Historical Prints and Emblems

A collection of prints featuring allegorical and biblical scenes, illustrating moral lessons and observations from history, often with detailed engravings.

Emblema XXVII: Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absque pedibus. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 27, located on page 79.

Adversity is supported by God; Presents of Godt supports; Voorwinckel of patient in the dedenters. Leaf side from a book (p.163) with text on verso. In an oval cartouche the interior of a room. In the foreground a young man throws a glass into the air. In addition to the young, there are more glasses on a table. An apple tree can be seen in the background. Above the cartouche The title (motto) of the print and a quote from the Bible (Psalm 36:24, now Psalm 37:24). Under the print a caption: 'Soo' t falls down, it breaks best 'and a description that declares the print. Glass and crystal often falls broken because people act to matter. However, who throws up a glass always has time to catch it back. God's deeds are analogous: as a brood was sent by him, but he will never let man fall completely because he gives us.

Satan weeding, Frans Allen, 1660 print Page from a book with print and text on recto and vero side. The show shows Satan that sows weeds between the wheat while the farmer and his servants are sleeping. Netherlands paper engraving / etching / letterpress printing while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat

Dampier studies globe; Reisbs around the world; Title page for: William Dampier and L. Wafer, Reystogs around De Waereldt, 1717. A man, possibly William Dampier, sits with writing spring behind an open book and studies a globe that is unveiled by a black man. In the foreground are a river god, a monkey, a sea cow and a bird. In the background two indigenous residents.

De toverlantaarn (dl. 2), ca. 1720; Ha die Tover Lantaren: Tweede Deel Vertonende Waaltjes maat op de boere Kermis; Het Groote Tafereel der Dwaasheid (extra stukken).The magic lantern. Presentation in two parts. Above an interior in which a performance with the magic lantern is given to the farm kissing. Under three men on the way each with a magic lantern on the back, they are referred to as: Duydser, Curje and Waaltje in the accompanying verse with a consultation. Second print in a series of three consecutive plates about the magic lantern. Belongs to the group of prprans added to the scene of scene of foolishness with cartrents at the 1820 wind trade.

Emblema XI: Dealbate Latonam and rumpite libros. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 11, located on page 31.

Emblema XXVII: Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absque pedibus. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 27, located on page 79.

Elpenor rescues Lyconis from the ice, Daniël van den Bremden, after Jacob Gerritsz Cuyp, c. 1635 - 1637 print Lycoris drops through the ice. Elpenor her loved one tries to save her and also jumps in the water. A boy brings a ladder and tries to pull the couple out of the water. Page from a book with text on recto and verso. Amsterdam paper engraving / letterpress printing skates (winter sports) (+ accident (in sports, games, etc.))

Advertising learns purity from the soul, Gaspar Bouttats, 1679 print Page from a book (p. 100) with text and printer vignette on the verso. In an oval cartouche the harvest and adaptation of flax. In the foreground, a farmer is rumbling the flax on the field. By exposing the flax to water, the bast fiber comes from the wood. The crop is brought in in the background. On the right the flax is edited: first separated, then combed and then spun into linen. Above the cartouche the title (motto) of the print and a quote from the Bible (Psalm 65:12, now Psalm 66:12). Under the print a caption: 'By Arbeydt, Water, Sonne-Shine, Sal' t Lijnwaet always be whiter 'and a description that the print explains. The adaptation of flax can be compared with the hardships of man on earth: they are necessary for a good end product and that end product (for humans the purification of the soul) is the most important thing. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress pri

Fight of the West Frisians against the Dutch led by Floris V, Graaf van Holland, 1272, Hendrik Jacobsz Soeteboom, 1658 print Battlefield with riders and foot people. The print continues the struggle for the West Frisians and the burial armies at the Buitendijk laid out by the Dutch between the sand ridge of Alkmaar and the high spirits of Oudorp and Vronen. Up and below the print text in book print. Zaandam paper etching / engraving / letterpress printing battle

Visser De Visser (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, fisherman, Jan Luyken, Amsterdam, 1694, paper, etching, h 140 mm × w 86 mm

Leerlooier, Caspar Luyken, After Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. tanner

