Historical Processions and Costumes

Prints depicting elaborate historical processions, allegorical figures, and fashionable costumes from various eras, showcasing cultural history.

Four Figures in Theatrical Costume; Claude Gillot (French, 1673 - 1722); about 1710; Pen and gray ink and brush with red wash on cream-colored paper; 15 × 20 cm (5 7,8 × 7 7,8 in.)

Procession by the Rederijkerskamer de Haselieren from Hazerswoude Dorp (second part), 1607; The introduction of Aedwaertswoude vert.optocht by the Rederijkerskamer de Haselieren from Hazerswoude Dorp, at the Rederijkersfeest of October 22, 1607 in Haarlem. Second part: Procession of nine allegorical figures.

Lansquenets and ladies 1531 Christoph Bockstorffer. Lansquenets and ladies 393901

Nieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Varie Antiquitates Romanae, Rome produces fame and art, recto center top outside the plate edge - handwritten, A stone with the map of Rome is crowned with three crowns and stands on a base, in which the Roman motto SPQR is chiseled. The stone is flanked by Fame with a trumpet, dressed as a Roman soldier, and by Painting, with stick, brushes and palette, crowning the stone with a laurel wreath. Print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, title print, prints, verso - stamped, 21, height 100 mm, width 153 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, etching, etchings, engraving, engraving (printing process), print maker, printmaker

Habillemens de Leipsic, ca. 1778-1780: nine figures spread over two frameworks, c. 1778 - c. 1780 Nine standing figures spread over two frameworks. In the upper frame: a man and woman walk to the right, both have a walking stick. On the right two women with veil and fan. In the lower frame: man with walking stick, flanked by two women, one with parasol. On the right a standing man with a flat hat on the head. The print is part of the Almanak Habillemens de Leipzig, ca. 1778-1780. paper etching fashion plates. dress, gown (+ women's clothes). head-gear (+ women's clothes). clothing for the upper part of the body (+ women's clothes). fan (+ women's clothes). parasol, sunshade (+ women's clothes). calendar, almanac. coat (+ men's clothes). styles of hairdress - AA - ~ women. head-gear (+ men's clothes). walking-stick, staff, cane (+ men's clothes)

Lansquenets and ladies. Artist: Conrad Baur (German, active 1517-32). Dimensions: Sheet (Trimmed): 1 7/8 × 7 13/16 in. (4.8 × 19.8 cm). Date: 1531. Museum: Metropolitan Museum of Art, New York, USA. Author: Conrad Baur.

Four Figures in Theatrical Costume; Claude Gillot (French, 1673 - 1722); about 1710; Pen and gray ink and brush with red wash on cream-colored paper; 15 × 20 cm (5 7,8 × 7 7,8 in.)

The Michelfeldt Tapestry (Allegory on Social Injustice), first part of three. Attributed to Albrecht Dürer; German, 1471-1528. Date: 1526. Dimensions: 153 x 311 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Netherlands, Amsterdam, Kannewet, Johannes (II), Ey kinders zien dees heeren aan, Yder heeft een juffrouw bij hem staan, recto - handwritten in brown ink, Sheet with 4 images. Two images of gentlemen and two images of ladies. Below each image a two-line verse. Numbered top right: 11., print, picture, popular print, prints, pictures, popular prints, verso - stamped, Babes Jaap and child and babies Annetjes child Luyjen Pieter Admiraal Anno, 1748, height 405 mm, width 307 mm, Publication (Event), Publication, Dutch, publisher, 1725 - 1780, paper, woodcut, letterpress printing, colours, print maker, printmaker

Illustrations to Proverbs 10: 4-7 1534 Daniel Hopfer German. Illustrations to Proverbs 10: 4-7 372999

Count Willem XXVII and Willem XXVIII, Countess Jacoba Xxix and Graven Philip XXX and Charles XXXI; Graves and gravingen from Holland. Presentation of one woman with shield and staff, and four men with sword and shield. According to the associated caption to digging Holland Willem XXVII and Willem XXVIII, Countess of Holland Jacoba Xxix and Graven Philip XXX and Karel XXXI (are Willem Vi of Bavaria, Jan van Bavaria / Jan III, Jacoba van Bavaria, Philip the good And Karel De Namen). This print is part of a series of eight numbered prints of the graves and gravingen of Holland with associated explanatory Dutch texts in letterpress. Print and text are always attached to one sheet. Incidentally, there seems to be little of the years stated in the captions.

