Historical Scenes in Various Styles

Diverse artworks showcasing historical activities, including rural landscapes, foundry scenes, and allegorical figures with varied artistic techniques.

Gun Foundry by unknown painter

Thomas Rowlandson, 1756-1827, British, Admiral Christian's and Mr. Lyson's Cottages, Cowes, undated. Watercolor with pen and gray and black ink with graphite on medium, slightly textured, biege, wove paper.

Gun Foundry by unknown painter

Helios on the chariot. Allegory with the coats of arms of Trąby (Woyna) and Nałęcz (Górski). unknown, painter

Stanislaw Grocholski (1858-1932). Polish painter. Breaking the spell, before 1888. Silesian Museum. Katowice. Poland.

Corn Husking ca. 1863-64 David Gilmour Blythe Blythe, who lived in Pittsburgh, Pennsylvania, painted satires, mainly of urban ills, but in "Corn Husking," he portrayed their rural counterpart. The work depicts a sudden outbreak of violence on an eerie, moonlit night among a group of boys engaged in the taxing and tedious task of husking recently harvested corn. The farm is dilapidated and the farming implements are carelessly strewn around the property, conveying the harsh realities of the setting. Blythe pointedly made poverty and discord the crux of a theme that is usually associated with abundance and harmony.. Corn Husking 10191

Hypnagogic Monument; Monument Hypnagogique. Salvador Dali (1904-1989). Oil on panel. Painted in 1934. 40.7 x 32.6cm.

Rugendas, Christian, inventor: Georg Philip Rugendas, work, Battle of the Cavalry, (1000 - 2000), technique text: line etching and scroll engraving, graphics, dimensions : plate width 24.3 cm, plate height 17 cm, leaf width 27.7 cm, leaf height 23.7 cm, image width 23.8 cm, image height 15.7 cm

LESSER -BLATTEKA - collection, gift (provenance)

Revellers on a Coach. Date/Period: Between 1785 and 1790. Painting. Oil on canvas. Height: 422 mm (16.61 in); Width: 619 mm (24.37 in). Author: Philip James de Loutherbourg.

Inside a Tent in the Canadian Rockies. John Singer Sargent (1856-1925). Oil on canvas. Signed and dated 1916. 55.9 x 71cm

Rijn, Rembrandt van, The Entombment, verso lower right, print, prints, verso lower middle, height 210 mm, width 160 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, Northern Netherlandish, after own design by

Figures on a Beach, Samuel Prout, 1783-1852, British, after 1827, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 7/16 x 11 inches (13.8 x 27.9 cm), barrel (container), beach, boats, buildings, genre subject, hats, marine art, men, rocks (landforms), sails, sand, sea, stripes, waves (natural events), women, wood

The Tale of Arachne (Las Hilanderas), by Velázquez Diego Rodriguez de Silva y, 1653 - 1653, 17th Century, oil on canvas. Spain, Madrid, Prado National Museum. Detail of the spinning wheel wool-winder speed.

'Country Concert', 1638, Dutch School, Oil on panel, 19,5 cm x 39 cm, P02126. Author: ADRIAEN VAN OSTADE (1610-1685). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Commedia dell 'Arte by Alexander Nikolayevich Benois, Watercolor, Gouache on Paper, 1905, 1870-1960, Russia, Moscow, State Tretyakov Gallery, 49,6x67,4

The Mill. Date/Period: Between 1645 and 1648. Painting. Oil on canvas. Height: 876 mm (34.48 in); Width: 1,056 mm (41.57 in). Author: Rembrandt.

Peter the Great Lights a Fire at Krasnoy Gorka as a Signal for His Fleet in Distress 1846 Ivan Aivazovsky (1817-1900/Russian) Oil on Canvas State Russian Museum, St. Petersburg, Russia

Sphinx and a woman phantom. Kotarbiński, Wilhelm (1849-1921), painter

BANDOLEROS FUSILANDO A SUS PRISIONEROS 1798-1800 O ASALTO DE BANDIDOS I - 41x31 CM- OLEO/LIENZO. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Orpheus and Eurydice in the Hell by Fris, Pieter (1627-1706) / Museo del Prado, Madrid / 1652 / Holland / Oil on canvas / Mythology, Allegory and Literature / 61x77 / Baroque

CORRIDA DE TOROS - DETALLE - FIGURAS CON ESCUDO - TABLA CON SANGUINA LAQUEADA - 1920 - PANEL DEL SALON DE CONSEJOS DEL BANCO EXTERIOR DE ESPAÑA. Author: SERT JOSE MARIA. Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Eastern Dream; Reve D'Orient. Jean Jules Antoine Lecomte Du Nouy (1842-1923). Oil On Canvas, 1904.

