Historical Scenes and Festivals

Depictions of historical and festive scenes including beach activities, feasts, and works at a harbor, presented in various artistic styles.

Photo production of the fresco The vision of the cross through Rafaël in the Stanze di Raffaello, Vatican City, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Sala di Costantino (Palazzo Vaticano). Vaticaanse Musa

De Haarlemmermeer, 1722 - 1784 copper (metal) etching

Flight of the French van Papendrecht, 1813. Draughtsman: Johannes Christiaan Schotel. Dating: 1813 - 1815. Place: Netherlands. Measurements: h 318 mm × w 450 mm. Museum: Rijksmuseum, Amsterdam.

Photo production of the fresco The vision of the cross through Rafaël in the Stanze di Raffaello, Vatican City, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Sala di Costantino (Palazzo Vaticano). Vaticaanse Musa

The Beach at Blankenberghe 1863 Félicien Rops Belgian. The Beach at Blankenberghe 336703

Drawing, Cartoon for cotton printing: The Country Feast La Fête Champêtre; Possibly by Cholet, Belorge; Manufactured by Petitpierre & Compe. Nantes (France); France; pen and ink with gray wash on white paper; 42 x 58.5 cm (16 9/16 x 23 1/16 in.)

June 23, 1848, Take the Barricade Place du Petit Bridge Fran�ois Bonhomme (1809-1881). "June 23, 1848, Taken from the Barricade Place du Petit Bridge". Lithography.

Thomas Rowlandson, 1756-1827, British, The Launching of a Ship, ca. 1800. Watercolor, pen and red ink, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, brown wove paper mounted on thick, rough, brown wove paper.

Skating on the Serpentine, Thomas Rowlandson, 1756-1827, British, before 1790, Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, blued white, laid paper, mounted on moderately thick, slightly textured, light blue, laid paper., Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm) and Mount: 12 5/16 x 17 5/8 inches (31.3 x 44.8 cm), drinking, food, genre subject, men, skating, women, City of Westminster, England, Europe, London, Serpentine River, United Kingdom

Chinese sailing ships in a bay and vision water birds; Chinese yacht scenes; New converted sinesen, with great Moeyte designed and given in it, by P: Schenk Jun (...), third part. Landscape with a Sailing Ship with Oars on the water. In The Foreground Vision Water Birds. Right Two Figures Under a Palm Tree. Print is part of an album.

1860 - 1870 , 1870. Winslow Homer (American, 1836-1910). Wood engraving;

Hoek, WA van T, Photo reproduction of a drawing of an allegorical representation with a triumphal chariot, photograph, photo, photos, height mm, width mm, photographer, 1850 - 1861, third quarter 19th century, albumen print

Boy's head, farm yard and portrait of a woman. Three drawings stuck side by side on a leaf.

Etching by Anton Tischler depicting valets, showing figures in service roles, attire, gestures, and 18th-century domestic or public settings.

A 1631 travel sketch by Valentin Wagner depicting the farewell to Messrs. C. Gehr and V. Wagner during a journey from Nuremberg to Regensburg, executed in ink and feather.

Gezicht op Enköping a Norrtälje, Erik Reitz, 1695 The print is part of an album. paper etching Enköping. Norrtälje The print is part of an album. paper etching Enköping. Norrtälje

La Daguerreotypomanie (Daguerreotypomania). Théodore Maurisset (French, active 1834 - 1859)

Overview of the Tuileries Hubert Clerget (1818-1899). Overview of Tuileries, Drawing.

The Miraculous Draught of Fishes. Negretti & Zambra (British, active 1850 - 1899)

Horizontal rectangle. Shown like 1938-88-1774. The design is a variation of that of 1938-88-1774. Urns containing fires stand upon the enclosure. Upon the ledges stand genii, blowing trumpets, upon trophies of arms, Neptune stands before the pavilion. No inscription is shown but a statue is written in the pavillion. Dark brown framing band. Framed by gray-blue paper stripes. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1796-1801. Museum: Cooper Hewitt, Smithsonian Design Museum.