Frieze with putti and coat of arms, Monogrammist CB with tree, 1531

Couple with the Death Dance (series title), print maker: Monogrammist AC (16e eeuw), (mentioned on object), print maker: Allaert Claesz., (possibly), Tobias Stimmer, (possibly), Low Countries, 1562, paper, engraving, h 88 mm × w 65 mm

Five German Soldiers Artist's working dates 1490-1536 Germany. Daniel Hopfer likely invented the art of etching on paper, adapting it from the long-standing process of decorating arms and armor with acid to etch patterns into steel. The Landsknechte seen here wear minimal armor, just a mail cape (bishopís mantle), but sport massive swords. They assume various infantry roles, including standard bearer, drummer, fife player, and halberdier. This is the largest of Hopferís three etchings of this popular genre subject.. Etching in black on buff laid paper . Daniel Hopfer, I

Soldier carrying his skewer with both hands horizontally at shoulder height (no. 19), approx. 1600. A soldier, for feet, which carries a skewer (lance) with both hands horizontally at shoulder height (no. 19), ca. 1600 . Plate 19 in the instructions for handling the skewer: Enseignement letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Vijf Moren Granada, Gakleed Volgès de Mode van Ca. 1580; Barnish mites. Prent nr. 29 UB ALBUM "DI VOGLI DGGLI DGGLIED FROM THE TIG DELIVERY IN THE RAME FOR OPRA BARTOLOME GIRLOLOOME", 1585.

Copper engraving by Sebald Beham titled 'A Couple Dancing to the Left,' created in 1537, depicting a man and woman dancing.

From "Bizzarie di varie Figure". Dated: 1624. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Bracelli.

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy in the year 1608, nineteenth board of the representation of the procession: concierges and controllers (white 32 page 516; Andreas Andresen 10, volume 4, page 192) . Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100465-3 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Procession by the Rederijkerskamer The galis flower from Haastrecht (first part), 1607; The appearance of Haestrecht. Procession by the Rederijkerskamer The Galisblemken from Haastrecht, at the Rederijkersfeest of October 22, 1607 in Haarlem. First part: parade with blazean carriers, tamboer and standard bearer.

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne), plate 3, 1578. From Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne. Engraving.

Scaramouche, Cucurucu and Razullo; Scaramucia Cucurucu Razullo; Characters from the Dell'Arte Commedia. Three characters from the Dell'Arte Commedia. Left Scaramouche with a cat on his arm. In the middle cucurucu. Right Razullo, balancing on one leg with a Pince-Nez in both hands ()

Parade by the Rederijkerskamer De Roo Roosen from Schiedam (third part), 1607, 1607 print Procession through the Rederijkerskamer De Roo Roosen from Schiedam, at the Rederijkersfeest of October 22, 1607 in Haarlem. Third part: Procession of seven figures, partly from the parable of the Merciful Samaritan, partly allegorical figures. Northern Netherlands paper engraving chamber of rhetoric (Dutch: 'rederijkerskamer'). festivities (+ parade, pageant, cavalcade ~ festive activities). the good Samaritan (Luke 10:30-37) Haarlem. Schiedam

Jean Toutin, Design for a Turtle Shaped Pendant, 1618 Design for a Turtle-Shaped Pendant

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 18, Five participants in the procession, horses and the banner with the coat of arms of Sicily. Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 240 mm, width 348 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Soldier placing his skewer against his right foot with his left hand and pulling his right hand with his right hand (no. 25), approx. 1600. a soldier, for the right, to the right, which with his left hand his skewers (lance) against his right foot Place and with his right hand draw his sword (no. 25), approx. 1600. Plate 25 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rechte truck, from all T'Ghene a soldaet int handling Skewer Emergence is. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Christ and the adulteress, Gerard ter Borch (I), c. 1618, draughtsman: Gerard ter Borch (I), (signed by artist), Zwolle, c. 1618, paper, brush, h 105 mm × w 137 mm

Three male figures, two with stick and stab, Cornelis Troost, 1706 - 1750 drawing paper. pencil. chalk postures of the human figure. postures of the human figure