Albert Besnard (1849-1934). Sets of the Petit Palais entrance vestibule (detail). "Thought". Oil on marouflaged canvas, 1907-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-21 Allegory, love, love, crazy years, 1900, allegorical art, figurative art, advisor, decor, woman, woman agee, naked woman, allegorical figure, naked man, influencer, female nudite, male nudite, wall painting, thought, character Allegoric, small palace, painted ceiling, symbolism, vestibule, old woman, VIIIEM VIIIE VIII 8th 8th 8th arrondissement, 20th XX 20th 20th 20th 20th century, couple

CAMARA OFICIAL - APOTEOSIS DE ADRIANO - 1797 - NEOCLASICISMO ESPAÑOL. Author: MARIANO SALVADOR MAELLA. Location: PALACIO REAL-PINTURA. MADRID. SPAIN. ADRIANO. PUBLIO ELIO ADRIANO.

Panel, c. 1815, 14 3/8 x 32 1/4 in. (36.5 x 81.92 cm), Cotton; copperplate print, France, 19th century

ELTRABAJO EN ASTILLEROS 1921/23- FRESCO DE LA ROTONDA CENTRAL. Author: AURELIO ARTETA (1879-1940). Location: BANCO BILBAO VIZCAYA-ALCALA. MADRID. SPAIN.

BANDOLERO DESNUDANDO A UNA MUJER O ASALTO DE BANDIDOS II 1798-1800 41X31 CM OLEO SOBRE LIENZO. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

ONE LONG ARM SPINED ANIMAL WITH SIX LEGS, by George Bellows, 1918, American drawing. Charcoal, ink, graphite and lithographic crayon on paper. Humorous depiction of a football game at the scrimmage line with a grandstand in the background (BSLOC_2017_7_133)

Josep María Sert / Painting of the Hall of the Chronicles, City Hall of Barcelona.

A Hunter's Bag, Melchior d'Hondecoeter, 1660 - 1695 painting There are a duck and a partridge with hunting utensils on a stone plinth. canvas. oil paint (paint) spoils of the hunt, game, venison

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: The Fight on the Bridge (1882-1885), Painting, Reproduction of the painting, Work of art, Historical, Horsemen crossing a bridge in a dark, rocky night landscape with high contrast

Lot Fleeing from Sodom; 1810 Oil on canvas Benjamin West; American; 1738 - 1820

Approach to the Foe by Yablonskaya, Tatyana Nilovna (1917-) / Regional Art Museum, Poltava / Soviet Art / / Russia / Oil on canvas / Genre,History / 109,5x227

FLOREROS Y CEBOLLAS - SIGLO XVII - OLEO/LIENZO - 83 x 154 cm - NP 3239 - BARROCO ITALIANO. Author: NUZZI MARIO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Landscape with a castle and a knight; Rapacki, Józef (1871-1929); 1928 (1928-00-00-1928-00-00);Society of Zachęta Fine Arts (Warsaw - 1860-1940) - collection, fantasy, bridges, knights, rocks, castles (architect)

Jacob Wrestling with the Angel 1850 Eugène Delacroix. Jacob Wrestling with the Angel. Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). 1850. Oil over pen and ink on tracing paper; mounted on canvas and backed with linen. Drawings

Genaro Perez de Villa a Mil, torreon arabe cerca de Almeria, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South...

Pierre Paul Prud'hon. 1758-1823. La Justice et la Vengeance divine poursuivant le Crime. 1808. oil painting on canvas 164 x 198.

Isaac Weld, 1774-1856, Irish, Castello Malespina Appennines, 1819. Pen in brown ink, brown wash, gum arabic, graphite, gouache, and scratching out on moderately thick, moderately textured, brown, wove paper.

