Historical Scenes in Prints

A collection of historical prints depicting notable events such as battles and parables. The artworks feature rich detail and narrative elements from different eras.

The Execution of Louis XVI on 21 January 1793 by Anonymous / Private Collection / 1793 / Germany / Copper engraving / History / 34,9x46,7

Alexander the Great finds the body of Darius, Antonio Tempesta, 1596 - 1652 print Alexander the Great and his soldiers find the wounded body of King Darius in a carriage. Four -line verse in Latin in two columns in the lower margin. print maker: Italypublisher: Amsterdam paper etching Alexander finds Darius lying wounded in a chariot

Promotiatrists en route to Vianen, 1720; The Malle promotionists to Vianen or 't Peperland; The great scene of foolishness. A car with promoters leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The trailer is straightforward by a jester, a monkey rides a banner with bombario, the horses are led by a devil. In and around the car promotionists or wind dealers. In the caption a text in three verses. PRENT 35 in the series of large scene of foolishness with cartriders on the wind trade or action trading of 1720.

Similarity of the workers in the Wijngaard, Anonymous, After Hans Collaert (I), After Ambrosius Francken (I), After Gerard de Jode, 1585 print Day laborers work in a vineyard where they dig and remove wood. On the left, the day laborers receive their salary. Those who only came to work later in the day will get as many as those who started early in the day. Under the performance a reference in Latin to the Bible text. Antwerp paper engraving the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16). at the end of the day the lord pays all the labourers equally; those that worked all day object

Braziness of King Pepijn de Korte, ca. 751-768, Jean Louis DELELLNON, After Clément Pierre Marillier, 1765 - 1804 print Bravery of Pepijn de Korte, first king of the Franken, ca. 751-768. Pepijn jumps in the arena during a fight between a lion and a bull. In a frame with a bright sun. With four -line caption in French. Possibly part of a series of 'Tableaux des Français'. paper etching tormenting mammals ~ sport and recreation. beasts of prey, predatory animals: lion. bull

Reflives of the Spaniards to Karel III, 1706, 1706 print The Spaniards (right) kneel and prove to the Archduke Karel of Austria (Karel III). At the top two medals in which Louis XIV is defeated by Queen Anna (Battle of Ramillies, 23 May 1706) and the death of Abimelech by a woman (the relief of Barcelona, 12 May 1706). Verses in Dutch and French in the record. Cartoon on the situation in the year 1706 in the Spanish Succession War. Part of a series of 25 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

The shading of reigning lords; Uytrechts changes have happened in the years 1672, 73 and 74. Series of five prints about the events happened in Utrecht over the period 1672-74. In the fourth print it can be seen how after the departure of the French in the city in 1673, the count of Hornes sends the members of the side of the avenue. Above this performance, it is recalled how the city council had handed over the keys from the city to Louis XIV.

The Execution of Louis XVI on 21 January 1793 by Anonymous / Private Collection / 1793 / Germany / Copper engraving / History / 34,9x46,7

Alb navarra Umbbekhert ... (TI)

Mermaling the bodies of the De Witt brothers, 1672. The mutilation of the bodies of the Johan and Cornelis de Witters Gebroeders, August 20, 1672.

Willem and Maria are named King and Queen of England, 1689; Her koning heights Willem and Maria are called Vrankryk and Yrland uyt for King and Queen of England; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. Announcement on the street to the people by a city caller that Prince Willem III and Princess Maria Stuart have been named King and Queen of England, February 23, 1689. Part of a series about the fortunes of the English royal family of Stuart of 1558-1711, of which here Being recorded sixteen prenents about the battle between Jacobus II and Willem III in the years 1688-1689.

Etching by Romeyn de Hooghe satirizing French King Louis XIV and English King James II, created in 1689.

. Festive procession with Hertog August, Keurvorst van Sachsen dressed up as farmer and various other characters in farmer and allegorical intensities. Frisian consisting of at least 20 parts with approximately. 26 etchings. The first two parts are missing.