Off with her head Illustration by John Tenniel from the book Alices's Adventures in Wonderland by Lewis Carroll published 1891

L'Homme au Grand Manteau vu de Dos (Man with a Large Mantle Viewed from Behind), from Varie Figure (Various Figures) ca. 1620 After Jacques Callot French. L'Homme au Grand Manteau vu de Dos (Man with a Large Mantle Viewed from Behind), from Varie Figure (Various Figures). Varie Figure. After Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; second state of three (Lieure). Prints

Procession by the Rederijkerskamer de Witte Ackoleyen from Leiden (first part), 1607; The entry of the white acleyen of Leyden verthounts. Procession by the Rederijkerskamer de Witte Ackoleyen from Leiden, at the Rederijkersfeest of October 22, 1607 in Haarlem. First part: procession of the blazean carriers, piper and tamboer, voucher and cause carrier.

Oldenbarnevelt, Reinier Van.

Orange indignantly rejects the proposals of Spanish envoy, approx. 1580; Scenes from the life of Prince Willem I, 1568-1584. The Prince of Orange reflects the proposals from the Spanish envoy, approx. 1580. Twenty-third vocals.

Theodosius I on horseback with sceptre. Theodosius the Great with sceptre, plumed helmet and caparisoned horse. From a column in Istanbul built after his victory over Magnus Maximus. Porta Aurea. Handcoloured copperplate engraving by Giovanni Antonio Sasso from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1842.

Soldier, seen on the back, who carries his skewers with both hands horizontal at the nose height, his right hand at the foot of the weapon, his face to the right (no. 30), ca. 1600, 1597 - 1608 A soldier, in full, seen on the back, who carries a skewer (lance) with both hands horizontal at the nose height, his right hand at the foot of the weapon, his face to the right (no. 30), ca. 1600. Plate 30 in the instructions for handling the skewer: Enseigement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, in full, seen on the back, who

Part of the parade, no. 8, 1619 print Four participants in the parade, horses and the banner with the weapon of Gelre. Part of the print series of the funeral procession of Emperor Karel V on December 29, 1558 in Brussels. Southern Netherlands paper etching / engraving cortege, funeral procession Brussels. Guelders

Illustration from Lichtenberg's 'Proposal for an Orbis Pictus'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1780. Prints; etchings. Etching

Three characters from the commedia dell'arte. On the left Mestolino with an owl on his shoulder. In the middle Cap. Grillo and right Guastetto with playing cards() in his hands, Mestolino, Cap. Grillo and Guastetto Mestolino Cap. Grillo Guastetto Characters from the commedia dell'arte (series title), print maker: Anthonie de Winter, Jacques Callot, publisher: Cornelis Danckerts (II), print maker: Noord-Nederland, publisher: Amsterdam, 1668 - 1707, paper, etching, h 123 mm × w 194 mm

Peasant with Hat in Hand. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Soldier wearing his skewer with both hands horizontally at shoulder height; Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from Al T'Ghene a Soldaet Int acting from the Skewer is Noodich. A soldier, for feet, which wears a skewer (lance) with both hands horizontally at shoulder height. This print is part of the series of 32 hand-numbered prints of skewers in arms opera. This copy with the number printed.

Omnium pene Europae, Asiae, Aphricae atque Americae Gentium Habitus. Abraham de Bruyn (Flanders, Antwerp, 1540-1587). Belgium, 1540-1587. Books. Engraved on paper, some gouache coloring

Plate depicting Giovanni Orsino, from a series of twelve showing knights and their attendants dressed for a tournament (plate 7) 1565 Anonymous See 53.601.153 for a description of the series. See 53.601.153-157, 159-163 for the rest of the plates.. Plate depicting Giovanni Orsino, from a series of twelve showing knights and their attendants dressed for a tournament (plate 7). Anonymous. 1565. Etching

Honoré Daumier, A Naples Délégués de la commission , 19th century A Naples: Délégués de la commission ...