Still Life with Owl and Hunting Trophy, by Pieter Boel, circa 1650, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

TECHO DE LA ESCALERA PRINCIPAL - ESPAÑA RINDE HOMENAJE A LA RELIGION Y A LA IGLESIA - 1759. Author: CORRADO GIAQUINTO (1703-1766). Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

The Glorification of Andrea Doria, c. 1750-68, Domenico Corvi, Italian (Rome), Italian (Rome), 1721-1803, 38 1/2 x 19 1/4 in. (97.79 x 48.9 cm) (canvas), Oil on canvas, Italy, 18th century, This is a modello, or preparatory work, for a large ceiling painting that used to be in the Palazzo Doria in Rome. Andrea V Doria (1707-65), a descendant of the individual lauded in the painting, commissioned this work in the late 1700s. It shows Andrea Doria (1466-1560), an important Genoese military figure perhaps most celebrated for his exploits ridding the Mediterranean of pirates as commander of the Genoese navy. Along with the ancient Roman hero Pompey the Greatanother famed pirate hunterand the city of Genoa (personified as a kneeling woman), he is portrayed here astride the deck of a ship, a mast towering above. The painting’s extremely low perspective places the viewer on the rocky coast, looking up.

Pulling Pine Shoots on the Day of the Rat. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1882, May. Prints; woodblocks. Color woodblock print

Saving survivors; LAMPS, Franciszek Ksawery (1782-1852); around 1840 (1835-00-00-1845-00-00);purchase

Theater scene. Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop, attr.) weaver Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop, attr.) weaver c. 1700-1720 Tapestry Dimensions: H 13'4" x W 22'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Louisa, Lady Ashburton coll., England. Sir Alfred Mond coll., Northampton (c.1931); sold 9/1931 to H. Lareham Harding. French & Co. purchased from Arnold Seligmann, Rey & Co., Inc. 2/28/1919. Inscriptions: City mark on lower guard, left not visible in photograph Inscriptions: Woven signature location unknown; not visible in photograph: A. CASTRO (=Latinized version of Brussels family of weavers named Borcht) Theater setting with audience watching scene performed on stage (BRD) scrolling acanthus leaves around central rod overlaid with spiraling vine; bunches of flowers in corners & in center of each side There are extensive notes on the stock sheet about the subject

The Corpses of the De Witt Brothers, Jan de Baen (attributed to), c. 1672 - c. 1675 painting The mutilated bodies of Johan de Witt and Cornelis de Witt, hung on the seesaw on the green Zoodje on the Vijverberg in The Hague, August 20, 1672. Like a man with a torch. canvas. oil paint (paint) body of the executed displayed in public. violent death by mutilation or maiming The Hague. Vijverberg. Green so

fine arts, Spitzweg, Carl (1808 - 1885), painting, ""Naechtliche Runde"" (Nightly Patrol), Haus der Kunst, Munich,

ESCENA DEL QUIJOTE - SIGLO XX - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. DON QUIJOTE.

The Edge of Doom Samuel Colman (British, 1780-1845). , 1836-1838. Oil on canvas, 54 x 78 1/2 in. (137.2 x 199.4 cm). In The Edge of Doom, Samuel Colman imagines the destruction of (Western) civilization. Known for spectacular, apocalyptic imagery, here Colman portrays bolts of lightning striking erratically, blasting classical and Gothic buildings, carriages, paintings, and even the figure of Time (tumbling with an hourglass and scythe) into a central glowing void. All that survives is the memorial sculpture of William Shakespeare, then and now on view in Londons Westminster Abbey. European Art 1836-1838

Claude-Joseph Vernet, Coastal Scene in Moonlight, 1769, oil on canvas.

TECHO DEL MINISTERIO DE HACIENDA EN EL QUE APARECEN REPRESENTADAS TODAS LAS REGIONES ESPAÑOLAS - 1896 - ALEGORIA DE VIZCAYA. Author: JUAN COMBA GARCIA (1852-1924). Location: MINISTERIO DE HACIENDA-COLECCION. MADRID. SPAIN.

satire Illustration depicting an ocean liner sinking amid icebergs with many passengers jumping into the sea for lack of enough lifeboats, as a few lifeboats loaded with passengers row clear of the ship. Death peers down from atop of the iceberg. By Udo J. Keppler (1872-1956) American cartoonist. Dated 1912

Europe, Italy, Lombardy, Palazzo Te built in 1525 in Mantua, Camera dei Giganti. chamber of the giants

Pyramids of Memphis, Napoleon's Egyptian campaign 1798, gouache

Ericsson, Henry, Sketchbook, 26 leaves, 1921, drawing, Paris, 18.5 cm x 15.5 cm, Ericsson, Henry, part: Church interior, 1921, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

'Still Life (Vanity of Vanities)'. Flanders, 1654. Dimensions: 97x140 cm. Museum: State Hermitage, St. Petersburg. Author: Jan Pauwel Gillemans I.

