Historical Prints and Engravings

Black and white prints depicting historical events and allegorical themes, showcasing intricate etchings from the 18th and 19th centuries.

Poetry in conversation with allegorical figures, Jan Punt, 1740 print paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Hospitality; 'Hospitalità' (Ripa). Humanity, Politeness; 'Cortesia', 'Humanità' (Ripa). Friendship; 'Amicitia' (Ripa)

Title print for a collection of history plates, 1790 print Print of the kidnapping of Europe by Jupiter in the form of a bull, watched by Themis. The print has been adapted with cutting and pasting for use as a title print for a collection of historical prints and portraits. The title is written on added pieces of paper behind cut out parts at the top of the show. Set up on a larger original insert. Behind the print a verse in handwriting dated 5 May 1790, which relates to the title print. Netherlands paper. ink pen / etching / engraving Jupiter, Usually in the Shape of a White Bull, Abducts Europa and Carries Her Across the Water. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa)

. Agamemnon, king of mycenae, sacrifices his daughter iPhigenia to Diana to reconcile with the goddess. At the last minute, she replaces the girl through a deer and takes her away. The high priest Kalkas holds a sacrifice scale above the altar.

Poetry in conversation with allegorical figures, Jan Punt, 1740 print paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Hospitality; 'Hospitalità' (Ripa). Humanity, Politeness; 'Cortesia', 'Humanità' (Ripa). Friendship; 'Amicitia' (Ripa)

François Voyez produced an etching and copper engraving between 1766 and 1797 depicting a young sheep, representing 18th-century European pastoral and animal studies.

Het offer van Iphigenia, Bernard Picart (workshop of), after Bernard Picart, after Pietro Testa, 1731 print Agamemnon, king of Mycenae, sacrifices his daughter Iphigenia to Diana, to reconcile with the goddess. At the last minute she replaces the girl with a deer and feeds her away. The high priest Kalchas holds a sacrificial scale above the altar. Amsterdam paper etching / engraving the sacrifice of Iphigenia

Small arlequin is stripped of lice; Arlequin as an educator of the small arlequin; The newly opened Italian scene. Arlequin listen to the small arlequin that should cry. Colombine tells arlequin that he must stop the lice.

Etching by Gérard Jean Baptiste Scotin the Elder around 1715 depicting the mythological scene of the birth of Adonis, rendered with detailed classical composition.

Copper engraving and etching by Heinrich Guttenberg depicting the coronation of a fountain inspired by Aesop, located in the Elisha Fields, created in 1785.

Etching by Francesco Londonio from 1743-1783 depicting a shepherd family holding a pear basket, showing rural figures, domestic animals, and detailed landscape.

A copper engraving and etching by Christian Wilhelm Ernst Dietrich showing Paris asleep with Venus on Mount Ida, created around 1800.

Etching by Bartolomeo Pinelli showing key episodes and figures from Virgil's Aeneid, created in 1811, capturing moments of the Trojan hero Aeneas' journey.

Herders Brengen Apollo Gifts, Daniel Nikolaus Chodowiecki, 1798 print Berlin paper etching (story of) Apollo (Phoebus). attributes of Apollo: lyre. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. bringing gifts; exchanging gifts

Page Two from 'Premier Livre De Differents morceaux A l'Usage de tous ceux qui s'appliquent aux beuax Arts Inventé Par G.M. Oppenort Architecte du Roy Et Gravé par Huquier,' Serie A (Moyen Oppenord), Gilles-Marie Oppenord, French, 1672-1742, Gabriel Huquier, French, 1695-1772, Etching on paper, In a landscape a nymph with a shield, a monkey, a satyr, and two wolves arranged in an artful arrangement with vases, cartouches, and implements. Inscribed, lower left: 'Oppenort inv.' lower right: 'Huquier sculp. et ex'; center: 'Avec privilege du Roy'; upper left: '2'; upper right 'A'., France, after 1751, Print, Print

Copper engraving and etching by Matthys Pool from 1690-1732 depicting the martyrdom of the seven Maccabean brothers in religious context.