Photo production of the fresco The fight of Ostia by Rafaël in the Stanza dell'incendio, Vatican City, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Raffaello rooms (Vatican Palace). Borgo fire room

New ABECE in riddles. Letter I. (IFF P.71) (dummy title)

Drawing (Italy)

Painting ,, 1800 - 1900 Painting, representing a feast on a spring evening in the peach and plum garden. Copy to a paint of Qiuying. China ink. dye. silk Painting, representing a feast on a spring evening in the peach and plum garden. Copy to a paint of Qiuying. China ink. dye. silk

George Cressal Ellis, ca. 1810-1875, Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3, undated. Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount.

Equestrian statue of Nicolaas I from Russia in Saint Petersburg ..

Meidân-i-Châh ou Place Royale, Ispahan.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Outside Alkmaar, 1722 - 1784 copper (metal) etching

Village on a Lake, Isaac Weld, 1774-1856, Irish, ca. 1817, Pen and gray ink, gray wash, over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 7 9/16 × 15 3/4 inches (19.2 × 40 cm)

In the foreground four horses. In the background a hilly landscape. The print is part of a series with animals as subjects, Horses Four-legged animals Animalivm Qvaddrvpedvm , print maker: Adriaen Collaert, (mentioned on object), Adriaen Collaert, publisher: Adriaen Collaert, (mentioned on object), Antwerp, 1595 - 1599, paper, engraving, h 122 mm × w 190 mm

View of Breda from the northwest, Abraham Dircksz. Santvoort, 1645 print Justitia and the personification of abundance are on either side of a cartouche. Next to and behind them are weapons, parts of armor and agricultural tools. In the distance a face on the city of Breda with the Grote Kerk in the middle. Netherlands paper etching city-view, and landscape with man-made constructions. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa). weapons. military clothing and other equipment (uniforms, cap, armour, helmet, etc.). agricultural implements Big church

Siege of Haarlem, 1572-1573, Hendrik Spilman, After Anonymous, 1742 - 1779 print Siege of the city of Haarlem in the years 1572-1573 by the Spaniards under Fadrique Alvarez de Toledo (Don Frederik), the son of the Duke of Alva. Large show with a face on the city from the north, in print to a contemporary drawing in three magazines. At the bottom of the coat of arms of Haarlem. On the right the Ter Kleef house, in the distance the Sint Bavo. Under the show the titles and the legends 1-35 in Dutch and French. paper etching Victory, position was Sint-Bavokerk. Huis ter Kleef. Haarlem

Plate Seven from Various Embarkments. Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 71 x 168 mm (image); 75 x 171 mm (sheet, trimmed within platemark). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with four Chinese musicians, 1727 - 1775 print Landscape with four Chinese musicians. The musician on the left blows on a horn. Furthermore, whistles and percussion are played. Print is part of an album. paper etching Chinese. more than one musician with instrument. landscapes in the temperate zone

Bilder Aus Frankfurt; May, Eduard-Gustav (1818-1907), 1860 (1801-00-00-1900-00-00);

Red and black chalk drawing by Adam Frans van der Meulen depicting a view of Saint Omer with a general and officer on horseback in the foreground, including folds and spots.

'Parade on the Field of Mars'. Russia, St Petersburg, 1830s. Dimensions: 15,4x23 cm (image); 28,6x35,3 cm (passe-partout). Museum: State Hermitage, St. Petersburg. Author: Grigory Chernetsov ( ).

Hermann meets Dorothea on the side of the road, Daniel Nikolaus Chodowiecki, 1798 print Different figures are etched in the margin in a sketchy way. Berlin paper etching emigration. the new-born child. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto), 1782. Francesco Guardi (Italian, 1712-1793). Pen and brown ink with brush and brown wash; sheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.).

View of the port of Rotterdam, Johan Hendrik van Mastenbroek, 1915 print paper etching harbour Rotterdam

Gezicht Op of Tuine in Het Palace of Fontainebleau; Veüe from part of the castle of Fontainebleau, and parterre ..

Queen Wilhemina visits Pulchri Studio, 1897; 1847. - Pulchri Studio. - 1897. / The court at "the Hofje". Queen Wilhemina and Queen-Mother Emma visit Pulchri Studio in The Hague on the occasion of the 50th anniversary of Pulchri 1847-1897. Cartoon from the Dutch Spectator of March 13, 1897, no. 11.