Soldier who carries his skewers with his left hand at his right side, the point slanted up (no. 13), ca. 1600, 1597 - 1608 A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the Spies: Letter instruction Upon the contrefaictinges, Concerning the Right use, or all what a souldier needeth to know in handling of the pike. Part of the illustrations in an English edition of J. de Gheyns Weapons Handelhe: J. de Gheyn, The Exercise of Armes for Calivres, Muskettes and Pikes After The Ordre of Maurits Prince of Orange, The Hague 1608. Water a needy. Northern Netherlands paper engraving A soldier, who is a skewer (lance) with his left hand on his right side, the point tilted up (no. 13), ca. 1600. This is the second action for lowering the skew a vault by being able to. Plate 13 In the instructions for handling the Spie

Three women from Ferrara from different positions, dressed according to the fashion of approx. 1580, in or before 1585 Sett nr. 12 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving Sett nr. 12 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving

Peasant with a Cup. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Gentleman with Cane. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

A Round. Jacques Callot (France, Nancy, 1592-1635). France, 1617. Prints; etchings. Etching

Feyerabendt, sigmund (n. - d.), Panoplia omnium illiberalium mechanicarum autidararum artium by Jost Amman). (Main title), 1568. Binding: green and gilded morocco. Binding to the fanfare, pages set. Illustrations: engravings. Petit Palais, Museum of Fine Arts of the City of Paris.

Man seen from Behind with His Right Arm Extended. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Four women, dressed according to the fashion of approx. 1580, in or before 1585 Sett Uit Album 'of the real portraits of the Habiti di TVtte the parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving Sett Uit Album 'of the real portraits of the Habiti di TVtte the parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving

Caricature of a Spaniard, anonymous, 1600 - 1670 print France paper engraving Europeans: Spaniards. caricatures (human types)

The Dance. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Three Peasants in Conversation, c. 1497. Albrecht Dürer (German, 1471-1528). Engraving;

Men Digging and Constructing a Wall 17th century Pietro da Cortona (Pietro Berrettini) Italian. Men Digging and Constructing a Wall 372166

Two women accompany two drunk men. The man on the right vomits., Women accompany drunken men Designs for the edge of an octagonal dish, with scenes of country life (series title), print maker: Bartholomeus van Lochom, (mentioned on object), Hans Janssen, publisher: Claes Jansz. Visscher (II), Amsterdam, c. 1630, paper, drypoint, h 58 mm × w 96 mm

TWee prostitées en een oue koppelArster, gekleed foxing de Venetiaansa mode ca. 1580; Putana Plebea / noble Venetian / Venetian Ruffiana / Ruffiana. Prent nr. 6 UUM Album 'of the verges deglim'habiti of TVLETs of the levy parts in rams for apra bartolomeo', 1585.

Jacques Callot, Duel with Swords and Daggers, c 1622 Duel with Swords and Daggers

A Theatrical Scene. Artist: Anonymous, French, 17th century. Dimensions: 8 11/16 x 13 in. (22.1 x 33 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The new ELBA (TI)

Drie Vrouwen, Gekleed Volgens de Mode Van Bologna approx. 1580; Peasant bolognese / gentil woman Bolognesa / Bolognesian bride. Prent nr. 11 UIn album 'of the real portraits of the habits of TVTTE The parts of the world carved in copper for OPRA by Bartolomeo Grassi', 1585.

A Poor Man's Burial, Marcellus Laroon the Younger, 1679-1772, British, 1704, Brown wash with pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 11 3/8 inches (12.1 × 28.9 cm)

Stamfadies Ruben and Simeon; The twelve tribal fathers of Israel; Historia Duodecim Patriarcharum (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Left ancestor Ruben, the oldest son of Jacob, in a landscape with a beef and a goat next to itself. A jug in his left hand. Right female father Simeon, the second son of Jacob, in armor in a landscape. Behind him lying the corpses of Sichem and two of his men, who had killed Simeon together with Levi as a revenge for having his sister Dina. Among the performances a reference in Latin to the Bible text. Print is part of an album.

Count Floris XVII, Willem XVIII, Floris XIX, Jan XX and Jan XXI

Four Poles, A Landscape in the background, Johann Wilhelm Baur, 1636 print Rome paper etching clothes, costume (+ men's clothes). Europeans (POLISH) (+ costume)

Soldier pours into the past in the course of his rudder; Corte Underswsinghe on the figuerliicke figure, straightforward t'ruwe Ghebruyck des Roers. A soldier, full, to the right, which holds a stir (a certain type of firearm) with his left hand with his left hand. With his right hand, he pours powder from a powder coron in the course, who points up obliquely. This print is part of the series of 42 hand-numbered prints of stirrers in the arms opera.