Cornelis de Witt gives changes to a rapist, 1672 print Cornelis de Witt Schoning gives a rapist. Scene from the life of Johan and Cornelis de Witt; Part of a group of illustrations, numbered: I. showing and accompanied by a verse of 8 lines. Printed on the back with text in Dutch. print maker: Southern Netherlandsafter print by: Antwerp paper etching / letterpress printing

Tegen learns praying, Gaspar Bouttats, 1679 print Page from a book (p. 19) with text on Verso. A chamber orchestra in action in an oval cartouche. The orchestra has 10 members. They play on the violin, the cello, whistle. bagpipe, lute and keyboard. Some orchestra members sing. Above the cartouche the title (motto) of the print and a quote from the Bible (Psalm 106: 6). Under the print a caption: 'Uyt Bedwanck comes Klanck' and a description that says that praying brings relief in difficult times. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress printing small group of musicians, chamber orchestra, jazz band. Abstract Ideas and Concepts (+ emblematical representation of concept). Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa)

Two men look at print with triumphal procession of Roman emperor, Cornelis van Dalen (I) (mentioned on object), Amsterdam, 1664, paper, engraving, h 223 mm × w 168 mm

Visser, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. fisherman

Skeleton, Nobleman and Jester, Antique Skeletons of Amsterdam

Building of Noah's Ark; Noah built the Arke. Noah and his sons build the ark. With a title above the show. There are six fresh rules and a reference to Genesis 6: 14-16. The print is part of an album.

XLVII TECUM HABITA. XLVII TECUM HABITA. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Man and wife on horseback, Jan Gerritsz Swelinck, after Adriaen Pietersz van de Venne, 1624 - 1645 print A man and woman sit together on a horse that runs on a country road. The horse's tail is decorated with flowers. A city in the background. Below and above the print verses in Dutch. Amsterdam paper engraving / letterpress printing horse. riding a horse, ass, or mule; rider, horseman

Two men look at print with a triumphal tour of Roman emperor, Cornelis van Dalen (I), 1664 print Two men look at print with a triumphal tour of Roman emperor. There are coins and an open book on the table shows images of coins. In the background, men are digging near ruins. Amsterdam paper engraving classical history (+ belonging to Roman history). digging for or finding of treasure

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Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Molenaar, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. miller

17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620 - 1675); French engraver. From him many socially critical engravings and mockery pictures such as his sometimes grotesque and fantastic illustrations for a collection of well-known proverbs from the year 1657 come.

Duivel titiville c. 1600 - c. 1800 print Landscape with a devil with goat legs and a stool, a basket with books and bander rolls with Latin text appear on his back. Two churches in the background. With sixteen -line Latin caption. paper etching / engraving devil(s) and demons. wandering or travelling merchant. book. banderole

Two pages with dwarfs, ca. 1720, 1770 - 1780 print Two pages with the dwarfs Pereryn and Cornutus, ca. 1720. Coming from an edition of ca. 1775 with reduced copies to the original Dutch series with caricatures of dwarfs from 1716, known as the dwarf tone. Northern Netherlands paper etching little people. caricatures (human types)

Pump maker De Pompemaaker (title on object) The Menselyk Bedryf (series title), handicrafts, craftsman at work, pump, Caspar Luyken, Amsterdam, 1694, paper, etching, h 139 mm × w 84 mm

The Sint Niklaasvreugd, as the child / so very to haaken, around the sweet (...), 1715 - 1813 print Leaf with a large performance of children for a store with sweets and toys for the Sinterklaas party. Under the image a verse in three columns. Numbered at the top right: No. 30. print maker: Netherlandspublisher: Amsterdam paper letterpress printing the bishop Nicholas of Myra (or Bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens. sugar-candy. (playing with) toys. child

Northern Netherlands, Spanish Tirana is being plundered in the Netherlands, Mecchelen is being plundered, Plundering of Mechelen, 1572, Plundering of Mechelen by Spanish troops under Don Frederik, October 1, 1572. Below the image a verse of 16 lines in 2 columns, pasted below this a description in 5 lines, in Dutch. Numbered: 9., print, picture, history print, prints, pictures, Frederik Muller History plates, height 175 mm, width 135 mm, print maker, printmaker, 1618 - 1624, first quarter 17th century, paper, etching, etchings

Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd) 1628 Claes Jansz. Visscher Dutch. Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd) 631140

Title print for a series of landscapes with buildings; Landscapes with buildings; Regiunculae, ET Villa Aliquot Ducatus Brabantiae. Title print for a series of landscapes with buildings, with a blanket player on the right. On the left a country road with the contours of a church in the background.