Procession with horsemen Hans Jorge Wese, Jorge von Storstidel and Heinrich von Buhnaw zu Tetzschen, chained to a crowned woman on horseback and preceded by four musicians, Anonymous, 1553 - 1586 print paper etching rejoicing on special occasions (+ parade, pageant, cavalcade ~ festive activities). dress-up party. riding a horse, ass, or mule; rider, horseman. more than one musician with instrument

Reception of Princess Maria Stuart in England, 1689; Her could: Hoogheyt Wort in Enganise as an overcome Queen with all Bedkellyke honor the 22 Feb.; Englants Schoustenel imagending the Glorieuse voids with the croons of William III and Maria II to King and Queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Reception of the Princess of Orange as Queen of England in Margate, 22 February 1689. In front of the coast, the English ships release with which the princess made the crossing. They and its court are welcomed by representatives of local authorities. On the left the inn of Margate. Part of the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

The Keurvorsten of Bavaria and Van Brandenburg visiting King Willem III, 1691; The Keurvorst Van Beyeren and Brandenborgh etc: Find Koomen Syn K. Mayesteyt in Den Hage, in order to host the general best; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. The Keurvorsten van Bavaria and Van Brandenburg visiting King Willem III, 1691. The princes greet each other and shake hands. Part of a series about the fortunes of the English royal family of Stuart of 1558-1711, of which are included here, sixteen prints about the battle between Jacobus II and Willem III in the years 1688-1689.

Actionists en route to Vianen, 1720, 1720 A car with actionists leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The travel car is mixed by a jerk, on the roof a monkey with a banner with bombario, the horses are led by a devil. In and around the car actionists or wind traders. In the caption a text in three verses. Print in the bound fourth edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Culemborg. Vianen. First Muiderpoort A car with actionists leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The travel car is mixed by a jerk, on the roof a monkey with a banner with bombario, the horses are led by a devil. In and around the car actionists or wind traders. In the caption a text in three verses. Print in the bound fourth edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. North

An engraving titled 'Fédération Française,' issued in 1790 in Paris. The work is attributed to Charles Maurice de Talleyrand-Périgord, prince de Bénévent (1754-1838). It relates to France's history during the Revolution (1789-1799) and features themes of dance and politics in art. The size of the engraving is 19 x 11 cm

Dina overwhelmed and raped by Sichem, Harmen Jansz Muller, after Maarten van Heemskerck, 1585 print On the left is Dina, with flowers in her hand, while she looks at the dancing men and women in the city of Sichem. On the right, Sichem grabs Dina and drags her in. At the top right, Dina is raped by him. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34. This print is part of an album. paper engraving the rape of Dinah by Shechem

Engraver: Caesare Fantetti, Italian, 1650-1700, After: Raphael, Italian, 1483-1520, Adoration of the goldencalf, Engraving, image: 24.9 × 29.9 cm (9 13/16 × 11 3/4 in.), Italian, 17thcentury, Works on Paper -Prints

Cartoon on the tulip trade, 1637, 1754 print Cartoon on tulip mania, wind trade in tulip bulbs in the year 1637. Tulip traders are in an inn in the form of a large fool. On the left on an elevation is the devil with an hourglass, traders with a stick with registrations and a farmer who turns a basket with bulbs on the manure heap. Before and right in front of various bulb farmers. Flora is seated on a donkey in the background. Above the show two lines of text. paper etching flowers: tulip. negative results and undesired aspects of trading. speculative boom. (story of) Flora - suffering, misfortune. fool's cap

Entry of the Duke of Anjou in Antwerp, 1582, 1582 - 1584 print Festive entry of Anjou in Antwerp, February 22, 1582. The procession with the duke will be on the Grote Markt where a statue of the Giant Dron is set up. With caption of 8 lines in German and 2 lines in French. Numbered: 47. Cologne paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp. Large market

The Elector of Bavaria and Van Brandenburg visiting King William III, 1691, 1711 print The Elector of Bavaria and Van Brandenburg visiting King William III, 1691. The princes greet each other and shake hands. Part of a series about the fortunes of the English royal family of Stuart from 1558-1711, of which sixteen prints have been included here about the battle between Jacobus II and William III in the years 1688-1689. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching shaking hands, 'dextrarum junctio'