The coach inn , Taverns Inns, Horses, Carriages & coaches. Thomas Rowlandson (1756-1827). Prints and Drawings

Fairfax Seminary now General Hospital Headquarters for the Army of the Potomac, between 1860 and 1865, drawing on brown paper pencil and Chinese white, 15.8 x 35.1 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Lithophane of a Dresden Landscape Lithophane; biscuit

Design for the Fireworks Display in Paris for the Birth of the Dauphin in 1781 1781 Attributed to (circle of) Louis Gustave Taraval French. Design for the Fireworks Display in Paris for the Birth of the Dauphin in 1781 341734

Italienische Caravanne. Italian caravan.. Weller. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Domestic animals, Stone walls, Travelers

Decoration project for the Room of the Opera, rue de Louvois. (the opera having been transferred between 1820-1822) Anonymous. Decoration project for the Room of the Opera, rue de Louvois. (The opera having been transferred between 1820-1822). Feather, ink in ink, pencil, pink ink.

The siege of the city of Vienna by the Turks in after a relief at the grave of the Niklas Graf Salm in the Votive Church, Albert of Camesina -, lithographic

All the world going to see the Great Exhibition of 1851 , Crowds, Exhibitions, Earth, Great Exhibition 1851 : London, England, Crystal Palace Great Exhibition, 1851, London, England. George Cruikshank (1792-1878). Prints and Drawings

Show booths on the Admiralty Square in St. Petersburg by Sadovnikov, Vasily Semyonovich (1800-1879)/ State Russian Museum, St. Petersburg/ 1849/ Russia/ Watercolour on paper/ Russian Painting of 19th cen./ 31,1x42,7/ Landscape,Genre

Engraving depicting typical London fog making it nearly impossible to see. Dated 19th century

View of the city of Vienna from Wienerberg with spinner on the cross, Johann Nepomuk Hoechle Höchle -, artist

La Dame Blanche 5me Acte Scene II. Adolphe Block (French, 1829 - about 1900)

Drawing - Wolfe Island, Thousand Islands Henry Sandham (1842-1910)

N.N.: Zeughaus. Monthly competition July 1831

William Henry Simmons, 1811-1882, British, The Bowlers, 1852. Engraving, mainly stipple, colored by hand.

Félix Hilaire Buhot, Le Chteau des hiboux (Castle of the Owls), 1877 1887 Le Chteau des hiboux (Castle of the Owls)

Eugène Charles François Guérard, La marée montante, 1831-1866, lithograph on chine appliqué mounted on wove paper.

"Mercury," Folio from the Bellini Album ca. 1600. "Mercury," Folio from the Bellini Album 451967

Plymouth: bakers working at an oven and a table. Aquatint by John Hill after A. Dibdin.

Poster from the period of the Miejedurian Reoter Revolution - abandoning Istanbu; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, gift (provenance), occasional prints, Islam art, Turkish art

Sketch for the Town Hall of Pantin: Future. Hardy Pantin! Forward. Hope. Glorious past. Fran�ois Schommer (1850-1935). Sketch for the Town Hall of Pantin: Future. Hardy Pantin! Forward. Hope. Glorious past. oil on canvas. 1886.

The multiplication of the fishes, James Ensor, 1891, drawing, 1891, Belgian Art

Kurdistan Khan, illustration for the short story In Kurdistan" by Karol Brzozowski. Piotrowski, Antoni (1853-1924), draughtsman, cartoonist

Vestigia delle Terme di Tito. Cart with grain. Quadro from vault decoration in room 14. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Lazio Viterbo Bagnaia Villa Lante0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Barth Erwin (1880-1933), Volkspark Rehberge in Berlin-Wedding (1927-1927): Perspective view in the avenue to Rodelberg (view through the Rathenauhain on the Brunnen). Light break on paper, 47 x 71.2 cm (including scan edges) Barth Erwin (1880-1933): Volkspark Rehberge, Berlin-Wedding

Opposite Beni Hassan, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper, Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm), clay, figures (representations), genre subject, jugs, landscape, men, palm trees, rafts, river, river, sand, water, women, Africa, Egypt, Nile

The Wake.. Benjamin West Kilburn (American, 1827 - 1909)

