Bible quotes. In the background a garden with a maze w

Kneeling man for a richly dressed figure, Arnold Houbraken, 1682 print With a tree, a man kneels in front of a richly dressed figure. Print from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing kneeling figure

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