Rokeby, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, 1813, Etching and line engraving on chine collé laid down on wove paper., Image: 4 3/4 x 3 1/2in. (12.1 x 8.9cm) and Sheet: 17 x 11 1/2in. (43.2 x 29.2cm)

Mountain landscape with two men who have a conversation, Reinier Vinkeles (I), after Jacques Kuyper, 1807 print Amsterdam paper etching / engraving conversation, dialogue; conversation piece. landscapes (+ landscape with figures, staffage). (high) hill

Attraction of the worldly, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Two men cannot resist the attraction of secular wealth. One of the men grabs valuables together, while the other drives away a putto with the gospel. At the globe death with an arrow and a putto that blows bubbles. Amsterdam paper etching / engraving Death as skeleton - FF - Death as female. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. crown (symbol of sovereignty). money

Shepherd family with cattle in antique tomb, Giovanni David, 1743 - 1790 print Pastoral scene with a shepherd family with an ox and sheep with an antique tomb and a tree. In the background on the left a bare tree. A caption is derived from Olando Furioso in Snail. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. grave, tomb. pastorals, Arcadian scenes

Johan Aagaard (1818-1879); Lorenz Froelich (1820-1908), Braavallaslaget, 1852

Copper engraving and etching by Claude Augustin Duflos around 1768 depicting a shepherdess playing a flute, with landscape elements in the background.

History of Don Quixote According to Jacques Philip the bottom, Don Quixotte blinded by his madness takes two flocks of sheep for armies (fourth number of a suite of 31 pieces) Jakob van der Schley (1715-1779). History of Don Quixote According to Jacques Philip the bottom, Don Quixotte blinded by his madness takes two flocks of sheep for armies (fourth number of a suite of 31 pieces). Burin, 1745.

Sleeping woman under the root system of a tree, Hippolyte Lallemand, After Mademoiselle Henry, 1839 print Paris paper sleeping on the ground - BB - out of doors. adult woman

Bewening, Monogrammist AC (houtgraveur), 1850 - 1899 print paper 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary

Copper engraving and etching by Louis Simon Lempereur between 1750 and 1757 depicting Kephalos and Prokris from Greek mythology.

Saints Fulgentius, Juumdinus, Teofilus; Łopaciński, Jan Nikodem (1747-1810), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); after 1803 (1803-00-00-1803-00-00);

Young man is rejected by his beloved, Achille Devéria, 1823 print Paris paper. lovers' meeting. being refused, the proposal rejected. pursuit of a woman, prowling

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

The false princess of Micomicon asks Don Quixote to put her back on the throne, Louis Surugue, after Charles -Antoine Coypel, 1691 - 1767 print publisher: ParisFrance paper etching / engraving Don Quijote. Sancho Panza

Ecce Homo, Eugène Gaujean, After Tiepolo, 1860 - 1900 print print maker: Franceprinter: Paris paper etching / engraving Christ alone (also called 'Ecce Homo')

Apollo gives Hector New Power, Bernard Picart (workshop of), After Bernard Picart, 1710 print Jupiter has awakened again and gives Apollo an assignment. Apollo then gives Hector new strength. In the margin a caption in French. Amsterdam paper etching / engraving Jupiter awakes and restores order. Hector - non-aggressive, friendly or neutral activities and relationships

Copper engraving and etching by Bernard Lépicié created between 1744 and 1797 depicting scenes of love harvesting and Love Oisleur.

Etching and copper engraving by Michel Aubert, created between 1720 and 1757, depicting the mythological death of Adonis with emphasis on expressive detail and classical form.

Bacchanaal, 1775 print Saters in the foreground, a bacchante and putti who sleep in their intoxication during a sacrifice. On the ground are musical instruments (pan flute, tambourine). On the left a herme. In the background a saat who touches a sleeping nymph or bacchante. paper etching thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

Duplicate listing: Copper engraving and etching by Jonas Suyderhoef titled 'Der Trunkene Silen,' created 1633-1657

Scene from Orlando Furioso by Ludovico Ariosto, Edouard Schuler, After Jean Baptiste Mauzaisse, 1816 - 1882 print Karlsruhe paper. steel engraving (scenes from) specific works of literature: Ariosto, Orlando Furioso

Achilles. Orgelbrand, Samuel (Warszawa ; wydawnictwo, drukarnia ; fl. 1836-1919), merchant employer, unknown, graphic artist

Copper engraving and etching by Jacobus Neeffs (1636) depicting allegorical figures symbolizing strength, showing composition, figures, and baroque engraving techniques.