Amsterdam, Kannewet, Johannes (II), Much seeking by practice to fill her throat and purse, And on the couple-holes to sip and feast, verso - stamped, Sheet with 4 representations of the calendar festivals: Pentecost, fair, Epiphany and Shrove Tuesday. Below each image a two-line verse. Numbered top right: 17., print, popular print, prints, popular prints, height 418 mm, width 305 mm, Publication (Event), Publication, Dutch, publisher, 1725 - 1780, paper, woodcut, colours, letterpress printing, print maker, printmaker

Unhappy Ghosts Crossing the Styx: In Base-relief. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 3/4 × 17 1/2 in. (29.9 × 44.5 cm). Lithographer: Ducôte and Stephen (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 359. Subject: Henry Peter Brougham (British, Edinburgh 1778-1868 Cannes, France); William IV, King of the United Kingdom of Great Britain and Ireland (British, 1765-1837); John William Ponsonby, 4th Earl of Bessborough (British, 1781-1847); Henry John Temple, 3rd Viscount Palmerston (British, 1784-1865); Thomas Spring Rice, 1st Baron Monteagle (British, 1790-1866); William Lamb, 2nd Viscount Melbourne (British, London 1779-1848 Hertfordshire); Henry Peter, 1st Baron Brougham and Vaux (British, 1778-1868). Date: December 11, 1834. Museum: Metropolitan Museum of Art, New York, USA.

Gray and brown brush drawing by Jan Kiest from 1662 showing a ruined water lock with two fishermen in the foreground.

Rijn, Rembrandt van, Christ shown to the people: horizontal plate, print, prints, height 383 mm, width 455 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, 1655 - 1655, third quarter 17th century, paper, drypoint, dry needle

Alexander de Grote does not go along during the Olympic Games, Leonaert Bramer, c. 1655 - c. 1665 On the left, a number of participants run past the Olympic Games. On the right, Alexander the Great is asked if he does not want to participate in the Olympic Games, to which he replies that he would only walk along if the other participants were also kings. Numbered at the top right: 3. Drawing is part of an album. paper. ink pen / brush On the left, a number of participants run past the Olympic Games. On the right, Alexander the Great is asked if he does not want to participate in the Olympic Games, to which he replies that he would only walk along if the other participants were also kings. Numbered at the top right: 3. Drawing is part of an album. paper. ink pen / brush

The Life of a Fireman / The Race. - Jump her, boys, jump her!”. Artist: Nathaniel Currier, American, 1813-1888 After: Louis Maurer, American, 1832-1932

James T. Willmore, 1800-1863, British, Paris from the Barriere de Passy, 1835. Line engraving, engraver's proof (early).

face in Spa. Draughtsman: Pieter van Loon (mentioned on object). Dating: 1862. Measurements: h 125 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Abruzzo L'Aquila Fossa Convent of S. Angelo d'Ocre5. Hutzel, Max 1960-1990 The convent was built in 1242 for the Benedictines and enlarged in the 15th century by the Franciscans. Prints include exterior or general views of convent and surrounding countryside, interior hallways showing vaulting, portal frames and lunettes decorated with frescoes, courtyard and frescoed ceiling. Other fresco decoration includes 'The Last Supper'. Five more photos are being put with this monument which are identified by Hutzel as being the Convento di S. Angelo d'Ocre. They show a modest exterior and an interior in the late Renaissance or early Baroque style. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medi

George Cressal Ellis, ca. 1810-1875, Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857, undated. Watercolor and gouache over graphite on thin, smooth, brown wove paper.

Old graves on the Bravalla Heide, Johannes Jacobsz van den Aveele, 1707 The print is part of an album. Stockholm paper etching Brava Heide The print is part of an album. Stockholm paper etching Brava Heide

Egypt and Nubia, Volume I: Ruins of Karnac, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 43 x 60.4 cm (16 15/16 x 23 3/4 in.); image: 35.2 x 51 cm (13 7/8 x 20 1/16 in.).

Band design for: Jonathan Swift, Gullivers's trips to Liliput and other foreign countries, c. 1889-1904, Willem Steelink (II), c. 1889 - c. 1904 drawing Gulliver is tied up on a shelf under which wheels are attached. He is pulled by a procession of liliputters on horseback. paper. cardboard. India ink (ink). deck paint pen / brush Gulliver. riding a horse, ass, or mule; rider, horseman

The Port, Trouville. Artist: Eugène Boudin (French, Honfleur 1824-1898 Deauville). Dimensions: Sheet: 7 3/16 x 10 11/16 in. (18.2 x 27.1cm). Date: 1840-98. Museum: Metropolitan Museum of Art, New York, USA.

