Historical Scenes in Print

Dramatic prints depicting significant events and characters from history, illustrated with intricate details and narrative elements.

Picart, Bernard, Amsterdam, Jugement de Pluton, sur les Dialogues des Morts, Judgment of Pluto, verso lower right - stamped, Pluto, the god of the underworld, sits on his throne to judge the souls of the dead. A procession of deceased historical figures - including Erasmus - has gathered before him. In the background Tartarus, the part of the underworld where the damned are punished. In the margin a two-line caption in French., print, book illustration, prints, height 77 mm, width 132 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1727 - 1727, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Collection of Don Carlos, Infante van Spain, 1568, Jan Luyken, 1698 print Amsterdam paper etching arrest (of criminal)

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Pickaert, Pieter, Engelands schouwtoneel verbeeldde de hoofd incidents in Yrland van 't Jaar 1690 tot de campagne van S:K: Majesty of Great Britain 1691, The Electoral Princes of Bavaria and Brandenburg, together with many prominent Grooten, come to find his Mayesty in The Hague, to devise Salutary means, for the common good, The electors of Bavaria and of Brandenburg visiting King William III, 1691, 1691. The princes greet each other and shake hands. Plate no. 19 in the series 'Engelands schouwtoneel' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French., print, prent, prints, prenten, Frederik Muller Historieplaten, height 154 mm, width 200 mm, Noord-Nederlands, 1669 - 1737, print maker, prentmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17th century, paper, etching, etchings, Northern Netherlands, 1671 - 1702-11-13, printmake

Treatment of various sick people, Jan Luyken, 1684 print Amsterdam paper etching medical examination, medical treatment. patient, sick person

Picart, Bernard, Amsterdam, Jugement de Pluton, sur les Dialogues des Morts, Judgment of Pluto, verso lower right - stamped, Pluto, the god of the underworld, sits on his throne to judge the souls of the dead. A procession of deceased historical figures - including Erasmus - has gathered before him. In the background Tartarus, the part of the underworld where the damned are punished. In the margin a two-line caption in French., print, book illustration, prints, height 77 mm, width 132 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1727 - 1727, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

The Prince of Orange must bend for Johan de Witt; Eight performances from the life of the De Witt.second brothers in a Series of Eight Performances About The Life or Johan and Cornelis de Witt. All Prints Are From Gaspar Bouttats Hand And Have A Fresh or Four or Two Lines. In the Performance You Can See How Prince Willem III Should Ask Johan de Witt and the States Permission for His Appointment.

Courante. Prints. 1650 - 1659. Jerome Robbins Dance Division. Courante (Dance), Musicians

Audience of the new Dutch ambassadors at Lodewijk XIV, 1714, 1714 print Audience of the two new Dutch ambassadors at the French King Louis XIV, 1 June 1714. Fragment of a large album with nine performances of events from the year 1714 of the Spanish Succession War. Amsterdam paper etching audition; ruler giving audience

Jaques d'Auchy says goodbye to his wife in the prison in Leeuwarden, 1559, 1683 - 1685 print Before being exhausted, Jaques d'Auchy says goodbye to his wife, 1559 chained in the prison in Leeuwarden. Northern Netherlands paper etching persecution of heretics Leeuwarden

Jacques Callot, Restoration of the Duomo, Florence, c 1614 Restoration of the Duomo, Florence

Audience of Cornelis Hop at the young King Louis XV, 1719, 1747 - 1759 print Audience of the ambassador of the States General Cornelis Hop at the young King Louis XV, July 23, 1719. The ambassador with his follow-up standing for the child in a throne room. Northern Netherlands paper etching throne-room Paris

Savery, Salomon, Netherlands, Causé, Lamberecht, Brederode presente une Requête à Marguerite de Parme au nom de tous les Coniurez, The presentation of the Petition to the Duchess of Parma, 1566, The presentation of the Petition by the league of nobles to the governor, the Duchess of Parma, in the palace in Brussels, 5 April 1566. Hendrik van Brederode hands her the petition., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 124 mm, width 165 mm, print maker, printmaker, 1690 - 1750, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, etching, etchings, engraving (printing process), Work conception, Northern Netherlands, 1594 - 1683-10-16

Meeting of the Brotherhood St. Lukas in Dordrecht. Art grounds by members of the brotherhood of Sint Lukas, founded in 1736 by Aert Schouman, an association of art lovers and amateurs for Dordrecht and surroundings. In the background a painter for his donkey in conversation with two men. In the list The coat of arms of St Lukas.