Hunted by James Cook McKell, Oil on board, (19th C), USA, Pennsylvania, Philadelphia, David David Gallery

The Sacrifice of Iphigenia (Sacrificio di Ifigenia), detail, 1733, by Giambattista Crosato (1686-1758), fresco, vaulted ceiling of the anteroom, Queen's apartment, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

sketch of the painting The Bell of Huesca," campana de Huesca", 1880, José Casado del Alisal, oil on canvas, Huesca museum, Aragon community, Spain.

Humorous Wine Illustration 1946, Illustration by Julien Pavil, (1895-1952), French 20th century illustrator, humourist and poster artist. He illustrated several books between 1929 and 1945.

Maximilian at the Martinswand , Schwind

Statues of Memon at Thebes during the inundation, created between 1842 and 1849 by David Roberts (1796-1864). Published in London by F.G. Moon, this lithograph is part of a collection that includes descriptions and travel accounts related to the Middle East and its archaeological sites, specifically in Egypt. The work features the colossi of Thebes, capturing the historical and cultural significance of the region. The dimensions of the lithograph are 35 x 51 cm

Jan Griffier the Elder, ca. 1645-1718, Dutch, active in Britain (from ca. 1672), A view of Greenwich from the River with many Boats, Between 1700-1710. Oil on canvas.

Perspective box of black lacquered wood with three painted glass plates: drawbridge with men by moonlight, perspective case glass plate glass wood oak wood brass, handpainted Perspective cupboard made of black lacquered oak (circa 1875-1900). Metal wackets on both sides; on one side brass knob to pull the box out of the storage chest. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background giving rise to three-dimensional effect optics perspective glass painting diafanorama

Philip IV (1605-1665) king of Spain from 1621, in hunting dress, holding a gun and accompanied by a dog. This portrait shows the pronounced jaw inherited by many Hapsburgs. Portrait by Diego Velasquez (1599-1660). Prado, Madrid.

'The Burial of Count Orgaz' (detail), 1586-1588 Artist: El Greco. El Greco(1541-1614) was a Greek painter, sculptor and architect of the Spanish Renaissance.

St George by Raphael Raphael (Marchigian, 1483 - 1520), Saint George and the Dragon, c. 1506, oil on panel, Andrew W. Mellon Collection 1937.1.26

Alberich drives in a band of Nibelungs laden with gold and silver treasure - Scene from Das Rheingold

The Painters Studio. This painter is hardly rich: his workshop is located in an old, dark building. His artistic ambitions are not high, for on the easel is a modest landscape. Nevertheless, he has two apprentices. Van Ostade is here poking gentle fun at his own specialization. He did not portray his own studio, but invented the workshop of an ordinary painter who could have painted all of his (Van Ostades) peasant scenes.

Germany, Berlin, Set design for performance The Magic Flute, by Panos Aravantinos

Comforts of Bath: Gouty Persons Fall on Steep HIll, Thomas Rowlandson, 1756-1827, British, 1798, Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper, Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm) and Sheet: 4 7/8 x 7 5/16 inches (12.4 x 18.6 cm), building, cart, dog (animal), genre subject, hats, hill, men, tree, wheel, Bath, Bath and Northeast Somerset, England, Europe, Somerset, United Kingdom

DOS VIEJOS COMIENDO - DETALLE - QUINTA DEL SORDO - 1821/1823 - O/L - PINTURAS NEGRAS - CONJUNTO 3401. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

DE NITTIS, Giuseppe (1846-1884). Horse Races in the Bois de Boulogne. 1881. Right panel. Impressionism. Pastel. ITALY. LAZIO. Rome. Galleria Nazionale d'Arte Moderna (National Gallery of Modern Art).