Hamburg artist association in the summer station at the Caffamacherreihe. Gift by Emil Stelzner, Hamburg, 1900

Panel, c. 1814, 19 3/4 x 21 5/8 in. (50.17 x 54.91 cm), Cotton; copperplate print, France, 19th century

Amsterdam, Walraven, Isaac, Seated man between trees in silhouette, verso - stamped, Example for goldsmith's work., print, ornamental print, prints, height 18 mm, width 53 mm, Noord-Nederlands, 1686-03-23 - 1765-03-11, print maker, printmaker, 1696 - 1765, paper, papier, etching, engraving, engraving (printing process)

General view of Paris taken around 1816, garden of the Tuileries as the crow flies ". Pierre Courovoisier (1756-1804). The General DeParal de Paris Mark in Paris Taken 1816, Tuileries Garden in OATU Flight. Gouache and Watercolor.

River in Saint Petersburg by Anonymous artist, Oil on canvas, Russia, St. Petersburg, State Russian Museum, 87x134

View on the front of the Grand Trianon in the garden of Versailles; Vüe de Trianon Dans Le Parc de Versailles du Côté de l'Avenüe.in the underwear two rules French text.

Design for a Fountain, Giuseppe Barberi, Italian, 1746-1809, Black crayon, brush and sepia, grey, blue, black watercolor, on off-white laid paper, A wide basin is shown superimposed over a landscape view of rugged countryside below slight clouds; the depiction of the basin as in 1901-39-405. Inside the wide basin is another one, at center, consisting of a bowl supported by a circle of bulls. Birds sit on the rim of the inner bowl, water flowing from their beaks. On the reverse: light pencil sketch of a fountain., Italy, 1795, architecture, Drawing, Drawing

Stage Design: Götterdämmerung, Magdeburg: View Final Picture

Han Kurdist Piotrowski, Antoni (1853-1924); 1907 (1907-00-00-1907-00-00);Arabs, Middle East, town, Brzozowski, Karol (1821-1904) - illustration, Kurdistan (Turkey, Iran, Iraq), Illustrated weekly, illustration, Witke -Jeżewski, Dominik (1862-1944) - collection, illustrations - project, stamp collection, camels, purchase (provenance)

Netherlands, Weissenbruch, Isaac, Months of the year, Skaters resting by a tent on the ice, verso middle - stamped, print, prints, height 57 mm, width 87 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving

Japan, Rolland, H., Drawing, One of ten pen drawings, Asian figures, sometimes accompanied by horses, moving to the right and on two sheets to the left, carrying packages partly with the emblem of the VOC Zeeland. Signed; ll: H. Rolland pinxit. Inscription; ll: 10. lr: 521, 5. Note: see NG-1007-A to J., drawing, teken, drawings, tekeningen, height 27.2 cm, width 76.3 cm, draughtsman, tekenaar, 1775 - 1775, third quarter 18th century, derde kwart 18e eeuw, fourth quarter 18th century, vier kwart 18e eeuw, paper, papier, ink, inkt, pen, brush, Borstel, Expression creation

The K, Picture gallery against the Bassin , Vue du Belvedere Verse Le Bassin st budget, Carl Schütz -, Artist, Artaria , Co, Verlag, Publishing House

Lazio Roma Castel Fusano Castello Chigi. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Poster titled 'Space Driver Competition' by an anonymous artist, created around 1895, using color lithography to depict a competition theme.

Markttafereel. Reisschetsen gemaakt in Indië (series title). Draughtsman: Cornelis de Bruyn (attributed to). Dating: 1662 - 1726. Measurements: h 205 mm × w 323 mm. Museum: Rijksmuseum, Amsterdam.

Fireworks pulls place from the city hotel Louis-Nicolas van Blarenberghe (attributed to, 1716-1794). Fireworks drawn place of the town hall, on January 21, 1782, on the occasion of the birth of the Dauphin. Drawing.

Bliżej Kultury Unknown, Potocki, Jan Nepomucen Eryk (1761 Post 1815), Dubois de Montpereux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

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