. Print left of the number numbered:

Apollo in his car, Albert Flamen, 1672 print Apollo drives his car, pulled by horses, past the sky. A landscape under the clouds. On a banderole a motto in Latin and a caption in French, both about love. print maker: Parispublisher: ParisFrance paper etching Qualities of Love: first series (+ emblematical representation of concept)

Northern Netherlands, Amsterdam, Kannewet, Johannes (II), Putte, Erven Hendrik van der, Za tamboer slaan u trom en pyper d'fluyten, Ten beste van 't land en d'Oranje spruyten, verso - handwritten in brown ink, Sheet with a large representation of a drummer and a flute player, standing on either side of the sprouting orange tree on which the coat of arms of Prince Maurits hangs. At the top also the coats of arms of Holland and Buren. Below the representation two six-line verses in two columns. Numbered at the top right: *3. Possibly on the occasion of the birth of Prince William V in 1748., print, engraving, volksprent, prints, engravings, volksprenten, Frederik Muller Historieplaten, later, 't wapen van de Graaf van Buren Prins Maurits V., recto onder - handwritten in brown ink, height 425 mm, width 317 mm, Dutch, seller, 1605 - 1615, paper, papier, houtcut, letterpress printing, boekdruk, Publication (Event), Publicatie, Nederlands, publisher, uitgever, print maker, prentmaker

Title copper with four scholars of the four faculties of theology, jurist, medicine and philosophy when experimenting with a pump

Emblema XIII: Aes Philosophorum hydropicum est, and vult lavari septies in fluvio, ut Naaman leprosus in Jordane. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 13, located on page 37.

Predictions of Mr. Bicker staff for the year 1708, 1707 - 1708 print Cartoon with the predictions of the English astrologer Mr. Bicker staff for the year 1708. The astrologer with turban and staff sitting between a celestial gobes with the constellations and an eagle. Part of a series entitled Palmhof of the allies with 9 cartoons on the French and allies from the year 1708. print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing star-globe. astrology

Noy, SL, Sylvius, Samuel, Northern Netherlands, Hooghe, Romeyn de, Explanation of the rare marriage, The Nijmegen Puzzle or the Complicated Marriage, 1619, 1619. Painting hanging in the town hall of Nijmegen with a family portrait with complicated relationships from a marriage concluded there in 1618. Below the image a verse of 2 times 2 lines in Dutch. Also included is a text sheet with an explanation of the representation., print, prent, prints, prenten, Frederik Muller Historieplaten, height 272 mm, width 364 mm, height 189 mm, width 345 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1698 - 1698, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, eerste kwart 18e eeuw, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, writer

XX d'Anm, brings in, Roemer Visscher, 1614 XX d'Anm, d'weler in. Second shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing XX d'Anm, d'weler in. Second shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing

Allegorische voorstelling met putti en buste van C.F. Gellert; Titelpagina voor: Christian Furchtegott Gellert, Fabelen en vertelsels (...) derde deel, 1785.In a landscape on the left a portrait bust of the writer Christian Furchtgott Gellert gellert on a pedestal and two putti with a garland. On the right is a putto, possibly pussia, on books and writes. Behind it two putti and a veiled naked woman on clouds.

Title page for the pamphlet: the French Degen, the key, and the Bonnet to Luyk, 1701, Romeyn de Hooghe, 1701 print Title page for the pamphlet: the French Degen, the key, and the Bonnet to Luyk, 1701. Table on which a French sword, a key and a Jesuit hat lie. On the right a mouse trap. The French sword consists of Louis d'Ors, which refers to the French battle through bribery. Northern Netherlands paper etching / letterpress printing mouse trap

River god and a putto with books; Title page for: Willem de Jong, Reason for improvement of Burgerly Engineering, 1753.on The Left a River God. A putto is Flown with Books. On the right a monument with a coat of arms.