Entrance of the Ambassador of Poland into Rome. Stefano della Bella; Italian, 1610-1664. Date: 1633. Dimensions: 155 x 425 mm (image/plate); 210 x 560 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Cornelis Woons, Flemish, 1621-1673, Mardi Gras de Cocq al’Ane, Engraving, Sheet: 56.7 × 45.3 cm (22 5/16 × 1713/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Plate 1: The Entrance of the Polish Ambassador into Rome, the Medici coat of arms at left 1633 Stefano della Bella Italian. Plate 1: The Entrance of the Polish Ambassador into Rome, the Medici coat of arms at left 397406

Dina overwhelmed and raped by Sichem; History of Dina and Sichem; Historia Dinae Jacobi Filiae (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Left is Dina, with flowers in her hand, while watching the dancing men and women in the city of Sichem. On the right, Sichem takes Dina and drags her inside. At the top right, Dina is raped by him. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34. Print is part of an album.

The Crucifixion of Polycrates 1557-1667 Italy. Salvator Rosa was an important printmaker as well as an admired painter. The artistís oversize etching of the Greek Polycratesí crucifixion by his Persian enemy (c. 522 b.c.) probably preceded his painting of the same subject. Rosaís slightly simplified painting appears in reverse, likely because he worked from the printís preparatory cartoon to create it. The legend beneath the print reads ìPolycrates, tyrant of Samos, famous for his wealth and good fortune, when he was captured by Oretes, Satrap of the Persians, and fastened on a cross, showed that no man can be truly called happy until he is dead.î. Etching, with drypoint, in black on ivory laid paper . Salvator Rosa

Trekking of the Hollandsche Loterij in The Hague, 1696, 1735 - 1737 print Trekking of the Hollandsche Loterij in the Ridderzaal of the Binnenhof in The Hague, 1696. Against the walls of bookcases, on the ceiling the banners. Two orphan boys pull the lottery tickets out of two large round turning buses, in the foreground a crowd of spectators. Below a second, allegorical, show with a lying fisherman on a monumental stone on which a verse is entitled: each fish for benefits. On the right, Fortuna scatters with your coins, on the left a group of people led by desire and hope. Northern Netherlands paper etching / engraving Raffle, Lottery. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa) Racing room

. Cartoon on political relationships between the Republic and England, ca. 1780. The honorable Dutch merchant shares money from hard-working workers, farmers and artists. Other investors links are rejected. In the foreground, the Dutch Lion and the French Rooster dislodge the English Dog. See also the pendant. Different explanatory explanation is set under the print.

Death of Timothy, Chereas and Apollophanes; History of the Makkabeeën. The Army of Judas Makkabeër states the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 MAKK. 10. This print is part of an album.

The Dutch knight on the Dutch lion drives away the beast of Babylon, 1705; By Munnike-Jagt, Babel raped; 3 emblem, or, Munnike-Jagt, Babel is raped. Above the third commandment; Roma Pertubata / 't Lusthof from MoMus. The Dutch Knight Riding on the Dutch Lion drives away the seven-member beast of Babylon on which Theodorus de Cock is, 1705. In the background, Petrus Codde is welcomed upon return to the Republic. Leaf No. 3 in the series of 13 sheets with cartrots on the Jesuits entitled Roma Pertubata, 1707. Part of the print work issued under the collective title 't Lust-Hof van Momus with the bundled series of cartrents during the 1901-1713 of the Spanish Succession War.

Copper engraving print by Adriaen Collaert from 1582 depicting the appointment of Cosimo I de Medici as Grand Duke of Tuscany by Pope Pius V in 1569, showing figures, ceremony, and attire.

To the earth of the corpses of victims of the plague, Jan de Ridder, 1675 - 1735 print A number of men are busy burying corpses of the plague victims. The text above the print describes that the remains at least 12 feet will be deeply buried and that they will be sprinkled with lime to speed up the dissolution process. Northern Netherlands paper etching plague. burial

Reproduction of a print with the representation of the Sabine Virgin Roof, Anonymous, After Peter Paul Rubens, c. 1892 - in or before 1897 photomechanical print paper collotype print, e.g.: engraving, etching, lithograph. rape of the Sabine women: they are carried off by Romulus and his men during a feast

Series Vieeen scenes, Die fickies, FIAKER, Jeremias Bernian -, Publisher, Joseph D, Yours, Lanzedelly Lanzedlli -, Artist