Keizerin led for thrown emperor, Adolf van der Laan, 1730 print The emperor watches from his throne how servants bring the fascinated Empress to him. Print left and top right marked: I. part. - Pag: 138. paper etching throne. prisoner with hands bound (+ variant)

Cosimo de 'Medici for the College of Cardinals and Pope Pius V, 1583 Cosimo de 'Medici for the College of Cardinals and Pope Pius V. In the lower margin, two lines of text in Latin. With pen numbered 2. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome Cosimo de 'Medici for the College of Cardinals and Pope Pius V. In the lower margin, two lines of text in Latin. With pen numbered 2. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome

Session of Wednesday, September 29th; or Mr. Casals coming out of the tribune. (IT)

Jacques Callot (1592-1635). "The great miseries of war, the looting of a farm. Fifth number of a series of 18 pieces" (Lieure 1343, Meaume 568). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-2 Etching, engraving

Le soir. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Cartoon on the bribed Margraf van Baden-Baden, 1707, 1707 print Cartoon on the Lodewijk Willem I, Markgraaf van Baden-Baden, who is brought by the French. The Markgraaf and Louis d'Or are at the door of a room where King Louis XIV is asleep. In the background torture of Protestants. Verses in Dutch and French in the record. Cartoon on the situation in the year 1707 in the Spanish Succession War. Part of a series of 7 cartoons on the French and allies from the year 1707. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Ferdinando I de 'Medici follows the restoration of the Santa Maria del Fiore in Florence, Jacques Callot, After Matteo Rosselli, 1614 - 1620 print Ferdinando I de 'Medici is sitting at a table and points to a card that two men stop for him. On the right two men with a coffin. In the background you can see how people work on the dome of the Santa Maria del Fiore. Under the show an empty margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I de 'Medici, intended as a supplement to an existing series of illustrations of the history of the doctors. Florence paper engraving church (exterior). restoration of a work of art. building activities Dom van Florence

Amsterdam, Picart, Bernard, Men with a fool's cap on their heads, verso - stamped, Gathering of men, all wearing a fool's cap on their heads., print, prints, height 60 mm, width 74 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

After the departure of the French from Utrecht, the members of the Vro Gereedschap de Laan are sent out, 1673, 1675 - 1700 print After the departure of the French from Utrecht in 1673, Willem Adriaan, Graaf van Hornes, sends the members of the Vro Gereedschap de Laan. Above this performance it is reminded of how the city council had handed the keys of the city to Louis XIV. Without title and with two new two -line verses in Dutch. Fourth print in a series of five prints about the events occurring in Utrecht over the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving involuntary abdication (of a ruler) Utrecht

Monkey on his sickbed; Monkey game in the world; 't Aapen play in the world. On the right lies a monkey on his sickbed. A doctor prepares a lovement left. Part of a series consisting of a title print and plates in which monkeys like people figurine in all kinds of scenes from daily life. The print has a two-time fresh in Dutch.

Allegorian portrait of Leopold Willem, governor of the Southern Netherlands. Portrait of Leopold Willem, Archduke of Austria and Landvoogd der Southern Netherlands. His portrait is caught in a medallion that is placed on a monument decorated with potatide. Putti decorate the portrait with banderoles. At the top of the arm of Austria in a cartouche, flanked by angels and eagles. Above left a putto with a shield, and at the top right a putto with a spring in hand. At the bottom of a cartouche in which a caption in Latin. Links in the foreground Bellona, in armor and with globe in hand, and on the right freedom with broken chains. A four-line caption in Latin in the margin.

After the departure of the French from Utrecht, the members of the Members are sent out of the avenue, 1673; Series of five prints about the events happened in Utrecht over the period 1672-74 (reissue by Schoonebeek); Uytrechts changes have happened in the years 1672, 73 and 74. After the departure of the French's from Utrecht in 1673, Willem Adriaan sends the members of the Members of the Graaf van Hornes de lane. Above this performance, it is recalled how the city council had handed over the keys from the city to Louis XIV. Untitled and with two new two-year verses in Dutch. Fourth in a series of five prints about the events happened in Utrecht over the period 1672-74.

