Historical Religious Scenes

Depictions of religious figures and ceremonies across history, including monks writing, synagogue gatherings, and religious artwork capturing significant moments.

Photo production of a weeping woman in a crib, Laurens Lodewijk Kleijn (attributed to), after Anonymous, c. 1865 - c. 1900 glass wet collodion negative adult woman. weeping

Melis Stoke his rhyme croiler, ca. 1300; Melis Stoke, his rhyme trawl writing around the year 1300. The Malis Stoke's monk is at a writing table to write HOLLANG Rhyme, approx. 1300. Part of the Steel engraved group to the paintings of the historic gallery of the Society Arti et amicitiae.

Ill. Josaphat. .

Interior of the Djerba synagogue during a Sabbath celebration.

Augustinerstraße at - Augustinian church - tomb Archduchess Marie Christine, Unknown, photographer

Copper engraving and etching by Johann Hainzelmann from 1661-1693 depicting Christ and the Samaritan woman at the fountain, showing figures, gesture, and water source.

Umbria Perugia Spello S. Maria della Rotonda4. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

Krakow St. Mary's Church the main altar of Wita Stwosz fragment of the scene of the Annunciation (Christmas) edition from the quarters unknown

Picture photography: Our Lady of Children Jesus on the knees and Józef, with a church. Idzi in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1896-1897 (1896-00-00-1897-00-00);Amalia (1846-1928) - collection, Krieger

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime6. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Photo production of a weeping woman in a crib, Laurens Lodewijk Kleijn (attributed to), after Anonymous, c. 1865 - c. 1900 glass wet collodion negative adult woman. weeping

Press, Friedrich. Maria as a protective jacket image. Before 1959. Herrenhut, Catholic Church

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), statue of Saint Paul, interior of the Saint-Sulpice church, 6th arrondissement, Paris. (Dummy title), 1903. Draw on albumin paper. Carnavalet museum, history of Paris. Statue of Saint Paul, interior of the Saint-Sulpice church, 6th arrondissement, Paris.

Abruzzo Pescara Loreto Aprutino S. Maria in Piano4. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Visit to the Apostolic field Vikar Bjelik.

Lazio Viterbo Montefiascone S. Flaviano5. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views o

Marches Macerata Mevale Pieve0. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Marches Macerata Visso S. Maria, Collegiate Church6. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra1. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

A Christian Priest II, One of 274 Vintage Photographs , late 19th-early 20th century. Albumen silver photograph, photo: 9 3/16 x 6 5/8 in. (23.3 x 16.8 cm);. Arts of the Islamic World late 19th-early 20th century

Nicolaaskerk, anonymous (Monumentenzorg), Grave monument of Robert van Ittersum tot Nijenhuis in the Nicolaaskerk in Wijhe, verso - handwritten, photograph, photo, photos, topography, Wijhe, recto - handwritten, grave of Rober van Ittersum NH church Wijhe aug 1911, height 208 mm, width 164 mm, photographer, 1911 - 1911, photographic paper, photo paper, cardboard, daylight collodion silver print

Vilnius. Cathedral, photo photography of Franciszek Smuglewicz "S. Thomas"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Lieutenant-Governor of the Zuni Indians. The turquoise necklace worn is considered of great value and ornament.... Timothy H. O'Sullivan (American, about 1840 - 1882)

Umbria Terni Terni S. Alo4. Hutzel, Max 1960-1990 Exterior views of 11th century church with special attention to immured relief sculpture and the apse. Interior views focus on columns, capitals and frescoes (13th-16th centuries). Fresco subjects include: St. Silvester, St. Mary Magdalen, St. Catherine of Alexandria, St. Joseph, St. John the Baptist, St. Pellegrino, St. Sebastion, St. Roch, St. Lucy, the Crucifixion, the Madonna lactans and Madonna and Child. Object Notes: Hutzel photo campaign date: October 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by provi

Church of the Holy Sepulchre, the Tomb from Angel Chapel. 1942, Jerusalem, Israel

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)18. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Photo production of a painting by Maria Magdalena at the foot of the cross, anonymous, c. 1870 - c. 1890 photograph Loose album magazine with a photo of a painting by Maria Magdalena at the foot of the cross, decorated with colored tines. Belonging to photo album with photos surrounded by pen drawings. paper. ink. watercolor (paint) albumen print / pen / brush crucified Christ with Mary Magdalene, who usually weeps and embraces the cross

Photograph by Rudolf Koppitz titled 'Sunday Service,' produced around 1930 using pigment printing in passe-partout, depicting people in a religious or social gathering.