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. paper. pencil. chalk engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

Nocturnal Landscape with Shepherd and Herderin at a Beek, Claude Henri Watelet, After Nicolaes Pietersz Berchem, 1759 print France paper etching / drypoint herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. night ~ landscape (sometimes titled 'Nox'). herd, flock. torch

Jupiter seduces Agamemnon, the commander of the Greek troops, in a dream to rely on the fight with the Trojans. A caption in French in the margin.

Allegory on the Peace of Aachen, 1748, Simon Fokke, 1749 print Allegory on the Peace of Aachen closed on October 18, 1748 between the Allies (Republic, England and Austria) on the one hand and France, Prussia and Spain on the other. Europe kneels with the bull for peace with a horn of abundance, behind her the Dutch Virgin, in the clouds De Faam, centrally an obelisk with weapons of the fighting parties. On the left, Father Time pulls the curtain aside to reveal the spectacle, in the foreground on the right of singing or poetry. paper etching / engraving peace and prosperity, 'Pax et Abundantia'. personifications of countries, nations, states, districts, etc.

Etching by Danker Danckerts depicting the mythological figures Ariadne and Bacchus, created between 1648 and 1666, showing classical attire and narrative interaction.

Mentor throws Telemachus into the sea, Jacques-Philippe Le Bas, 1755 print Paris paper etching (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus

Herman de Ruiter about to put a burning wick in the powder barrel, 1570, Gijsbertus Arnoldus Gretser (Possible), after Jan Hendrik van de Laar, 1841 print Herman de Ruiter fights with Spanish soldiers and sticks the burning wick in the Kruitvat, December 19, 1570. . Slot Loevestein

Ceres looking for Proserpina. Ceres, goddess of agriculture, drives veiled with a torch in her hand on a car drawn by dragons. She is looking for her daughter Proserpina who is robbed by Pluto. In the foreground women are at a stream in which monstrous beings swim. Scene from the metamorphoses of Ovid (with. 5: 438-445).

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Madame Banti, 1795. Etching and line engraving on moderately thick, slightly textured, cream laid paper.

I! First I am not for friendships ... v'là my system! ... / 4 (title registered (letter)) | Gallery of Epicurians (title of all)

Copper engraving and etching by François Boucher depicting a child shepherd, created between 1740 and 1775.

Bound Print, Plate 5, Receuil de Fontaines (Collection of Fountains); Designed by François Boucher (French, 1703-1770); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on paper; 33.7 × 24.5 cm (13 1/4 × 9 5/8 in.)

Rest from summer Upa Humble, Józef (Fl. 1865-1872), Winterhalter, Franz Xaver (1805-1873), Szumacher, I. (St. Petersburg; Graphic Zak Ad; Ca 1860-1870); 1860-1870 (1860-00-00-1870-00-00);

Astronomy; L'astronomy; Livre des Arts. Allegory of the astronomy. Two putti with telescopes and a globe. Publisher number 190.

Fabel van Het Hert en de Wingerd, Johann Heinrich Meil (the older), After Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). hoofed animals: deer. vine. vine

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Apoteoza Kopernika Apotheosis of Copernicus ; from: `Tygodnik Ilustrowany` 1892, no. 112 (February 20th), p. 113 (title page). Łoskoczyński, Józef (1857-1928), graphic artist, Zajkowski, Andrzej (1851-1914), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Edelman and Death, Conrad Meyer, 1650 print paper etching knight. Death dancing with one person

Saint is beaten with sticks, anonymous, 1600 - 1699 print A saint with a crucifix in his arms is beaten by two men with sticks. On the left is a man on a throne. Italy paper etching corporal punishment in public

Antique fragments; People from classical antiquity. .

Engraving and etching by René Gaillard, created between 1742 and 1790, showing lovers in a scene of surprise.

Nymph on the knee of a Sater, Lucas Kilian, After Joseph Heintz (I), 1589 - 1615 print Text in Latin in the lower margin. paper engraving satyr(s) pursuing nymph(s)

Milo van Croton attacked by a lion, Bénédict Alphonse Nicolet, After Antoine Borel, After Giorgione, 1786 - 1808 print paper etching / engraving death of Milon of Croton: he has his hands trapped in a tree trunk and is attacked by lions or wolves

Venus verschijnt aan twee dames; Les Amam Magnifiques.Two ladies looking up to Venus sitting in the sky on a cloud. She is accompanied by putti and swans. Scene from the play les Amants Magnifutes, from Molière.