Paris, Picart, Bernard, Title page with gentlemen studying, verso lower right - stamped, Men studying in a lecture hall of the Academy of Sciences. Above the image an empty cartouche., print, title page, prints, height 150 mm, width 89 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1704 - 1704, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

The Noble Painter 1642 France. Abraham Bosseís etchings of everyday life in France exude a subtle opulence. His bourgeois characters deck their walls with paintings and prints. Here even Louis XIII condescends to have his portrait painted by a well-heeled artist. Bosse drew a parallel between this depiction and the portrayal of Alexander the Greatís mistress by the ancient artist Apelles, who is depicted above the painter. According to legend, the resulting work was so exquisite that Alexander gave his mistress to Apelles, who was in love with her, but kept her portrait himself. This allusion emphasizes the artistry of Bosseís ingenious printmaking techniques and his expectation of Louis XIIIís generosity.. Engraving, with etching, on ivory laid paper . Abraham Bosse

Spring, Philips Galle, After Jan van der Straet, c. 1578 - c. 1582 print Central to a cartouche an image of a party in the open air. People dance and play music in a large garden. A game is played in the background. The print has a Latin caption and is part of a series about the four seasons. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving spring ~ human activities (the four seasons of the year)

Jacques Callot (1592-1635). "The life of the Blessed Virgin, Mary presents Jesus in the temple: eighth number of a series of 14 pieces" (Lieure 1364, Meaume 83). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-10 Etching, engraving

Picart, Bernard, Amsterdam, Meeting of Roman rulers at the triumphal arch, verso lower left - stamped, Livia and her son Tiberius speaking to Emperor Augustus. Cleopatra intervenes. In the margin a five-line caption in French., print, prent, prints, prenten, height 133 mm, width 84 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1717 - 1717, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Sir John Fielding wearing a blindfold sits in a chair holding instruments of justice before Madam Cornelys on the shoulders of a lawyer and the Duchess of Northumberland. Engraving, 1771.

Four men stand before the bed in which Don Pablo (Buscon) is sleeping. They are waking him up. A scene from the work 'History of Buscon' by Francisco de Quevedo, Don Pablo (Buscon) is taken out of bed Buscon Lelyk cheated , print maker: Caspar Luyken, bookseller: Jan Claesz ten Hoorn, Leiden, 1699, paper, etching, h 138 mm × w 80 mm

Nicephorus, Emperor of Greeks, overcome by the Wallaches and beheaded / Diogenes overwidden with cold water, Jan Luyken, 1687 print Print at the top right marked: fol: 177. Cartouche in the middle mark marked: fol: 198. Amsterdam paper etching king. violent death by beheading. (story of) Diogenes, the philosopher

Laurens Pit visiting Sultan Abul Hasan Qutb Shah of Golkonda to hand him a commission, or Golla konda, a ruined fort of Southern India and capital of medieval Golconda Sultanate c.1518-1687

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, La Grande Duchess Marie des Young Girls. Second issue of a series of 16 pieces finished and 2 supernumerary pieces" (Lieure 148, Meaume 535). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-29 Burin, Gravure

The Harmonious Family, Robert Dighton, 1752-1814, British, undated, Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm), caricature, family, genre subject, instruments, interior, men, orchestra, women

After the departure of the French from Utrecht, the members of the Vro Gereedschap de Laan are sent out, 1673, Johannes Jacobsz van den Aveele, 1674 print After the departure of the French from Utrecht in 1673, Willem Adriaan, Graaf van Hornes, sends the members of the Vro Gereedschap de Laan. Above this performance it is reminded of how the city council had handed the keys of the city to Louis XIV. At the top two two -line verses in Dutch. Fourth print in a series of five prints about the events occurring in Utrecht over the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving involuntary abdication (of a ruler) Utrecht

Copper engraving by Johann Sadeler the Elder from 1589 illustrating Passion scenes, with figures, postures, and religious iconography in a narrative composition.

The Martyrdom of St. Lawrence. Artist: Claude Vignon (French, Tours 1593-1670 Paris). Dedicatee: Dedicated to François Langlois (French, baptized Chartres, 1588-1647 Paris). Dimensions: sheet: 7 3/16 x 12 1/16 in. (18.3 x 30.6 cm). Date: ca. 1627. Museum: Metropolitan Museum of Art, New York, USA.