Cartoon on Mayor Hooft, 1787, Anonymous, 1787 - 1788 print Cartoon on Mayor Hendrik Danielsz. Hooft who kneeling the hand of Prince William V kisses. Central a column with Wilhelmina van Pruisen medallion. In the background the city of Amsterdam. Following the dismissal of Hooft as mayor of Amsterdam on November 27, 1787. Augsburg paper etching / engraving political caricatures and satires. mayor, burgomaster Amsterdam

Cartoon on Jacobus II and the arrival of Willem III, 1689; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on Jacobus II and the arrival of Willem III, 1689. James is incompatible on the arrival of the Prince of Orange with his fleet and asks King Louis XIV for help. This points to the German emperor with his sword. Also strike other German princes and heads of Turks. The peers, members of the Upper House, offer the king their support if he is willing to maintain the previous laws and abandons the abolition of the penal Laws. On the right is on the ground Queen Maria of Modena with acquiscredis boobs, with her Father Peters with the Prince of Wales. With caption of four rules. On the leaf under the plate a text in 2 columns and a placed interpretation of the numbers 1-7 in Dutch.

If you are brave, come take me (IT)

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classical history of one album, numbered from I to IV and all with a caption. At the top right: Initiation of the bull APIS. At the bottom right: Sesostris lets his car pulled by conquered kings. At the top left: Psammetichus fulfills the oracle. Bottom left: Amasis with arrow and arch. Proposals I and II at the top right marked: Against page. 27. Proposals III and IV at the top right marked: Against page. 57. Amsterdam paper etching representations ~ Egyptian gods, demi-gods, heroes, etc. (with NAME). male persons from classical history (SESOSTRIS). (story of) Psammetichus, king of Egypt. male persons from classical history (AMASIS)

King William III at a session of the Lower House, 1689, 1691 print King William III Sit on the throne attends a session of the Lower House, 1689. At the top of a hanging rug a small image of the higher house between angels with the English weapons. Plate 10 in a series of 20 plates about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper etching Lower House, Parliament, Chamber Houses of Parliament

Vuurwerk en muziek; Konst vyeren / Feux d'artifices des Tartares // Musick en Speelinstrumenten / Instrument de Musique de differens Peuples; Les Indes Orientales et Occidentales et autres lieux.Presentation in two parts. Left fireworks at the Tartaren. Javanes, Persians, Turks and Chinese on the right play on musical instruments. An organ is made of reed stalks and an organ made of wood, a Chinese harpsichord, Persian and Turkish drums, flutes made from bones, Javanian basins, water bowls etc. with a legend in Dutch and French. The print is part of an album.

Deception of D.C. van der Meulen, 1800; Monument to the illuminated century. Cartoon on the praise of the superstitious Catholic Lieutenant Colonel Dirk Cornelis van der Meulen by a German scammer, to Muiden in the night of 12 on 13 August 1800. In four numbered performances the story of the deception is shown. 1: The company en route with candles and crucifix to dig the hidden treasure. 2: The members of the company praying kneeling on the ground. 3: Disappointment with the seekers while the scammer makes itself out of the feet. 4: Return of the cheated company. In the middle a smiling woman figure.

Slag Bij de Cremera; Three hundred six Fabi, being surprised in a packaged by the Etruscan, and by Vejenti near the Cremera river, they are all killed, after making incredible efforts; Geschiefenis van Het Romeinse Rijk; Frontspice of the Romanistoria. De Slag Bij de Cremera Tussen de Romeinen en de Edrusken (Deze Slag Was Geïnspireerd Op de Griekse Slag Bij Thermopylae).