Hatmaker, Caspar Luyken, After Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. hatter

Title page for the leaflet: the cremone shone, 1702; The cremone shone; Esopus in Europe. Title page for the leaflet: the cremonnesche bonfire, 1702. Fabel of the donkey that makes itself unrecognizable with the skin of a lion, a goat with the skin of a buffalo and a hare with a cat's skin. The animals (French) are recognized by the fox and betrayed and, in the background, torn apart by the real animals (the Allies).

Quod non noris, non ames Latin proverb Do not love what you do not know still image. Emblem pictures, Illustrations. 1712. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Campfires, Proverbs, Pan (Greek deity), Fire

Elegant man and a chimney sweep at a coat of arms, Jan Gillisz. van Vliet, 1664 - 1699 print An elegantly dressed young man and a chimney sweep on either side of a coat of arms. Amsterdam paper etching / engraving handicrafts ~ maintenance and repair (with NAME of trade or profession). youth, adolescent

A farmer's couple looking out over fields with a farmhouse in the background. First print in a series of six., Landscape with a Peasant Couple Vita brevis, spes longa homini, caecusq meatus Pars inopes mundi quantu lacunque sumus (series title on object), print maker: Jan van de Velde (II), (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), 1603 - 1652, paper, etching, engraving, h 88 mm × w 162 mm

Emblem with allegory on playing art depicted as man playing harp, dressed as a classical figure The poem below describes with a quip the scene in the landscape behind him: Pan and Apollo playing their instruments and being judged by Midas who listens to them with donkey ears The biblical King David plays his harp for animals On the verso is a portion of another poem, Emblem with allegory on play-acting Play-konst , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 150 mm, h 129 mm × w 76 mm

Emblem with allegory on eternity, François van Bleyswijck, 1737 print Emblem with allegory on eternity depicts as a father time with snake in a ring (tail in mouth) and fire bird in his hand. In a landscape, death hunts a king with a servant on horseback. There is a poem under the performance and on Verso. Leiden paper etching / engraving Eternity, 'eternity'; 'Eternitã' 'Eternita o perpetuití' (Ripa)

Nuremberg, Solis, Virgil, Personifications of planets, Jupiter, Jupiter with a Sagittarius and Pisces (signs of the zodiac), verso - handwritten in brown ink, Numbered lower right: II., print, prints, verso - stamped, 52, height 63 mm, width 109 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Judit with the head of Holofernes, 1653 - 1654 print. text sheet Judit is in the opening of the tent with the head of Holofernes in one hand and the sword in her other hand. She puts the head of Holofernes in the bag that keeps the maid open for her. The accompanying text below starts with a small decorated initial G. To the right of this album magazine two explanations for performances on Makkabee, numbered 61 and 62. The magazine is part of an album. paper etching / letterpress printing Judith and her maidservant put Holofernes' head in a sack

A wind trader sits on a bag of shares that are only kept high by the wind, 1720, 1720 print A wind trader with a windmill on his head sits on a bag of shares that are only kept high by the wind, 1720. On the left in the tree a monkey with binoculars, a cat with balloons on his legs flies through the air. In the caption a verse in Dutch. Prent 4 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching

Skeleton with Shield and Arrow, Antique Skeletons of Amsterdam

Excerpt Figure from, A dance of dead from , Schmidt, Xylographer, after, Alfred Rethel -, Drawer, Robert Reinick -, Auteur, Georg Wigand -, Publisher, Brockhaus, Printer

Judit with the head of Holofernes; Histories of Judith, and the Machabeen; Prophets from the Old Testament; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Judit is in the opening of the tent with the head of Holofernes in her one hand and the sword in her other hand. She stops holofernes's head in the bag that has opened the maid for her. The accompanying text below starts with a small decorated initial G. to the right of this album two explanations in representations about Maccabeans, numbered 61 and 62. The magazine is part of an album.

Gezelschap in bos.Two men and two women sit on the ground in a forest. The company must probably represent representatives from the original residents of the Zaan zone. Above and below the print text in letterpress.