George Wesley Bellows (August 12 or August 19, 1882 - January 8, 1925) was an American painter. Forty-two Kids 1907 Oil on canvass

Melchior de Hondecoeter (1636-1695). "Peaches, male and female". Oil on canvas, 1681. Museum of Fine Arts of the City of Paris, Petit Palais. 33808-5 Frame, sky, sunset, female, flower, majestic, bird, peacock, peony, peacock feather, sunflower, fly, 17th 17th 17th 17th 17th 17th 17th century, animal, oil on canvas, male, nature, feather

ORATORIO O POLIPTICO DE ISABEL CATOLICA - SIGLO XVI. Author: JUAN DE FLANDES (1465-1519). Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

The Penitence of Saint Jerome, Joachim Patinir, circa 1512-1515, detail, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Children playing with a Seesaw by Francisco de Goya y Lucientes, Spain, Madrid, Real Academia de Bellas Artes

Kandinsky, Wassily Vasilyevich (1866-1944) State Russian Museum, St. Petersburg 1918 31x25 on glass Expressionism Russia

Nightfire by Vosmaer, Daniel (1622-1669/70) Private Collection 1660 Oil on wood 33x46 Holland Baroque Landscape,Genre Painting

Victor Hugo. Burg in the storm. Plume, brush, use of feather beards, brown ink and wash, charcoal, white gouache raises, reserves, use of a stencil on beige paper. 1857. Paris, house of Victor Hugo. Burg, lord chateau, chateau, drawing, storm, tower, feather

Dante and Virgil in the Underworld - 1822 - 189x246 cm - oil on canvas. Author: EUGENE DELACROIX (1798-1863). Location: LOUVRE MUSEUM-PAINTINGS. France. VERGIL. DANTE ALIGHIERI. CARONTE EL BARQUERO. Dante Alighieri (1265-1321).

Haymaker, c. 1862. Painting by Aleksander Kotsis (1836-1877). Polish painter. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

'Still Life with Grapes'. Italy. Dimensions: 98x134 cm. Museum: State Hermitage, St. Petersburg. Author: Michelangelo del Campidoglio (Michele Pace).

Jenaro Pe_rez Villaamil (1807-1854). Spanish Romantic painter. "The Arabic door" (1838). Museum of Fine Arts. Buenos Aires. Argentina.

MENAGERIE. Author: ESCUELA DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Interior of Saint Mark's Basilica by Vasili Grigorievich Khudyakov, oil on canvas, 1858, 1826-1871, Russia, St. Petersburg, State Russian Museum, 29, 5x41

The Madame B Album Made 1870 France. Watercolor print, in album containing collages of albumen prints and watercolor and ink drawings and notations . Marie-Blanche Hennelle Fournier

Design for illustration in the Amsterdammer: The defeat of Russia Ter Zee, 4 June 1905, Johan Braakensiek, 1905 drawing Design for a print. paper. chalk political caricatures and satires

Thomas Cole (Boulton-le-Moors, 1801-Catskill, 1848). Cross at Sunset (ca. 1848). Oil on canvas. 81.8 x 122.4 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Water Terrace with Statues and Fountains in a Park. Dating: 1700 - 1744. Measurements: h 130 cm × w 160 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Isaac de Moucheron.

Neptune's Grotto by Jacob Philipp Hackert, Oil on canvas, 1782, 1737-1807, State Open-air Museum Peterhof, St. Petersburg

Spanish Physician. Max Ernst; French, born Germany, 1891-1976. Date: 1940. Dimensions: 14 3/4 × 21 1/4 in. (37.5 × 54 cm). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The artist's dream. The artist, with his head down on a table in his studio, perhaps seeking divine intervention, is having a vision of great artists from the past, such as: Sir Joshua Reynolds, Rubens, Rembrandt, Titian, Leonardo Da Vinci, Raphael Michelangelo, and others.

Hans Memling, The Fall into Hell 1471/73

Sun Tiger, Moon Tiger 1931 Diego Rivera (1886-1957 Mexican) Underwood Photo Archives, San Francisco, CA

Four Visions of the Hereafter, Bosch, Hieronymus (c. 1450-1516)

Hendrik Goltzius (1558-1617). German-born Dutch painter. Northern Mannerism. "Dragon devouring the companions of Cadmus". 2nd hald half 17th century. Kunsthistorisches Museum (Art History Museum). Vienna. Austria.

Silver altar, dated 1620, with a frame of ebony, from the chapel of Husum Castle. Originally associate with the sister of Christian IV, the Duchess Augusta. The silverwork is by Albrecht von Horn of Augsburg. Flagellation the Christ o Christ at the pillar. National Museum of Denmark.

Peter Paul Rubens (1577-1640). Flemish artist. The Head of Medusa, c. 1617. Art History Museum (Kunsthistorisches Museum). Vienna. Austria.

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