Attack by Jean Châtel on Hendrik IV, 1594, 1594 - 1612 print Attack by Jean Châtel on Hendrik IV, December 27, 1594. In an interior, Châtel puts the King with a knife. Châtel is celebrated in the background. With caption of 12 lines in German and 1 rule in French. Numbered in the bottom left: 302. The print is part of an album. Cologne paper etching violent death by quartering. attempt, political murder Paris

Events from 1672 to peace with England in 1674, 1674 print Events from 1672 to Peace with England closed on February 19, 1674. Central a performance of William III that takes the oath as stadholders, below the signs of the peace treaty. Around this 19 other small representations of events from the war of France and England and of the murder of the De Witt brothers, each with a short title and date. Northern Netherlands paper etching / engraving signing of peace treaty, concluding the peace

Paul and Barnabus inLystra. Artist: Gerrit Claesz Bleker, Dutch, 1610-1656

Verschillende Disciplines in Academy of Sciences and Fine Arts, 1698 print Allegory at the Academy of Arts and Sciences with practitioners of numerous disciplines, including painting, sculpture, architecture, fortification and mathematics. paper etching / engraving academy, association of artists. place or institution of education and training of the artist, e.g.: academy of art

Disastrous consequences of the action trade, 1720; The Spirit of the Orange Heeraklite Schryend about the Lagh fabric of Demokriet; The large scene of foolishness (extra pieces). The disastrous consequences of the action trade. Several men commit self-murder after all to have lost in the action trade, others have gone crazy or commit a robbery. In the foreground the crying heraclitus, in the background the carriage of the Rijkaard going on the broad road. In the caption the declaration of the figures 1-9. Print cut out and stuck. Belongs to the group of prayers included in the bound first edition (304 B 11) of the scene of foolishness with cartring prints at the 1820 wind trade.

Offer of the keys of the city of Amsterdam to Keizer Napoleon, 1811, Reinier Vinkeles (I), 1811 print The presentation of the city keys at a Triumph gate founded on the Oetewalerweg by Mayor Van Brienen on October 9, 1811 to Napoleon Bonaparte at the start of his visit to Amsterdam. Netherlands paper etching / engraving surrender of keys Amsterdam

Arrot of Montesquiou in Chamberite to Chamber of Chambery, 1792. Santoisees in to the mower wall of rente with freedéed tree Esmpe Nº168, P.21 Du Journal des Rission De Paris Des 22-29 September, 20097. (title fattice)

Entry of Karel V in Antwerp, 1525, C.L. Duvivier & Soudet, after Albert Ludovic Paul Emile Antony Duvivier, after Hans Makart, 1878 - 1882 print Entry of Emperor Charles V in Antwerp, 1525. The young emperor on horseback through the streets of Antwerp. Reporduation to a prize -winning painting by Hans Makart. paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

The rout and confusion of Janssenists (IT)

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Laan, Adolf van der, Leonard, Theater of the War, Beginning from King Charles II. Up to King Charles III. Existing in IX. Historical Figures on an Elephant Sheet, as Battles, Sieges on Water and on Land, with the main Fortresses, Theater of the War (sheet XXI), 1720, Sheet with nine representations of events from the year 1720. Sheet XXI in: Theater of the War (edition of 1720), the printwork with the bundled series of 31 plates about the War of the Spanish Succession., print, prints, Frederik Muller Historieplaten, height 538 mm, width 635 mm, Northern Netherlands, 1696-02-26 - 1767-06-11, print maker, printmaker, 1720 - 1722, paper, papier, etching, etchings, Work conception, 1690 - 1742-05-09, after a design by, Publication (Event), Publication, 1660-12-26 - 1711, publisher, granter of privilege

Willem III and Maria II sail in the Royal Gali from Whitehall to Westminster Abbey, 1689; Her Majestyten William III and Maria II sailing in Den Koningelyke Bark sitting by Withelhal na Westminster Hal den 21 April 1689; Englants Schoules Distributing the Glorieuse voids with the croons of William III and Maria II to King and Queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Willem III and Maria II Stuart sailing in the Royal Gali of Whitehall to Westminster Abbey Their coronation, April 21, 1689. Plate M in the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

Cartoon on the interference of Louis XIV in the English throne follow-up, 1689; Arlequin deodat, et pamirge hypochondriaques; The Duytse Doctor, and the strange patients; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on the interference of Louis XIV in the English throne education, 1689. Maternity room in which Queen Maria of Modena is in bed and is visited by a German doctor who looks at her urine. In the middle an angry Louis XIV (Harlekijn) stopped by Willem III, left three algegrin or Turks. In the front floor on the left, Cardinal Von Fürstenburg gets a Lavement, on the right the child Jacobus Frans Eduard, the poor child (the Prince of Wales) with a mill with two minuses that take an oath of silence. With caption of 2 times 2 lines and on blade under the show a verse of 2 columns with an explanation of the numbers 1-12 in Dutch.