Wilhelm, Duke of Saxony-Weimar Publisher: Ended, Wolfgang (the elderly) Stecher: Trooschel, Peterverlaysort: Gotha

Vorst in discussion with audience, Albert Vogel, Adolph Menzel, 1824 - 1886 print Scene from Shakespeare's play "Much Ado About Nothing" (Act IV. Scene II), in an ornamental frame to a design by Adolf Menzel. paper specific works of literature

Athalia en joab. .

Wie Konig Heinrich IIII in Paris von Johann Chastel. 1594. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

French Revolution, Directory. Coup d'�tat of 28-30 Prairial, Year VII (June 16-18, 1799), the councils ask the Merlin Directors and the revelli�re to resign, minister room, Luxembourg Palace (current Senate). (Title)

Tuccia proves her innocence; Famous Roman women; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. The Vestaal Virgin Tucco was accused of adultery. She fills her strainer with the water from the jug of the river god tiber, depicted with the cornucopia and the romulus and remus fed by a wolfin. In addition, the female personification of the city of Rome with a city, a small image of Victoria in her right hand and around her seven putti who refer to the seven hills of the city. In the background, Tuccia shows the sieve to a group of women. She proves her innocence because no water leaks out of the sieve. With a caption in three columns in Latin. The print is part of an album.

Ester for ahasveros; History of ester; Historia Asuij (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Ester kneels for King Ahasveros. The king points his scepter to her as a sign of affection. Ester calls on the king to come to the banished party together with Haman. On the right in the background the continuation of the story. The king is reading out of the chronicles of the empire in the evening. It states that Mordecai has a stop to the life of the king. The king asks Haman, who stands at the bed, how someone who has saved the king's life must be honored. In the background you can see how mordecai in the king's rug and on the king's horse, while Haman turns him around. Under the show a reference in Latin to the Bible text in EST. 5-6. Print is part of an album.

Caroline van Brandenburg-Ansbach in the baby bed; On December 18, 1724, the Princes of Wallis gave birth to a princess that Louisa is called, where about the king and queen of Prussen by procurement have been as a captured and mood. Caroline van Brandenburg-Ansbach, the later Queen of Great Britain, lies in the baby bed. Next to her is her newborn daughter Louise from Hanover. Different courtesets are on her bed. Left front is her husband, the later king George II. Bottom left a five-line text in Dutch with an explanation of the performance and to the right a similar, four-line explanation in Latin.

Jean Lepautre, Title Page Title Page

Medicines study organisms on Sterk Water, Simon Fokke, 1739 print A group of doctors sit and stands around a table and study papers with anatomical drawings and organisms on strong water. Behind it an image of Asclepius. In the background, two men are at a table on which a body seems to be in a room with skeletons and organisms on strong water. paper etching / engraving medicine, medical science (+ scholar, scientist (at work)). (story of) Aesculapius (Asclepius)

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The Sculptor 1642 Abraham Bosse French. The Sculptor 387890

The Holy Family with the Church of Saint Michael in Munich under Construction 1589 Johann Sadeler I In the left foreground, the Virgin Mary tenderly cares for the Christ Child and the young John the Baptist. This tranquil scene is connected with a view of contemporary Munich in the right background by a scene of Joseph working as a carpenter. Angels carry the planks and beams he makes to the Church of Saint Michael, which is under construction. Sustris seems to have played a significant role in the design of this major building project, initiated by William V, Duke of Bavaria. He also contributed to its decoration, along with other artists such as Peter Candid, whose work is on view nearby.. The Holy Family with the Church of Saint Michael in Munich under Construction. Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). 1589. Engraving. Prints

Jacques Callot (1592-1635). "The great miseries of the war, the distribution of the awards. Eighteenth issue of a series of 18 pieces" (Lieure 1356, Meaume 581). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-29 Etching, engraving

A B the charmers of the age. Hogarth, William. Prints. 1782. Jerome Robbins Dance Division. Campanini, Barberina, 1721-1799, Ballet , England , 18th century, Ballet , 18th century, Dance , Caricatures and cartoons

Northern Netherlands, Jongman, Wouter, Burgem. J. Buik in Amst., Mayor Joost Buyck caught with letters about hiring soldiers to take action against those of the new religion, 1567, Mayor Joost Buyck is caught with letters in his coat about hiring soldiers to take action against the Calvinists, February 25, 1567. Printed within a frame., print, historical print, prints, Frederik Muller Historical plates, height 136 mm, width 178 mm, height 202 mm, width 240 mm, print maker, printmaker, 1719 - 1728, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Session of William V in the WIC, during his visit to Amsterdam in 1768. Draughtsman: Simon Fokke. Dating: 1771. Measurements: h 277 mm × w 394 mm. Museum: Rijksmuseum, Amsterdam.