Emblem with allegory on morality depicted by woman with mirror and scales and scepter with the all-seeing eye, in round frame decorated with ornaments Below the representation and on the verso is a poem, Emblem with allegory on morality Zeedigheyt , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 147 mm, h 76 mm × w 130 mm

Minerva and Apollo flank a cartouche with title; The second part new ornments gemmed by Gerret Visscher t Amsterdam. .

Postiljon on a pig brings the news that the company is full, 1720, 1720 A postillion on a pig spreads the news that the company is full. In the foreground, a cow chews in a ditch on the worthless shares. In the background, wind traders displace themselves in the issue of shares. In the caption a verse in two columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving A postillion on a pig spreads the news that the company is full. In the foreground, a cow chews in a ditch on the worthless shares. In the background, wind traders displace themselves in the issue of shares. In the caption a verse in two columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving

Young man offers a grieving man a glass; Amoureus-Liedjen. A man in disappointed attitude has separated from a eating and drinking company to a table in the background. Next to him stands and young, elegantly dressed man who offers him a glass. Book illustration from G.A. Bredero, Boertigh, amorous, and Aendigah Groot Lied-Boeck, 1622. At the top right of the page number 27.

Allegorical show with a man behind a writing table; Title page for: Screw, Cornelis. Lexicon Manuale Graeco-Latinum, 1709.A writing man behind a table with traces in his hand, on the table an hourglass and books, in the foreground a rooster on a book. Behind the man a pillar with a sundial and above his head two putti with banderole.

A coffin hangs on a gallows, Hendrik Bary (Possible), 1657 - 1707 print paper engraving coffin The Hague

Northern Netherlands, Spanish Tirana shot in the Netherlands, Batenburgers beheaded, Beheading of the Batenburgers, 1568, Beheading of the Batenburgers in Brussels, 1 June 1568. Below the image a verse of 16 lines in 2 columns, pasted below this a description in 5 lines, in Dutch. Numbered: 6., print, picture, history print, prints, pictures, Frederik Muller History plates, height 175 mm, width 135 mm, print maker, printmaker, 1618 - 1624, first quarter 17th century, paper, etching, etchings

Emblem with allegory on zing; Zeedigheyt. Emblem with allegory on muteness. Depicted by woman with mirror and scales and scepter with the alloying eye, in round picture frame with ornaments. There is a poem under the show and on the Verso.

Der instrumentalist

Candle maker, Jan Luyken, 1694 print Amsterdam paper etching handicrafts, craftsman at work. candle

Emblem with allegory on perfection, François van Bleyswijck, 1737 print Emblem with allegory on perfection depicts with half -naked woman who draws a circle with a passer on a pedestal. Two men work with measuring instruments in the landscape. Leiden paper etching Perfection, Completeness; 'Perfettione', 'Operatione perfetta' (Ripa). compasses. Abstract Ideas and Concepts (+ emblematical representation of concept)

Tobias is sleeping. Tobias is sleeping in the open air for a stable. In the background you can see how he becomes blind because birds throw droppings in his eyes. On the Verso a prayer for Charles Jean-Baptiste de Man from Deurne, died in 1812.

Emblema XIX: Si de quattuor unum occidas, subito mortuus omnis erit. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 19, located on page 55.

Digitally restored, Apples are picked and lovers are sitting in the meadow, Yellow apples are to be picked, beautiful maids should you fuck, Speech, publication from the year 1882, Digitally improved:, Apples are picked and lovers are sitting in the meadow, Yellow apples are to be picked, beautiful maids should you fuck, Speech, publication from the year 1882

Title page for the pamphlet: The Sworn Shadow, 1701. The ghost of the deceased King Charles II appears in the center of a circle of magic signs, Title page for pamphlet: The Sworn Shadow, 1701 The Sworn Shadow Esopus in Europe , print maker: Romeyn de Hooghe, Northern Netherlands, 1701, paper, etching, letterpress printing, h 175 mm × w 140 mm

Liii for the Wanewaers. Liii for the Wanewaers. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Title sheet for the pamphlet: De Hobbel on Guard, on the Haasejagt, 1702, Romeyn de Hooghe, 1702 print Title sheet for the pamphlet: De Bumprel on hold, on the Haasejagt, 1702. A man courts two women. In the background, a group of dogs tears a hare while another hare (or cat) is carried away by the air by an eagle. Cartoon on the struggle of the imperial troops against the French in Italy. Northern Netherlands paper etching / letterpress printing

Woman offers a man a drinking scale; Magic. In a sleeping room a woman offers a man a drinking scale. Book illustration from G.A. Bredero, Boertigh, amorous, and Aendigah Groot Lied-Boeck, 1622. At the top right page number 55.