Etching and copper engraving by Louis Simon Lempereur between 1748 and 1807, showing a shepherd offering gifts in a pastoral setting.

Allegorical representation with figures and attributes that refer to world history, Bernard Picart, 1720 print With her book, history leans on a globe and writes world history. She is accompanied by geneology, which shows her a pedigree. She is looking up to father time and chronology, who fly in the air. In the foreground a woman with a sheet of paper in her hands on which coats of arms. Various attributes that symbolize power on her feet. In the clouds a meeting of the Olympic gods. In the margin a caption, in three columns, in French. Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). family lineage, pedigree, genealogical tree or table. Father Time, man with wings and scythe. armorial bearing, heraldry. crown (symbol of sovereignty). meetings and dwellings of the gods. series of rulers

Bandits surprised by the wind, Bartolomeo Pinelli, 1819 - 1823 Four men and a woman with child are surprised by a severe wind. The print is part of an album. Rome paper etching Four men and a woman with child are surprised by a severe wind. The print is part of an album. Rome paper etching

The Entombment, pl. 18 from the series Passio, Mors, et Resurrectio, Dn. Nostri Iesu Christi (The Passion, Death, and Resurrection ofChrist). Engraver: Jan Collaert II, Flemish, ca. 1561-ca. 1620 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Kissing in love, Gottlieb Friedrich Riedel, 1778 - 1779 print A parent in love couple kiss each other in front of a building in the open air. Around the show a frame with garlands. A German text in the lower margin. Publishing number 7. Augsburg paper etching pastorals, Arcadian scenes. (lovers) kissing each other

Resting Herder and Herderin, Louis Léopold Robert, Veuve Delpech (Naudet), 1831 print Paris paper pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. resting - BB - out of doors

Abduction of Europe, Valentin Lefèbvre, After Paolo Veronese, 1682 print Europe and its service stomachs have fun with Jupiter in the form of a bull. Europe is already sitting on the back and looks heavenly. Two putti with a laurel wreath and a pear are flying above her head. In the background, one of Europe's maid rides the bull decorated with flower wreaths. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching Europa and her maidens play with the bull, and/or adorn it with flowers

Femmes wotiakes, en sibérie, trial print; Tilliard, Jean-Baptiste (1740-1813), Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en sibérie en 1761 - illustrations, dupuy, dome (filigree - letter), collection from Sucha - collection, Russia, Wotiacy, French (culture), genre scenes

Triptych with scenes from the Crusades, Elchanon Verveer, After Herman Frederik Carel ten Kate, 1836 - 1878 print A battle in the middle. On the left, a knight says goodbye to a woman. On the right a battlefield. print maker: The Hagueprinter: Netherlands paper militant proselytizing: religious war, crusade, etc.. battle. embracing each other, kissing. carrying the sick, wounded and dead off the battle-field

Allegory at the birth of a child with Juno and abundance, Abraham Delfos, After Hieronymus van der Me, 1754 print Allegory at the birth of a royal child, juno sitting on a cloud crown the child, abundance sits next to them with a horn of abundance. The mother, a queen in King's mantle, receives the child with open arms, next to her is a globe with three crowns. The edges of the cartouche are decorated with a palm branch and olive branch. The Latin quote from Virgilius refers to the newborn who descends from the sky and removes sin on earth. Leiden paper etching (story of) Juno (Hera). Abundantia (abundance) as Roman personification

Two men for a ruin of a gate, Joseph de Longueil, 1740 - 1792 print France paper etching / engraving landscape with ruins

Les Fruits de L'Automne, Charles-Nicolas Cochin the elder, French, 1688 - 1754, Jacques de Lajoüe, French, 1687-1761, France, ca. 1735-1740, Print, Print

Copper engraving by Nicolas de Larmessin IV depicting Saint George, created between 1700 and 1755 using etching.

Copper engraving and etching by Pierre François Tardieu created between 1750 and 1771 titled 'The Case of Conscience.'

Etching and copper engraving by Pietro Antonio Martini dated 1772, showing a summer scene with groups of figures in leisure pursuits.