The Coffeehouse Quincampoix in Amsterdam, 1720; Quinquanpoix; The great scene of foolishness. Central representation of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects to Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a jester head. In the caption a verse in four columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Coronation of George II, king of England; On October 22, 1727 the king and the Queen of England until London with an unstasurelyke pragt and without any weather to joy of the common and the big ones crashed. Coronation of George II, king of England, and his producer in the Westminster Abbey in London, 11 or 22 October 1727. With captions in Dutch and French. Fragment of a large album with nine performances of events from the year 1727.

Allegory on the power struggle between the European princes to the emperors crown, 1742; De Werelt is a play theater, Elck plays Syn Roll, and Krygt Syn Part. 1742; The French tent arranges in the Beyeren campement. Allegory on the power struggle between the European princes to the German emperors crown in the Austrian Succession War, 1742. Under a tent decorated with French lilies tickets The princes with the crown and scepter of the German empire. At the table there are the French king Louis XV and Karel Albert Keurvorst of Bavaria. On the right at the table the English king George II. In the foreground the French rooster, the German eagle and the English dog fight with each other while mice (or rats) run away with the eagle's feathers, the Dutch lion with orange branch and Bible are watching. Left in the foreground is Frederik the Grote van Prussen as Hercules with Clots. Right behind the curtain the French Harlequin and the German Scaramouche. A text sheet with a verse in three col

Mercury riding in his chariot in the sky, pulled by two roosters. The signs of Virgo and Gemini indicate which people belong to Mercury's sphere of influence. The people, born under this constellation, are learned and artistic. Around a table are scientists, astrologers, a merchant and a doctor. On the left, people are making music at an organ. On the right, a sculptor and painter are at work. Below in the margin a text in Latin about the children of Mercury, The planet Mercury and his children The seven planets (series title), print maker: Harmen Jansz Muller, Maarten van Heemskerck, (mentioned on object), publisher: Joannes Galle, (mentioned on object), Antwerp, 1566 - 1570 and/or 1638 - 1646, paper, engraving, h 214 mm × w 252 mm

Ilustracja No. 6 (Z 12), Zamieszczona W: Gothaischer Hof Calendar for the benefit and pleasure set up for 1790. Gotha Bey C. W. Ettinger. With illustration of the Bastille Chodowiecki, Daniel Nikolaus (1726 1801)

Disposition du Festin , from L’ordre du Saint-Esprit”. Artist: Abraham Bosse, French, 1602-1676

Cecilia or the Story of a Rich Orphan. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Augsburg, Wolf, Jeremias, Germany, France, Lepautre, Jean, Alcoues a la Romaine, Title page: Alcoues a la Romaine, Alcove with Mercury and Herse surrounded by putti. At the bottom: N.° 73., print, ornament print, prints, ornament prints, height 159 mm, width 221 mm, Work conception, French, 1618-06-28 - 1682-02-02, after design by, 1628 - 1724, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, German, 1673 - 1724, publisher

Title print for 'the successful list of worried sleeve: Blyspel' from Andries Pels; The successful list. Bly game .. nightly scene. Three women and three men are together for a house. One of the women holds one of the men. Another man slips right away.

Return of the lost son, Claes Jansz. Visscher (II), After David VinckBoons, 1608 print The lost son returns home and kneels for his father, who closes him in his arms. His brothers bring him clean clothes. On the right the parental home where a festive meal is given on the landing. The print is part of a four -part series about the parable of the lost son. Amsterdam paper etching the prodigal son kneels before his father who takes him in his arms

Different healers in a departure; Title page for: H. Roonhuyse, very constant Aenmerckingen, 1672.Different Unmasters in a Room, Around A Figure in a chair.