Henryk Brühl (1700 gangloffsmöstmern 1763 Dresden) of the own Coat of Arms The Empire, Heinrich von Bruhl Politician, Chief Tax Director, Favorite of August III, Saxon Infantry General, Horse Artillery General Heinrich von Bruehl Fritzsch, Christian (1695 1769), Werner, A. M. ( )

Execution of Arminians in Leiden 1623 Netherlands. Followers of the Dutch Reformed theologian Jacobus Arminius, the Arminians clashed with Calvinists in the early 17th century, particularly after Prince Maurits of Orange systematically removed Arminians from positions of power. This popular print, or broadside, was produced on the occasion of the execution of the Arminian followers of Johan van Oldenbarnevelt, whose portrait is exhibited nearby.. Hand-colored etching with engraving and letterpress in black on cream laid paper . Claes Jansz. Visscher, II

Representation of a chair and long bench before which stands a herald. Next to him, on the far right, is a man with sword and shield - according to the accompanying caption Count of Holland Dirk I. This is the title page for a series of eight numbered prints of the Counts and Countesses of Holland with accompanying explanatory Dutch texts in letterpress. Print and text are always attached to one sheet. The years mentioned in the captions do not seem to add up., Title page for print series The counts and countesses of Holland (with a herald and count Dirk I) Verclaringe des herauts vanden afcomste der graven van Hollandt, Zeelandt, ende heeren van Vrieslandt (title on object) Graven en gravinnen van Holland (series title), print maker: Hendrick Goltzius, Willem Thibaut, publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Haarlem, publisher: Amsterdam, 1584 - 1585 and/or 1596 - 1652, prent, :, engraving, letterpress printing, h 137 mm × w 387 mm, h 115 mm × w 370 m

The Campus Martius of Ancient Rome, the Work of G.B Piranesi, Fellow of the Royal Society of Antiquaries, London 1762 Italy. Book with forty-nine etchings in black on ivory wove paper . Giovanni Battista Piranesi

Vignette with the personification of revenge; Revenge; Virtues and vices. Vignet with the depicting of the personal vengeity, placed in a graceful list that is partly wrapped in smoke. At the bottom of the frame, a diabolical head with snake hairs and two crossed burning torches are depicted. The revenge keeps a dagger and a burning torch in her hands, her head has been adorned with a helmet on which a cup of a fire-breathing bear is placed. The print is part of a series of book illustrations about virtues and vices.

Mayor Wolf Lochem falls Patriot citizens, 1785, attributed to Joannes Hulstkamp, 1785

XLVI Seyt's descent. XLVI Seyt's descent. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Emblem with allegory on play art, François Van Bleyswijck, 1737 print Emblem with allegory on play art depicts as a man who plays on harp, dressed as a classic figure. The poem under the performance describes the scene in the landscape behind him with a joke: Pan and Apollo play on their instruments and are assessed by Midas who listen to them with donkey ears. The Biblical King David plays on his harp for animals. There is a part of another poem on the Verso. Leiden paper etching David as musician, usually playing the harp. contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears. 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa)

Johan de Witt renounces his office as a council pensioner, 1672, 1675 print Johan de Witt renounces his office as a council pensioner and takes place as a counselor in the Court of Justice, 4 August 1672. Fragment of the Great Prent on the De Witt brothers: Witten Wonder Spiegel (1675). Northern Netherlands paper etching

