Historical Religious Engravings

A collection of copper engravings and etchings depicting biblical and classical themes, featuring scenes of miracles, warriors, and religious iconography.

Etching by Jan Punt from 1744 depicting two angels announcing the Ascension of Christ to disciples, showing figures, gesture, and sky.

A copper engraving and etching by Vincent Marie Langlois le jeune around 1801 depicting Paul of Tarsus healing a sick person, illustrating a biblical miracle and interaction.

Etching and copper engraving by Emmanuel Jean Nepomucène de Ghendt from 1786 illustrating a scene from Homer's Iliad with classical Greek warriors in action.

This copper engraving and etching by Crispin van de Passe, created between 1584 and 1637, serves as a title page depicting scenes from the Passion of Christ with detailed religious iconography.

Copper engraving and etching by Grégoire Huret between 1626 and 1670 depicting a title cartridge with two monks and Maria with a child.

Copper engraving and etching by Bernard Picart from 1729 depicting deceased members of the Academy of Sciences, with allegorical figures, books, and symbolic gestures in dotting manner.

Copper engraving and etching by Gérard Jean Baptiste Scotin II from 1720-1744 depicting an allegory representing January, with symbolic figures and elements.

Etching by Jan Punt from 1744 depicting two angels announcing the Ascension of Christ to disciples, showing figures, gesture, and sky.

Copper engraving and etching by Bernard Picart from 1733 depicting Friedrich Heinrich of Orania, showing detailed facial features and attire.

Etching by Matthäus Merian the Elder from 1608-1650 depicting a complex allegorical or intellectual scene intended as a puzzle or enigma for thoughtful viewers.

A 1630-1674 etching by Jan Lievens showing the biblical scene of the adoration of the shepherds, with the Holy Family in a stable setting.

Etching by Nicolas Chaperon between 1630 and 1656 representing the Holy Family in a biblical context.

Etching by Pietro Testa depicting the Holy Family with John the Baptist as a child, created between 1628 and 1650.

Copper engraving and etching by Bernard Picart from 1727 depicting an allegory with Roman emperors, showing figures, symbols of power, and architectural elements in dotting manner.

A woodcut by Georg Lemberger, after 1500, depicting Simon illuminating the fields of the Pharisees and the biblical story of Noah's drunkenness. The prints emphasize narrative clarity and detailed figures.

Copper engraving by Johann Theodor de Bry depicting a portrait of Daniel Specklin, created between 1580 and 1623.

Copper engraving by Pieter de Jode depicting a couple producing musical sounds, created between 1590 and 1634.

Etching by Bernard Picart from 1693-1733 depicting boudoir scenes, showing interior furniture, human figures, gestures, attire, and decorative elements.

Etching by Albert Haelwegh depicting a man wearing a turban and fur, created between 1635 and 1673, showing facial features, clothing, and posture in a portrait composition.

Etching by Ippolito Scarsella, known as Scarsellino, created between 1570 and 1620, depicting a saint. The print shows a religious figure in detailed, figurative composition.

Copper engraving by Christoffel van Sichem I from around 1600 depicting Franciscus Valesius, Duke of Alençon, showing detailed early 17th-century European book illustration style.

Etching and copper engraving by Jean Michel Moreau around 1800 showing portraits and vignettes for Voltaire's publications, combining figurative and decorative elements.

Aquatint by Frederick Christian Lewis the Older showing a landscape inspired by Claude Lorrain, produced between 1837 and 1840.

Joost Cornelisz Droochsloot etching around 1610 depicts a tavern scene, showing a man interacting with a woman, illustrating 17th-century genre art and social settings.

A 1618-1640 etching by Roeland van Laer depicting the biblical scene of the young Tobias returning, including human figures and landscape elements.

Etching by Bartholomeus Breenbergh showing multiple landscapes with architectural ruins, created around 1640.

Etching by Bartolomeo Biscaino depicting Salome with the head of John the Baptist, produced between 1650 and 1657.

Copper engraving and etching by Jean Louis Pauquet depicting Abelard and Heloisa in front of a monastery, created in 1795. The artwork illustrates a historical and romantic encounter between the medieval scholars.

Book illustration etched and engraved by Nicolas Ponce in 1778, reflecting 18th-century printed book art.

Copper engraving by Johann Sadeler the Elder depicting the allegory of Fama, showing a winged figure, trumpet, and symbolic elements representing fame. Created between 1560 and 1600.

Copper engraving portrait of Jan van Broeckhoven by Jan Wierix, dated 1578-1579.

Etching by Georg Kaspar Prenner, created in 1747, depicting Virtus (Virtue) as an allegorical figure with symbolic attributes and classical iconography.

Copper engraving by Jacob Hoefnagel from 1592 showing a frontispiece with decorative elements, figures, and symbolic motifs.