Folk entertainment outside the Stadspoort, Jeremias Jakob Sedelmayr (II), After David Rijckaert, 1716 - 1761 print Bottom left the text: Alt. 47. Lat. 67. Unc. And number 7 top left. paper etching city-gate

Decapitation of Gosson in Atrecht, 1578, 1578 - 1580 print Decapitation of the counselor Nicolas Gosson in Atrecht, for sympathy with the Malcontents, 26 October 1578. Gosson kneels on the scaffold on a square. With caption of 12 lines in German and 2 long lines in French. Numbered: 27. Cologne paper etching on the scaffold or place of execution. violent death by beheading Arras

Saint Amond, St. Nicholas, or St. Séverin ca. 1625 Jacques Callot French. Saint Amond, St. Nicholas, or St. Séverin. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1625. Etching and engraving; fifth state of five (Lieure). Israel Silvestre (French, Nancy 1621-1691 Paris). Prints

Uria recalled by David from the war, 1579 print King David has recalled Uria, the man of Batseba, from the war. Uria kneels, dressed in his armor, for him. At Uria, David urges you to relax and to take on the wine and feeds brought by servants. Uria, however, does not go home to sleep with his wife Batseba. Under the show a reference in Latin to the Bible text in 2 SAM. 11. Print is part of an album. paper engraving David speaks to Uriah. the soldier; the soldier's life

Alva is in front of the Spanish blood council, 1567, Anonymous, 1679 - 1684 print Session of the Council of Surer, nicknamed the Blood Council, sitting by the Duke of Alva on a throne with the court rod in hand, 1567. In an open court, Alva sits on a throne behind a large table on which its counselors. A man kneels before the council. A man is beheaded in the back right. paper etching / engraving violent death by beheading. court session (court of justice)

Almanach for 1700 - Ceremonies observed in Paris for the erecting of the Equestrian statue of Louis Le Grand on August 13, 1699 Almanach for 1700 - Ceremonies observed in Paris for the erection of the equestrian statue of Louis Le Grand on August 13, 1699 ". Engraving.

The capture of Jericho, after Raphaels Vatican loggia painting. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

The Girondins led to the scaffold, October 31, 1793 Jean Duplesi-Bertaux (1747-1819). The Girondins led to the scaffold, October 31, 1793 (Year VIII, 13th Delivery). Ms. Roland pleading to the revolutionary court, November 9, 1793. (Year VII, 8th Delivery). Print.

Entrance of the French to Madrid (IT)

Eleven fiercely gesticulating men in a landscape, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching Literature. gesture-language

Feste de BACCHUS, celebrée par des Satyres et desBacchantes. Artist: Claude Gillot, French, 1673-1722

Hanged Figure 11 from the Les Great Misers of the Querre Series Callot, Jacques (1592 1635), Henriet, Israel (CA 1590 1661)

Scharmützel bei Riteberg am , Februar , Unknown

The bombing of the capital of Vienna on October , The view of spiders on the cross, Heinrich Gerhart, Lithograph

The actions finx jumps from the mountain, 1720; The Schynschoon Action Sphinx jumps Zig Zelsven here, once if Edipus bare the fake secret; The great scene of foolishness. Landscape in which the action finx of a mountain jumps, a man with balloons is blown through the air and in the foreground different groups are busy with the wind trade. In the distance vianen. In the caption a verse in four columns. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

Roman triumph, Etienne Dupérac, 1580 print A Roman triumph with soldiers with torches, musical instruments, bulls and elephants. In the foreground the emperor pulled in a car by four horses. In the background the people watch from the streets of Rome. print maker: Italyprint maker: Italypublisher: Venicepublisher: VeniceVaticaanstad paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Cariot, Triummphal Car. musical instruments; Group of Musical Instruments. Trunked Animals: Elephant. bull