Gideon en Jaïr, 1643 print The judges Gideon and Jaïr. Gideon controls the sheepskin. In the background, Gideon prays at the sheepskin and dew falls on the sheepskin. In the landscape, the men of Gideon kneel by a river to drink. Jaïr points to the landscape. His thirty sons each ride a donkey stallion. Abimelech and Tola are in the middle. Under the show explaining texts in Latin. This print is part of an album. Amsterdam paper engraving the dew is on the fleece only, the ground is dry (first sign given to Gideon). those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of Gideon's men

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 24 and 25, Six participants in the procession, with the four quarters of the imperial coat of arms and the imperial coat of arms and helmet on standards and four participants with the imperial sword, the imperial coat of arms and two sceptres. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels. Print no. 24 and part of print no. 25 pasted together., print, prints, Frederik Muller Historieplaten, height 240 mm, width 498 mm, Noord-Nederlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, third quarter 16e eeuw, first quarter 17th century, first quarter 17e eeuw, paper, papier, etching, etchings, engraving, engraving (printing process), hand colouring, - 1589, Zuid-Nederlands, 1518 - 1570-03-10, intermediary draughtsman, after a

Heraut; Affkomst ende korte historie der graven van Hollandt Zeelandt ende Vrieslandt; Graven en gravinnen van Holland.A heraut stands for a throne and a sofa with seat cushions under a canopy. In his left hand, a herald staff and in his right hand he has a text stream. There is a double-headed eagle on the first and fourth quarter of his arms coat; Three French lilies on the second and third quarter. Front right there are three books. Left under numbered 1. The print is part of a book with descriptions and shows of the graves of Holland, Zeeland and Friesland.

Piazza Santa Croce, Florence. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Parading Knights in Oriental Costume. Dated: c. 1515. Dimensions: image: 23.5 x 23.5 cm (9 1/4 x 9 1/4 in.) sheet: 33.8 x 26.3 cm (13 5/16 x 10 3/8 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Peasant Whipping his Donkey. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

March and April (copy). Artist: after Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 2 x 2 3/4 in. (5.1 x 7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Lady in a Large Coat. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Procession by the Rederijkerskamer De Pellicaen (Trou must Blycken) van Haarlem (second part), 1607, 1607 print Procession through the Rederijkerskamer de Pellicaen (Trou must Blycken) van Haarlem, at the Rederijkersfeest of October 22, 1607 in Haarlem. Second part: Procession of the members of the Rederijkerskamer in five couples of two. Northern Netherlands paper engraving Chamber of Rhetoric (Dutch: 'Rederijkerskamer'). Festivities (+ Parade, Pageant, Cavalcade ~ Festive Activities) Haarlem

The Gaiety of the ancient Casique, 1671., London. Publisher, Printed by the author, available at his house. America, West Indies, British history

Robert Dighton, 1752-1814, British, Modern Exercise, undated. Pen and black ink and gray wash on medium, slightly textured, cream laid paper.

Part of the procession, no. 10; Funeral procession of Emperor Charles V, 1558; La Magnifique, et sumptuous Pompe funebre, Faite Aus Obseques & Funerailles du Tres-Grand & Tres-Victory Empereur Charles Cinquième, Celebrées and La Vile de Bruxelles Le XXIX. Iour du mois de decembre m.d.lviii. Par Philippes Roy Catholique d'Espaignes Son Fils .. Four participants in the procession, a horse and banners with the weapons of Burgundy and Austria. Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.

Famous Men and Women from Classical and Biblical Antiquity 1450s Attributed to Barthelemy d'Eyck Netherlandish. Famous Men and Women from Classical and Biblical Antiquity 340776

Jacques Callot, Officer with Plume, Seen from Behind, 1617 and 1621 Officer with Plume, Seen from Behind

Man is seduced by light -hearted wife, Hans Holbein (II), 1538 print In a garden a man has a meeting with a light -hearted woman. The image is an illustration at Proverbs 6 in which they warn about adultery. In the margin above the image is the text Cant ... I. paper the book of Proverbs. unsuccessful love affair; seduction

Dance of death: death and the pedlar. Etching attributed to J.-A. Chovin, 1720-1776, after the Basel dance of death.