Umbria Terni Terni Palazzo Spada. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Keizer Hadrian and the market near Voorburg, Anonymous, 1809 - 1899 print For the market, with sculptures and columns, there are figures including two Romans. The market can also refer to the so -called market rights that Keizer Hadrian borrowed during a visit to the city. paper market-hall

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Capture of Egmond and Horne, 1567, Capture of the counts of Egmond and Horne by Alva in the Court of Culemborg at the Zavel in Brussels, 10 September 1567. View of the room where in the foreground Alva, wearing a long cloak, places his hand on Egmond's shoulder, on the right Horne is being led away. In the background Alva stands up from discussions at a table. With an 8-line caption in German. Numbered: 9. The print is part of an album., print, prent, nieuwsprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1567 - 1570, third quarter 16th century, paper, papier, etching, etsen

Den Engelsman op zyn uiterste - L'Anglois a toute extremitez , Politics & government, International relations, Vomiting, Sick persons, United States, History, Revolution, 1775-1783, Franklin, Benjamin, 1706-1790, Jones, John Paul, 1747-1792

justice caricature Lady Justice running the gauntlet copper engraving coloured by Johann Georg Merz Augsburg Germany late 18th century private collection,

Two kneeling men on a quay, Reinier Vinkeles (I), 1768 print Amsterdam paper etching / engraving kneeling figure

Amsterdam, Buys, Jacobus, Koning, Theodoor, De Maskerade, Blyspel, Maskerade, verso - stamped, In front of the facade of a building a woman kneels in front of a man, who takes the woman's hand. Behind the kneeling woman are several figures and next to the man is another man with a stick. This image shows a scene from the comedy 'The Maskerade'., print, prent, prints, height 199 mm, width 137 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1777 - 1777, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1724-11-19 - 1801-04-07

Young Kees on the Admiralty honored with a golden medal, 1652. Young Kees, Vlieland fisherman who took an English fishing boat with crew on 9 August 1652, gets a golden medal to the Admiralty of Amsterdam as a reward.

The small Maurits empties his exhibition in a larger money pouch ..

Allegorical representation of the world; De Waereld. Allegorical representation of the world, with four columns representing four continents (Europe, America, Africa and Asia). Figures and elements that can be associated with the continuous parts are available for the columns. In the middle a piedolder with a globe on which a person's personification is of the world. She has a pitcher and a torch in hand, and bears the city wreath on the head. Above her head the zodiac with constellations.

The sleeping farmer from Stolwijk, 1707. The sleeping farmer from Stolwijk (Dirk Klaasz de Bakker) uses in a cartoon on the French in the year 1707. Central the bed with the sleeping man around which doctors and spectators are collected. This show surrounded by eight smaller scenes with cityscapes and emblems. With inscriptions in the record in Dutch.

Marriage of Prince Willem III with Maria Stuart, 1677; Image of the Houwelky of Syn Hoogheyt den Heere Prince van Oranje with Princes Maria Ouste daughter of the Hartogh from Jorck Voltrocks at Withal den November 14, 1677, the birth dagh of Syn Heogheydt the Lord Prince of Oranjen. The marriage of Prince Willem III with Maria II Stuart in Whitehall in London, November 14, 1677. Protection of the ceremony through the bishop of London. Links Karel II King of England with Queen, Right Jacobus II, the Duke of York with Duchess. At the top of medallions portraits of the parents of the Prince: Willem II and Maria Henrietta Stuart. Left Embassies and Ambassadors of the Republic.

people women 16th - 18th century caricature marriage as bowling game copper engraving by Abraham Aubry Frankfurt on the Main Germany first half of the 17th century private collection,

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Capture of Egmond and Horne, 1567, Capture of the counts of Egmond and Horne by Alva in the Court of Culemborg at the Zavel in Brussels, 10 September 1567. View of the room where in the foreground Alva, wearing a long cloak, places his hand on Egmond's shoulder, on the right Horne is being led away. In the background Alva stands up from discussions at a table. With 8-line caption in German. Numbered lower left: 49. The print is part of an album., print, prent, historieprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 211 mm, width 285 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1568 - 1572, paper, papier, etching, etsen

Monkeys in the contemporary fashion of skirts with ribs, 1716, Matthijs Pool, 1716 print Cartoon on the fashion of 1716. Room with a concert with musicians and audience consisting of monkeys dressed in the fashion of the day with large hoop skirts with ribs, 1716. At the top of the balustrade, an untreaded monkey with a mirror. With caption in French and Dutch. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving clothes, costume (+ women's clothes). clothes, costume (+ men's clothes). animals acting as human beings. monkeys, apes. more than one musician with instrument