Anne du Bourg defends the Protestants in Parliament, 1559, Frans Hogenberg, After Jean Perrissin, 1565 - 1573 print Anne du Bourg defends the Protestants in parliament in the presence of King Henry II, 10 June 1559. With caption of 10 lines in German. Numbered: 1. Blad from an album that has been taken apart. paper etching

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery, Print made by A. M. Ireland, active before 1801, after William Hogarth, 1697-1764, British, 1794, Etching on medium, slightly textured, cream wove paper

Justice (Justicia); Bruegel, Pieter, I (Ca 1525-1569), Cock, Hieronymus (CA 1510-1570), Galle, Philips (1537-1612); around 1559-1560 (1501-00-00-1600-00-00);

This etching by Nikolaus Hogenberg depicts the triumphal procession of Emperor Charles V and Pope Clemens VII following the imperial coronation on February 24, 1530, in Bologna, showing figures, carriages, and ceremonial gestures.

French cartoon on the alleged death of Willem III, 1690, Anonymous, 1690 print French cartoon on the alleged death of William III during the Battle of the Boyne on July 11, 1690. Funeral procession in which the body of the Dead William III is worn on a stretcher, first George Savile, first Marquis of Halifax, with a torch followed by The carriers: Bishop Gilbert Burnet, Charles Talbot, twelfth count of Shrewsbury, Everhard van Weede van Dijkvelt and the count of Portland. Behind the Baar the Princess of Orange, a Dutchman, an Englishman, a shot and an Irishman. At the back left a gallows. In the plate instructions for the people numbered 1-10 in French. France paper etching cortege, funeral procession

Carnival in Venice, 1726, 1726 print Carnival parade in Venice. Plate no. 379 in Part XVI of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Northern Netherlandspublisher: Leiden paper etching Shrove Tuesday, 'Mardi gras' ~ non-liturgical celebrations of carnival Venice

Attack on a Coach, plate eight from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 73 x 186 mm (image); 84 x 190 mm (plate); 97 x 200 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Farrier at work at a ruin, Christian Rugendas, After Georg Philipp Ruendas, 1718 - 1781 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman. horse. horseshoe

Robbery on a monastery in Nimes by the Huguenots, 1567, 1567 - c. 1571 print Robbery in Nimes by the Huguenots, October 1, 1567. Murder in the courtyard of a monastery, corpses are thrown into the well. With caption of 8 lines in German. Nummered at the bottom left: 50. The print is part of an album. Cologne paper etching massacre ~ war Nîmes

Bree, Mattheus Ignatius van, France, Normand, Charles Pierre Joseph, The advocacy of Prince William I on behalf of the Roman Catholic prisoners in Ghent in 1578, The advocacy of Prince William I on behalf of the Roman Catholic prisoners in Ghent, 27 December 1578. The Prince of Orange in conversation with the popular leader Jan van Hembyze. This event never actually took place. Details in the representation numbered in pencil and explained in the margin., print, image, historical print, prints, Frederik Muller Historical plates, height 123 mm, width 207 mm, French, 1765-11-25 - 1840-02-13, print maker, printmaker, 1821 - 1823, first quarter 19th century, paper, pencil, etching, etchings, 1773 - 1839-12-15

Jacques Callot (1592-1635). "Headquarters of La Rochelle, first border from top to left, the Rochelloys ask forgiveness to the king" (Lieure 660, Meaume 512). Etching. 1629-1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-23 Etching, engraving

Joseph II, Katherina of Russia and the Turkish Groß-Sultan Abdul Hamid I , Johann Martin Will -, Copper Engraver

Cartridge arrest Anonymous. The arrest of cartridge. Black pencil.

Cartoon on the interference of Louis XIV in the English succession, 1689, 1689 print Cartoon on the interference of Louis XIV in the English succession, 1689. Kraamkamer in which Queen Mary of Modena is in bed and is visited by a German doctor who looks at her urine. In the middle an angry Louis XIV (Harlekijn) that is stopped by William III, left three Algerians or Turks. In the foreground on the left, Cardinal von Fürstenburg gets a lavement, on the right the child Jacobus Frans Eduard, the poor child (the Prince of Wales) with a mill by two minuses who take an oath of silence. With caption of 2 times 2 lines and on magazine under the show a verse of 2 columns with an explanation of numbers 1-12 in Dutch. print maker: Genèveprint maker: Netherlandsafter own design by: Netherlandspublisher: Genève paper etching / letterpress printing