Trophy at Portrait of Leonardos Philaras ..

Figurine: Two Soldiers Seated, Conversing. Salvator Rosa (Italy, Naples, 1615-1673). Italy, circa 1656-1657. Prints; etchings. Etching with drypoint

Plate for Sr. Bernardino Savello, from a series of twelve showing knights and their attendants dressed for a tournament (plate 11) 1565 Anonymous See 53.601.153 for a description of the series. See 53.601.153-161, 163 for the rest of the plates.. Plate for Sr. Bernardino Savello, from a series of twelve showing knights and their attendants dressed for a tournament (plate 11). Anonymous. 1565. Etching

Primary Master of the Strassburg Chronicle (German, active 1480s and 1490s), Hector of Troy, Alexander the Great and Julius Caesar, 1492, pen and black ink over traces of black chalk

Three women and a man, dressed according to the fashion of approx. 1580 in Kleef, 1581 Prent shipped Het Boek 'all the near Europe, Asia, Aphric and America nations attitude ...', 1581. The Prent Maakt deel shipped van een album. paper engraving Prent shipped Het Boek 'all the near Europe, Asia, Aphric and America nations attitude ...', 1581. The Prent Maakt deel shipped van een album. paper engraving

Three Worthy Christians: Charlemagne, King Arthur, and Geoffrey of Bouillon. Artist: after Hans Burgkmair (German, Augsburg 1473-1531 Augsburg); Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 5 7/8 x 8 11/16 in. (15 x 22 cm). Date: ca. 1516. Museum: Metropolitan Museum of Art, New York, USA.

1551 woodcut by Cornelis Anthonisz Teunissen depicting the gentlemen of Brederode with figures, gestures, and attire.

Lords of Brederode, from Zyphridus to Reinout III (right middle leaf). Right middle leaf from a Frisian on four loose sheets with twenty men from Brederode, from Zyphridus to Reinout III. Five portraits of different men from Brederode in armor. In the upper margin their weapons and the weapons of their wives. In the undermaster their names and five columns with Dutch text in letterpress about their lives.

Gustav Emil Devrient as a beggar in laurel tree and begging and as Robert in Memoirs of the devil costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Copper Engraver, After, Anton Elfinger -, Artist

The blue Huyck (leaf 3). The blue Huyck (leaf 3). Dutch proverbs: L.B: a man with a scale: the loyal is lighter as a n pluijm; R.B: a man with a knife: NZ Al Guede Cocks that many knives draeghen; L.O a man water and fire wearing: Dese Draget that fwer in Deen Hant, Twater in Danger; R.O: A pig with a pliers on the back: that Vluurt Gelijck EE N Tanghe put on a.

GALEOTES ESPAÑOLES PORTANDO BARRILES-1529- GRABADO PERTENECIENTE AL CODICE DE LOS TRAJES-TRACHTENBUCH-RENACIMIENTO ALEMAN. Author: CHRISTOPHE WEIDITZ (1500-1559). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Jacques Callot (1592-1635). "Les Caprices, the gentleman with the big coat seen from the front. Twenty-first number of the suite of 50 pieces engraved in Florence" (Lieure 234, Meaume 808). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-13 Etching, engraving

Copper engraving by Sebald Beham depicting the months Jenner and Hornung, showing seasonal figures, activities, and attire, dated 1546.

German 16th Century, Seven Men in Red Gathered in a Circle, c 1515 Seven Men in Red Gathered in a Circle

Amsterdam, Luyken, Jan, The Little Mill, Child playing with a windmill, recto - manuscript in brown ink, print, prints, verso - stamped, 15, height 97 mm, width 85 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Street scene with working men and playing boys. Draughtsman: Moses ter Borch (attributed to). Dating: c. 1656. Place: Zwolle. Measurements: h 67 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Autumn.

Stairs of the old age, approx. 1650; Stair of the old age. Stair of the old age. At 10 steps from the stairs of the old age are 10 men aged 0 to 100 years. Below the bridge three arches with allegorical representations: in the middle of the last judgment. At the bottom of the text: the man and Nedergghan falls d'a soet and Danider Bangh. At the top of in cartouches two 4-arranged verses in Dutch.

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