Etching by Filippo Angeli showing a nymph and a satyr, created between 1600 and 1629, illustrating mythological figures and detailed engraving techniques.

Etching by Adriaen van Ostade depicting various scenes, showing figures engaged in daily life, gestures, clothing, interiors, and 17th-century rural settings.

A woodcut created in 1526 by the Dürer School showing a title border with an angel playing music, including decorative elements, produced in Würzburg.

Copper engraving and etching attributed to an unknown monogrammist depicting Mars with Amor acting as a gun carrier, created between 1600 and 1700, illustrating mythological figures.

Etching by Bernard Picart depicting an allegory of a wedding, created in 1732 during the 18th century, using punctuation manner to render symbolic elements of marriage.

Etching by Johann Adam von Bartsch created between 1798 and 1802 portraying a figure named Betty.

Copper engraving by René Lochon showing a portrait of Francis Marou, produced between 1657 and 1675, highlighting facial expression, attire, and period portrait conventions.

An etching by an unidentified monogrammist depicting a decorative frieze with garlands and floral motifs, created in the second half of the 16th century.

This 1710-1773 etching by Hubert François Gravelot depicts the personification of geometry, highlighting allegorical representation and detailed figure composition.

Copper engraving and etching by Jacques Louis Copia, created 1784-1799, depicting the meeting of Aeneas before Dido.

Copper engraving by Nicolas Ponce from 1775 depicting a book illustration with figures, interiors, and ornamental details.

This lithograph from the early 19th century reproduces Albrecht Dürer's Christian and mythological hand drawings, showing detailed line work, human figures, and symbolic elements typical of Dürer's style.

Photo production of a print, representing psyche. .

Etching by Johann Adam Klein showing a boy in a soldier's robe on New Year 1811, depicting clothing, posture, and human figure details.

Etching by Louis Elle depicting amorini (cherubic figures), showing playful gestures, wings, drapery, and decorative elements, created 1630-1689.

18th-century copper engraving and etching by Jean-Charles Nicaise Perrin showing illustrations of Montesquieu's works, including figures, architecture, and scene details.

Etching and copper engraving by Marcus Grundler around 1600-1647 depicting ornamental motifs and portraits, reflecting 17th-century engraving practices.

A copper engraving and etching by Jacques-Philippe Le Bas created between 1779 and 1785 showing a title page illustrating the main events of a story as dictated by Clio, highlighting historical and allegorical representation.

This etching is a portrait of Friedrich Johann Kauke, showing facial features, head, shoulders, and artistic representation, created in 1759.

Copper engraving by Coenraet Waumans depicting Jean Baptists van Dynynum, produced between 1651 and 1670, showing a European historical figure in portrait format.

Copper engraving and etching by Auguste de Saint Aubin illustrating the ceremonial release of a college group. Produced between 1755 and 1807, it reflects 18th-century French engraving techniques and social events.

Copper engraving and etching from the 16th century by an unknown monogrammist depicting various scenes, including a duck hunt, showing figures, animals, and landscape details.

Etching by Simone Cantarini da Pesaro dated 1630-1648 depicting Adam and Eve in the Garden of Eden holding the apple, showing figures, gestures, and natural surroundings.

An etching by Albrecht Dürer depicting the rapture of St. Mary Magdalene, created after 1501. The work emphasizes religious figure, gesture, and spiritual composition.

A second half of the 17th-century copper engraving by Johann Jakob von Sandrart depicting an allegorical representation, showing symbolic figures and compositional elements.

An etching by Christian Wilhelm Ernst Dietrich depicting children playing, created in the 18th century.

Etching by Gautier depicting the departure of the king for the German war, showing soldiers, attendants, and horses in a formal procession, created in the 18th century.

Etching by Nicolas Chaperon created between 1630 and 1656 depicting the Holy Family in a biblical scene.

Etching from the 17th century depicting men's portraits and the beheading of John the Baptist, showing detailed figures, attire, and traditional composition.

An etching by Pierre Alexandre Aveline between 1722 and 1799 showing the title page of a Chinese book with ornamental details.

Woodcut by Dirck Volkertszoon Coornhert showing the prodigal son receiving his inheritance, created around 1548.

Copper engraving by Georges Reverdy showing different biblical scenes, produced between 1549 and 1565.

Etching by Joachim Martin Falbe showing breast-length portraits of oriental men, created between 1729 and 1782.

Abraham Blooteling engraved two young men between 1656 and 1690, one holding a book and the other a chalice, depicting posture, clothing, and facial expression.

Etching by Comte Anne Claude Philippe de Caylus depicting amorettes and goats, created between 1712 and 1765.

A copper engraving by Heinrich Aldegrever from the 16th century depicting personifications of vanity, showing figures, gestures, and symbolic elements.