Hebron Mosque of Machpelah 1898, West Bank, Hebron, Middle East

Family grave of the Rijckevorsels family in Rijsenburg, Maurits Verveer, 1860 - 1885 Photograph. visit card This photo is part of an album. photographic support. cardboard albumen print grave, tomb

Wesley, John .

Panama. Church of Santa Ana.. Eadweard J. Muybridge (American, born England, 1830 - 1904)

Umbria Perugia Spoleto SS. Giovanni e Paolo. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans an

Czchów Church of the Nativity of the Blessed Virgin Mary Polichrome MB with Child and Saint Joseph unknown

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral2. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

st, castle - interior views - Schweizerhof - Burgkapelle k, Bruno Reiffenstein -, photographer

Print of 'Saint Genevieve watching over Paris' by Puvis de Chavannes (1824-1898) a French painter, who became the co-founder and president of the Société Nationale des Beaux-Arts. Dated 19th Century

Baptism of a Russ.Kind in the Russ.Kirche in Vladimir-Wolynskij. (10 / II.1918.).

French church & orphanage of 'Jesus Adolescent' in Nazareth. Telephoto from gallery of statue of 'Jesus Adolescent' above high altar done by French Sculptor Bogino in 1899 & brought to Palestine in 1910. 1940, Israel, Nazareth

The Child's Prayer, 1901, United Kingdom, by Fine-Art Photographers' Publishing Co.

Eva Plaschke-by the east as Elisabeth

Original caption: "Exhibit at Rincon Res. Fiesta and Fair. Indian Art Work. A revival of interest in Indian Art in connection with Fiestas.". 1936 - 1942. Pacific Region (Riverside, CA). Photographic Print. Department of the Interior. Office of Indian Affairs. Mission Agency. 11/15/1920-6/17/1946. Photographs

Chinese Joss House. Guardian of the door.. Eadweard J. Muybridge (American, born England, 1830 - 1904)

Adoration of the child by the Holies 3 Kings; In the pedestal area table with hanging and vessels. Wall painting. Lime colors and tempera partially. 1510. Görlitz, residential company Untermarkt 5, treasury, north wall

Abruzzo L'Aquila Sulmona S. Panfilo, Cathedral0. Hutzel, Max 1960-1990 Exterior views of the facade, various portals and apses. Details of the main gothic portal include statues of Saints Panfilo and Pelino, and a lunette fresco of the Pieta and mourners. Interior views include: ceiling frescoes, cupola paintings of music-making angels (19th-20th centuries), low-relief sculptures of the Four Evangelists in the pendentives, sarcophagi, a baroque marble high altar, choirstalls, a baptismal font, a wooden crucifix (13th-14th centuries), a gilt bust of St. Panfilo, 13th century frescoes by the Sulmona School, altar paintings of St. Joseph and St. Carlo Borromeo. In the 11th century crypt are capitals of various styles (including one figural in an orans gesture), a 12th century relief sculpture of the Madonna and Child, a throne, frescoes and sarcophagi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this

Self -portrait as the apostle Paulus, Laurens Lodewijk Kleijn (attributed to), c. 1865 - c. 1900 glass wet collodion negative portrait, self-portrait of artist

Christ on the Cross, BC. Andrigo, c. 1850 - in or before 1909 print paper etching Christ on the cross on Golgotha (alone, without bystanders)

Umbria Perugia Campi Vecchio S. Salvatore8. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral8. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Eva Plaschke-by the East as Elsa

Photo production of a painted self -portrait such as the Apostle Paulus, Laurens Lodewijk Kleijn (Attributed to), After Laurens Lodewijk Kleijn, c. 1870 - c. 1900 glass wet collodion negative portrait, self-portrait of painter

Umbria Perugia Spoleto SS. Giovanni e Paolo8. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Pulled chair in the Onze-Lieve-Vrouwekerk in Alsemberg, Anonymous, c. 1881 - in or before 1889 photomechanical print Altembergantwerp paper collotype / photolithography pulpit, ambo, chancel. interior of church Altemberg

Church of Nativity, interior. 1898, West Bank, Bethlehem, Israel

Tyndal sic Translating the Bible, by A. Johnstone sic. Caldesi & Montecchi (British, active 1850s)

Partegative of the right panel of the altarpiece The worship of the Lamb of God by Hubert and Jan van Eyck, prepared in the Sint-Baafskathedral, Ghent, Unknown photograph Photographed by a red, green and blue filter. glass