Vignette No. 4 (from 6) to the story of Veit Weber The Betir Travel of the Brother Gramsalbus Pilgrimage of Brother Gramsalbus, posted in: Holzcniten. By Veit Weber (Leonh. Wächter). Berlin, with Friedrich Maurer. 1793 Chodowiecki, Daniel Nikolaus (1726 1801)

The wheel of fortune, ca. 1689; The contemporary wheel of adventure; Caricatures on Jacobus II and Louis XIV and the events in the years 1688-1689. The wheel of fortune, ca. 1689. Cartoon at the fall of the Catholic Pranks Jacobus II and Louis XIV. At the top of the wheel the princes Emperor Leopold I and King Charles II of Spain. Appointing O.A. The Dutch Virgin. Louis XIV, the Dauphin and the Turks fall off the wheel. At the bottom of the ground, King Jacobus II sits with the poor child. The wheel is turned by Mars and Chronos. Under the show a statement from the figures 1-47 and a poem in 6 verses in Dutch.

Title print for practica et arte di cavalleria or oeventingh and konst des Rydens, 1671. A cartouche in architectural frame with brushes, combs and other riding riding attributes on either side. All around, four faces on a rider on horseback. At the bottom of a console that takes place, name and year. Title print for practica et arte di cavalleria or oeventingh and konst des Rydens, from Christophorus Lieb, 1671.

Northern Netherlands, Hooghe, Romeyn de, The Death of the Perpetual Edict, Caused by the Hereditary Stadtholdership of His Highness and His Male Successors. Established on 2 February 1674, Allegory of the hereditary stadtholdership offered to the Prince of Orange, 1674, Allegory of the abolition of the Perpetual Edict of 1667 with the offering of the hereditary stadtholdership to the Prince of Orange, 2 February 1674. Dilapidated monument in which Anticurius van Loevestein (the personification of the Loevestein faction) lies on his deathbed, surrounded by allegorical figures, including the Act of Seclusion. At the top a bust of Van Oldenbarnevelt with an inscription and on either side the bodies of the De Witt brothers. On the right a medallion with the portrait of William III, held by Valor and Prudence. Below the image a text in 3 columns with an explanation of the numbers 1-18 in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 537 mm, width 350 mm, Noor

Emblem with allegory on nature; Nature. Emblem with allegory on nature. As a woman who feeds animals with milk from her chest. In a landscape, a man and woman kneel at a burning altar for a bust of pan. There is a poem under the show and on the Verso.

Portrait of Joannes Vollenhove, Pieter Tanjé, after J.G. A Borckeloo, 1750 print The portrait of Joannes Vollenhove, pastor in The Hague and writer, is crowned with a laurel wreath by a putto. In the background Pegasus at the source of poetic inspiration. paper etching / engraving / letterpress printing crowning with laurel. Pegasus, the winged horse

River gods near a temple, Hendrik Jacobsz Soeteboom, 1658 print The river god of the Rhine sits at a temple in a cave in which the title and author of the book are displayed. In the foreground is the river goddess of the Zaan. At the top a glimpse to a city in the background. Print Maker: Zaanda Publisher: Amsterdam paper etching / engraving river personified: Rhine. river personified, 'Fiumi' (Ripa) Zaan. Rhine

Arrow in the middle of a heart; Moralizing love emblems; Devises et emblesmes d'Amobr moralisez. A dart board with a heart-shaped rose hangs on an outside wall where an arrow is in. On a banderole a motto in Latin and a caption in French, both about love.

VII Ghenoeg is more. VII Ghenoeg is more. Second shock. Part of 'SinnePops', R. Visscher, 1614.

Title page for the pamphlet: the Italian fortune teller. Esopus, Antonio Magino, and Dirk Rembrantz van Nierop, 1702, Romeyn de Hooghe, 1702 print Title page for the pamphlet: the Italian fortune teller. Esopus, Antonio Magino, and Dirk Rembrantz van Nierop, 1702. Scientists look with telescopes at heaven in which Phaëthon (Louis XIV) falls out of the solar car. In the foreground a beggar with a hump (Esopus). In the background a tableau with birds that symbolize the fighting princes. Northern Netherlands paper etching / letterpress printing fall of Phaethon; he is struck by a thunderbolt of Jupiter. astronomy (and cosmography). telescope

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