Allegory on flood of 1775, Reinier Vinkeles (I), After Jacobus Buys, 1778 print Allegorical representation of the flood of 14-18 November 1775 as a punishment of God. The Dutch virgin with Bible and anchor prays to God with broken dike. In the clouds of angels and the all -seeing eye. Below reference to: page. 64. Northern Netherlands paper etching / engraving dike-break. personifications of countries, nations, states, districts, etc.. the all-seeing eye, triangle with eye ~ symbol of God the Father. God's wrath (+ angels floating in the air) Netherlands

Songs of dusk, III: hymn to the dead of July

Teacher teaches botanical lessons to a group of children, Jean Jacques de Boissieu, 1804 print France paper. etching / drypoint teacher and pupil. botanizing

Allegory on flood of 1775, Reinier Vinkeles (I), After Jacobus Buys, 1778 print Allegorical representation of the flood of 14-18 November 1775 as a punishment of God. The Dutch virgin with Bible and anchor prays to God with broken dike. In the clouds of angels and the all -seeing eye. Below reference to: page. 64. Northern Netherlands paper etching / engraving dike-break. personifications of countries, nations, states, districts, etc.. the all-seeing eye, triangle with eye ~ symbol of God the Father. God's wrath (+ angels floating in the air) Netherlands

Tobias en de angel, anonymous, after adam elsheimer, after 1588 print Germany paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog

Italie! , Queens, Heroes, Gods, Kissing, Dido Legendary character, Aeneas Legendary character, Mercury Roman deity, Berlioz, Hector, 1803-1869. Troyens. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Gustave Doré (1832-1883). "Hunting. IFF 45". Bois, 1857. Museum of Fine Arts of the city of Paris, Petit Palais. Deer, hunting, hunter, rifle, trompe, wood, dog, engraving

David with the head of Goliat, Pietro Rotari, After Antonio Balestra, 1717 - 1762 print David is lying under a drapery with his sword. At his feet is the severed head of the Philistine giant Goliat. Italy paper etching David with Goliath's head

AAM van der Burcht offers the count of Holland his sons, approx. 1475; AAM van der Burch A rich landman of 't Dorp Woudt, father of 12 adult zoons, offers the Grave van Holland. AAM van der Burcht offers the count of Holland, Karel De Stoute, his twelve sons, approx. 1475.

Copper engraving and etching by Jean Charles Le Vasseur, created between 1750 and 1816, showing the mythological death of Adonis with detailed classical representation.

A Cività Castellana. Dated: 1793. Dimensions: plate: 37.9 x 28.4 cm (14 15/16 x 11 3/16 in.) sheet: 49 x 39 cm (19 5/16 x 15 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

Old man in front of a tent surrounded by putti, two women and three men, Reinier Vinkeles (I), 1778 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. forest, wood. tent. old man

Psyche to the Olympus, Michel DiGIGY, After Simon Vouet, 1651 print France paper engraving / etching Psyche is carried up to Olympus by Mercury

Dressing nudes, François Hutin, c. 1730 - c. 1750 print Part of a series of seven works of mercy with performances in antique setting. paper etching clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy

Genoveva van Brabant, Ludwig Richter, 1848 print Dresden paper. etching / drypoint Genoveva

Rest on the Flight into Egypt, Camillo Procaccini, c. 1650 print The Holy family sitting in a landscape. In the foreground on the right Joseph who looks at the viewer and points to Mary with the Christ child on his lap. paper etching rest on the flight into Egypt

Fabel van Fortuin and Het Kind, Bertin, 1776 print France paper etching Fortuna as Roman personification. child. fables

Telemachus leaves Egypt. Telemachus and Narbal say goodbye to the waterfront with a boat for them. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. I.

Regenerated France, asks you to recreate / this beautiful nature on its entire surface. (IT)

Print made by Edward Calvert, 1799-1883, British, The Brook, 1829. Wood-engraving on thin, slightly textured, cream Asian paper.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Bloemaert, Abraham (1566 1651)

David beheaded Goliat, Jan Punt, after Jacob de Wit, after Peter Paul Rubens, 1752 print Goliat is on the floor and David is about to carve his head. Under the rectangular representation a verse in Latin from 1 Sam. 17:51. Amsterdam paper etching / engraving David beheads Goliath with a sword Carolus Borromeuskerk

Fieschi Machine. (Ti)

Copper engraving by Gilles Rousselet from 1630-1686 depicting Hercules and Acheloos, showing dynamic figures, mythological subject, and detailed composition.

Copper engraving and etching by Matthys Pool depicting Venus with Satyre and Venus with Adonis, created between 1690 and 1732, showing mythological figures, gestures, and classical settings.

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