The Grotto in the Church of the Nativity, Bethlehem. 1898, West Bank, Bethlehem, Israel

Abruzzo L'Aquila Rosciolo dei Marsi (environs) S. Maria in Valle Porclaneta1. Hutzel, Max 1960-1990 Exterior views of this former Benedictine abbey church include an inscribed plaque before the narthex; a polygonal apse with foliate sculptural details (13th century); and windows. Interior views include the tomb of Mater Niccolo and damaged frescoes (13th-16th centuries), but most coverage is of the architectural sculpture. The choir screen (mid 12th-13th centuries) is decorated with seraphim, busts of apostles in relief, foliate forms, rosettes, eagles, a lion, dragon, griffin, acanthus molding and vine scroll. The pulpit decoration consists of foliage inhabited by bearded or nude men, griffins or beasts as well as narrative relief sculpture such as Jonah coughed up by a whale and Jonah sitting under a gourd tree. The ciborium, piers and impost blocks are also decorated with figures, rosettes, dentils, quadrupeds and foliage. German-born photographer and scholar Max Hutzel (1911-1988)

Monks, Mission Santa Barbara, 1905, California, Santa Barbara, Santa Barbara Mission', United States of America

Commemoration of birthday Rembrandt; NSB. Commemoration of the birthday of Rembrandt by the NSB in the Westerkerk where Rembrandt was buried on October 8, 1669 A wreath has just been hung up, Mussert arranges what about the ribbons while T. Goedewaagen, Secretary-General of the Department of People's Education and Arts, .

Lazio Latina Gaeta SS. Erasmo e Marziano, Cathedral5. Hutzel, Max 1960-1990 Views of objects in the pinacoteca, including paintings, 14th and 15th c. statues, fragments of Renaissance portals, 13th c. iconostasis, family crests. Views of interior nave, altar, chapels. Detailed coverage of silver and gold statues of Erasmus and Marciano. Views of sacristy painting, sculpture, choir stall and crypt altar, frescoes. Owner: Museo Diocesano Antiquities: Roman statue, fragments. Roman columns, capitals, sarcophagi. General Notes: No negs. for Medieval core collection prints. More than half of prints stored in Hutzel section have no matching negatives either. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Names of the pilgrims who came over on Mayflower , Monuments & memorials, Pilgrims. Leon Abdalian Collection

Description: Haslem Creek Cemetery, Sydney, N.S.W. - (Angel of the Resurrection). Location: Sydney, New South Wales, Australia Date: 1870 australia, australasia, oceania, australasiathroughalens

Description: Anuradhapura. The Ruwanweli Dágoba. Stone statue of King Bhátiya Tissa facing the Dágoba, 8 feet high. This King ascended the throne B.C. 19, and was reigning in Anurádhapura at the time of our Saviour. Location: Anuradhapura, Ceylon Description: Anuradhapura. Stone figure from the jungle, found in the compound of a native house, 3 feet 5 inches high. Location: Anuradhapura, Ceylon asia, srilanka, ceylon, asiathroughalens

Prayer and Praise; Julia Margaret Cameron (British, born India, 1815 - 1879); Freshwater, Isle of Wight, England; 1865; Albumen silver print

SEGUNDA GUERRA MUNDIAL. Celebración de una misa de la iglesia ortodoxa en territorio soviético en plena dominación alemana. El más viejo de la comunidad en su plática a los campesinos.

Detail from the Jewish temple in Vladimir Wolinsky.

Charity organizations collect corpses on the streets. This was during the continuous days of snow in Shanghai that froze people to death.

Interior paintings in Greek church. Three wise men. 1898, Middle East, Israel and/or Palestine

Lazio Rieti Casperia S. Maria di Legarano7. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Seville, 04/03/1942. Holy Week, Good Friday. Our Father Jesus of the Great Power in procession as he passes through Sierpes Street.

The Samaritans of Nablus (Shechhem). Samaritan woman 1900, West Bank, Nablus

Vilnius. Cathedral, photography of the image of an unknown painter "Our Lady with the Child and Saint John the Baptist"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Prayer and Praise. Julia Margaret Cameron (British, born India, 1815 - 1879)

DET- SEPULCRO DE BEATRIZ GALINDO (1465/1534). Location: CONVENTO DE SANTA MARIA DEL PARRAL. MADRID. SPAIN.