A copper engraving by Jean de Gourmont between 1503 and 1557 depicting Saint Eligius of Noyon, the Scourging of Christ, and the mystical marriage of Saint Catherine of Alexandria.

Copper engraving and etching by Bernard Picart depicting a medal with Emperor Sigismund and a bust of Wenzel of Bohemia, created in 1712.

Etching of John the Baptist holding a lamb by Peeter Van Avont, created between 1620 and 1652.

Copper engraving print by Léonard Gaultier portraying Louis XIII, created in 1629, showcasing 17th-century French engraving techniques and portraiture conventions.

Etching title page by Stefano della Bella from 1645 illustrating theatrical scenes for the drama by Giulio Strozzi, staged in the Petit Bourbon theater in Paris and designed by Giacomo Torelli.

Etching by Jan van de Velde II depicting personifications of summer and winter on a title page. Produced between 1613 and 1618, it shows allegorical figures, seasonal symbols, and decorative elements.

Etching by Joseph Fischer after 1822 depicts works or portraits associated with multiple artists including L. Tocqué, Ch. Natoir, J. B. S. Chardin, J. Chevalier, L. M. Vanloo, and M. Challe, representing 19th-century European printmaking.

A 17th-century etching by Pieter de Jode II depicting a portrait of Jacques the Arthois.

Copper engraving by Nicolas Henri Tardieu depicting the sport of François Montmorency, created between 1670 and 1749, showing figures and activity.

Copper engraving by Theodor Matham depicting Giuseppe Francesco Borri with emblem, illustrating his likeness and emblematic symbols in a 17th-century portrait.

Woodcut by Melchior Lorch from 1551 depicting Sibylle, showing her figure, facial features, attire, and gestures.

Copper engraving and etching by Peter Paul Rubens depicting Maria with the Christ child, showing religious figures, maternal iconography, and Baroque style.

Frederick Christian Lewis produced the title page for 'The Museum Claudes', part 4 of 30 plates, from a series of 100 plates engraved between 1837 and 1840. The work, aquatinta and etching, was executed by L.C. Lewis, engraver to the Queen, depicting artworks in Claude Lorrains style.

An etching by Rembrandt Harmensz. van Rijn from around 1640 depicting the beheading of John the Baptist, with detailed figures and composition.

Etching and steel engraving by Josef Axmann from 1808-1873 showing title pages and illustrations for Adalbert Stifter's 'Colorful Steine' and 'Witiko', depicting figures, text, and decorative composition.

Etching by Joseph Fischer after 1822 depicting a scene titled 'Flight II' inspired by Antoine Watteau, showing figures in motion with compositional detail.

Etching by Jean Morin showing a landscape with aqueduct ruins and the biblical scene of the Escape to Egypt, combining architecture and narrative.

Copper engraving and etching by Sebald Beham after 1532 depicting self-portraits of Hans Sebald Beham, highlighting facial features, attire, and composition.

Etching after 1822 showing Philippe Thomassin, created by Joseph Fischer, depicting the artist in a portrait composition.

Copies after the 'Livre contenant passement de moresques' (plate 15) 19th century () After Jacques Androuet Du Cerceau Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.. Copies after the 'Livre contenant passement de moresques' (plate 15). After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 19th century (). Etching ()

Copper engraving and etching by François Godefroy depicting Saint Sebastian, created between 1760 and 1819.

Copper engraving by Laurent Jean Micker depicting grotesque ornamentation and birds, produced between 1611 and 1677.

Copper engraving and etching by Pierre Chenu depicting Port Royal and Henry IV of Navarre between 1718 and 1800, highlighting port infrastructure and figures.

Etching by Captain William Baillie depicting various figures in different activities, created between 1743 and 1810.

Copper engraving by Nicolas Regnesson created between 1636 and 1670 depicting Anne Marie Louise of Orleans, French noblewoman, in formal attire with detailed engraving lines.

Etching by Lambert Antoine Claessens showing a cavalier and horse at Brunnen, created between 1778 and 1834.

Aquatint and etching by Frederick Christian Lewis the Older illustrating a landscape inspired by Claude Lorrain, created between 1837 and 1840.

Unlucky family; Aubry-edi, Hyacinthe-Louis-Victor-Jean-Baptiste (1787-1858), Prud'hon, Pierre-Paul (1758-1823), Mayer, Constance (1776-1821), Bertauts, J.V. (Couples 1832-1845 (1832-00-00-1845-00-00);

Copper engraving by Cornelis van Caukercken depicting Henri the Vicq, produced between 1646 and 1680, showing a European historical figure in portrait format.

Etching by Michiel Sweerts depicting various portraits. Produced 1644-1664.

Etching by Benoît Louis Prévost produced between 1761 and 1814, showing multiple narrative scenes with figures in assorted settings.

A lithography by Frans van Mieris the Elder depicting a young woman with a parrot, created in 1819.

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