Mordecai's disdain. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Cozette, Pierre-François (French, b.1714-d.1801) (workshop) weaver Jacques, Maurice (French, 1712-1784) (author of design, border) painter c. 1771-1774 Tapestry Dimensions: H 14' x W 17'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Offered by Louis XVI to Albert & Marie-Christine (sister of Queen Marie-Antoinette), Duke & Duchess of Saxe-Teschen & Joint Governors of the Austrian Netherlands on their visit to Paris on 8/20/1786 SS 54311. Shah of Iran coll., 1974 (). French & Co. stock sheet: purchased by the Vichy government, France, 1943 SS 54311. Inscriptions: Woven signature in central field & on lower guard, right: COZETTE.1779 Inscriptions: Woven signature in central field, on lowest of 4 steps in center: PEINT PAR DE TROY A ROME 1740 Inscriptions: Inscription on lower border, center: SOLUS MARDOCHAEUS NON FLECTEBAT CENU ch.III Haman climbs t

A Rake's Progress, Plate 3 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 3 401579

A series of illustrations symbolizing virtues / features 1 Human attitudes: Humility and self contest; laborage and diligence. Nicolai, Georg, Rosenstiegl, Franz

Allegory on Pieter Adriaansz. Van der Werff, 1574; Sustainability and faithfulness is preserved. Allegory at the steadfastness of Pieter Adriaansz. Van der Werff, mayor of Leiden during the topping in 1574. In the middle a portrait in oval, pyramids with emblems and spells on either side. At the top of the arm of Willem van Oranje and the everyday eye. Under two putti and a small allegorical imagination of the siege of Leiden. Below labeled with the numeral 2.

Paschaviering in Egypte.

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Landsknechten, plate 33, plate 33. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving (printing process)

Representation with coat of arms of the societal of Christian love and sciences. Copper engraving; 8.5 x 13.4 cm. From: That a Christian-speaker legal language a good sign Bey's common being Sey, proved to be the Bey Games of the ... Johann Nicolai Lochner, ... which to Glucha on April 15, 1748 ... out of the world gieng ... (Memory for Johann Nicolaus Lochner). Page 2. Dresden: J.W. Harpeter, 1748. Dresden: Slub biogr.erud.D.1609,16

Surprise of the temple by the soldiers of Pompey / Pompey takes the temple in Jerusalem, Jan Luyken, 1698 print Two performances of a plate. Numbered at the top right: 23 and 23. Amsterdam paper etching (story of) Gnaeus Pompeius Magnus, Pompey the Great. capture of city (after the siege) Jerusalem

When the rooster nourishes germinally; Spys and beverage digest, / terwyl's blowwitches and crows, then Gantsch goes wrong. / So every zyn "plunges, and to be bleft, / then," there is a place, and a breakdown. Leaf with 2 representations of a man and a woman and their battle for the pants. Under each image a six-perished verse. Numbered at the top right: No. 109.

Acrobat, Caspar Luyken, 1711 print Print to the left of the fresh numbered: 77. paper etching Acrobat ~ circus

. The Doktoren Raasbollius and urinal twists in the inn of Loenen about the course of the planets, while Eelhart watches sitting at the table. Above the door hangs the portraits of Copernicus and Ptolemaeus. Through the door, a woman with candle enters into the room. Scene from the nineteenth theater of the mossy artists, or the fought lady of Pieter Langendijk. At the bottom of the margin the coat of arms and an assignment to Jan Jacob de Bruyn, who had the original painting in his collection.

Weekly consultation by the States General in the Trêveszaal, 1738; Image of the Treves room at the court in 's Gravenhaage; With Monday Kongres, or the Weekellyksche By Ananglement of Strange State-Ministers.Weekly Consultation by the States General in The Trêveszaal, 1738. Central a Large Round Table.

Plate from Livre de Scènes Comiques. Gabriel Huquier (French, 1695-1772); after Claude Gillot (French, 1673-1722). Date: 1729-1732. Dimensions: 162 × 215 mm (image); 190 × 225 mm (plate); 235 × 315 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

James Barry, 1741-1806, Irish, The Society for the Encouragement of the Arts (2 copies), after 1783. Engraving.

MINERVE announces peace to the city of Paris. (IT)

. On the stage there is a figure that points to a sheet of paper on which the title of the play in Dutch: "The Boere Wedding". A booking dance in the background.

A drunken party with men smoking, sleeping and falling to the floor. Engraving after W. Hogarth.

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