Hà-Nôi, Tonkin, Indochina the statue of the "dark warrior", the Huyen-Thien-Chan-Vu (or Tran-Vu) genius, inside the Chan-Vu (or Tran-Vu) temple in the district of La Citadelle (Le Grande Lac) , Léon Busy in Indochina (French - Hà-nôi , Tonkin , Indochine La statue du «guerrier sombre» , le génie Huyen-thien-chan-vu ( ou Tran-Vu ) , à l' intérieur du temple Chan-vu ( ou Tran-vu ) dans le quartier de la Citadelle ( le Grand Lac )). Statue, Buddhism, Taoism, Temple, Pagoda, Carpet , Spelling, Religious Architecture, Religion , Habitat , Architecture, Indochina, Tonkin, Hanoi, Pagoda de Trn seen known as "the great Buddha", colossal statue of Tran seen surrounded by its sails

Sheikh Beled at Giza Museum. The sculpture actually depicts the priest Ka-Aper. Sheikh el-Beled means village chief. The sculpture bears this name as the workers who dug it out thought they had found their recently deceased village chief. KaaperorKaaper, also commonly known asSheikh el-Beled, was anancient Egyptianscribeand priest who lived between the late4th Dynastyand the early5th Dynasty(around 2500 BCE).Despite his rank being not among the highest, he is well known for his famous wooden statue. His mastaba was discovered by Auguste Mariette in the Saqqara necropolis, just nort

'Holy Moses! Look at the ghost!' , Bedrooms, Ghosts, Haunted houses, Children

Lazio Roma Vicovaro S. Antonio Abate5. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architecture, sculpture, painting, tapestry. Within one side altar of the church is placed a Crucifix with two accompanying angels. In another side altar is a wooden statue of S. Anthony. Antiquities: Architectural sculpture. Four roman columns with decorated capitals support a portico along the side of the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy, Piedmont (Piemonte), Torino (Turin), Cathedral of St John the Baptist, Shroud of Turin

Marches Macerata San Severino Marche S. Agostino, Cathedral6. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

A British army corporal from the Royal Inniskilling Fusiliers inside a Chinese temple with statues of gods. Date: C.1911

Dare of the nuns in the basement of the Ursulinenkloster in Gorizia (Görz).

Reserve reserve in a church shot of Italy A.D.Piave 4.8.18. .

Rock of Ages, (The Ascension.); Franklin G. Weller (American, 1833 - 1877); 1876; Albumen silver print

Amulet (grave) of rock grave

"Victory through Christ" Society holding its Sunday Morning Revival in a garage. Dos Palos, California. Testimony: "He's such a wonderful savior, Glory to God. I'm so glad I came to home. Praise God. His love is so wonderful ...". 1938. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. California , Dos Palos, California , Merced County, Internal migrants, Religious meetings, Revivals

The Believer's Vision.. Attributed to London Stereoscopic Company (active 1854 - 1890)

06/25/1919. Madrid. In the convent of the Overseas Missionaries. HRH the Infanta Doña Isabel (X) Presiding over the opening ceremony of the pavilion Dedicated to Schools.

Kai-vav-its, a tribe of Pai Utes living on the Kai-bab Plateau near the Grand Cañon of the Colorado in Northern Arizona : group of women in full dress. Indians of the Colorado Valley. No. 14. Powell, John Wesley, 1834-1902. still image. Stereographs, Photographs. 1874. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Colorado River (Colo.-Mexico), Expeditions & surveys , United States

Gertrude Käsebier, The Manger, c1900 Gertrude Käsebier (American, 1852 - 1934), The Manger, c.1900, photogravure, Robert B. Menschel and the Vital Projects Fund 2010.76.12

Nanny of children of Piotr Stachiewicz as the Mother of God and the Child.

The Blessing Harry Roseland (American, 1866/67-1950). The Blessing, 1905. Oil on canvas, 30 x 48in. (76.2 x 121.9cm). American Art 1905

In the church entrance. Collection of Juhl

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime1. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

For conscience sake, Maria, give us a rest , Spouses, Bedtime, Conversation

The Christmas Story, Y.M.C.A. tableaux The Home at Nazareth III 1934, Jerusalem, Israel

'The Body of Sethos I Who Lived in the 14th Century B.C., Cairo, Egypt', c1930s. Menmaatre Seti I was a pharaoh of the New Kingdom Nineteenth Dynasty of Egypt, Seti I appears to have been less than forty years old when he died unexpectedly. From "Tour of the World". Keystone View Company, Meadville, Pa., New York, Chicago, London

Le lutrin (1st plate) , Choirs Music, Choirboys, Alphonse Legros (1837-1911)

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio1. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

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