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Beheading of Johan van Oldenbarnevelt; Peace of Munster; Tulip trade; Maria van Reigersberg helps her husband Hugo de Groot escape., print, engraving, prints, engravings, verso - stamped, 61, 72, 69, 64, height 113 mm, width 249 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Koronacja Marii Medycejskiej na królową Francji. La Couronnement de la Reine. St. Denis 13 Mai 1610.. Audran, Jean (1667-1756), graphic artist, Nattier, Jean-Baptiste (1678-1726), draughtsman, cartoonist, Rubens, Peter Paul (1577-1640), painter

Peace of Utrecht, 1713, 1713 print The Peace of Utrecht, closed on April 11 and ratified on 12 May 1713, between the Allies and the French, which ended the Spanish War of Succession. Large magazine with a face on Utrecht at the top and an allegory on peace. Surrounded by eight smaller scenes of the peace negotiations and the fireworks at the celebration of the Peace set in The Hague on 14 June 1713. Part of the bundled series of 49 plates of renowned strong cities and fortresses in the Spanish Succession War, ca. 1701-1713 . With the titles in Dutch and French. print maker: Northern Netherlandspublisher: Amsterdampublisher: Leiden paper etching peace negotiations. signing of peace treaty, concluding the peace. proclamation of peace. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works Utrecht

Elegant company in the garden of a country house, draughtsman: Adam Frans van der Meulen, , 1642 - 1690, paper, pen, brush, h 174 mm × w 300 mm

Chancellor J.A. from Crumpipen from Breda to Brabant, 1789. Chancellor J.A. Crumpipen is reduced by carriage and under supervision from Breda to Brabant, November 14, 1789.

Actious Souflet and Erasmus Engineering, leaving the city, where it was born / to see the three non-actioned cities of Holland (IT)

Satire auf the sill. HOFNARRRRRY JOSEPH MATHULICS MIT THE CONFUSIONS ACCOUNT DEINE CLIKING SHOW

The triumph of Monsieur de Ramponau / Mrs. Ramponau.

Rév. from Paris. Brissot and 20. of its accomplices condemned to death by the revolutionary court - N º213 p.243. (Title registered (letter))

An Ecclesiastic (Pope) Blessing a Book before the Sacred College. Artist: Cesare Nebbia (Italian, Orvieto ca. 1536-1614 Orvieto). Dimensions: sheet: 8 7/16 x 11 5/16 in. (21.5 x 28.7 cm) maximum; original support. Date: 1580-90.Rendered with the typically stark 'chiaroscuro' modelling of late drawings by this artist, the proposed oblong composition sketch represents in rather summary form the seated figure of a pope or a cardinal (the mitre is relatively short and ambiguous in shape), surrounded by a sacred College, as he is presented by a monk with a large book. The scene clearly represents the institution of an ecclesiastic rule, monastic or secular. The main figure sits on a stepped, canopied throne, with extended blessing right hand, and the view of the great room seems to include the portrayal of tapestries or frescoes on the walls.Still unpublished in 2006, the drawing's attribution to Cesare Nebbia was confirmed by Rhoda Eitel Porter after its acquisition by The Metropolitan M

Marcus Claudius Marcellus I with armor vertomarus; M. Marcello Uccide di Propia Mano, Viridomaro Ré dei Galli, E Ne Porta in Trionfo Le Spotlie Opime, Al Tempio Di Giove Feretio; History of the Roman Empire; Frontespizio della Iistantia Romana. Marcus Claudius Marcellus I on a chariot in a triumph trip on the way to the temple of Jupiter Feretrius with the armor of the Gallic leader vertomarus armor.

Quinquanpoix Het Koffiehuis Quincampoix te Amsterdam. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Photo production of a print to a painting by Jacopo Tintoretto; Crucifixion Tintoretto: San Rocco - Venice. Part of English family album with photos of people, travel, cricket and artworks.

Print made by A. M. Ireland, active before 1801, Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery, 1794. Etching on medium, slightly textured, cream wove paper.

Volunteer corps to Jtalien , on April , Anton Elfinger -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

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